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Aurora over Scotland (157 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora aucf14110jhp 
 Scotland Northern Lights display faded winter west north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.58.03hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display dispersed west and interrupted by cloud cover. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14107jhp 
 Scottish Northern Lights arc rays fading colours winter Plough westwards Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.43.06hrsUT for 15secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display with dispersing folding arc and rays to west of North with The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14106jhp 
 Aurora Borealis Scottish arc folding rays colours winter west Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.42.02hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and rays to west of North with tail of The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14105jhp 
 Aurora Borealis Scottish rays colours red Plough winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.51hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of strong oxygen red rays to due North-tail of The Plough on the right. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14104jhp 
 Aurora Borealis Scotland arc multiple strong rays colours winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.09hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of developing rays to due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14103jhp 
 Aurora Borealis Scotland green arc rays faint November 2003 north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.33.31hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc and first signs of rays developing slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14102jhp 
 Aurora Borealis Scottish dispersed green arc Plough winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.32hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc patches prior to rays forming slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14101jhp 
 Aurora Borealis Display Scotland dispersed arc winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.30.12hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14007jhp 
 Aurora Display Scotland Lights rays winter north Plough Stars Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.02.15hrsUT for 18secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing colourful rays to due North with The Plough or Ursa Major on the right side. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14006jhp 
 Aurora Borealis Scotland rays moving faint clouds north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.01.41hrsUT for 14secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14005jhp 
 Aurora Display Scottish Northern Lights rays waning north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.44hrsUT for 12secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14004jhp 
 Aurora Display Scottish colourful rays north street lights Torphins Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.09hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14003jhp 
 Aurora Borealis Scotland colourful strong rays trees north Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.34hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright
Deeside Aurora aucf14002jhp 
 Aurora Borealis Scotland colours centre purple rays trees westwards Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.01hrsUT for 15secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas molecules. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Deeside Aurora aucf14001jhp 
 Aurora Borealis Scottish colours centre red rays treetops west Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.58.25hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark at 1600ISO which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera
Aurora over Stone Circle SO0213981jhp 
 Scotland Aurora Borealis Orion Pleiades Corona green zenith celestial wings from Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south the last of the digital photos was taken at 00.18.10hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213980jhp 
 Scotland flanker monolith Aurora Borealis Orion Pleiades Corona green zenith wings Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.17.20hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213979jhp 
 Scotland flanker Stones Aurora Borealis south Pleiades Corona green zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.16.23hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213978jhp 
 Scottish flanker above Aurora Borealis south Orion Pleiades Corona zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.15.11hrsUT for 17secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213977jhp 
 Scottish Stone Circle Aurora Borealis south Orion Pleiades Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.14.32hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213975jhp 
 Scotland Stone Circle Aurora Borealis above flanker red colours rays North Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.47hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213974jhp 
 Scotland Stone Circle Aurora Borealis Corona red colours rays Plough North Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.18hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213973jhp 
 Scotttish Stone Circle Aurora Borealis Corona arms colours rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Morven was taken at 00.00.36hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213970jhp 
 Deeside Stone Circle Aurora Borealis Corona dome rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Tarland was taken at 23.58.42hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213967jhp 
 Scotland Stone Circle Aurora Borealis Corona rays recumbent Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.56.31hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213959jhp 
 Scottish Stone Circle Aurora Borealis Corona red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.27.22hrsUT for 20secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213956jhp 
 Scotland Aurora Borealis corona building red green rays dome stone Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.25.12hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213955jhp 
 Scottish Aurora Borealis corona building red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.24.10hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213954jhp 
 Scottish Aurora Borealis sweeping red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.23.29hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213952jhp 
 Scotland Stone Circle Aurora Borealis sweeping red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.21.36hrsUT for 19secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213951jhp 
 Scottish Stone Circle Aurora Borealis sweeping arms Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.20.58hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213949jhp 
 Scottish Stone Circle Aurora Northern Lights Corona Orion Stars red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.19.04hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213947jhp 
 Scottish Stone Circle Aurora Borealis Corona Orion Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.15.05hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213946jhp 
 Scotland Stone Circle Aurora Borealis Corona activity rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.13.18hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213943jhp 
 British Stone Circle Aurora Borealis Corona dome zenith Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.44hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213942jhp 
 Scottish Stone Circle Aurora Borealis Corona dome Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.14hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213941jhp 
 Stone Circle Aurora Borealis Corona Orion flanker red ray Tarland Deeside winter Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.57.10hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213940jhp 
 Scottish Stone Circle RSC Aurora Borealis Corona west red ray Tarland Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.56.13hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213939jhp 
 Stone Circle Aurora Borealis Corona Orion red ray Tomnaverie Deeside Scotland recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.55.46hrsUT for 11secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213937jhp 
 Scottish Stone Circle Aurora Borealis Corona Orion red ray Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.34.58hrsUT for 8secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, upright, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137034jhp 
 Aurora Borealis Scotland Corona crown red purple nitrogen rays treetops west Aberdeenshire Deeside last digital photograph taken over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.15.02hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137033jhp 
 Aurora Borealis Scottish Corona crown red wings sweeping rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.13.56hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137032jhp 
 Aurora Borealis Scottish colours east car headlights arms Corona red Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.56hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137031jhp 
 Aurora Borealis Scottish colours Corona centre crown red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.12hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137030jhp 
 Aurora Borealis Scottish colourful Corona zenith red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.11.32hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137029jhp 
 Aurora Borealis Scotland colours Corona red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.10.48hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137027jhp 
 Aurora Borealis red rays Scotland Torphins colours eastwards car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.09.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, telephone pole, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137026jhp 
 Aurora Borealis Scottish winter Torphins colours east car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.08.42hrsUT for 11secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137025jhp 
 Aurora Borealis Scotland Northern Lights November Corona red green rays colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.07.58hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137023jhp 
 Aurora Borealis Scotland Corona red wings centre colours west pine tree silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.50hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137022jhp 
 Aurora Borealis Scottish winter east car headlights red rays colours Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.10hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Torphins, Glassel, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137021jhp 
 Aurora Borealis Scottish winter November Corona zenith red wings centre colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.05.25hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137020jhp 
 Aurora Borealis Scottish winter display Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.54hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137019jhp 
 Aurora Borealis Scotland Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137018jhp 
 Aurora Borealis Scottish Corona zenith red wings centre power colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.03.46hrsUT for 8secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137016jhp 
 Aurora Borealis Scottish Corona centre green pink wings west above trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137015jhp 
 Aurora Borealis Scottish Corona zenith green arms west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137014jhp 
 Aurora Borealis Scotland Corona zenith green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.01.28hrsUT for 14secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137013jhp 
 Aurora Borealis Scottish Corona display red green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.00.52hrsUT for 18secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13610jhp 
 Aurora Borealis Scotland Corona red wings forest trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.46.34hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO.. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13609jhp 
 Aurora Borealis Scottish Corona display red wings forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.45.56hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 it set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13601jhp 
 Aurora Borealis Corona Deeside display red wings west Aberdeenshire Scotland photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This first digital photo was taken at 17.33.02hrsUT for 24secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Corona Forming aucf13119jhp 
 Aurora Borealis Scottish strong Corona zenith shape green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.25.32hrsUT for 13secs, showing green and red oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards the colour chnage indicating the strength of the display increasing. This was a short exposure 13 as against 20 secs and very faint CCd structure lines are visible and indication of an under exposure. This was the last of the digital photos taken. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25.32 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13116jhp 
 Aurora Borealis Scottish Corona zenith centre shape green rays over cottage Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.23.31hrsUT for 20secs, showing green oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13114jhp 
 Aurora Borealis Scotland Corona zenith forming green rays overhead Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.22.01hrsUT for 23secs, showing green oxygen rays forming the corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13113jhp 
 Aurora Borealis Scotland green rays shapes weird ghostlike south Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.20.56hrsUT for 25secs, showing green oxygen rays and shapes above the cottage roof looking southwards and forming weird shapes. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13112jhp 
 Aurora Borealis Scotland green rays clouds eastwards car lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.19.57hrsUT for 21secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, car lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13110jhp 
 Aurora Borealis Scottish green rays clouds east Torphins lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.16.29hrsUT for 19secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13109jhp 
 Aurora Borealis Scottish corona huge green rays west wings Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.03.27hrsUT for 16secs, showing green oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13108jhp 
 Aurora Borealis Northern Lights Scottish corona green red rays west fan Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.53hrsUT for 20secs, showing green and red oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, west, fan, sweeping, suspended, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13106jhp 
 Aurora Borealis Northern Lights Scotland corona green red rays sweeping east Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.11hrsUT for 18secs, showing green and red oxygen rays sweeping down from the east a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13105jhp 
 Aurora Borealis Scottish coronal glow south green red Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.01.36hrsUT for 17secs, showing green and red oxygen background glow a precursor of another corona strength display looking southwards which was an indication of the strength of the display. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, cornal, glow, background, strong, southwards, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13102jhp 
 Aurora Borealis Scotland Pleiades East green red rays rooftop Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 22.59.03hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Corona Forming aucf13101jhp 
 Aurora Borealis Scottish Cassiopeia Pleiades East green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This first digital photo was taken at 22.58.22hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12838jhp 
 Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This last photo was taken at 02.28.39hrsUT for 23secs, showing strong red oxygen background light looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays at the end of this digital sequence and when cloud cover stopped further viewing. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12837jhp 
 Aurora Borealis Scottish green red rays North Plough clouds increasing Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.27.34hrsUT for 24secs, showing green and red oxygen rays looking North with increasing cloud cover starting to blank out the Aurora display. The Plough is above gap between the two tree tops. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12836jhp 
 Aurora Borealis Scotland green red rays North Torphins lights Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.26.26hrsUT for 22secs, showing green and red oxygen rays looking North eastwards past with the street lights of nearby Torphins village in the lower right and The Plough slightly above. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, street, lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12835jhp 
 Aurora Borealis Scottish green red rays North Plough Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.25.29hrsUT for 20secs, showing green and red oxygen rays looking Northwards past The Plough, Big Dipper or Ursa Major stars dead centre of the frame. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12834jhp 
 Aurora Borealis Scottish Corona zenith green rays west Pleiades birch Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.24.39hrsUT for 24secs, showing green zenith arms and strong background red oxygen forming another coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12833jhp 
 Aurora Borealis Scottish Corona zenith green centre Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.23.58hrsUT for 20secs, showing green zenith or crown and some red oxygen backdrop looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12832jhp 
 Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.22.56hrsUT for 20secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12831jhp 
 Aurora Borealis Corona westwards green red rays clouds Scotland Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.21.59hrsUT for 23secs, showing green and strong red oxygen sweeping rays as a corona fades looking westwards. What is not recorded in this still image is the degree of movement with the swirling arms of the rays as the display continue. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12829jhp 
 Aurora British Corona arms westwards green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.18.29hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a coronal zenith or crown looking south westwards with Cassiopeia visible towards thye top centre. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12828jhp 
 Aurora Scottish Coronal wings overhead green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.17.50hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking westwards with Cassiopeia visible towards top of the frame. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12825jhp 
 Aurora Scotland Corona centre overhead tree green rays clouds west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof, silver, birch
Aurora Cloudy Display aucf12824jhp 
 Aurora Borealis Scotland Corona crown tree green red rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12819jhp 
 Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.10.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12818jhp 
 Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.55.02hrsUT for 24secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in the lower quadrant. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12816jhp 
 Aurora Borealis Scotland lights green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.53.37hrsUT for 24secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12814jhp 
 Aurora Borealis Scotland green red sweeping large rays west Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.51.45hrsUT for 27secs, showing green and strong red oxygen sweeping rays looking westwards with Cassiopeia on its side in upper centre. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12813jhp 
 Aurora Borealis Scottish green red sweeping large rays east cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays looking eastwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12812jhp 
 Aurora Northern Lights British Scotland green red rays Orion South clouds cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.05hrsUT for 25secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, uprights, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12811jhp 
 Aurora Northern Lights Scotland green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.49.13hrsUT for 21secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12810jhp 
 Aurora Borealis Scottish green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.48.14hrsUT for 29secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12809jhp 
 Aurora Borealis Scotland green red oxygen rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.47.30hrsUT for 23secs, showing green and some red oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12808jhp 
 Aurora Borealis Scottish red green rays Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.46.44hrsUT for 27secs showing mainly green and red oxygen rays in the early stages of a developing Corona looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12807jhp 
 Aurora Borealis Scottish display rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.55hrsUT for 23secs showing mainly green oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12806jhp 
 Aurora Borealis Scotland red green rays cloud gap stars west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.05hrsUT for 25secs showing mainly green oxygen rays through gaps in the cloud cover. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12804jhp 
 Aurora Borealis Scottish forest red green rays cloudy west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.42.06hrsUT for 23secs showing mainly green oxygen rays looking westwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12801jhp 
 Aurora Borealis Scottish green rays clouds Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.39.28hrsUT for 23secs showing mainly green oxygen rays with a suggestion of red looking northwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12723jhp 
 Aurora Scotland Deeside Corona display green red rays zenith clouds colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.49.26hrsUT for 25secs showing green and red oxygen rays at the centre or zenith of the corona looking directly upwards over Royal Deeside with some increasing cloud and strong wind. The cf127 session of which this is the last frame, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12722jhp 
 Aurora Northern Lights Scotland deeside Corona green red rays zenith centre colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.42hrsUT for 22secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside with some swiftly passing cloud. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12721jhp 
 Aurora Northern Lights Scottish Corona green red rays zenith crown colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.01hrsUT for 15secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12720jhp 
 Aurora Borealis Scotland Corona green red rays huge fan colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.25.38hrsUT for 28secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to west of north over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12719jhp 
 Aurora Borealis Scotland Corona display rays fan westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.24.34hrsUT for 24secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to the west over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12718jhp 
 Aurora Borealis Scottish Corona display rays fan clouds Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.23.22hrsUT for 23secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking upwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12713jhp 
 Aurora Borealis Scotland red green oxygen rays clouds west gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.07.23hrsUT for 22secs showing mainly green red oxygen rays through the clouds looking westwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12712jhp 
 Aurora Borealis Scotland green red Northern Lights rays clouds northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.06.33hrsUT for 21 secs showing mainly green oxygen arc light with green and red oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12710jhp 
 Aurora Borealis Scotland strong green red rays clouds openings bright stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03.38hrsUT for 38 secs showing mainly green oxygen arc light with strong green oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12709jhp 
 Aurora Borealis Scotland display strong green rays clouds openings stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03hrsUT for 20secs showing mainly green oxygen arc light with strong rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12705jhp 
 Aurora Borealis Scottish display faint rays clouds cover gaps northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.00.6hrsUT for 22secs showing mainly green oxygen arc light with very faint rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12702jhp 
 Aurora Borealis Scotland display clouds covered gaps north Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.58.09hrsUT for 19secs showing yellow green oxygen gas backlighting extensive cloud cover to the North. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12701jhp 
 Aurora Borealis Scottish display rays clouds covered gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 23.56.52hrsUT for 20secs showing yellow green oxygen faint ray visible through a cloud gap looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12618jhp 
 Aurora Borealis Scotland Corona green rays clouds westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.30.43hrsUT for 17secs showing mainly green oxygen rays descending from the corona through increasing cloud cover looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12615jhp 
 Aurora Borealis Scottish autumn Corona Coronal display green red rays zenith fanlike overhead Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.28.40hrsUT for 20 secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12614jhp 
 Aurora Borealis Scottish autumn Corona green rays zenith fanlike descending Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.27.45hrsUT for 16secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12613jhp 
 Aurora Borealis Scottish autumnal Corona green rays spread fan huge Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.26.50hrsUT for 14secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12612jhp 
 Aurora Borealis Scotland Corona green rays spread fan celestial Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.25.04hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12608jhp 
 Aurora Borealis Scottish Corona green rays westwards colourful arc Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.44hrsUT for 25secs showing mainly green oxygen rays descending from the corona and ascending from the strong active arc on the right looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12607jhp 
 Aurora Borealis Scotland Corona zenith crown green rays spread Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.07hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona viewed directly overhead but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12606jhp 
 Aurora Borealis Scottish Corona zenith centre above green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.22.17hrsUT for 22secs showing mainly green oxygen rays from the centre of the Corona directly overhead. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12605jhp 
 Aurora Northern Lights arc streaming active green rays vivid Plough colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.21.19hrsUT for 26secs showing mainly green oxygen rays from a very active arc with streaming towards the north marked by The Plough dead centre. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12604jhp 
 Aurora Borealis October arc streaming active green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.20.39hrsUT for 21secs showing mainly green oxygen rays from a very active arc with streaming towards the north. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12603jhp 
 Aurora Borealis autumn Scotland corona zenith crown centre Cassiopeia red green rays colourful Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.45hrsUT for 18secs showing red and green rays surounding a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12602jhp 
 Aurora Borealis autumn corona zenith red green rays Pleiades colourful Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.11hrsUT for 16secs showing red and green rays descending from a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Corona Display aucf12601jhp 
 Aurora Borealis Scottish autumn corona zenith rays colours Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.17.37hrsUT for 16secs showing red and green rays descending at the start of a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11103jhp 
 Aurora Borealis Scotland autumn October clouds red ray northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.29.10hrsUT for 18secs showing strong red ray activity from a very low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just hidden behind the increasing cloud cover. I took 4 frames over 30 mins, so cloud cover stopped me photographing more of the display using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora and Cloud aucf11102jhp 
 Aurora Borealis Scottish Ursa Major October clouds faint rays northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.05.37hrsUT for 17secs showing faint suggestion of ray activity with the yellow green oxygen gas in low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just discernible behind the increasing cloud cover. I took 4 frames over 30 mins, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11704jhp 
 Aurora Borealis Scottish October autumn fading rays west Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.58.52hrsUT for 20secs showing fading red and ray activity from a fragmented green arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11703jhp 
 Aurora Borealis Scottish October autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 22.56.03hrsUT for 19secs showing strong red and green ray activity from a fragmented arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11702jhp 
 Aurora Borealis Scottish Northern Lights autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.55.19hrsUT for 20secs showing strong red and green ray activity from a fragmented arc and the constellation Ursa Major, The Plough or Big Dipper. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Active Aurora Display aucf11701jhp 
 Aurora Borealis Scotland autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north in the direction of Kincardine O’Neil. This photo was taken at 22.54.41hrsUT for 19secs showing strong red and green ray activity from a fragmented arc and the tail of the constellation Ursa Major, The Plough or Big Dipper on the right of frame. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9565jhp 
 Aurora Northern Lights Plough nitrogen faint rays fading display Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.13.32hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9563jhp 
 Aurora Northern Lights Big Dipper purple nitrogen faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.09.46hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9561jhp 
 Aurora Borealis Scottish Plough August nitrogen ray eastwards Deeside Torphins lights Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42.46hrsUT for 19secs showing faint purple nitrogen ray activity over Torphins lights with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9557jhp 
 Aurora Borealis Scotland August purple nitrogen faint rays fragmented arc northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.37hrsUT for 19secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9553jhp 
 Aurora Northern Lights Scottish summer purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.03hrsUT for 16secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9552jhp 
 Aurora Borealis Scottish Ursa Major August purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.29.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9550jhp 
 Aurora Borealis Scottish Northern Lights summer purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 27.43hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9549jhp 
 Aurora Borealis Scottish Big Dipper August purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.26.59hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9547jhp 
 Aurora Borealis Scotland East summer Torphins moon purple nitrogen ray Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24.41hrsUT for 17secs showing single nitrogen ray activity with the yellow green oxygen gas in a breaking arc loking eastwards over the lights of Torphins with a full moon to the right of the frame. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9546jhp 
 Aurora Borealis Scottish Plough summer yellow green arc North faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.41hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Scottish Summer Aurora aucf9545jhp 
 Aurora Borealis Scotland Plough summer August 2003 green arc faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Summer auSO7612jhp 
 Aurora Northern Lights Scotland summer July north green arc purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.46hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.46hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7611jhp 
 Aurora Borealis Scottish Cassiopeia eastwards summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7610jhp 
 Aurora Borealis Scotland purple nitrogen rays green arc oxygen early morning Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.33hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7609jhp 
 Aurora Borealis Scotland Northern Lights Plough summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.22hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide for open for 23 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7608jhp 
 Aurora Borealis Scotland Plough stars summer rare purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.310hrsUT on 27th July showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 20 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7607jhp 
 Aurora Borealis Scottish Northern Lights summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7606jhp 
 Aurora Borealis Scotland Plough summer purple nitrogen rays green arc Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.29hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7604jhp 
 Aurora Borealis Scottish Plough Big Dipper summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.28hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 15 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7603jhp 
 Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.27hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 13 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Summer auSO7602jhp 
 Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.26hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 8 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera
Aurora Deeside au911019jhp 
 Northern Lights Aberdeenshire autumn display strong arc red yellow streaming bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911018jhp 
 Aurora Borealis 1991 Scottish September display folding arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911017jhp 
 Aurora Borealis 1991 Scotland autumn display strong arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora The Neuk au72630hp 
 Deeside Scotland Aurora Borealis red rays green yellow purple March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.12hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and the bright patch at the base is the start of some streaming activity. Also note the faint mauve colour on the extreme right evidence of nitrogen gas as well as the standard oxygen colours of red and green. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Egypt > Aswan in general (43 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Elephantine EG004832jhp 
 Elephantine Island Aswan Egyptian script Satet Senusret temple hieroglyphs insert visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004831jhp 
 Elephantine Egyptian restoration temple building Satet Satis Sesostris Senusret visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004830jhp 
 Elephantine Island Aswan Egypt temple painted reliefs cartouche Gods outlines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004829jhp 
 Elephantine Island Aswan Egyptian restoration Satis temple pillar Hathor face visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004828jhp 
 Elephantine Aswan Egypt restoration Satet temple God Amun Min ithyphallic visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004827jhp 
 Elephantine Island Aswan Egypt restoration temple Satis Satet coloured reliefs lines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004826jhp 
 Elephantine Egyptian Satis painted relief carving lotus wine jars duck offering visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004825jhp 
 Elephantine Island Aswan Egypt restoration temple painted relief Anukis Anuket visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004824jhp 
 Elephantine Island Aswan Egypt Satis Tuthmosis embrace restored temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Tuthmosis 111, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004823jhp 
 Elephantine Island Aswan Egypt restoration temple coloured relief Amun pharaoh khepresh visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Amun, Tuthmosis 111, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004822jhp 
 Elephantine Island Aswan Egypt painted relief feet partial restoration Satis temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004821jhp 
 Elephantine Island Aswan Egyptian restoration temple buildings coloured blocks visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004820jhp 
 Elephantine Island Aswan Egypt restoration temple Satet Senusret Satis restored visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Senusret, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004819jhp 
 Elephantine Island Aswan Egypt restoration Satis Sesostris Senusret temple column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Senusret, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004818jhp 
 Elephantine Island Aswan Egypt granite carved plinth Gods pharaoh offering scene visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005025jhp 
 Elephantine Island Aswan Egypt River Nile fellucca Old Cataract Hotel sailing past visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, tourists, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005024jhp 
 Elephantine Island Aswan Egypt River Nile Nilometer boulders huge riverbank visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005023jhp 
 Elephantine Island Aswan Egypt Nilometer boulders carvings cartouche Nile water visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005022jhp 
 Elephantine River Nile Nilometer riverside Aswan Egyptian water boulders brick wall visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005021jhp 
 Elephantine Island Aswan Egypt garden museum seated statue nomarch peaceful visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005020jhp 
 Elephantine Island Aswan Egypt museum open air garden seated statue visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005019jhp 
 Elephantine Island Aswan Egypt garden museum trees flowers amphora Roman jar visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005018jhp 
 Elephantine Island Aswan Egypt Nilometer steps measuring water Nile floods visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005016jhp 
 Aswan Egypt Nilometer steps River Nile Old Cataract Hotel stone walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005015jhp 
 Elephantine Aswan Nilometer Cataract Hotel steps stone Nile river water Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836jhp 
 Elephantine Island Aswan Egyptian buildings mudbrick walls streets room houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836Ejhp 
 Elephantine Island Aswan Egyptian shrines cult Heqa-ib Heka-ib deified governor Abu restoration Egypt visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004835jhp 
 Elephantine Aswan Egypt restored room column bases buildings mudbrick Abu visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004834jhp 
 Elephantine Aswan Egypt late dynasty houses mudbrick tiers walls rooms visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004833jhp 
 Elephantine Island Aswan Egyptian column palm buildings mudbrick walls village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00509jhp 
 Elephantine Island Aswan Egyptian excavations temple Alexander Gate Cataract Hotel visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00508jhp 
 Elephantine Island Aswan Egypt restoration village buildings mudbrick Nile upstream view visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upstream, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, New, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00507jhp 
 Elephantine Island Aswan Nile River upstream Egypt buildings mudbrick walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00506jhp 
 Elephantine Island Aswan Egyptian buildings mudbrick Mausoleum desert Late Period remains visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00505jhp 
 Elephantine Island Aswan Egypt restored partially mudbrick houses Mausoleum Nile river visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, panorama, landscape, Mausoleum, Aga, Khan, Desert, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00504jhp 
 Elephantine Island Aswan Egyptian restoration temple buildings mudbrick modern city outline visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00503jhp 
 Elephantine Island Aswan Egypt overview restored houses buildings mudbrick village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00502jhp 
 Elephantine Island Aswan Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005014jhp 
 Elephantine Island Aswan Egypt restoration Alexander gate gateway column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005013jhp 
 Elephantine Island Aswan EgyptAlexander gatway carved papyrus column base visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005012jhp 
 Elephantine Island Aswan Egypt naos Nectanebo granite temple debris blocks scattered on this site visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, granite, naos, Pepi 11, Nectanebo 11, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005011jhp 
 Elephantine Island Aswan Egypt Nile downstream Oberoi buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005010jhp 
 Elephantine Island Aswan Egypt Nile New Cataract Hotel buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Egypt > Infra Red Photographs (19 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Esna by Nile InfR EG021218jhp 
 Egypt Esna Nile town waterfront cruise berth houses infra red is a well known berthing area on the River Nile waiting for access to the locks and if time allows there is a beautiful Ptolemaic temple deep in a hollow under the modern town building line worth visiting. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, promenade, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021227jhp 
 Egyptian Esna Temple smiting enemies infra red Khnum Isis outer carvings north wall on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, battle, scene, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021226jhp 
 Egypt Esna Temple north wall infra red Khnum Isis outer carvings on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021225jhp 
 Egypt Esna Temple Nile town modern houses exterior B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021224jhp 
 Egyptian Esna Temple town modern appartment flats B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021223jhp 
 Egypt Esna Temple Nile town hypostyle hall infra red exterior walls west north of this small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021222jhp 
 Egyptian Esna Temple hypostyle hall north west walls infra red B&W is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, outside, walls, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021221jhp 
 Egypt Esna Temple outer wall infra red film hypostyle hall side is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021220jhp 
 Egypt Esna Temple Ptolemaic hypostyle hall infra red film floral capitals curtain screens is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021219jhp 
 Egypt Esna Temple hypostyle hall curtain screens infra red Gods offering scene is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Medinet Habu InfR EG983713jhp 
 Medinet Habu Temple Mortuary Ramasses pylon exterior infra red film B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983712jhp 
 Medinet Habu Temple Egypt Infra Red B&W Hypostyle statue carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983711jhp 
 Medinet Habu Temple Mortuary Egyptian second court painted infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983710jhp 
 Medinet Habu Temple Ramesses Egypt first court statue king infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, engaged, statue, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98116jhp 
 Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98115jhp 
 Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98114jhp 
 Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98113jhp 
 Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98112jhp 
 Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (22 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Two Chapels EG074909jhp 
 Egypt Karnak Thutmosis alabaster Chapels two Amenhotep museum sunny blue sky was one of the original exhibits in the Museum in the Karnak complex on the East Bank of the Nile at Luxor. Ruling around 1400BC he is particularly known for the famous Dream Stele between the paws of the Sphinx. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including these of Thutmosis 1V in the foreground and beyond that of Amenhotep 1 alabaster barque chapel of whom little is recorded, who ruled around 1550-24BC and although his mummy was found in the 1881 royal mummy cache but this beautiful small chapel is one delightful reminder of his 25 year reign. There is also the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, open-air, museum, Thutmosis, Thutmose, fourth, IV, Amenhotep, temple, chapels, two, pair, alabaster, cartouche, reconstruction, history, archaeology, ancient, Egyptology, hieroglyphics, carvings
Karnak The White Chapel EG074916jhp 
 Egypt Karnak White Chapel Senusret columns hieroglyphs carvings detailed cartouches was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, closeup, landscape, open-air, museum, Senusret 1, Senwosret, chapel, white, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, Min, fertility, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering, scenes, cartouches, scarab, kheper, djed, column, fan, shut, sekhem, scepter, ka, ankh, loaf, white, bread, sun, ra, basket, nebet, hoe, henen
Karnak The White Chapel EG074915jhp 
 Egypt Luxor Karnak White Chapel Senusret Senwosret hieroglyphs offering details was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, closeup, upright, open-air, museum, Senusret 1, Senwosret, chapel, white, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, Min, fertility, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering
Karnak The White Chapel EG074914jhp 
 Egypt Luxor Karnak White Chapel Senusret Amun Min ithyphallic hieroglyphs was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, closeup, upright, open-air, museum, Senusret 1, Senwosret, chapel, white, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, Min, fertility, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering
Karnak The White Chapel EG074913jhp 
 Egyptian Karnak White Chapel Senwosret Museum Amun Min crowns hieroglyhs was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, closeup, landscape, open-air, museum, Senusret 1, Senwosret, chapel, white, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, Min, fertility, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering, holding, hands, two, crowns, white, upper, hedjet, red, lower, deshret, union, classic, symbols
Karnak The White Chapel EG074912jhp 
 Egypt Luxor Karnak White Chapel Senusret figure offering wine kneeling was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetis, upright, open-air, museum, Senusret 1, Senwosret, chapel, white, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering, wine, vases, kneeling, figure, sedge, head, ankh, basket, djed, column, loaf, white, bread
Karnak The White Chapel EG074911jhp 
 Egyptian Karnak White Chapel way station Senusret Senwosret Museum restored was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, upright, open-air, museum, Senusret 1, Senwosret, chapel, white, complete, whole, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering
Karnak The White Chapel EG074910jhp 
 Egypt Luxor Karnak White Chapel Senusret Senwosret Open Air Museum was one of the original and stars of the Open Air Museum in the Karnak complex on the East Bank of the River Nile at Luxor. As the oldest reconstruction at the site, dating from around 1970 -26 BC, testifies to one of the richest periods of craftsmanship in ancient Egypt, achieved perhaps because of the stability of his reign of over 30 years and is considered the peak of craftsmanship in the 12th Dynasty shown in some exquisite examples of jewellery found at Dashur. This area is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including one of Amenhotep 1 alabaster barque chapel and another from the reign of Thutmosis 1V, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, landscape, complete, open-air, museum, Senusret 1, Senwosret, chapel, white, kiosk, barque, shrine, way-station, Jubilee, columns, ithyphallic, Amun, carving, history, archaeology, ancient, Egyptology, hieroglyphics, offering
Karnak Museum Exhibit EG074924jhp 
 Karnak Temple Egyptian block limestone carved ankh djed hobble cattle located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, exhibit, fallen, broken, blocks, stored, Horus, carvings, carved, detail, closeup, limestone, hieroglyphs, hieroglyphics, looped, cord, cattle, hobble, djed, column, stalks, tied, symbol, ankh, enduring, protection, landscape, history, archaeology, ancient, Egyptology
Karnak Museum Exhibit EG074923jhp 
 Open Air Museum Karnak Temple Luxor Egyptian ankh sign closeup located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, fallen, broken, blocks, stored, Horus, carvings, limestone, hieroglyphs, hieroglyphics, upright, ankh, sign, closeup, history, archaeology, ancient, Egyptology
Karnak Museum Exhibit EG074922jhp 
 Museum Karnak Temple Egyptian hieroglyhs offering wine nefer ieb heart located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, fallen, broken, blocks, stored, Horus, carvings, limestone, hieroglyphs, hieroglyphics, heart, ieb, au-ieb, amulet, nefer, sun, ra, djed, face, wine, vases, landscape, history, archaeology, ancient, Egyptology
Karnak Museum Exhibit EG074921jhp 
 Open Air Museum Karnak Temple Egyptian blocks stored reused located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, with a similiar one for Thutmosis and the exquisite White Chapel of Senwosret 1 in the background of this photo, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, fallen, broken, blocks, stored, Horus, carvings, limestone, hieroglyphs, hieroglyphics, landscape, history, archaeology, ancient, Egyptology
Karnak Museum Exhibit EG074920jhp 
 Museum Karnak Temple Egypt carved block classic hieroglyhic symbols limestone located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, fallen, broken, blocks, stored, Horus, carvings, limestone, hieroglyphs, hieroglyphics, landscape, history, archaeology, ancient, Egyptology, eye, wedjat, vulture, neret, serpents, bull, ka, arms, God, seated, netcher, ripple, water
Karnak Museum Exhibit EG074919jhp 
 Open Air Museum Karnak Temple Egypt granite blocks exhibits carved located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, fallen, broken, blocks, stored, Horus, carvings, limestone, hieroglyphs, hieroglyphics, landscape, granite, history, archaeology, ancient, Egyptology
Karnak Chapel Thutmosis 1V EG074908jhp 
 Egyptian Karnak Thutmose alabaster Chapel Open Air Museum detail hieroglyphs was one of the original exhibits in the Museum in the Karnak complex on the East Bank of the Nile at Luxor. Ruling around 1400BC he is particularly known for the famous Dream Stele between the paws of the Sphinx. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including another of Amenhotep 1 alabaster barque chapel of whom little is recorded, who ruled around 1550-24BC and although his mummy was found in the 1881 royal mummy cache but this beautiful small chapel is one delightful reminder of his 25 year reign. There is the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, open-air, museum, Thutmosis, Thutmose, pharaoh, kilt, was, scepter, hedjet, crown, fourth, IV, temple, chapel, alabaster, detail, closeup, cartouche, reconstruction, history, archaeology, ancient, Egyptology, hieroglyphics, basket, nebet, sun, ra, face, duck, nefer, Horus, loaf, te, white, bread, sedge, carvings
Karnak Chapel Thutmosis 1V EG074907jhp 
 Egypt Luxor Karnak Thutmosis alabaster Chapel Shrine Open Air Museum was one of the original exhibits in the Museum in the Karnak complex on the East Bank of the Nile at Luxor. Ruling around 1400BC he is particularly known for the famous Dream Stele between the paws of the Sphinx. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including this one of Amenhotep 1 alabaster barque chapel of whom little is recorded, who ruled around 1550-24BC and although his mummy was found in the 1881 royal mummy cache but this beautiful small chapel is one delightful reminder of his 25 year reign. There is another alabaster chapel from the reign of Amenhotep 1, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, complete, whole, open-air, museum, Thutmosis, Thutmose, fourth, IV, temple, chapel, alabaster, detail, closeup, cartouche, reconstruction, history, archaeology, ancient, Egyptology, hieroglyphics, carvings
Karnak Chapel Amenhotep 1 EG074906jhp 
 Egyptian hieroglyphs Karnak Amenhotep Alabaster Chapel Museum detail cartouche Horus was one of the original exhibits in the Open Air Museum in the Karnak complex on the East Bank of the Nile at Luxor. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including this one of Amenhotep 1 alabaster barque chapel of whom little is recorded, who ruled around 1550-24BC and although his mummy was found in the 1881 royal mummy cache but this beautiful small chapel is one delightful reminder of his 25 year reign. There is another alabaster chapel from the reign of Thutmosis 1V, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, upright, detail, open-air, museum, Amenhotep 1, chapel, alabaster, ithyphallic, Amun, carving, history, archaeology, ancient, Egyptology, hieroglyphics, Horsu, cartouche, sun, ra, shenu, sedge, bee, shrines, sed, jubilee, pavilion, water, duck, wedjat, eye, ankh, ka, set, basket, nebet, snakes, carving
Karnak Chapel Amenhotep 1 EG074905jhp 
 Egypt Luxor Karnak Amenhotep Alabaster Chapel Open Air Museum sunny was one of the original exhibits in the Open Air Museum in the Karnak complex on the East Bank of the Nile at Luxor. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including this one of Amenhotep 1 alabaster barque chapel of whom little is recorded, who ruled around 1550-24BC and although his mummy was found in the 1881 royal mummy cache but this beautiful small chapel is one delightful reminder of his 25 year reign. There is another alabaster chapel from the reign of Thutmosis 1V, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent larger addition is the reconstruction of Thutmosis IV [Thutmose] Festival Court for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, landscape, complete, open-air, museum, Amenhotep 1, chapel, alabaster, ithyphallic, Amun, carving, history, archaeology, ancient, Egyptology, hieroglyphics, carving
Amenhotep 1V Foregate EG074917jhp 
 Open Air Museum Karnak Temple Luxor Foregate Amenhotep pylon Egyptian one of the partially restored exhibits in this delightful Open Air Museum located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry , accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East, Bank, River, Nile, Thebes, Waset, Ipetisut, open, air, museum, foregate, third, pylon, Amenhotep, 1V, battle, heads, vanquished, hair, holding, carvings, hieroglyphs, landscape, history, archaeology, ancient, Egyptology
Karnak Sekhmet EG074870jhp 
 Open Air Museum Karnak Temple Luxor Sekhmet granite lion statue Egyptian Goddess located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry , accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Open, Air, Museum, storage, yard, recovered, blocks, carvings, granite, hieroglyphs, courtyard, entrance, front, upright, history, archaeology, ancient, Egyptology, Sekhmet, lion, Goddess, leonine, lioness
Karnak Fallen Obelisk EG074865jhp 
 Karnak Temple Luxor granite fallen obelisk Horus Hieroglyphs Egyptian deep-cut carvings found behind the huge statue of Ramses going out of the eastern gate to the Open Air Museum and this huge temple complex is located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, fallen, broken, obelisk, pyramidion, Horus, carvings, granite, hieroglyphs, courtyard, Taharqa, column, kiosk, entrance, front, upright, Ramses, statue, rear, history, archaeology, ancient, Egyptology
Karnak Fallen Obelisk EG074864jhp 
 Karnak Temple Luxor granite fallen obelisk Thutmosis Amun cartouche Hieroglyphs Egyptian deep-cut carvings found behind the huge statue of Ramses going out of the eastern gate to the Open Air Museum and this huge temple complex is located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, fallen, broken, obelisk, Thutmosis, Thutmose, cartocuhe, Amun, pharaoh, pyramidion, Horus, carvings, granite, hieroglyphs, courtyard, Taharqa, column, kiosk, entrance, front, landscape, Ramses, statue, rear, history, archaeology, ancient, Egyptology

Egypt > Luxor City & Misc West Bank (2 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.
Luxor Station & Train EG072606jhp 
 Egypt Luxor Station platform train passengers modern architecture Egyptians found at the end of this long straight road Sharia al-Mahatta from just behind Luxor Temple and facing the elegant and modern railway station façade. We were dropped here before entering the station and boarding the main Aswan to Cairo train for a visit to the Minya area.
Although we travelled First Class and the seats were undoubtately some of the most comfortable I had had on a train the toilets were probably the worst I have ever experienced anywhere and given the importance of tourism to Egypt and the huge pool of labour available this was an unacceptable lack of standards. 
 Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Sharia, al Mahatta, road, station, platform, train, railway, Ramses, waterfront, promenade, esplanade, upright, Corniche, modern, architecture, European, influence, style, stylish, balconies, Egyptian, theme, eye, wedjat, freize, cornice, construction, apartment, block, street, cars, people, tree-lined
Luxor Station & Train EG072604jhp 
 Egypt Luxor Station Railway Train passengers carriages platform Egyptian modern found at the end of this long straight road Sharia al-Mahatta from just behind Luxor Temple and facing the elegant and modern railway station façade. We were dropped here before entering the station and boarding the main Aswan to Cairo train for a visit to the Minya area. 
Although we travelled First Class and the seats were undoubtately some of the most comfortable I had had on a train the toilets were probably the worst I have ever experienced anywhere and given the importance of tourism to Egypt and the huge pool of labour available this was an unacceptable lack of standards. 
 Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Sharia, al Mahatta, landscape, road, station, platform, train, railway, Ramses, waterfront, promenade, esplanade, Corniche, modern, architecture, European, influence, style, stylish, balconies, Egyptian, theme, eye, wedjat, freize, cornice, construction, apartment, block, street, cars, people, tree-lined

Egypt > Luxor Ramasseum (17 files)

Photographs in this gallery relate to the mortuary Temple of Ramasses 11 on the West Bank of the River Nile at Luxor the so called Ramasseum
Ramasseum Pylon EG075201jhp 
 Ramasseum Colonnade column bases grass evening Pylon First Court Egypt Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, upright, first, pylon, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075200jhp 
 Ramasseum Ramasses Pylon First Court Palace Colonnade Egypt bases enclosure wall situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, face, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075199jhp 
 Ramasseum Pylon First Court Person scale figure Egyptian Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, face, north, person, woman, small, scale, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075198jhp 
 Ramasseum Pylon First Court Egypt Palace Colonnade bases Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, upright, first, pylon, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075197jhp 
 Ramasseum Pylon First Court Palace view colonnade golden light Egyptian Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, face, south, wall, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075196jhp 
 Ramasseum Ramasses Pylon First Court Palace column bases Egypt afternoon light, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, north, face, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075195jhp 
 Ramasseum Ramesses Pylon First Palace view Egyptian Temple Mortuary Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, mortuary, West Bank, River Nile, Thebes, upright, first, pylon, inner, face, court, gate, blocked, unsafe, structure, stability, column, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075194jhp 
 Ramasseum Palace columns Pylon First Court Egypt Luxor golden sunlight situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, court, inner, face, north, gate, blocked, unsafe, structure, stability, base, Palace, colonnade, columns, column, bases, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075193jhp 
 Ramasseum Pylon First Court Colonnade Palace ruins Egypt Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075192jhp 
 Ramasseum Ramasses Pylon First Court Egypt Luxor carvings Battle Kadesh, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, inner, north, face, upright, first, pylon, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075191jhp 
 Ramasseum Ramses Pylon Pharaoh Chariot Battle Kadesh Egypt Luxor carving, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, upright, first, pylon, inner, face, north, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075190jhp 
 Ramasseum Ramasses Pylon First Court Egyptian Battle Kadesh Chariot bodies situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, face, north, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075189jhp 
 Ramasseum Ramses Pylon First Gate blocked Court Egypt golden light situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, upright, first, pylon, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075188jhp 
 Ramasseum Ramesses Pylon First Court Egypt Kadesh Battle scene carvings situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, face, north, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075187jhp 
 Ramasseum Pylon Inner face disrepair First Egypt Luxor Thebes Gate blocked, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, first, pylon, inner, face, north, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075186jhp 
 Ramasseum Ramses Pylon First West corner inner Egypt Luxor West bank, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, upright, first, pylon, inner, face, west, corner, north, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand
Ramasseum Pylon EG075185jhp 
 Ramasseum Pylon First Court Egypt Luxor Thebes West inner face, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the enormous First Pylon, now badly ruined and with the gate blocked up to maintain some structural stability. These are taken from inside the first court looking at its north face with some standard Ramasses propaganda carvings of Battle of Kadesh scenes and to the SE side of the court are the remains of the colonnaded Palace where the Pharaoh would have stayed for the important Festivals and ceremonies he was bound to attend. 
 Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, west, inner, north, face, first, pylon, court, gate, blocked, unsafe, structure, stability, columns, base, Palace, colonnade, columns, broken, remains, hieroglyphs, Ramses, Ramasses, Ramesses, Battle, Kadesh, scenes, bodies, chariot, horses, cartouches, cities, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, grass, sand

Egypt > Medinet Habu (116 files)

Pictures from the great Mortuary temple of Ramasses 111 called the Medinet Habu on the West Bank of the River Nile at Luxor
Medinet Habu EG01359jhp 
 Medinet Habu Temple Mortuary court portico hypostyle columns sunny good light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01358jhp 
 Medinet Habu Temple Ramasses Pharaoh wall carving painted khepresh blue war crown located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01357jhp 
 Medinet Habu Temple Luxor West Bank Ramasses coloured wall carvings shadows located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01356jhp 
 Medinet Habu Temple Min festival wall relief Ramasses detail transparency Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01355jhp 
 Medinet Habu Temple second court statue Ramses 6x6 transparency Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01354jhp 
 Medinet Habu Temple Luxor Ramesses front palm tree square format Velvia located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG013512jhp 
 Medinet Habu resthouse view later pylon gates Jim Henderson square format slide Velvia located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG013511jhp 
 Medinet Habu Pylon Gateway Gate Ptolemaic later coloured winged disc tranny 6x6 located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG013510jhp 
 Medinet Habu Egyptian Temple Ramasses King Horus God carving colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98359jhp 
 Medinet Habu Temple Egyptian Ramasses niche Ptah God hypostyle hall columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98358jhp 
 Medinet Habu Temple Egypt Ramesses two second hypostyle statues seated located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98357jhp 
 Medinet Habu Temple wall relief detail Pharaoh square format photograph second court located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98356jhp 
 Medinet Habu Temple Mortuary Ramasses engaged statues damaged court second located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98355jhp 
 Medinet Habu Temple Luxor West Bank Ramasses second court north Osiride statues of king located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98354jhp 
 Medinet Habu Temple Mortuary Ramses portico court south engaged statue western second located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98353jhp 
 Medinet Habu Temple second pylon gate first court view into visitors scale building located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS98351jhp 
 Medinet Habu Temple Ramasses engaged Osiride statue second court Egyptian located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EGSS983512jhp 
 Medinet Habu Temple Mortuary Ramasses Luxor Egypt Pylon front entrance located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG20708jhp 
 Medinet Habu Temple Ramses hunting bulls antelopes pylon outside north rear facade located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG20707jhp 
 Medinet Habu Temple interiors first court view pylon entrance high gate distance located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG20705jhp 
 Medinet Habu Temple West Bank Ramses Pylon gate second court Egyptian view located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG20704jhp 
 Medinet Habu Temple Ramasses High Gate entrance ticket office Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG05149jhp 
 Medinet Habu Temple Mortuary Ramasses painted wall reliefs inner court located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG05148jhp 
 Medinet Habu Temple Ramasses Pylon Gate Winged disc painted colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG051412jhp 
 Medinet Habu Temple Luxor Ramasses Osiride second court statue engaged located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG051411jhp 
 Medinet Habu Temple Mortuary Osiride colourful wall paintings court Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG051410jhp 
 Medinet Habu Temple Mortuary painted reliefs column ceiling colors colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01704jhp 
 Medinet Habu Temple Ramasses South Naval battle Philistines wall carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01701jhp 
 Medinet Habu Temple Mortuary Ramasses South Outer wall Lion Hunt carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01708jhp 
 Medinet Habu Temple Mortuary Ramasses Pylon front face carvings gate main located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01707jhp 
 Medinet Habu Temple Egypt South Wall outer Amorite war reliefs Luxor West Bank located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01706jhp 
 Medinet Habu Temple Egypt South second pylon outer Amorite war reliefs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01705jhp 
 Medinet Habu Temple Ramses Egypt South chariot Pharaoh wall reliefs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG01702jhp 
 Medinet Habu Temple Ramasses South Outer wall Lion Hunt carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G
Medinet Habu EG206630ajhp 
 Medinet Habu Temple Egyptian Pharaoh prisoners killing south wall afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206629ajhp 
 Medinet Habu Temple Ramses battle prisoners killing south outer wall afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206628ajhp 
 Medinet Habu Temple Ramasses Pylon rear carving hunting bulls antelopes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206627ajhp 
 Medinet Habu Palace gate second pylon outer wall south Egyptian Theban hill located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206626ajhp 
 Medinet Habu Palace gate second pylon outside south Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206625ajhp 
 Medinet Habu Temple Mortuary Ramses outer wall scenes hunting north Egypt Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206624ajhp 
 Medinet Habu Temple Second Court ramp statues gate summer afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206623ajhp 
 Medinet Habu Temple Ramasses Ancient Egyptian second court painted columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206621ajhp 
 Medinet Habu Temple Mortuary Second Court Osiride statues Egypt Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206620ajhp 
 Medinet Habu Temple gate ceiling painted detail colors cartouche wings Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206619ajhp 
 Medinet Habu Temple pylon gate first court entrance Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206618ajhp 
 Medinet Habu Temple gate celing painted detail colours Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu EG206617ajhp 
 Medinet Habu Temple gate courts Ramasses Egyptian located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gates, ceilings, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual
Medinet Habu SS98415 
 Medinet Habu Temples Mortuary Small carved wall pylon Egypt Luxor West Bank located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo is taken from the south face of the Small Temple with the northern corner of the main Pylon of the Mortuary temple in the background. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS9841a 
 Medinet Habu Temple Eastern gate migdol rear view Egyptian Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98419 
 Medinet Habu gateway inside view cloister colonnade Small Chapel Taharqa Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98418 
 Medinet Habu Temple Small Amun entrance portico steps Jeser Ast Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. Visitors usual entrance into the Small Temple of Amun which lies outwith the main mortuary temple building and lies to the right of eastern gate entrance. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Amun, Hatshesput, Tuthmosis, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98417 
 Medinet Habu Temple Small Amun Hatshepsut Tuthmosis Jeser Ast Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. Visitors usual entrance into the Small Temple of Amun which lies outwith the main mortuary temple building and lies to the right of eastern gate entrance. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98414 
 Medinet Habu Temple Mortuary Small carved wall pylon Ancient Egyptian Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo is taken from the south face of the Small Temple with the northern corner of the main Pylon of the Mortuary temple in the background. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98413 
 Medinet Habu Temple enclosure walls mudbrick ruins Egyptian Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98412 
 Medinet Habu enclosure walls mudbrick ruins Egypt Luxor Theban hills located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984116 
 Medinet Habu Temple Mortuary Ramesses Saite Chapels panorama pylon located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo was taken from the enclosure wall near the modern visitor entrance at the eastern gate. The Mortuary Temple of Ramesses 111 is behind the large intact pylon and to the right is the small block of the Saite Chapel of the Divine Adoratrices. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, Saite, Chapels, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984113 
 Medinet Habu eastern gate entrance pylon migdol fortified Syrian style visitors gate located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984112 
 Medinet Habu Temple east gate entrance pylon Egypt Luxor migdol located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984111 
 Medinet Habu gate winged disc Small Chapel Ptolemaic Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS984110 
 Medinet Habu gateway columns lotus papyrus winged disc Small Chapel Ptolemaic Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu SS98411 
 Medinet Habu enclosure wall street west mudbrick buildings ruins Egypt Luxor Theban hills located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom
Medinet Habu EG94231jhp 
 Medinet Habu Temple aerial view balloon West bank Nile Egypt Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This was taken in 1994 on my first trip to Egypt and was the view from a balloon flight over the West Bank. This is looking towards the River Nile in the upper section of this photograph shrouded in early morning mist and to the left of centre is the main entrance road to the West Bank passing the Colossi of Memnon 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1994, slide, medium, format, transparency, film, scanned, scan, Bronica, ETRSi, balloon, aerial, flight, high, looking, down
Habu Painted Ceiling EG962056jhp 
 Medinet Habu Temple Mortuary Egypt walls colours painted ceiling cartouche hieroglyphs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1996, slide, medium, format, transparency, film, scanned, scan, Bronica, ETRSi
Medinet Habu Sekhmet EG053489JHP 
 Medinet Habu Temple Sekhmet Lionness Statue Entrance Luxor Egypt Goddess located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, upright, Sekhmet, Sakhmet, lionness, Goddess, granite, black, entrance, eastern, gate, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon
Medinet Habu Sekhmet EG053415JHP 
 Medinet Habu Temple Lionness Statue Granite Sakhmet Photo Entrance Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, upright, Sekhmet, Sakhmet, lionness, Goddess, granite, black, entrance, eastern, gate, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon
Medinet Habu Pylon EG053441JHP 
 Medinet Habu Temple Mortuary Ramses Ancient Egyptian Thebes Luxor Photograph located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharoah, smiting, enemies, hieroglyphs, flagpole, front
Medinet Habu Pylon EG053440JHP 
 Ancient Egyptian Medinet Habu Temple Luxor Ramses Pylon Carvings Exterior located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, pharaoh, smiting, captives, Aumn, hieroglyphs
Medinet Habu Pylon EG053439JHP 
 Medinet Habu Temple Pylon Front Carvings Pharaoh Ramasses Thebes Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, pharaoh, smiting, enemies, Amun, hieroglyphs, left, front
Medinet Habu Pylon EG053438JHP 
 Medinet Habu Temple Pylon Ramses Amun Warrior Carving Exterior Photo located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, pharaoh, smiting, enemies, Amun, hieroglyphs, carving
Medinet First Court EG053482JHP 
 Medinet Habu Temple Mortuary Ramesses First Court Egypt Luxor West Bank location of the River Nile and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the first court in this photograph does not offer some of breathtaking coloured reliefs of the first but has better preserved Osiride figures and many reliefs on the interior walls. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, pylon, rear, migdol, fortified, gateway, tower, first, court, wall, reliefs, figures, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, colors, colours, hieroglyphs, Osiride, statues, portico
Medinet First Court EG053481JHP 
 Medinet Habu Temple First Court Columns Painted Capitals Ramses Egyptian Site located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the first court in this photograph does not offer some of breathtaking coloured reliefs of the first but has better preserved Osiride figures and many reliefs on the interior walls. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, columns, papyriform, capitals, wall, reliefs, figures, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, colors, colours, hieroglyphs, Osiride, statues, portico
Medinet First Court EG053480JHP 
 Medinet Habu Temple Luxor Egypt First Court Osiride Statues Ramasses located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the first court in this photograph does not offer some of breathtaking coloured reliefs of the first but has better preserved Osiride figures and many reliefs on the interior walls. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, reliefs, figures, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, colors, colours, hieroglyphs, Osiride, statues, portico
Medinet First Court EG053479JHP 
 Medinet Habu Temple First Court Wall Reliefs Carvings Dignatories Costumes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the first court in this photograph does not offer some of breathtaking coloured reliefs of the first but has better preserved Osiride figures and many reliefs on the interior walls. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, reliefs, figures, costumes, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, colors, colours, hieroglyphs
Medinet First Court EG053478JHP 
 Luxor Egyptian Medinet Habu Temple First Court Walls Column Carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the first court in this photograph does not offer some of breathtaking coloured reliefs of the first but has better preserved Osiride figures and many reliefs on the interior walls. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, first, court, wall, reliefs, figures, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, colors, colours, hieroglyphs, Osiride, statues, portico
Habu Wall Hierogylphs EG053424JHP 
 Medinet Habu Temple Ancient Egypt Wall Hieroglyphs Pylon Addition Construction located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale and trying to understand its many later additions. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, upright, wall, construction, additions, hieroglyphs, cartouche, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses
Habu Pharaoh Prisoners EG053423JHP 
 Medinet Habu Temple Relief Pharaoh Ramses Egyptian Warrior Smiting Prisoners located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, wall, relief, pharaoh, smiting, captives, heads, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses
Medinet Habu Courty EG053477JHP 
 Medinet Habu Temple Egypt Gateway Carving Pharaoh Ramses Amun Offering located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, this photograph looks through from the second court into the first, the second offering some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, doorway, second, courtyard, first, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053476JHP 
 Ancient Egyptian Medinet Habu Temple Second Court Wall Hieroglyphs Offering Scenes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053475JHP 
 Medinet Habu Temple Egypt Second Court Ramp Portico Columns Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, second, courtyard, portico, court, pillars, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues
Medinet Habu Court EG053474JHP 
 Medinet Habu Temple Wall Carving Amun Kematef Ramses Egyptian Pharaoh Relief located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053473JHP 
 Medinet Habu Temple Wall Carving Bull Ramesses Cartouche Second Court Interior located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, wall, cartouche, bull, ceiling, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053472JHP 
 Medinet Habu Temple Ancient Egypt Second Court Columns Wall Carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, terrace, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053471JHP 
 Medinet Habu Egyptian Temple Second Court Wall Coloured Painting Feast Offering located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, fruit, feast, cartouche, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053470JHP 
 Medinet Habu Temple Court Carved Columns Gods Ramses Hathor Horus Hieroglyphs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053469JHP 
 Medinet Habu Temple Second Court Luxor Egypt Carved Columns Offering Scenes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, Horus, Hathor, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053468JHP 
 Medinet Habu Temple Egypt Second Court Wall Covered Painted Carving Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, wall, ceiling, barque, solar, funeral, procession, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053467JHP 
 Medinet Habu Temple Colorful Painted Wall Ceiling Luxor Second Court Natural Light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053466JHP 
 Medinet Habu Temple Wall Reliefs Colours Painted Carved Funeral Procession Barque located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053465JHP 
 Medinet Habu Temple Egypt Second Court Colonnade Colours Carvings Columns Passage located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, terrace, passageway, pillars, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053464JHP 
 Medinet Habu Temple Ancient Egypt Painted Walls Ceiling Colourful Court located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, ceiling, blue, stars, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053463JHP 
 Medinet Habu Temple Interior Court Colonnade Carved Wall Columns Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, pillars, terrace, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053462JHP 
 Ancient Egyptian Medinet Habu Temple Painted Colourful Columns Carving Ceiling located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053461JHP 
 Medinet Habu Temple Luxor Vista Second Court Columns Ceiling Colors located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, roof, ceiling, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053460JHP 
 Egyptian Medinet Habu Temple Ramses Second Court Coloured Reliefs Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053459JHP 
 Medinet Habu Temple Egypt Court Column Walls Colours Carvings Gods Ramses located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053458JHP 
 Medinet Habu Temple Second Court Luxor Egypt Colours Hieroglyphs Gods located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053457JHP 
 Medinet Habu Temple Ancient Egypt Second Court Sunny Ramp Columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, columns, papyrus, capitals, ramp, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053456JHP 
 Medinet Habu Temple Luxor Egypt Hathor Amun Sekhmet Ptah Isis Gods located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Sekhmet, Ptah, Hathor, Isis, Gods, offering, feast, seated, thrones, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053455JHP 
 Medinet Habu Temple Ancient Egypt Carved Columns Osiride Statue Supports located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, pillars, doorway, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053454JHP 
 Medinet Habu Ancient Egyptian Temple Second Court Osiride Statues Ramses located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, column, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053453JHP 
 Medinet Habu Temple Second Court Photograph Luxor Thebes Osiride Statues Corner located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053452JHP 
 Medinet Habu Temple Luxor Egypt Wall Carving Colors Papyrus Clump Mehyt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053451JHP 
 Egyptian Medinet Habu Temple Carved Painted Wall Column Osiride Statue located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, column, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053450JHP 
 Medinet Habu Temple Ancient Egyptian Mortuary Ramses Colourful Carvings Wall Columns Lintels located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053449JHP 
 Medinet Habu Temple Ramesses Second Court Columns Wall Carvings Colours Colors located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053448JHP 
 Medinet Habu Temple Second Court Colorful Ceiling Roof Lintels Winged Solar Disc located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, roof, celing, doorway, lintels, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053447JHP 
 Medinet Habu Temple Gateway Lintel Underneath Painted Colours Wings Cartouche Hieroglyphs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, lintel, ceiling, solar, disc, wings, landscape, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053446JHP 
 Medinet Habu Ancient Temple Egypt Court Ceiling Roof Lintels Carvings Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, roof, ceiling, columns, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053445JHP 
 Medinet Habu Temple Second Court Colours Painted Bas Reliefs Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, columns, lotus, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, portico, court
Medinet Habu Court EG053444JHP 
 Medinet Habu Temple Court Column Round Square Ceiling Carvings Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, column, pillar, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053443JHP 
 Medinet Habu Egypt Temple Columns Wall Carved Ramses Amun Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, coulmns, flowers, capitals, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Relief EG96208JHP 
 Medinet Habu Temple Luxor Egypt Court Osiride Statue Wall Reliefs Painted located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Relief EG96203JHP 
 Medinet Habu Temple Second Court Columns Painted Colourful Reliefs Photo located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Relief EG96202JHP 
 Medinet Habu Temple Second Court Wall Reliefs Gods Pharaoh Amun Hathor Isis located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu EG9620513JHP 
 Medinet Habu Temple Pylon Vista Tower High View Photograph Luxor West Bank located near the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111, here its first pylon viewed from the eastern fortified gate. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, colonnade, portico, court, pylon, gate
Medinet Habu SS983511JHP 
 Egyptian Medinet Habu Temple Second Pylon Gate Doorway Hieroglyphs Carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111, this photo being the entrance into the second court. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately.

. Apart from being in excellent condition generally, the second court offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, colonnade, portico, court, second, pylon, gate

Egypt > River Nile Cruise & Sites (17 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
Esna Temple EG949421jhp 
 Egyptian Esna Temple Nile Ptolemaic Roman hypostyle hall ceiling capitals composite lotus papyrus is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, ceiling, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, lotus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, 1994, slide, film, 35mm, Fuji, RDP, Nikon, FM2, manual, scanned, scan
Esna Temple EG02518jhp 
 Egypt Esna Town Temple Roman exterior hypostyle hall capitals street level view is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, north, side, street, level, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02517jhp 
 Egypt Esna Temple Roman hypostyle hall south wall inside hieroglyphics detailed is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, south, wall, east, light, left, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02516jhp 
 Egyptian Esna Temple Roman hypostyle hall columns hieroglyphs colours detailed is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02515jhp 
 Egypt Esna Temple Roman hypostyle columns hieroglyphs colours floral capitals roof details is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02514jhp 
 Egyptian Esna Temple Roman hypostyle hall huge columned hieroglyphics capitals is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02513jhp 
 Egypt Esna Temple Roman hypostyle columns hieroglyphs colours capitals ceiling is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02512jhp 
 Egyptian Esna Temple Roman hypostyle hall wall reliefs hieroglyphics detailed is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, north, wall, east, light, right, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02511jhp 
 Egypt ancient Isna Temple Roman hypostyle north wall hieroglyphs carvings details is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, interior, north, wall, east, light, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02510jhp 
 Egyptian Esna Temple Ptolemaic hypostyle hall columns capitals floral ceiling is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, scaffolding, cleaning, repairs, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02509jhp 
 Egypt Esna Temple Roman Emperor smites enemies hieroglyphics Khnum north wall is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, wall, north, exterior, smiting, enemies, Emperor, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02507jhp 
 Egypt Esna Temple Nile Ptolemaic back west wall hypostyle hall is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table, back, west, exterior, wall, texts, Marcus, Aurelius, Emperor
Esna Temple EG02506jhp 
 Egyptian Esna Temple Nile Roman hall rear west south corner is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, west, rear, back, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02504jhp 
 Egyptian Esna Temple hypostyle hall exterior south side Roman Emperors Khum Shu is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, wall, south, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02503jhp 
 Egyptian Esna Temple Nile Roman screen curtains hypostyle hall Khum Shu is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02502jhp 
 Egypt Esna Temple Nile Roman hypostyle hall curtain screens colours corniche is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table
Esna Temple EG02501jhp 
 Egyptian Esna Temple Nile Roman hypostyle hall painted screens Khum Shu is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, Fuji, S2, DSLR, town, centre, buried, flooding, water, table

Scotland > Aberdeen City (5 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Denburn wyy8524jhp 
 Denburn Donald Wynd Aberdeen City summer August Woolmanhill Hospital Scottish is conveniently located at the rear of the Central Library, St Mark's Church and HM Theatre and adjacent to the Aberdeen City's Woolmanhill Hospital. A feature of this small seated area is the Denburn Well as well as colorful floral displays throughout the spring and summer. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, landscape, granite, silver, HM Theatre, St Marks, Central, Library, Rosemount, Viaduct, Denburn, carpark, well, shrubbery, Woolmanhill, hospital, architecture, style, classic, Britain, Bloom, flowers, hanging, baskets, lamp, standards, spring, summer, colorful, colourful, colours, colors, August, 2011, camera, Nikon, D700, digital
Aberdeen Denburn wyy8521jhp 
 Denburn Aberdeen City summer flowers Well Woolmanhill Hospital Scotland hanging baskets is conveniently located at the rear of the Central Library, St Mark's Church and HM Theatre and adjacent to the Aberdeen City's Woolmanhill Hospital. A feature of this small seated area is the Denburn Well as well as colorful floral displays throughout the spring and summer. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, landscape, granite, silver, HM Theatre, St Marks, Central, Library, Rosemount, Viaduct, Denburn, carpark, well, shrubbery, Woolmanhill, hospital, architecture, style, classic, Britain, Bloom, flowers, hanging, baskets, lamp, standards, spring, summer, colorful, colourful, colours, colors, August, 2011, camera, Nikon, D700, digital
Aberdeen Denburn wyy8518jhp 
 Denburn Car Park Aberdeen City summer flower tubs Woolmanhill Hospital Scotland is conveniently located at the rear of the Central Library, St Mark's Church and HM Theatre and adjacent to the Aberdeen City's Woolmanhill Hospital. A feature of this small seated area is the Denburn Well as well as colorful floral displays throughout the spring and summer. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, landscape, granite, silver, HM Theatre, St Marks, Central, Library, Rosemount, Viaduct, Denburn, carpark, well, shrubbery, Woolmanhill, hospital, architecture, style, classic, Britain, Bloom, flowers, hanging, baskets, lamp, standards, spring, summer, colorful, colourful, colours, colors, August, 2011, camera, Nikon, D700, digital
Aberdeen Hazlehead wyy8353jhp 
 Hazlehead Scotland Aberdeen Queen Mother pink roses standard rose garden sunny photographed in this large public area on the western edge of the City of Aberdeen, near a sculpture park and symbolic granite stone circle and it is one of the most colourful annual events which can some years be an overwhelming mass of vibrant colour as these photographs show. The park is the location of the Piper Alpha Memorial set in an extensive rose garden, part of which is dedicated to Her Majesty The Queen Mother. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, parks, Hazlehead, Britain in Bloom, Queen, Mother, flowers, seat, rest, roses, pink, red, yellow, green, summer, vibrant, riot, mass, overwhelming, colorful, colourful, colours, colors, trees, green, shrubs, grass, walks, borders, sculptures, stones, standing, circle
Aberdeen Coat of Arms SM6201JHP 
 Bon Accord Coat Arms Aberdeen City Scotland Lampost Southern Way Road which is found on street furniture, official publications and street names. Rampant Leopards and three castles are the main elements of the symbol here on a light standard along the Great Southern Road 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, upright, summer, granite, silver, grey, architecture, style, classic, Bon Accord, rampant, Leopards, castles, forts, crescent, 'Great Southern Road', light, lamp-post, street furniture, flowers, roses, Britain in Bloom, pavement

Scotland > Morayshire (1 file)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Auldearn Doocot Spring UP280346jhp 
 Scotland Nairnshire Moray Auldearn Doocot Dovecot pigeon loft spring yellow daffodils is situated in the village of Auldearn by the A96 near Nairn. The 17th Century Doocot or pigeon loft was bequeathed to the NTS by the owner Boath and is located on a motte, the site of a 12th century Royal Castle called Eren, one of the strongholds for the Scottish Kings of Moray. It was later destroyed but the site was the credited as where the Royal Standard was raised by the Marquis of Montrose in May 1645 when his army defeated the Covenant forces at the Battle of Auldearn. 
 Keywords: Scotland, Scottish, Moray, Morayshire, North, East, Highlands, Auldearn, Dovecot, pigeon, loft, Boath, NTS, Royal, Castle, Eren, motte, Scottish, Kings, destroyed, battle, Brodie, Castle, history, spring, daffodils, yellow, flowers, sunny, sunshine, sun, shining, green, grass, landscape

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