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Egypt > Abydos & Dendara (2 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Dendara Chapel Union Disk eg9621515jhp Dendara Temple roof chapel union disk Hathor faces ancient Egyptian photograph roof view from this monument located north of Luxor surviving as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. On the top of the Dendara roof is this small Chapel of the Union with the Disk in the SW angle of the temple with 12 Hathor headed columns and although no roof might have had removeable wooden one allowing for sunlight to revive statues placed in its precinct. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, landscape, roof, chapel, union, disk, Hathor, headed, columns, screen, wall, history, archaeology, ancient, Egyptology, carved, carving, decoration, slide, scanned
Dendara Temple EG007015JHP Dendara Temple Pronaos coffins lids ancient Egyptian Ptolemaic entrance photo located on West Bank of River Nile North of Luxor photographed to show the modern version of albumen print by J.P.Sebah, a Turkish photographer around 1890-1900.This view has changed in the modern situation as seen in identical viewpoints in the Dendara Gallery as all the rubble and mudbrick ruins have been removed. Keywords: Egypt, Egyptian, River Nile, west bank, Dendara, Temple, Hathor, pronaos, columns, face, modern, square, transparency, scan, JP Sebah, Turkish, photographer, albumen, old, photos, print, copy, history, archaeology, ancient, Egyptology

Egypt > Aswan in general (29 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Quarry EG949313ajhp Aswan granite quarry levels layers hole marks Ptolemaic Roman period Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1994, slide, film, 35mm, format, Fuji, RDP, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00459jhp Unfinished Obelisk Granite huge side view long to top Quarry Aswan ancient Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00458jhp Unfinished Obelisk Granite channel base pounding Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00457jhp Abandoned Obelisk Granite side trench Quarry insitu background Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00456jhp Unfinished Obelisk Granite huge side channel gully long view Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00455jhp Granite huge Quarry workings techniques holes metal working Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, metal, copper, iron, chisel, marks, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00454jhp Granite huge Quarry workings techniques chisel marks remains pink Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00453jhp Granite pink red Quarry chisel cuts workings techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00452jhp Granite closeup quarry Ptolemaic Roman techniques slots line fracture technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004515jhp Granite pink grey Quarry workings panorama later techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004514jhp Granite huge Quarry metal teeth late workings remains technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004513jhp Granite Quarry general overview old workings levels removed Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004512jhp Unfinished Obelisk Granite huge split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004511jhp Unfinished Obelisk Granite huge top view broken fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617232jhp Unfinished Obelisk Granite huge top view centre fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617231jhp Unfinished Obelisk Granite central over view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617230jhp Unfinished Obelisk Granite channel pounded trench Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG02cf90178jhp Unfinished Obelisk Granite huge damage fractured Quarry Aswan Egypt high view holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90179jhp Unfinished Obelisk Granite Quarry Aswan Egypt general over view panorama holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90177jhp Unfinished Obelisk Granite channel hole pounded Diorite Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounding, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90176jhp Unfinished Obelisk Granite channel gully long view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90175jhp Unfinished Obelisk deep channel gully long view Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90174jhp Unfinished Obelisk Granite split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02155ajhp Unfinished Ramses Colossus Granite abandoned hill top Tlaina Quarry Aswan Southern Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02154ajhp Unfinished Colossus Granite abandoned head face Ramses Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02153ajhp Unfinished Colossus Granite base feet abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02152ajhp Unfinished Colossus Granite rear Egyptians locals abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02151ajhp Unfinished Colossus Granite abandoned fractured rear Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG94423jhp Unfinished Obelisk Granite huge abandoned fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan

Egypt > Infra Red Photographs (5 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Karnak InfR EG983735jhp Egypt Hatshepsut Thutmosis Granite Obelisks Karnak Temple infra red film is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983734jhp Egyptian Hatshepsut Thutmosis Granite Obelisk Karnak infra red B&W film upwards is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983726jhp Karnak Temple Egypt carved blocks restoration ghostly infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983725jhp Karnak Temple storage carving restoration hieroglyphics infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983718jhp Ancient Egyptian Obelisks Karnak Temple palm tree infra red ghostly dawn light is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from the north area which was mainly an opne air area of various blocks. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (34 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple SS984622jhp Karnak Temple storage rescued obelisks dawn sunrise winter light palm tree located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, obelisks, obelisk, Thutmose, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984621jhp Karnak Temple south hypostyle hall obelisks dawn sunrise golden light located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, obelisks, obelisk, Thutmose, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984618jhp Karnak Temple south salvaged blocks obelisks dawn sunrise pylon seventh located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, obelisks, obelisk, Thutmose, Thutmosis, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Luxor Karnak Temple EG962004jhp Karnak Temple Eighth Pylon Seated Statues south face wire equipment front damaged located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, eighth, pylon, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks, 1996, slide, film, 35mm, Fuji, RDP, Nikon, FM2, EG20, manual, scanned, scan
Luxor Karnak Temple EG962003jhp Karnak Egyptian Temple Eighth Pylon hypostyle hall broken blocks side view located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, eighth, pylon, view, hypostyle, first, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks, 1996, slide, film, 35mm, Fuji, RDP, Nikon, FM2, EG20, manual, scanned, scan
Karnak Stored Blocks EG0214082jhp Karnak Temple stored blocks carved rescued carving hieroglyphics star ceiling located adjacent to the mudbrick boundary wall of the Forecourt behind the First Pylon visible in the background in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. These blocks can be infill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, first, mudbrick, enclosure, wall, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, walled, stars, lintel, ceiling, carved, Atenist, building, material, infill
Karnak Obelisk Base EG0214057jhp Egyptian Hatshepsut Granite Obelisk Karnak Temple base hieroglyphics closeup Osiride statue is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is in between the fourth and fifth pylons looking at its granite base. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact as can be seen in this photo but higher sections were defaced by Akhenaten some 130 years later. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Hatshepsut, queen, woman, obelisk, base, plinth, hieroglyphs, hieroglyphics, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisk, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Osiride, figures, statues, Akhenaten, defaced, erased
Karnak Hatshepsut Obelisk EG0214060jhp Egyptian Hatshepsut Granite carving Obelisk Karnak hierogylphics Osiride statue evening light is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is in between the fourth and fifth pylons looking at its granite base. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact as can be seen in this photo but higher sections were defaced by Akhenaten some 130 years later. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Hatshepsut, queen, woman, obelisk, base, plinth, hieroglyphs, hieroglyphics, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisk, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Osiride, figures, statues, Akhenaten, defaced, erased
Karnak Hatshepsut Obelisk EG0214059jhp Ancient Egyptian Queen Hatshepsut Granite Obelisk Karnak Temple standing low view is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall. The southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake and this is what is shown in this photograph. The obelisks were of red Aswan granite and the standing one is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Both encased buy a room covering them in done by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower sections remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Luckily this has been largely untouched and most of the carvings including Queen Hatshepsut are pristine. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, base, plinth, hieroglyphs, hieroglyphics, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisk, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Osiride, figures, statues, Akhenaten, defaced, erased
Karnak Hatshepsut Obelisk EG0214058jhp Egypt Hatshepsut Towering Granite Obelisk Karnak evening sky hieroglyphs upwards is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall. The southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake and this is what is shown in this photograph. The obelisks were of red Aswan granite and the standing one is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Both encased buy a room covering them in done by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower sections remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Luckily this has been largely untouched and most of the carvings including Queen Hatshepsut are pristine. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, base, plinth, hieroglyphs, hieroglyphics, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisk, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Osiride, figures, statues, Akhenaten, defaced, erased, evening, sky, soft, light
Karnak Tutankhamun Cartouche EG075050jhp Karnak Egyptian Tutankhamun cartouche carving hieroglyphics scarab Neb Khaperu Ra located in a general storage area alongside the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, cartouche, carved, block, sandstone, cartouche, Tutankhamun, Tut, Akn, Amen, Neb, Kheperu, ra, nisut, bati, king, upper, lower, bullrush, sedge, bee, bit, scarab, kheper, basket' sun
Karnak Tutankhamun Cartouche EG075048jhp Karnak Temple Tutankhamun cartouche block carving hieroglyphics scarab Neb Khaperu Ra located in a general storage area alongside the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, cartouche, carved, block, sandstone, cartouche, Tutankhamun, Tut, Akn, Amen, Neb, Kheperu, ra, nisut, bati, king, upper, lower, bullrush, sedge, bee, bit, scarab, kheper, basket' sun
Karnak Rough hewn Carving EG075051jhp Karnak Temple storage rescued carving restoration hieroglyphics rough nu niwt located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill
Karnak Pylon Restoration EG075041jhp Karnak Temple Ninth Pylon crane restoration rebuilding front block hieroglyphics located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Ninth Pylon with its southern face showing the slow progress of restoration after the infill from many Atenist temples has been removed, much of which lies around the is area of Karnak waiting for an eventual new home. Beyond the base of the crane is the Eighth Pylon originally built by Hatshepsut while the Ninth and Tenth were both attributed to Horemheb. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, transverse, axis, Horemheb, restoration, construction, crane, history, archaeology, ancient, Egyptology, block, broken, limestone, hieroglyphs, hieroglyphics, cartouche
Karnak Pylon Carving EG075040jhp Karnak Temple Eighth Pylon Seated Statues south face front damaged located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, eighth, pylon, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks
Karnak Pylon Carving EG075039jhp Karnak Temple Ninth Pylon Horemheb Ramesses restoration front hieroglyphics flagpole located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Ninth Pylon with its southern face showing progress of restoration after the infill from many Atenist temples has been removed, much of which lies around the is area of Karnak waiting for an eventual new home. While the building of the Ninth and Tenth pylons were both attributed to Horemheb, there is clear evidence that Ramses 11 took over the decoration as it is visible on the restored south face with his cartouches and his outline obviously carved over an underlying figure that has partially been erased. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, Horemheb, Ramses 11, Ramesses, Ramasses, usurped, restoration, construction, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, cartouche, carved, over, flagpole, shaft
Karnak Two Obelisks EG075002jhp Egyptian Tuthmose Hatshepsut Granite Obelisks Karnak Temple Ramesses gate is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. On the right is Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. The other obelisk is that of Tuthmose partially framed by the gate of Ramesses 1X viweed from the First Court at the rear of the Seventh Pylon. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Tuthmose, Tuthmosis, Ramesses 1X, gate, obelisks, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, First, Court, Sacred, Lake, Akhenaten, defaced, erased
Karnak Two Obelisks EG075001jhp Ancient Egyptian Tuthmose Hatshepsut Granite Obelisks Karnak Temple Ramses gate is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. On the right is Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. The other obelisk is that of Tuthmose partially framed by the gate of Ramesses 1X viweed from the First Court at the rear of the Seventh Pylon. People going off to the right are heading for the Sacred Lake. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Hatshepsut, Tuthmose, Tuthmosis, Ramesses 1X, gate, obelisks, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, First, Court, Sacred, Lake, Akhenaten, defaced, erased, tourists, visitors
Karnak Tenth Pylon EG075008jhp Karnak Temple Luxor Tenth Pylon Horemheb enclosure walls gate Statues Mut located on the south western enclosure wall the tenth pylon and gate built by Horemheb leads to the Precinct of Mut which is not open to the public. The Karnak complex is locaqtedd near the Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This view of the pylon is from within the central enclosure obscured by this stand opf palm trees but one of two standing, headless statues, probably of Horemheb, is visible on the left. the state of the pylon is in very poor repair, many of the blocks are infill reused from other older buildings and once these are identified and removed, reconstruction will start on this pylon and gate. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, tenth, transverse, axis, Horemheb, colossi, statues, precinct, Mut, avenue, sphinxes, Amun, consort, history, archaeology, ancient, Egyptology, palm, trees, blocks, disrepair
Karnak Osiride Statues EG074976jhp Ancient Egyptian Osiride Statues Tuthmose Fourth pylon Obelisk Karnak Temple Transverse Hall is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Remains of the Tuthmosis 1 Osiride figures that would have faced into the Transverse Hall dominated now by the standing obelisk of red Aswan granite of Hatshepsut and which is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. in the background of this photo si the top of the remaining standing obelisk of Tuthmosis 1. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, Osiride, statues, Hatshepsut, obelisk, standing, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Akhenaten, defaced
Karnak Carved Wall EG074950jhp Karnak Temple Egyptian Sanctuary Wall Tuthmose Maat Palace Carving obelisk near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photo is situated near the sixth pylon on the outer wall of the inner sanctum around various chapels and shrines attributed to Amenhotep, Hatshepsut and Thutmose 111 leading to the central court area but this outer wall has important offering scnes and texts relating to Tuthmose's military campaigns into Syria and Palestine. Captured on this wall is Tuthmose offering gists to Amun such as two obelisks which had their pyramidions coverd in electrum but were eventually removed. This wall is described as the Palace of Ma'at on the UCLA Karnak website but not mentioned as such in either the Blue Book, Murnane or the touregypt sites. Just visible is the top of the obleisk of Hatshepsut. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, Hatshepsut, palace, Amun, Maat, Ma'at, boundary, outer, carving, wall, granite, doorway, texts, military, campaigns, Kadesh, Palestine, Megiddo, Obelisks, electrum, pyramidions, removed, offering, gifts, precious, gold, barque, sanctuary, carving, black, granite, Amun, Pharaoh, plumed, obelisk, headdress, crown, white, upper, hedjet, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, chapels, shrines, corridor
Karnak Hatshepsut Obelisks EG074974jhp Egypt Luxor Hatshepsut Granite broken base standing Obelisks Karnak Osiride statue is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view is of Queen Hatshepsut's Southern Obelisk obviously broken standing on its granite base in front of the Fourth Pylon and remains of Osiride statues possibly of Tuthmosis 1 who built the pylon and looks onto the Transverse Hall. The obelisk of red Aswan granite to the north which still stands is in the background and is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. The top of the broken part of this shattered obelisk lies near the Sacred Lake. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Hatshepsut, queen, woman, obelisk, broken, standing, base, carvings, hieroglyphs, red, granite, blocks, pylon, fourth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis 1, Thutmose, Akhenaten, defaced, erased, Osiride, statues
Karnak Hatshepsut Obelisks EG074972jhp Egyptian Hatshepsut Granite broken standing Obelisks Karnak Temple blue sky is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view is of Queen Hatshepsut's Southern Obelisk obviously broken standing on its granite base in front of the Fourth Pylon and remains of Osiride statues possibly of Tuthmosis 1 who built the pylon and looks onto the Transverse Hall. The obelisk of red Aswan granite to the north which still stands the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. The top of the broken part of this shattered obelisk lies near the Sacred Lake. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, broken, standing, base, carvings, hieroglyphs, red, granite, blocks, pylon, fourth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis 1, Thutmose
Karnak Hatshepsut Obelisk EG074991jhp Egyptian Hatshepsut Granite Obelisk Karnak Sacred Lake palm trees view is near the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from the far side of the Sacred Lake using a telephoto lens. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Hatshepsut, queen, woman, obelisk, sacred, lake, view, telephoto, palm, trees, blue, sky, red, granite, blocks, pylon, fourth, fifth, transverse, hall, walls, blocks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased
Karnak Hatshepsut Obelisk EG074973jhp Egyptian Queen Hatshepsut Granite broken base Obelisk Karnak Temple Osiride statues is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view is of Queen Hatshepsut's Southern Obelisk obviously broken standing on its granite base in front of the Fourth Pylon and remains of Osiride statues possibly of Tuthmosis 1 who built the pylon and looks onto the Transverse Hall. The obelisk of red Aswan granite to the north which still stands the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. The top of the broken part of this shattered obelisk lies near the Sacred Lake. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Hatshepsut, queen, woman, obelisk, broken, base, carvings, hieroglyphs, red, granite, blocks, pylon, fourth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis 1, Thutmose, Akhenaten, defaced, erased, Osiride, statues
Karnak Fallen Obelisk EG074980jhp Egyptian Hatshepsut Amun embrace Horus Granite Fallen Obelisk Karnak carved is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall. The southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake and this is what is shown in this photograph. The obelisks were of red Aswan granite and the standing one is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Both encased buy a room covering them in done by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower sections remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Luckily this has been largely untouched and most of the carvings including Queen Hatshepsut are pristine as illustrated by this section with her and Amun in an embrace watched by the falcon God Horus in high quality carvings into this exceptionally hard stone. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Amun, Hatshepsut, queen, woman, embrace, Horus, white, crown, upper, hedjet, obelisk, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, Sacred, Lake, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, protected, Thutmosis, Thutmose, Akhenaten, defaced, erased
Karnak Fallen Obelisk EG074979jhp Egypt Queen Hatshepsut Granite Obelisk Pyramidion Amun Cartouche Maatkare Karnak Temple is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall. The southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake and this is what is shown in this photograph. The obelisks were of red Aswan granite and the standing one is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Both encased buy a room covering them in done by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower sections remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Luckily this has been largely untouched and most of the carvings including Queen Hatshepsut are pristine as she kneels at the feet of Amun with her cartouche on the left shwoing her throne name Maatkare. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Amun, Hatshepsut, queen, woman, obelisk, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, Sacred, Lake, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, protected, Thutmosis, Thutmose, Akhenaten, defaced, erased, cartouche, Maatkare, sun, ra, maat, ka, outstretched, arms
Karnak Fallen Obelisk EG074978jhp Ancient Egyptian Queen Hatshepsut Granite Fallen Obelisk Karnak pyramidion lying is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall and is visible behind this fallen one. The southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake and this is what is shown in this photograph. The obelisks were of red Aswan granite and the standing one is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Both encased buy a room covering them in done by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower sections remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Luckily this has been largely untouched and most of the carvings including Queen Hatshepsut are pristine Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Amun, Hatshepsut, queen, woman, obelisk, red, granite, fallen, standing, obelisk, pyramidion, top, section, lying, horizontal, Sacred, Lake, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, protected, Thutmosis, Thutmose, Akhenaten, defaced, erased
Karnak Carved Wall EG074995jhp Court Pylons Wall Reliefs Karnak Temple doorway eighth pylon Roy-Rome priests on the walls in the Court between the seventh and eighth pylons around the doorway into the staircase on the east wing of the Eighth Pylon. On the door lintel are mirror versions of the same person, Roy-Rome, a long serving High Priest to Amun with arms raised in praise but to where a cartouche, now hacked out, would have been. The figures on the right are two priests in linen robes, one of Roy-Rome, the other his son Beknekhonsu offering praise is an extensive area of text which refers to Seti 11. For a detailed description of the Karnak site I recommend the Touregypt.net site and this link will take you onto the site: http://www.touregypt.net/featurestories/karnak6.htm Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, seventh, eighth, pylon, court, doorway, lintel, staircase, blue, door, closed, blocked, hieroglyphs, deep, cut, outer, wall, reliefs, carving, Ramses, 11, Ramasses, Ramesses, Seti, Seti 11, Sethos, tableaux, Amun, Roy-Rome, Roy, Rome, priest, high, son, Becknekhonsu, offering, praising, adoring, text, description, cartouche, erased, damaged, removed
Karnak Hatshepsut Obelisk EG074942jhp Ancient Egyptian Queen Hatshepsut Granite Obelisk Karnak Temple Transverse Hall is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. The figure in the foreground could also be Queen Hatshepsut as the cartouche above has ripple of water and bit of the feather that appear in her Named cartouche. She is presenting Goddess Maat to Amun [not in frame] led by the Goddess Mut below. Not a very expert interpretation so do not take as gospel. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, Maat, Goddess, Mut, offering, Amun, wall, carving, blue, crown, khepresh, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, sandstone, obelisks, court, pharaoh, ruler, huge, encased, Thutmosis, Thutmose, defaced, erased, feather, shut, ripple, water
Karnak Hatshepsut Obelisk EG074938jhp Ancient Egyptian Queen Hatshepsut Granite Obelisk Karnak Temple Transverse Hall is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased
Karnak Hatshepsut Obelisk EG074936jhp Ancient Egypt Hatshepsut granite obelisk Karnak Temple pylons columns Transverse Hall is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased
Karnak Cartouches EG074945jhp Egypt Hatshepsut Obelisk Karnak Temple Cartouches Thutmose Thurmosis hieroglyphs photographed showing two separate cartouches, the central one is that of Thutmosis 11 and the other offset on the right is that of Thutmosis 111 and they are in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, cartouches, cartouche, hieroglyphs, Thutmosis, Thutmose, Akhenaten, defaced, erased
Karnak Chapel Rouge EG074887jhp Luxor Karnak Egypt Hatshepsut Chapelle Rouge ithyphallic Min carving pair defaced has been partially restored in addition to other small but beautiful chapels and temples in the Open Air Museum, a quiet and contemplative extra to the north east of the main Karnak complex. This is recent major reconstruction situated in the Open Air Museum at Karnak with rescued blocks from the original barque Chapel built by the Pharaoh Hatshepsut and possibly originally cited between her obelisks in the centre of the temple of Amun. The partial reconstruction offers an insight to the beauty and grace of such a building destroyed because of the backlash against her ruling as a ‘male’ King. Rescued blocks were found inside other buildings around the site. Karnak is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East, Bank, Thebes, Waset, Ipetisut, landscape, open-air, museum, Amun, Min, shrine, ankh, djed, was, scepter, sedge, flowering, reed, Hatshepsut, Thutmose, Thutmosis, Chapelle, Rouge, chapel, barque, reliefs, block, bricks, carvings, quartzite, red, black, granite, reconstruction, history, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, ithyphallic, woman, pharaoh, defaced, removed

Egypt > Luxor City & Misc West Bank (6 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.
Luxor West Bank EG006718jhp Egypt Luxor West Bank Qurnet Murai Tombs Nobles mudbrick houses donkeys in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Luxor West Bank EG006716jhp Egypt Luxor West Bank Qurnet Murai Tombs debris limestone stones pits in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Luxor West Bank EG006715jhp Egyptian Luxor West Bank Tombs Nobles mudbrick house donkey traditional scene in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan
Luxor West Bank EG02034jhp Egypt Egyptian Luxor Theban West Bank Qurnet Murai clearances houses photo taken by the main road past the Ramasseum to the Valley of the Kings and in this area is undergoing a huge change and through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Murai, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, Ramasseum
Luxor West Bank EG02032jhp Egypt Egyptian Luxor Qurnat Qurnet Murai clearances houses tombs nobles photo of this area which is undergoing a huge change and through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, upright, Ramasseum
Luxor West Bank EG02030jhp Egypt Luxor Thebes West Bank Qurnet Murai demolition tombs Nobles houses photo taken by the main road past the Ramasseum to the Valley of the Kings and in this area is undergoing a huge change and through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, Ramasseum

Egypt > Luxor Nobles Tombs (73 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Ramose Tomb EG9622210jhp Ancient Egypt Noble Ramose Tomb Relief women beautiful banquet guests flowers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, women, guests, banquet, braided, hair, black, eye, makeup, beautiful, flowers, lotus, delicate, quality, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, artificial, light, natural, 1996, slide, film, 35mm, Nikon, FM2 manual, scanned, scan
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Tomb of Ramose EG945515jhp Ancient Egyptian Ramose Tomb grid drawing outlines scale Wall Relief Egypt Luxor one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh, Abd’el-Qurna, landscape, upright, Ramose, Vizier, governor, drawing, grid, scale, lines, charcoal, painted, outline, figures, carving, plaster, limestone, polished, smooth, start, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, entrance, stones, rubble, damaged, 1994, slide, film, medium, format, transparency, scanned, scan, Bronica, ETRSi, hand, held
Tomb of Ramose EG94504jhp Ancient Egyptian Ramose Tomb entrance gates carving Nobles West Bank Luxor nearby the entrance into a tomb with many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible and this sort of scene is no more. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh, Abd’el-Qurna, landscape, upright, Ramose, Vizier, governor, drawing, grid, outline, figures, carving, plaster, limestone, polished, smooth, start, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, entrance, stones, rubble, damaged, 1994, slide, film, medium, format, transparency, scanned, scan, Bronica, ETRSi, hand, held
Ramose Tomb Relief EG10036JHP Ramose Tomb Relief Luxor Egypt Foreign Faces Ambassadors Interior Photograph, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, upright, Ramose, Vizier, governor, tomb, painting, style, naturalistic, foreign, faces, ethnic, characteristics, outlines, drawing, natural, light, transparency, scanned
Ramose Tomb Relief EG10029JHP Ancient Egyptian Ramose Tomb Relief Funerary Scene Mourners Wall Relief, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned
Ramose Funeral Procession EG10014JHP Ramose Tomb Funeral Procession Top Left-hand Corner Frieze Fading Colourful of columned hall and is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze since then when this was taken with a Bronica 645. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' al-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, funeral, procession, colourful, colorful, colours, colors, painted, natural, light, scanned, transparency
Menna Tomb Ceiling EG10022JHP Luxor Egypt Menna Tomb Nobles Ceiling Matting Colours Patterned Photo is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tomb of the Nobles I visited in 1994 and was taken by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, scribe, ceiling, patterns, matting, bright, tomb, painting, colourful, colorful, colours, colors, painted, sun, reflected, light, transparency, scanned
Tomb Rekhmire Exterior EG075687JHP Ancient Egyptian Luxor Rekhmire Tomb Entrance Exterior Qurna Door Rock Cut illustrating the interspersed nature of the Tombs of the Nobles with Old Qurna Village an area which is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' el-Qurna, tomb, Rekhmire, entrance, door, custodian, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Tomb Menna Relief EG552JHP Luxor Egypt Interior Photo Menna Tomb Relief Wheat Harvest Recording Workers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tomb of the Nobles I visited in 1994 and was taken by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' el-Qurna, landscape, Menna, scribe, fields, recording, writing, taxes, wheat, tomb, painting, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned
Sennefer Guest House EG075712JHP Luxor West Bank Modern Qurna Sennefer Guesthouse Hotel Egyptian Vista along with Old Qurna houses is interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. The Hotel I understand from the owner is destined to stay - a pleasant stop for refreshment after the heat of walking to several tombs. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, hotel, resthouse, restaurant, guesthouse, cafe, drinks, modern art, murals, village, modernisation, removal, houses, clearances, relocation, preservation
Sennefer Guest House EG075709JHP Colourful Wall Murals Egypt Luxor Nile West Bank Sennefer Guesthouse along with Old Qurna houses is interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. The Hotel I understand from the owner is destined to stay - a pleasant stop for refreshment after the heat of walking to several tombs. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, hotel, resthouse, restaurant, guesthouse, cafe, drinks, modern art, murals, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna West Bank EG075682JHP Remnants Bulldozed Removed Houses Dwellings Luxor Egypt Old Qurna Village, looking northwards towards the River Nile, interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna Village View EG075681JHP Old Qurna Village Luxor Egypt Clearance Dismantled Relocated Panorama Photo, looking eastwards towards the River Nile, interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna Village Changes EG075725JHP Old Qurna Village Tombs Nobles Houses Dismantled Modern Luxor Changes is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna Village Changes EG075716JHP Egyptian Modern Clearances Luxor West Bank Old Qurna Village Mudbrick Houses interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, village, mudbricks, rubble, rubbish, modernisation, removal, houses, clearances, relocation, preservation
Old Qurna New Art EG075729JHP Modern Egyptian Art House Mural Old Qurna Village Luxor Modern Photo interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible and a feel is captured in this mural on the side of an arthouse. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, village, nostalgia, art, modern, mural, modernisation, removal, houses, clearances, relocation, preservation
Old Qurna House EG075728JHP Luxor Domestic Scene Donkey Disappearing Modern Old Qurna Village Mudbrick Houses cleared interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, village, donkey, modernisation, removal, houses, clearances, relocation, preservation
Old Qurna House EG075727JHP Old Qurna Village Luxor West Bank Nile Egypt Clearances Donkey Rubbish interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, mudbricks, donkey, modernisation, removal, houses, clearances, relocation, preservation
Ramose Tomb Reliefs EG568JHP Ramose Tomb Relief Tombs Nobles Foreign Faces Outlines Ethnic Characteristics, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor nd in this case a fascinating set of unfinished drawings showing foreign facial characteristics. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, upright, Ramose, Vizier, governor, tomb, foreigners, dignatories, faces, ethnic, character, different, style, naturalistic, workings, drawing, outlines, grids, perspective, light, natural, transparency, scanned
Ramose Tomb Reliefs EG566JHP Ramose Egyptian Luxor Tomb Relief Painting Outline Foreign Visitors Prisoners, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, foreigners, faces, characteristics, style, naturalistic, unfinished, workings, outlines, grids, perspective, natural, light, transparency, scanned
Ramose Tomb Reliefs EG564JHP Ramose Tomb Relief Aten Sun Rays Wall Carving Interior Luxor Egypt, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abdâ' l-Qurna, upright, Ramose, Vizier, governor, tomb, bas, relief, Aten, suns, rays, dignitaries, style, naturalistic, classic, natural, light, transparency, scanned
Ramose Tomb Reliefs EG563JHP Ramose Tomb Relief Ancient Egypt Nobles Relief Pharaoh Shrine Sunlight, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, landscape, Ramose, Vizier, governor, tomb, bas, relief, pharaoh, seated, throne, Maat, Goddess, hieroglyphs, style, classic, colours, colors, painted, natural, light, transparency, scanned
Ramose Tomb Reliefs EG562JHP Ramose Tomb Relief Luxor Tombs Nobles Interior Wall Carving Natural Light, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor, this one relief of the Pharoah with Goddess Maat in attendance. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Ramose, Vizier, governor, tomb, relief, pharaoh, seated, throne, Maat, Goddess, hieroglyphs, style, classic, frieze, colours, colors, painted, natural, light, transparency, scanned
Ramose Tomb Reliefs EG561JHP Ramose Tomb Relief Wall Grid Lines Draughting Outlines Craftmanship Interior, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor and showing interesting inight into work-in-progress. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned
Ramose Tomb Entrance EG075724JHP Ramose Tomb Approach Modernisation Luxor West Bank Tombs Nobles Exterior of the area around the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, approach, modernisation, digital
Ramose Tomb Entrance EG075723JHP Ramose Tomb Entrance Luxor Tombs Nobles Egypt Modern Changes Tidy showing progress for the modernisation of the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially this approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Ramose, Vizier, governor, tomb, modern, entrance, approach, digital
Ramose Funeral Procession EG5511JHP Ramose Tomb Relief Luxor Egypt Painted Frieze Wall Top Procession Funeral, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor and this is a funeral procession frieze tucked away in the top left hand corner. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, panoramic, Ramose, Vizier, governor, tomb, funeral, procession, shrine, dancers, morners, gifts, offerings, painting, style, classic, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned
Rekhmire Tomb Painting EG075706JHP Ancient Egypt Nobles Rekhmire Tomb Painting Tusks Ivory Baboon Exotic Expedition, one of many beautiful tomb decorations only lit by reflected sunlight amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, foreign, gifts, ivory, tusk, baboon, monkey, cheetah, giraffe, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075704JHP Rekhmire Tomb Painting Luxor West Bank Interior Bear Elephant Photo, one of many beautiful tomb decorations but only lit by reflected sunlight amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, foreign, animals, elephant, bear, painting, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075703JHP Rekhmire Tomb Painting Luxor West Bank Animals Giraffe Expedition Colours, one of many beautiful tomb decorations lit only by reflected sunlight amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, foreign, animals, cattle, giraffe, colourful, colorful, colours, colors, painted, sunlight, reflected, light, digital
Rekhmire Tomb Painting EG075699JHP Rekhmire Tomb Luxor Painting Workmen Carving Statue Ancient Egyptian Craftsman, one of many beautiful tomb decorations only lit by reflected sunlight amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, granite, statue, carving, masons, stone, workers, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075698JHP Rekhmire Tomb Painting Afterlife Colours Interior Photograph Luxor Egypt, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, symbol, lake, trees, Afterlife, painting, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075692JHP Egyptian Rekhmire Tomb Painting Musicians Harp Women Interior Photo Luxor, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, dancers, musicians, harp, hieroglyphs, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075690JHP Rekhmire Tomb Painting Luxor Egyptian Workers Tradesmen Carpenters Daily Life Scenes, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, workers, tradesmen, wood carving, metal, wood, working, shrine, gold, covering, craftsman, carrying, stones, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075689JHP Rekhmire Tomb Painting Luxor Nobles Egypt Workers Carpenters Daily Life Scene , one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, wood carving, carving, stone, masons, workers, craftsmen, shaping, finishing, weighing, scales, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Painting EG075688JHP Rekhmire Tomb Painting Vizier Wife Offering Interior Photo Luxor Egypt, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Rekhmire, Vizier, administrator, tomb, painting, relatives, exchanging, food, gifts, lotus, flowers, hieroglyphs, colourful, colorful, colours, colors, painted, artificial, light, digital
Rekhmire Tomb Corridor EG075701JHP Ancient Egyptian Rekhmire Tomb Luxor Rock Cut Construction Skills Engineering and one of the most impressive amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Rekhmire Tomb-Chapel [Tomb 100] was a Vizier during the reigns of Tuthmosis 11 and Amenhotep 11, part of a family with long service as administrators at Thebes. This highly decorated cruciform tomb is full images giving great understanding of Egyptian foreign policy, taxation and the justice system. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Rekhmire, Vizier, administrator, tomb, corridor, height, alignment, lines, quality, constrcution, painting, colourful, colorful, colours, colors, painted, artificial, light, digital
Sennufer Tomb Painting EG075676JHP Sennefer Tomb Painting Mayor Wife Sekhem Scepter Interior Colours Photo, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' el-Qurna, upright, Mayor, Sennefer, Sennufer, wife, Meryt, tomb, painting, colourful, colorful, colours, colors, painted, artificial, light, digital
Sennufer Tomb Painting EG075675JHP Sennefer Tomb Luxor Painting Closeup Photo Faces Mayor Wife Colours Colourful, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Mayor, Sennefer, Sennufer, wife, Meryt, tomb, painting, colourful, colorful, colours, colors, painted, artificial, light, digital
Sennufer Tomb Painting EG075668JHP Sennefer Tomb Painting Wife Meryt Ankh Colours Beautiful Black Hair and one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Mayor, Sennefer, Sennufer, wife, Meryt, ankh, hieroglyphs, tomb, painting, colourful, colorful, colours, colors, painted, artificial, light, digital
Sennufer Tomb Exterior EG075679JHP Sennefer Tomb Entrance Rock Cut Ancient Egyptian Luxor Nobles Exterior, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Mayor, Sennefer, Sennufer, tomb, entrance, exterior, steep, steps, digital
Sennufer Tomb Entrance EG075678JHP Sennefer Tomb Egypt Entrance Steps Interior Looking Upwards Dark Steep and one of many beautifully decorated tombs amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Mayor, Sennefer, Sennufer, tomb, entrance, tunnel, steps, dark, steep, looking, up, artificial, light, digital
Sennufer Tomb Entrance EG075674JHP Sennefer Tomb Entrance Luxor Egyptian Passageway Steps Steep Upwards into one of many beautifully decorated tombs amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Mayor, Sennefer, Sennufer, tomb, entrance, tunnel, steps, dark, steep, looking, up, artificial, light, digital
Sennufer Tomb Ceiling EG075670JHP Ancient Egyptian Luxor Noble Sennefer Tomb Painted Ceiling Flowers Colours, one of many beautifully decorated tombs amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11 and this photo is of the almost complete ceiling although the lighting is rather unbalanced for non-flash photography. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Mayor, Sennefer, tomb, painting, colourful, colorful, colours, colors, painted, ceiling, frieze, vines, grapes, artificial, light, digital
Sennufer Tomb Ceiling EG075669JHP Luxor Nobles Egypt Sennefer Tomb Painting Ceiling Mat Colors Pattern Zigzag, one of many beautifully decorated tombs amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor here with its extensive almost complete painted ceiling. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Mayor, Sennefer, tomb, painting, colourful, colorful, colours, colors, painted, ceiling, patterns frieze, artificial, light, digital
Sennefer Tomb Painting EG075667JHP Sennefer Tomb Painting Wall Boats Sailing Oarsmen Colours Luxor Egypt, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Mayor, Sennefer, tomb, painting, colourful, colorful, colours, colors, painted, boats, sailing, oarsmen, water, frieze, vines, grapes, artificial, light, digital

Egypt > Luxor Temple (1 file)

Images in this gallery relate to the east bank of the Nile temple called Luxor Temple including night photos and the Avenue of Sphinxes
Luxor Temple Obelisk 4710EG07JHP Aswan Granite Obelisk Photograph Luxor Ancient Egyptian Temple Front Pylon that now adorns the entrance to first pylon of Luxor Temple on west bank of River Nile at Luxor mainly attrributed to Ramses 11 one of whose seated statues can be seen on right; another obelisk was removed by the French in 1833 and stands in the Place de la Concorde in Paris. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, upright, history, archaeology, ancient, Egyptology, hieroglyphics, granite, obelisk, approach, entrance, pylon, Ramses, Ramasses, Ramesses, pharaoh, ruler, huge, monumental, statues, seated

Egypt > Outlying Pyramids (31 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Hawara Pyramid eg01319jhp Hawara Faiyum Amenemhet pyramid mudbricks exposed layers closeup thousands Egyptian, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg01318jhp Hawarah Fayyum Amenemhat pyramid mudbricks entrance door south side flooded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg01316jhp Hawara Faiyum Amenemhet pyramid mudbrick entrance south side door flooded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright
Hawara Pyramid eg01315jhp Hawara Faiyum Amenemhet pyramid discarded limestone carving crocodiles lying around, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg01313jhp Hawara Faiyum Amenemhet pyramid mortuary temple Labyrinth Herodotus destroyed rubble field, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg01312jhp Hawara Fayyum Amenemhat pyramid mudbrick core large substantial exposed mound, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright
Hawara Pyramid eg013123jhp Hawara Faiyum limestone carved torso necklace beads beaded collar wesekh menat broken discarded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg013122jhp Hawara Faiyum pyramid yellow flaky chalk-like weathered exposed stone eroded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape, yellow, chalky, brittle, weathered, flaking
Hawara Pyramid eg013121jhp Hawara Faiyum mudbrick brick exposed floor straw eroded weathered made constructed, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape, straw
Hawara Pyramid eg013120jhp Hawara Faiyum ancient Egyptian mudbricks bricks mortar construction techniques erosion wall exposed, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg01311jhp Hawara Faiyum Amenemhet pyramid mudbrick exposed impressive hill mound remains, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg013119jhp Hawarah Faiyum Amenemhat pyramid mudbrick north east corner wall ruin bricks, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright
Hawara Pyramid eg013118jhp Hawara Fayyum Amenemhet pyramid mudbricks exposed ruined building wall necropolis, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg013116jhp Hawara Faiyum Amenemhet pyramid mudbrick exposed wall shell north east corner , to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg013114jhp Hawarah Fayyum Amenemhet pyramid north face granite grinding wheel broken foreground, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape, north, face, grinding, wheel, granite, broken, scale
Hawara Pyramid eg013113jhp Hawara Fayyum Amenemhet pyramid mudbrick north face granite grinding wheel, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright
Hawara Pyramid eg013112jhp Hawara Faiyum Amenemhet pyramid hidden entrance hole buried ground diagram sand, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Hawara Pyramid eg013111jhp Hawara Faiyum Amenemhat Egyptian pyramid mudbricks layers multiple exposed many, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright
Hawara Pyramid eg013110jhp Hawara Faiyum Egypt Amenemhet pyramid mudbricks many closeup layers construction exposed, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC. Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape
Red Pyramid Dashur eg0079jhp Egypt Red North Pyramid Snefru Dahshur corbelled roof chamber interior limestone Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format
Red Pyramid Dashur eg0074jhp Egypt Red North Pyramid Sneferu interior passageway cramped claustrophic crawling Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, landscape, format
Red Pyramid Dashur eg00713jhp Egypt Red North Pyramid Sneferu exterior corner height robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format
Red Pyramid Dashur eg00712jhp Egypt Red North Pyramid Sneferu exterior limestone blocks eroded Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format
Red Pyramid Dashur eg961319jhp Egyptian desert Dahshur Red North Pyramid Sneferu barren true robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Red Pyramid Dashur eg961316jhp Egypt Red North Pyramid Sneferu desert view sand panorama true robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Red Pyramid Dashur eg00718jhp Egypt Red North Pyramid Sneferu mortuary temple pyramidion Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Red Pyramid Dashur eg00717jhp Egypt Dahshur Red North Pyramids Bent Black mortuary Temple capstone from side of the true robbed tallest Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side here looking towards the Bent Pyramid also built by Sneferu and in the far distance the carbuncle of the Black Pyramid of Amememhet 111 built some 600-700 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Red Pyramid Dashur eg00716jhp Egypt Red North Pyramid Sneferu capstone mortuary temple true robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Red Pyramid Dashur eg00715jhp Egypt Red North Pyramid Sneferu Dashur east side wild dog Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format, wild, dog, animal
Red Pyramid Dashur eg00714jhp Egypt Red North Pyramid Sneferu true robbed tallest Dashur entrance steps Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Red Pyramid Dashur eg00711jhp Egypt Red North Pyramid Sneferu Dashur entrance view desert steps Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format, steps, highview, entrance

Egypt > Victorian Albumen Prints (4 files)

A collection of copies of photographs of Egyptian sites taken in the 1870's by Victorian photographers Beato, Frith and Sebah and modern versions have been made as well.
JP Sebah Ramasseum 8384VQJHP Ancient Egypt Ramasseum Hypostyle Hall Albumen Print Photograph Sebah situated on the West Bank of River Nile at Luxor photographed by J.P.Sebah, a Turkish photographer around 1890-1900.This view has changed in the modern situation as seen in identical viewpoints in the Ramasseum Gallery as much as the rubble spoil has been removed. Keywords: Egypt, Luxor, Ramasseum, Temple, hypostyle hall, Thebes, River Nile, ancient, archaeology, ancient, Egyptian, Egyptology, Ramses 11, Ramasses, Ramesses, Osiride, J.P.Sebah, Turkish, Victorian, 1890, photographer, albumen, print, copy, old, photos
JP Sebah Dendarah 8387VQJHP Ancient Egyptian Dendara Temple Pronaos Sebah Photograph Albument print situated on the West Bank of River Nile North of Luxor is photographed by J.P.Sebah, a Turkish photographer around 1890-1900.This view has changed in the modern situation as seen in identical viewpoints in the Dendara Gallery as all the rubble and mudbrick ruins have been removed. Keywords: Egypt, Egyptian, River Nile, west bank, Dendara, Temple, 1890, JP Sebah, Turkish, photographer, albumen, old, photos, print, copy, history, archaeology, ancient, Egyptology, Hathor, pronaos, columns, face
Beato Philae Temple 26JHP05 Ancient Egyptian Philae Temple First Pylon Beato Old Photograph Albumen Print on its original island location in the River Nile, dedicated to the Goddess Isis and here photographed by Antonio Beato, a Victorian photographer around 1890 and this copy is taken from his album called The Nile 1872. The mudbrick ruins have all been removed since this photograph and this view is completely open as seen in modern images in the Philae Temple gallery. Keywords: Egypt, Aswan, Nubia, River Nile, Philae, Temple, Island, Isis, pylon, colonnade, water, history, antiquity, Egyptian, ancient, archaeology, Egyptology, landscape, Antonio Beato, Victorian, photographer, earliest, albumen, print, copy
Beato Luxor Temple 07JHP05 Luxor Temple Entrance Pylon Mudbrick Houses Beato Old Photo Albumen Print on East Bank of River Nile at Luxor photographed by Antonio Beato, a Victorian photographer around 1890 and this copy is taken from his album called The Nile 1872. Modern viewpoint would be from the beginning of the Avenue of Sphinxes with all this mudbrick building now removed. Keywords: Egypt, Luxor, Thebes, River Nile, East Bank, Luxor Temple, entrance, upright, gate, pylon, mudbrick, ruins, ancient, history, archaeology, ancient, Egyptian, Egyptology, Antonio Beato, Victorian, 1890, photographer, albumen

Scotland > Aberdeen City (12 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Persley Garden qax1885jhp Aberdeen Scotland Spring Persley Walled Garden path sunny border flowering shrub to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny, upright
Aberdeen Persley Garden qax1884jhp Aberdeen Scottish Spring Persley Walled Garden colours border maple purple flowering shrub to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1882jhp Aberdeen City Persley Walled Garden seat canopy parterre border Scotland to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny, upright
Aberdeen Persley Garden qax1881jhp Aberdeen Spring Persley Walled Garden seat canopy borders colourful paving to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1880jhp Aberdeen Scotland Spring colours Persley Walled Garden flowers red border plants to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1879jhp Aberdeen Persley Walled Garden Worker's Memorial black granite paving parterre to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny, upright
Aberdeen Persley Garden qax1878jhp Aberdeen City Spring Persley Walled Garden gate wisteria hanging borders paving to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1877jhp Aberdeen City Spring Persley Walled Garden border wisteria variegated leaves to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1876jhp Aberdeen Spring Persley Walled Garden Worker's Memorial Monolith wisteria shrubs to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1875jhp Aberdeen City Spring Persley Walled Garden paving partere bench trees Mugiemoss Road bridge to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen Persley Garden qax1874jhp Aberdeen City Spring Persley Walled Garden park parterre symmetry Mugiemoss Road bridge to the north of Aberdeen near Persley Bridge where it crosses the River Don to the north of the city on the route via The Parkway to the Bridge of Don and joining up with the main coastal route North A90 road to Ellon and beyond. Near to the park is Grove Cemetery. Some earlier scanned 645 Transparencies from 1999 show the inevitable impact of council cutbacks with some tasteful shaped topiary removed. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, River, Don, Donside, Persley, Bridge, Walled, Garden, parterre, hedges, Mugiemoss, road, Parkway, Bridge of Don, estuary, Donmouth, Balgownie, spring, Seaton, park, symmetry, tree, trees, flowering, shrubs, wisteria, climbing, mauve, variegated, leaves, white, flowers, Japanese, maple, purple, furniture, wrought, iron, canopy, egg-shaped, seat, colourful, colorful, colourful, colours, colors, May, 2018, Nikon, DSLR, D700, FX, camera, digital, blue, sky, sunny
Aberdeen City Park VS0642JHP Aberdeen Scottish City Union Terrace Gardens High View Steps Rosemount Viaduct just opposite HM Theatre looking southwards to Union Street and across the far side to the right was a proposed art development now superceeded by the decision in May 2010 to completely concrete over the gardens, remove all the trees and make it a street level park and seating area. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, landscape, granite, silver, Union Terrace, houses, hotels, cover over, concrete, development, Bon Accord, floral, display, Union Terrace Gardens, architecture, style, classic, visitors, parks, Britain in Bloom, flowers, summer, colorful, colourful, colours, colors

Scotland > Ancient Stones (6 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

Glassel Stones 1917336jhp Glassel Stones stone circle Scotland forest setting sunlight mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Glassel Stones 1917336Ejhp Glassel Stones stone circle Aberdeenshire Scotland forest sunlit setting mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Glassel Stones 1917335jhp Glassel Stones stone circle Deeside Scottis ancient forest setting mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, upright, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Glassel Stones 1917332jhp Glassel Stones stone circle Deeside Scotland forest setting mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Glassel Stones Scotland TO2773794JHP Glassel Stone Circle Spiritual Forest Enclosed Shadows Monoliths Scotland Aberdeenshire Canny Burn or stream opposite to the entracne to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after recent clear felling the ambience of this photograph has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, upright, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, spring.
Glassel Stones Scotland TO2773793JHP Scottish Ancient Glassel Deeside Stone Circle Forest Trees Monoliths Enclosed or stone setting lies near the Canny Burn or stream opposite to the entracne to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after recent clear felling the ambience of this photograph has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, spring

Scotland > Forestry & Farming (1 file)

This gallery will have photography relating to the working areas of Aberdeenshire covering farming and forestry. Includes areas of forestry where there is public access for walks such as The Deeside Way and also photographs of forest harvesting, tree cutting, and stacked logs ready for transport to the local sawmills.
bark stripping vs1205jhp Modern tree cutting stripping trunk bark removal action movement photograph on Ord Fundlie commercial forest near Kincardine O'Neil on Royal Deeside west of Aberdeen in North East Scotland. The trees are firstly selected, cut, stripped of bark and branches and then laid in lines ready for harvesting. Large pile of tree trucks in various categories then await collection for transport to specialist sawmills or transportation to Norway for pulping. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardine, O’Neil, Royal Deeside, upright, landscape, forest, autumn, plantation, harvesting, cutter, machinery, mechanical, modern, equipment, cleared, clear, stripping, bark, tree, trunks, commercial, larch, pine, spruce, felled, forestry, land, estate, management, Nature

Scotland > Historic Properties (1 file)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Craigievar Castle fm road rty0169jhp Craigievar Castle fort Mar Aberdeenshire roadside view Scotland NTS summer photograph of this taken from the roadside is a property situated about 6 miles south of Alford A980 and is open to the public from March to end of August although closed during 2008/9 for major renovation on the exterior it is open again as of 2010. Grounds are normally open all year round. Example of the best in Scottish Baronial architecture, dating from 1626, and is unspoiled since being relinquished to the NTS by the Forbes-Sempill family. Any of my photographs are for scenic/tourist/editorial use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5 Cutlins Road, Edinburgh, EH11 4DF Tel:0844 493 2100 Em:information@nts.org.uk Please note this particular view is marred by an electric cable crossing the view-it has been digitally removed from this photo. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Mar, Craigievar, Castle, fort, landscape, NTS, National Trust, historic, tower, turrets, flag, flying, trees, beech, countryside, farming, roadside, view, summer

Scotland > Rivers, Glens & Lochs (8 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Falls of Feugh vbn1010jhp River Feugh Banchory Lodge Hotel road bridge beech trees Dee autumn downstream view from old road bridge at famous Royal Deeside falls taken near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, downstream, hotel, footbridge, wooden, sculpture, selfies, padlocks, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1009jhp Scottish Autumn River Feugh Banchory Lodge Hotel bridge view trees water rocks at famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, upright, hotel, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1008jhp Autumn River Feugh Banchory Lodge Hotel Scotland bridge trees downstream where it joins the River Dee viewed from these famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1007jhp Scottish Autumn Tollhouse road bridge River Feugh Banchory Kincardineshire cottage at famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1006jhp Scotland Autumn River Feugh Banchory sculpture wooden salmon selfies bridge at famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1004jhp Scottish Autumn falls River Feugh Banchory Kincardineshire waterfall beech trees water rocks at famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1003jhp Scottish Autumn falls River Feugh Banchory waterfall trees water rocks at famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, upright, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700
Falls of Feugh vbn1001jhp Autumn beech trees falls River Feugh Banchory Abnerdeenshire water rocks at famous Royal Deeside falls taken from footbridge near Banchory. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the padlock brigrade and concerns about the eventual overloading of the wire screens has had a wooden sculpture created for the ‘selfies’ and the removal of the padlocks. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, salmon, runs, leaping, public, bridge, footbridge, wooden, sculpture, selfies, padlocks, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, colours, colors, September, 2015, digital, Nikon, D700

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