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Aurora over Scotland (118 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora au03436Ejhp 
 Northern Lights Aurora British summer 2003 nitrogen purple rays Plough Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrs UT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly to left split by rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST ending the film. This photo was scanned from a 35mm colour slide film, Fuji RHP 11 400ASA film stock processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP11, exposed, time, long, Nikon, FG20, DSLR, Fuji S2, digital
Deeside Aurora au03416jhp 
 Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RHP 11 400ASA film stock processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, rays, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP11, exposed, time, long, Nikon, FG20, DSLR, Fuji S2, digital
Deeside Aurora au02736jhp 
 Aurora Borealis Scottish display Cassiopeia rays winter February 2002 Aberdeenshire taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. The film numbering of 2001 was that the previous Aurora display covered was in November 2001 with this February display being the first recorded in 2002. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-434, exposed, time, long, Nikon, FG20
Deeside Aurora au0210jhp 
 Aurora Borealis Scotland Cassiopeia rays winter February 2002 Deeside Aberdeenshire Scotland taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. This photo was scanned from a 35mm colour slide film, Fuji RHP11 400asa film processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP 11, 400asa, exposed, time, long, Nikon, FG20
Deeside Aurora au99611jhp 
 Aurora Borealis Scottish Cassiopeia rays moonlight spring March 1999 Deeside Aberdeenshire Scotland taken on the morning of the 1st March, 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.45hrsUT having shown an arc and then much ray activity from 22.50hrs UT on the 28th February finishing at around 01.25hrs on 1st March. The next activity visible and recorded was not until the 8-9th September. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures on Auto at around 2 seconds because of the moonlight, light levels. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1996, February, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-426, exposed, time, long, Nikon, FG20
Deeside Aurora au99134jhp 
 Aurora Borealis British streaming rays cloud January 1999 Deeside Aberdeenshire Scotland taken on the evening of the 13th January, 1996 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 18.19hrsUT having shown an arc from 17.50 the evening with active rays but not all from the arc until around 00.30hrsUT on the morning of the 14th. The next activity was at 20.35hrs UT on the evening of the 23rd January and finished around 23.05 with a faint arc. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, 1996, January, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-426, exposed, time, long
Comet Hyakutake au9679jhp 
 Comet Hyakutake April Aurora display 1996 spring Deeside Aberdeenshire Scotland taken on the evening of the 17th April 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.00 BSThrs between Kincardine O’Neil and Torphins on Deeside with Cassiopeia sitting in the centre a spring marker for the northern sky. The Comet is to the left with its tail by and to the centre the distinct purple hue of a nitrogen gas Aurora display above a cloud bank. I started photographing the Comet on the 24th and finished 17th April when I was able to include this Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Aurora Borealis, Aurora, Borealis, display, Torphins, Arc, Northern Lights, Merry Dancers, Cassiopeia, Plough, Ursa Major, Big Dipper, 1996, April, spring, landscape, photos, photographs, tail, green, bluish, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, nitrogen, purple, blue, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 28mm
Comet Hyakutake au9667jhp 
 Comet Hyakutake April Aurora display 1996 spring Deeside Aberdeenshire Scotland taken on the evening of the 14th April 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.55BSThrs between Kincardine O’Neil and Torphins on Deeside with Cassiopeia sitting off to the right quarter a spring marker for the northern sky. The Comet is to the left of bottom centre with its tail by the first twig and to the right above is the distinct purple hue of a nitrogen gas Aurora display. I started photographing the Comet on the 24th and finished 17th April when I was able to include two Aurora displays. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Aurora Borealis, Aurora, Borealis, display, Torphins, Arc, Northern Lights, Merry Dancers, Cassiopeia, Plough, Ursa Major, Big Dipper, 1996, April, spring, landscape, photos, photographs, tail, green, bluish, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, nitrogen, purple, blue, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 28mm
Comet Hyakutake au96133jhp 
 Comet Hyakutake March 1996 tail colours long Plough Scottish Deeside Aberdeenshire Scotland taken on the evening of the 25th March 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.50hrsUT between Kincardine O’Neil and Torphins on Deeside with part of The Plough Constellation visible a spring marker for the northern sky. I started photographing the Comet on the 24th and finished 17th April when I was able to include an Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 50mm f1.8 lens wide open at around 10 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Plough, Ursa Major, Big Dipper, 1996, March, spring, landscape, photos, photographs, tail, green, ion, ice, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 50mm
Comet Hyakutake au96116jhp 
 Comet Hyakutake March 1996 night sky spring Deeside Aberdeenshire Scotland taken on the evening of the 24th March 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 22.00hrsUT between Kincardine O’Neil and Torphins on Deeside with part of The Plough Constellation visible a spring marker for the northern sky. I started photographing the Comet on the 24th and finished 17th April when I was able to include an Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 50mm f1.8 lens wide open at around 10 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Plough, Ursa Major, Big Dipper, 1996, March, spring, landscape, photos, photographs, tail, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 50mm
Deeside Aurora au9595ajhp 
 Aurora Borealis pulsating green patches north pulsing October 1995 Scottish Aberdeenshire Deeside taken on the evening of the 18th October, 1995 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 22.15hrsUT with strong pulsating patches of light. The activity continued until the early hours of the morning of the 19th and was the last Aurora display recorded by me until April 1996 when I was photographing Comet Hyakutake. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, upright
Deeside Aurora au9591jhp 
 Aurora Borealis bands streaming pulsing October 1995 Aberdeenshire Scotland taken on the evening of the 18th October, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 22.00hrsUT with strong pulsating bands of light coming from the west over Kincardine O’Neil direction. The activity continued until the early hours of the morning of the 19th and was the last Aurora display recorded by me until April 1996 when I was photographing Comet Hyakutake. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long
Deeside Aurora au95919jhp 
 Aurora display lights green rays north autumn Plough 1995 Scotland Aberdeenshire Deeside taken on the morning of the 19th October, 1995 at Crooktree, 25 miles west of Aberdeen looking to north with the Plough Constellation in its classis autumnal position. This photo was taken at 00.30hrsUT with several weak rays. The activity continued until the early hours of the morning of the 19th, finishing around 01.00hrs UT and was the last Aurora display recorded by me until April 1996 when I was photographing Comet Hyakutake. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long
Deeside Aurora au9589jhp 
 Aurora Borealis purple rays tree nitrogen autumn west 1995 Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 21.40hrsUT with active rays visible after a rain shower and clearing clouds which continued with rays until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, September, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long
Deeside Aurora au9588jhp 
 Aurora Borealis purple rays tree nitrogen September 1995 Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 21.30hrsUT with active rays visible after a rain shower and clearing clouds which continued with rays until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, 1995, September, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long
Deeside Aurora au95813jhp 
 Aurora display arc green windy Plough 1995 Deeside September Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to North. This photo was taken at 22.20hrsUT with a generalised green arc which was waxing and waning after the active phase was over until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa, Major, Big Dipper, 1995, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long
Deeside Aurora au95810jhp 
 Northern Lights purple rays nitrogen autumn west 1995 Deeside Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 21.43hrsUT with active rays visible after a rain shower and clearing clouds which continued with rays until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Big Dipper, 1995, September, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long
Deeside Aurora au95435jhp 
 Aurora Borealis rays curtains Cassiopeia green Scottish spring March 1995 Aberdeenshire Deeside taken on the morning of the 12th March, 1995 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT having shown hints of an arc throughout the evening with activity starting at 00.55 with a ray which continued with rays until around 00.15hrsUT on the morning of the 13th March. There were very faint rays the following night around mid-night. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1995, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-409, exposed, time, long
Deeside Aurora au95423jhp 
 Aurora Borealis British arc green strong March 1995 Aberdeenshire Scotland taken on the morning of the 12th March, 1995 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrsUT having shown hints of an arc throughout the evening with activity starting at 00.55 with a ray which continued with rays until around 00.15hrsUT on the morning of the 13th March. There were very faint rays the following night around mid-night. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1995, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-409, exposed, time, long
Deeside Aurora au9462ajhp 
 Aurora Borealis Scottish March 1994 display ray arc stars Aberdeenshire taken on the evening of 5th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to the north, this particular photo taken at 22.20hrs. This was the start of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle although it was on the evening of the 7th that the best display occurred. This photo was scanned from a 35mm colour slide film, Fuji RSP/RSP-402 pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, Cassiopeia, display, winter, spring, Torphins, Arc, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP, RSP-402, 35mm, exposed, time, long
Deeside Aurora au911436ajhp 
 Aurora Borealis Scotland October 1991 Proton burst corona zenith rays treetops pink red green Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, pink, green, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest
Deeside Aurora au911435jhp 
 Aurora Borealis Scotland display Proton corona zenith vortex pink red green Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, pink, green, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest
Deeside Aurora au911434ajhp 
 Aurora Borealis Scottish display Proton corona zenith explosion red Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest
Aurora Deeside ab941212ajhp 
 Aurora Borealis British arc active purple rays April 1994 Aberdeenshire taken on the evening of the 5th April, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 23.25hrsUT having started showing activity from 23.15 and this was that final phase of a five minute burst of activity which continued with faint rays until around 00.15hrsUT on the morning of the 6th April. This was one from possibly 7 nights in a row although on the night of the 6th April the cloud cover was so thick that no Aurora could be seen. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, April, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside ab941133jhp 
 Aurora Borealis Scottish Northern Lights green active rays clouds April 1994 Aberdeenshire taken on the morning of the 4th April, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 00.15hrsUT having started showing activity from then until 00.30 but view of further activity was obscured by cloud. This was one from possibly 7 nights in a row although on the 6th April the cloud cover was so thick that no Aurora could be seen. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, April, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside ab941114jhp 
 Aurora Borealis Scotland arc green active Cassiopeia April 1994 Aberdeenshire taken on the 2nd April, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 23.30hrsUT having started showing activity from with a large arc at 22.25 then waning and restarting around 23.25. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, April, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Pulsing Aurora au941017jhp 
 Aurora Borealis Scotland Northern Lights pulsing flashing Cassiopeia March 1994 Aberdeenshire taken on the 10th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 00.25hrsUT but it never developed in an active display although it followed a better period from this previous evening starting around 20.55hrs seven nights in a row of displays which finished on the 11th March during one of the most active phases of the 90’s Solar Cycle. On the evening of the 9th and morning of the 10th there was a lot of flashes, like distant lightning, pulsing or patches of diffuse round light sources rather than the usual arc or rays. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Faint Aurora au9469ajhp 
 Aurora Borealis Scotland winter display faint ray cloud Cassiopeia Deeside Aberdeenshire taken on the early morning of 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to the north, this particular photo taken at 00.35hrs. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle although it was on the evening of the 7th that the best display occurred. This photo was scanned from a 35mm colour slide film, Fuji RSP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, Cassiopeia, winter, spring, Torphins, Arc, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Faint Aurora au9467jhp 
 Aurora Borealis Scottish winter display faint ray cloud Deeside Aberdeenshire taken on the early morning of 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to the north, this particular photo taken at 00.20hrs. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle although it was on the evening of the 7th that the best display occurred. This photo was scanned from a 35mm colour slide film, Fuji RSP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, Cassiopeia, winter, spring, Torphins, Arc, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora Deeside au911513ajhp 
 Northern Lights Plough Scotland Aurora Deeside red green rays colourful Aberdeenshire taken in the early evening just after 21.00hrs BST on 8th October 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An active display and this photo was one of several taken between 9 and 9.15pm before the display died down. It did start again later around 11.30pm but was a very poor arc and limited activity just after midnight on the 9th. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, North, Arc, folded, curtains, red, purple, yellow, green, Rays, Northern Lights, Merry Dancers, 1991, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911511ajhp 
 Aurora Borealis Scottish autumn display red green purple rays colours Deeside Aberdeenshire taken in the early evening just after 21.00hrs BST on 8th October 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An active display and this photo was one of several taken between 9 and 9.15pm before the display died down. It did start again later around 11.30pm but was a very poor arc and limited activity just after midnight on the 9th. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, North, Arc, folded, curtains, red, purple, yellow, green, Rays, Northern Lights, Merry Dancers, 1991, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911510ajhp 
 Aurora Borealis Scotland North 1991 display red green purple rays colours Deeside Aberdeenshire taken in the early evening just after 21.00hrs BST on 8th October 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An active display and this photo was one of several taken between 9 and 9.15pm before the display died down. It did start again later around 11.30pm but was a very poor arc and limited activity just after midnight on the 9th. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, North, Arc, folded, curtains, red, purple, yellow, green, Rays, Northern Lights, Merry Dancers, 1991, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911019jhp 
 Northern Lights Aberdeenshire autumn display strong arc red yellow streaming bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911018jhp 
 Aurora Borealis 1991 Scottish September display folding arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911017jhp 
 Aurora Borealis 1991 Scotland autumn display strong arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Low Grade Aurora bnm5755jhp 
 Aurora Borealis display Deeside Scotland autumn rays green Plough low grade display Deeside Aberdeenshire taken on the morning of 28th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and was the fourth of four exposures when additonal rays were observed and then they disappeared. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 aperture, ISO setting of 6400 for 14 seconds at 23.29hrsUT. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Low Grade Aurora bnm5754jhp 
 Northern Lights Scotland autumn 2016 faint mulitple rays green Plough low grade display Deeside Aberdeenshire taken on the morning of 28th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and was the third of four exposures when additonal rays were observed. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 aperture, ISO setting of 6400 for 14 seconds at 23.28hrsUT. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Low Grade Aurora bnm5753jhp 
 Northern Lights arc Scottish October 2016 faint rays low grade display Deeside Aberdeenshire taken on the morning of 28th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and was the second of four exposures when additonal rays were observed. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 aperture, ISO setting of 6400 for 13 seconds at 23.24hrsUT. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Low Grade Aurora bnm5752jhp 
 Aurora Borealis Scottish autumn faint rays low grade display Deeside Aberdeenshire taken on the morning of 28th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and was the first of four exposures when additonal rays were observed. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 aperture, ISO setting of 6400 for 12 seconds at 23.23hrsUT. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Low Grade Aurora bnm5740jhp 
 Aurora Borealis Scotland autumn very faint rays poor quality display Deeside Aberdeenshire taken on the morning of 26th October [after midnight BST], 2016 at Crooktree, 25 miles west of Aberdeen, indicated by the magnetometer readings on AuroraWatch and although I did not see anything defined this one expsoure suggests a faint ray above the central tree. One of the first nights without a cloud problem to the North and what I suspected were faint rays proved correct when the photographs were processed. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f5.6 aperture, ISO setting of 6400 for 11 seconds at 23.27hrsUT which was slightly underexposed. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, Lights, Merry, Dancers, Ursa Major, Big Dipper, Plough, North, landscape, CME, solar, wind, night, sky, stars, oxygen, gas, molecules, magnetic, green, faint, weak, low, grade, colourful, colorful, colours, colors, celestial, night, autumn, October, 2016, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora The Neuk au7133ajhp 
 Scottish Aurora Lights Deeside Aberdeenshire thin rays winter January 1990 on 23rd and first of the new decade taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT and this was gthe last photo i took that evening. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7132ajhp 
 Scotland Aurora Crathes Aberdeenshire thin rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7129ajhp 
 Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7124ajhp 
 Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7117ajhp 
 Scottish January 1990 Aurora Borealis display Neuk Crathes Banchory ray winter 23rd taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora & Aircraft au7410ajhp 
 Scottish Aurora Borealis Neuk rays red winter aircraft lights clouds January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 24th of January around 21.30hrsUT of another passing commercial aircraft leaving Aberdeen is one of the early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using Kodak 400asa 5020 EES 35mm slide film rated at 1600asa, push processed, and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Kodak, 5020 EES, 400asa, pushed, developed, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718ajhp 
 Scotland Aurora Borealis display Neuk Crathes strong red rays Plough winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au712ajhp 
 Scottish Aurora Borealis Neuk Deeside Ursa Major stars Banchory rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au711ajhp 
 Scottish Aurora Borealis beginning arc rays Plough Ursa Major stars rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61714jhp 
 Scottish Northern Lights Cairn O’Mount rays red winter clouds December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed slightly shorter than the 20 seconds I later settled on and hence slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61713jhp 
 Scotland Aurora Borealis display Cairn O’Mount rays red winter December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp 
 Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp 
 Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp 
 Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp 
 Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp 
 Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au61709jhp 
 Scotland Aurora Borealis lights Cairn O’Mount rays red yellow green winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61708jhp 
 Scotland Aurora Borealis display Cairn O’Mount rays red winter active 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61706jhp 
 Scotland Aurora Borealis quiet display Cairn O’Mount arc winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61705jhp 
 Scotland Aurora Borealis display Cairn O’Mount rays red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61704jhp 
 Scotland Northern Lights early stage display winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61703jhp 
 Scottish low grade Aurora Borealis display Cairn O’Mount arc active winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617023jhp 
 Scotland Aurora Borealis dying phase Northern sky faint rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617020jhp 
 Scotland Aurora Borealis rays bundle colours ray purple yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61701jhp 
 Scotland Aurora Borealis arc north Cairn O’Mount winter December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT on the 11th December. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617018jhp 
 Scotrish Aurora Borealis northwards night sky bright multiple rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617017jhp 
 British Aurora Borealis Cairn O’Mount Ursa Major bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, Plough, constellation, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617016jhp 
 Scotland British Aurora Borealis Plough stars Cairn O’Mount rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617015jhp 
 Scotland Aurora Borealis active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617013jhp 
 Scotland Aurora Borealis active phase colourful bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617012jhp 
 Scottisah Northern Lights active phase Cairn O’Mount rays stars yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617011jhp 
 Scottish Aberdeenshire Aurora Borealis colours active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61058jhp 
 Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp 
 Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp 
 Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp 
 Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp 
 Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp 
 Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp 
 Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp 
 Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp 
 Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp 
 Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp 
 Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp 
 Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp 
 Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp 
 Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp 
 Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp 
 Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp 
 Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp 
 Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp 
 Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp 
 Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp 
 Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp 
 Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp 
 Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp 
 Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp 
 Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp 
 Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp 
 Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp 
 Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp 
 Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora August Summer Display AB98913JHP 
 Aurora Borealis summer August Scotland Deeside nitrogen purple rays Plough gas taken around midnight BST in North East Scotland on the 26th August 1998 just before midnight this Aurora display proves that even with the height of summer light nights displays are visible and the Aurora is not just a winter event that happens on frosty nights. The strong purple colour is indicative of nitrogen gas excitation as well as the lighter light levels of summetime night sky. Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 28mm Nikkor f2.8 lens with an exposure around 15-20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, summer, August, landscape, 2004, SLR, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, time-exposure, slide, film
Aurora Spring Rays ab0326jhp 
 Aurora Borealis Rays arc spring Deeside Scotland red rays Cassiopeia photo taken on the 30th March, 2003 around 22.30hrs looking northwards towards Cassiopeia a good marker for the northern spring night sky here located some 25 miles west of Aberdeen. This photo was taken on the evening I first used a DSLR, a Fuji S2 and a comparative image from that source is SM39013. This photo is taken using Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 24mm Nikkor f2.8 lens with an exposure around 15-20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Cassiopeia, Arc, Rays, Northern Lights, Merry Dancers, 2003, spring, SLR, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, film, slide, scanned, Fuji
Aurora Folding Arc AB9076334JHP 
 Aurora Borealis Folding Arc rays Crathes Deeside Scotland Northern Lights taken near midnight on the 1st May, 1990 at the Ley near Crathes just to the east of banchory on Royal Deeside some 18 miles west of Aberdeen. After an very busy night of displays this renewed arc became active and started to bend and snake with rays climbing from it and giving the illusion of large floating curtains. The colour was mainly from nitrogen giving the mauve hue and the display continued until dawn light around 3.00am started to drown it out. Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 28mm Nikkor f2.8 lens with an exposure around 15-20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, Arc, folding, Rays, Northern Lights, Merry Dancers, landscape, photo, photograph, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest
Aurora 7Mar94 ab9477jhp 
 Aurora Scotland winter display green rays arc Merry Dancers Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east with the Plough or Usra Major lying side on at the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, The Plough, Ursa Major, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab9476jhp 
 Aurora Borealis display green rays folded arc Aberdeenshire Scotland north stars taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east with the tail of The Plough dropping down at the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, northwards, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab9474jhp 
 Aurora Northern Lights Scottish Cassiopeia green rays folded arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east in this photo with Cassiopeia Constellation in the centre of the night sky. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, Cassiopeia, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab9473jhp 
 Aurora Borealis Scottish winter display green rays yellow meteor arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with the Constellation of Cassiopeia in the centre. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. In this photo there is also evidence of a small meteor streak to the top of the right hand rays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, Cassiopeia, meteor, shooting star, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94636jhp 
 Aurora Borealis Scotland north Cassiopeia green rays folded arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east with Cassiopeia lying towards the left side of the photo. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. The Star Constellation Cassiopeia is an ideal spring marker for the northern sky and likely area for Aurora displays- the autumn winter star marker is The Plough or Ursa Major. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Cassiopeia, Merry Dancers, 1994, March, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94635jhp 
 Aurora Borealis Scottish winter display green rays folded arc curtains Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94634jhp 
 Aurora Borealis Scotland evening display green rays folded arc curtains Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94633jhp 
 Aurora Borealis Scottish winter display green rays purple arc westwards Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north here towards the West over a stand of Arran trees. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, nitrogen, purple, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94631jhp 
 Aurora Borealis Scotland Deeside westwards tree winter display green nitrogen gas rays arc Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with Cassiopeia lying to the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. This photo was used as the cover image for The Aurora, a book published by me in 1997, now sadly out of print but still avaiable on the second hand market. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94630jhp 
 Aurora Borealis Scottish winter display green rays breaking arc Cassiopeia Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with the Constellation Cassiopeia lying to the top right a good spring marker. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, Cassiopeia, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94629jhp 
 Aurora Borealis Scotland Aberdeenshire westwards winter display green rays arc taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with Cassiopeia sitting to the right hand side. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, westwards, trees, silhouette, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Cassiopeia, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora 7Mar94 ab94617jhp 
 Aurora Borealis Scottish winter display green double arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north, these Arran trees being in a westerly direction towards Craigton Hill and Kincardine O'Neil. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, double, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora Corona Behind Clouds SO21322JHP 
 Rare Aurora Borealis Photograph Clouds Complete Covering Red Corona Autumn and being turned red in the process caused as the Aurora Borealis display has the strength to pass overhead the observer here in Aberdeenshire 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal Deeside, Aurora Borealis, Corona, Northern Lights, Merry Dancers, landscape, photos, photographs, digital, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, molecules, magnetic, disturbance, magnetometers, red, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, celestial, clouds, nature
Aurora Corona Behind Clouds SO21321JHP 
 Aurora Red Corona Clouds Stock Library Photo Aberdeenshire Deeside Scotland I have taken is this of the clouds completely covering a huge Corona and being turned red in the process caused as the Aurora Borealis display has the strength to pass overhead the observer here in Aberdeenshire 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal Deeside, Aurora Borealis, Corona, Northern Lights, Merry Dancers, upright, photos, photographs, digital, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, molecules, magnetic, disturbance, magnetometers, red, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, celestial, clouds, nature

Egypt > Edfu Temple (1 file)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.
Edfu Temple EG203635jhp 
 Edfu Temple pure place new year chapel shrine Egypt vestibule wabt Nut ceiling sky goddess in this Ptolemaic monument located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, statues, inner, vestibule, chapel, shrine, open-air, New Year, festival, procession, Pure, Place, ceiling, Nut, sky, goddess, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Egypt > Giza Pyramids & Sphinx (2 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Painted Carving Iymery EG050951jhp 
 Iymery ancient egyptian tomb painting procession food fruit carrying cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. 
 Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, procession, carrying, head, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050938jhp 
 Iymery Steward procession figures painted wall chapel Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. 
 Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, chapel, mortuary, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone

Egypt > Infra Red Photographs (169 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020836jhp 
 Giza Egypt Sphinx Chephren Pyramid infra red Temple B&W film view on the public approach to this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020835jhp 
 Egypt Giza Sphinx face front infra red temple view pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, faceon, front, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020833jhp 
 Egyptian Giza Sphinx Temple face front infra red pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020832jhp 
 Egypt Cairo Giza Sphinx Temple face oblique infra red pyramid cropped view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020830jhp 
 Egypt Sphinx Temple face oblique infra red Jim Henderson Photograph view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020827jhp 
 Egypt Giza Sphinx face head profile closeup infra red low causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020826jhp 
 Giza Egypt Sphinx head face Khafre Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, head, closeup, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020825jhp 
 Giza Egyptian Sphinx enclosure man scale figure Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020824jhp 
 Egypt Sphinx enclosure worker scale figure Pyramid infra red causeway B&W view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020822jhp 
 Giza Egypt Sphinx Khafre Khufu causeway Pyramids infra red low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, pyramids, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020821jhp 
 Egyptian Sphinx Chephren Cheops Pyramids infra red low causeway enclosure view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020820jhp 
 Egyptian Sphinx Cheops Pyramid enclosure infra red low causeway low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020819jhp 
 Giza Egyptian Sphinx panorama Pyramid Great infra red causeway Cairo view this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, camel, mounted, policeman, lion, paws, stele, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020817jhp 
 Giza Egyptian Sphinx Great Pyramid infra red view causeway camel police mounted to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020816jhp 
 Egypt Sphinx Khufu Pyramid infra red camel police mounted causeway view to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020815jhp 
 Egypt Sphinx Khufu Cheops Pyramid infra red B&W film causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020814jhp 
 Egyptian Sphinx Khufu Cheops Pyramid Cairo infra red causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020829jhp 
 Valley Temple Interior serdab statue places Khafre infra red B&W film looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020828jhp 
 Valley Temple Interior Giza Khafre Religion Limestone Blocks infra red looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020813jhp 
 Khafre Chephren Egypt Giza Cairo Causeway Pyramid infra red B&W photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020811jhp 
 Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone infra red film at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020810jhp 
 Valley Temple Egypt Giza causeway gateway alabaster floor infra red pyramid looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020437jhp 
 Khufu Cheops Great Pyramid Egypt limestone blocks infra red B&W film photo of the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This view from some remaining smooth limestone finishing of a nearby mastaba was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khufu, Cheops, blocks, erosion, finished, smooth, wall, mastaba, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020436jhp 
 Khafre Pyramid Egypt Seshemnefer tomb statue infra red sunburst film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020435jhp 
 Khufu Great Pyramid Egyptian Seshem-Nefer statue seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020434jhp 
 Cheops Great Pyramid Egypt Seshemnufer portico seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020433jhp 
 Giza Egyptian Sphinx Khafre Khufu Pyramids infra red people tourists view causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020432jhp 
 Giza Egypt Sphinx |Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, cropped, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020431jhp 
 Giza Egyptian Sphinx side face Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020430jhp 
 Giza Egypt Sphinx sideon body Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, sideon, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020429jhp 
 Giza Egyptian pyramids modern Muslim infra red Khafre tombstones Great pyramid B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020428jhp 
 Giza Cairo Egypt modern Muslim Arabic cemetery infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020427jhp 
 Giza Egyptian modern Muslim Arabic graves infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020426jhp 
 Giza Egyptian modern Muslim infra red Pyramid Khafre tombstones B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020425jhp 
 Giza Egypt Central Field tombs limestone blocks erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020424jhp 
 Giza Egyptian Great Pyramid limestone pillars erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020423jhp 
 Giza Egypt Khufu Pyramid limestone pillars eroded eerie infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020422jhp 
 Giza Egypt Khafre Pyramid limestone mastaba tomb infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020421jhp 
 Giza Egypt Khafre Great Pyramids tomb blocks infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020420jhp 
 Khafre Pyramids Cheops Egyptian tombs clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020419jhp 
 Chephren Pyramids Khufu Egypt Giza Great largest infra red B&W film photo of the second largest of the Giza site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramids, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020418jhp 
 Khafre Pyramid Egyptian horse rider scale Giza infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020417jhp 
 Chephren Pyramid Egypt top apex Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, apex, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020416jhp 
 Chephren Pyramid Egypt Giza side Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020415jhp 
 Khafre Pyramid Egyptian Giza blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, construction, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020414jhp 
 Khafre Pyramid Egyptian tomb limestone blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020413jhp 
 Egyptian Cairo Giza Pyramid Khafre Great Khufu infra red film with Cairo in the far distance and by the road to the favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020412jhp 
 Egypt Cairo Giza Pyramid Khafre Great Southern aspect road infra red film with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020411jhp 
 Egypt Cairo Giza Pyramid Menkaure South road infra red film Queens with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure which is featured in this photograph along with the three Queen’s satellite pyramids. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02089jhp 
 Egypt Valley Temple Sphinx Giza Limestone causeway entrance B&W infra red film photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02088jhp 
 Valley Temple Interior Giza Khafre Limestone Granite Blocks infra red photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02087jhp 
 Valley Temple Interior Giza Chephren Limestone Granite Blocks infra red photo looking towards the rear of the room at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02086jhp 
 Cairo Valley Temple Chephren inside Limestone Blocks infra red photo looking towards the rear of the room as you enter the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02085jhp 
 Giza Egypt Cairo Sphinx Khafre Chephren Pyramid infra red B&W first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02083jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid infra red first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02049jhp 
 Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02048jhp 
 Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02047jhp 
 Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02046jhp 
 Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02045jhp 
 Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02044jhp 
 Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02043jhp 
 Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02042jhp 
 Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG020410jhp 
 Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021231jhp 
 Egyptian River Nile Cruising deck railings lifebelts water B&W infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021230jhp 
 Egyptian Cruise River Nile Cruising deckchairs loungers riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat leaving Esna Lock offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, loungers, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021229jhp 
 Egypt River Nile Cruiseboat Romance berth riverbank infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, Romance, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021228jhp 
 Egyptian River Nile Cruiseboat Romance Esna berth infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, Romance, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021216jhp 
 Egypt River Nile Cruise Esna lock passing through infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021215jhp 
 Egypt River Nile Esna boatmen rowing trader infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021214jhp 
 Egyptian Nile Esna boatmen rowing water trader infra red film ghosts on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02128jhp 
 Egypt River Nile Cruise rocky riverbank infra red film ghostly trees on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02127jhp 
 Egyptian River Nile Cruising deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, lamps, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02126jhp 
 Egypt River Nile Cruising riverbank houses trees infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, houses, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02125jhp 
 Egyptian River Nile Cruise hot deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02124jhp 
 Egypt River Nile minaret palm trees riverbank infra red film B&W on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, minaret, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02123jhp 
 Egypt River Nile Cruise deck railings deckchairs lamps water infra red film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021211jhp 
 Egypt River Nile Cruise hills desert trees water infra red shore film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021210jhp 
 Egypt River Nile Cruising riverbank infra red film ghostly palm trees water hills on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna by Nile InfR EG021218jhp 
 Egypt Esna Nile town waterfront cruise berth houses infra red is a well known berthing area on the River Nile waiting for access to the locks and if time allows there is a beautiful Ptolemaic temple deep in a hollow under the modern town building line worth visiting. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, promenade, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021227jhp 
 Egyptian Esna Temple smiting enemies infra red Khnum Isis outer carvings north wall on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, battle, scene, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021226jhp 
 Egypt Esna Temple north wall infra red Khnum Isis outer carvings on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021225jhp 
 Egypt Esna Temple Nile town modern houses exterior B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021224jhp 
 Egyptian Esna Temple town modern appartment flats B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021223jhp 
 Egypt Esna Temple Nile town hypostyle hall infra red exterior walls west north of this small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021222jhp 
 Egyptian Esna Temple hypostyle hall north west walls infra red B&W is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, outside, walls, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021221jhp 
 Egypt Esna Temple outer wall infra red film hypostyle hall side is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021220jhp 
 Egypt Esna Temple Ptolemaic hypostyle hall infra red film floral capitals curtain screens is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021219jhp 
 Egypt Esna Temple hypostyle hall curtain screens infra red Gods offering scene is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 
 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Philae InfR EG982425jhp 
 Philae Egypt Aswan visit tourist market souk goods infra red B&W near the jetty for boarding motorboats for the visit to the relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982424jhp 
 Philae tourist shop stall trinkets infra red ghostlike light Aswan island trip at the jetty for a visit to this relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982423jhp 
 Philae Temple Agilkia Aswan island infra red boat view water rocks was relocated from the site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, panorama, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982422jhp 
 Philae Temple island rocks boulders plants infra red ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982419jhp 
 Philae Agilkia island boulders plants infra red B&W Aswan motorboat trip was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982418jhp 
 Philae visit island boulders plants infra red B&W boat water Aswan Agilkia island was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982413jhp 
 Philae Temple Ancient Egyptian Nilometer infra red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, nilometer, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Nile Cruise InfR EG982427jhp 
 Egypt Egyptian River Nile Cruiseboat deck plants people infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. On checking this photo was badly overexposed so accounts for the very strong grain structure. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Philae InfR EG98249jhp 
 Philae Temple Trajan Kiosk Pharaohs bed infra red backlit Egypt columns carvings Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98247jhp 
 Philae Temple Ancient Egypt first pylon gate ptolemy infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemy, gate, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98246jhp 
 Philae Egypt first pylon gate ptolemy infra red Jim Henderson photo was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982417jhp 
 Philae Temple Kiosk Nectanebo columns Hathor face carvings B&W infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Kiosk, Nectanebo, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982416jhp 
 Philae Temple Ancient Egypt second pylon infra red film carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982415jhp 
 Philae Temple Egyptian Isis Horus second pylon infra red film Ptolemy carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, record, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982414jhp 
 Philae Isis second pylon granite record Ptolemy infra red donation carving Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982412jhp 
 Philae Temple Trajan Kiosk infra red floral capitals Egyptian columns carvings Pharaohs bed Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982411jhp 
 Philae Temple wall carving relief offering Egyptian Isis infra red Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982410jhp 
 Philae Temple interior infra red film ghosts people ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98245jhp 
 Philae Temple Egypt Second Pylon Mammisi birth house infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98244jhp 
 Philae Temple First Pylon Lion Ancient Egypt Isis Gate Aswan B&W Infra Red island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98243jhp 
 Philae Temple courtyard Egypt pylon colonnade Infra Red B&W film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98241jhp 
 Philae Temple courtyard Ancient Egyptian Isis pylon columns Infra Red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Nile Cruise InfR EG982428jhp 
 Egypt River Nile Sonester cruise deck plants tourists infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, Sonester, Sun, Goddess, daily, life, upright, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Hotel InfR EG981122jhp 
 Egypt Luxor St George Hotel River Nile modern design infra red looking over the shimmering River Nile on a sunny autumn afternoon on the riverside of this very modern luxurious building. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, St George, Hotel, riverside, riverbank, holiday, cruise, palm, trees, water, shimmering, sunshine, blue, sky, hazy, West, bank, Theban, hills, waterfront, promenade, esplanade, modern, architecture, stylised, Nile, Boat, poolside, style, stylish, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, autumn, upright
Medinet Habu InfR EG983713jhp 
 Medinet Habu Temple Mortuary Ramasses pylon exterior infra red film B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983712jhp 
 Medinet Habu Temple Egypt Infra Red B&W Hypostyle statue carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983711jhp 
 Medinet Habu Temple Mortuary Egyptian second court painted infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983710jhp 
 Medinet Habu Temple Ramesses Egypt first court statue king infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, engaged, statue, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981121jhp 
 Luxor Temple Egyptian infra red B&W colonnade processional pylon rear photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues on the far side of the pylon that greet the visitor arriving at the Temple. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981120jhp 
 Luxor Temple Egypt obelisk side carvings cartouche infra red film in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981119jhp 
 Luxor Temple Egypt seated statues Ramses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981118jhp 
 Luxor Temple Egypt pylon obelisk statues carvings infra red B&W ghostly in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981117jhp 
 Luxor Temple Egyptian seated statues Ramesses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982437jhp 
 Kom Ombo Temple Egyptian hypostyle hall ghostly Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982436jhp 
 Kom Ombo Ptolemy offering Temple River Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982435jhp 
 Kom Ombo Columns carving Temple Egyptian Infra Red B&W ghostly pharoah effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982434jhp 
 Kom Ombo Ptolemy custodian Temple Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982433jhp 
 Kom Ombo Ptolemaic Temple Sobek God Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982431jhp 
 Kom Ombo Offering scene column carved Temple Egypt Infra Red ghost B&W film effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982430jhp 
 Kom Ombo Ptolemaic panorama hypostyle columns Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982429jhp 
 Kom Ombo Ptolemaic Nile Temple Egypt hypostyle hall Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983735jhp 
 Egypt Hatshepsut Thutmosis Granite Obelisks Karnak Temple infra red film is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983734jhp 
 Egyptian Hatshepsut Thutmosis Granite Obelisk Karnak infra red B&W film upwards is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983733jhp 
 Karnak Temple Egyptian Inner Sanctuary infra red B&W Jim Henderson photo near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983732jhp 
 Karnak Temple Egypt Obelisk Sanctuary central court B&W infra red ghost near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983731jhp 
 Karnak Temple Egypt pharoah Amun carving B&W infra red ghostly near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983730jhp 
 Karnak Temple Egyptian statue headless inra red ghostlike B&W film Sanctuary central court festival hall Thutmose near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983729jhp 
 Karnak Temple Egyptian Obelisk festival hall Thutmose Infra Red eerie B&W near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983726jhp 
 Karnak Temple Egypt carved blocks restoration ghostly infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983725jhp 
 Karnak Temple storage carving restoration hieroglyphics infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983724jhp 
 Hypostyle Hall Karnak Egyptian Temple doorway infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983723jhp 
 Exterior Temple Ramasses Karnak Egyptian infra red B&W ghost dawn sun palm trees, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, exterior, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983722jhp 
 Temple Ramesses Karnak Egypt infra red film ghostly eerie dawn light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983720jhp 
 Karnak Temple Egypt Taharqa Kiosk infra red film B&W sphinx dawn greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983719jhp 
 Hypostyle Hall Karnak Egypt Temple columns roof infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983718jhp 
 Ancient Egyptian Obelisks Karnak Temple palm tree infra red ghostly dawn light is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from the north area which was mainly an opne air area of various blocks. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983717jhp 
 Karnak Temple Egypt Taharqa Kiosk infra red sphinx dawn sunbeams greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98379jhp 
 Edfu Temple Pylon High View Egypt B&W Infra Red High unique rare unusual viewpoint which is no longer possible owing to recent alterations to this site by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, pylon, high, view, hypostyle hall, Ptolemy, naos, sanctuary, Ptolemaic, landscape, upright, cruise, cruiseboat, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98377jhp 
 Edfu Temple Egypt Horus Statue Infra Red B&W film hawk granite icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98376jhp 
 Edfu Temple Horus Statue Infra Red film Egyptian Falcon icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98375jhp 
 Edfu Temple Pylon Egypt carved column broken Inra Red film ghostly impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98374jhp 
 Edfu Temple Pylon Ancient Egyptian Mammisi Horus Ptolemaic B&W film Infra Red impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98373jhp 
 Edfu Temple Pylon Egypt Mammisi south B&W film Infra Red capital floral impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98372jhp 
 Edfu Temple Pylon Egypt Mammisi B&W film Infra Red capital floral southern view impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Souk InfR EG982426jhp 
 Aswan Souk Bazaar Egypt Egyptians people infra red film shopping near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, holiday, bazaar, souk, suk, shops, trading, selling, upright, landscape, bargaining, haggle, leather, goods, shapes, patterns, exotic, smells, donkeys, Egyptians, locals, native, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, fruit, cotton, baksheesh, blacksmith, sunset, tourism, cruise, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, cataracts, motorboat, excursion, feluccas, sailing, boats, caleche, Elephantine, Triad, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Feluccas InfR EG981123jhp 
 Aswan Cataract Hotel Old River Nile Waterfront Egypt feluccas infra red trip sailing on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Aswan, City, River, Nile, Cataract, hotel, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Colossi Memnon EG983716jhp 
 Colossi Memnon infra red film B&W ghostly night seated statues Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Colossi Memnon EG983715jhp 
 Colossi Memnon West Bank Nile Luxor infra red eerie night ruined seated statues of Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG98119jhp 
 Dendarah Dendera temple Qena Nile Egypt entrance gate infra red propylon in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG981116jhp 
 Dendarah Dendara temple Egyptian roof pillared hall infra red front B&W film in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG98118jhp 
 Dendera temple Egypt mammisi birth house screen carving beautiful infra red film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendarah, Dendera, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG98117jhp 
 Dendarah temple Egyptian mammisi birth house screen carving infra red B&W film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981112jhp 
 Dendarah Dendera temple Qena Nile Egypt birth house sanatorium approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981111jhp 
 Dendarah temple Nile Egypt coptic church sanatorium infra red film approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981110jhp 
 Dendera temple Egypt sphinx gate infra red propylon Trajan Domitian B&W entrance to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98116jhp 
 Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98115jhp 
 Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98114jhp 
 Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98113jhp 
 Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98112jhp 
 Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (42 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple SS984615jhp 
 Carved block Khonsu ankhs Temple dawn sunrise Karnak Egyptian golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of a carved block near the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, block, carved, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984613jhp 
 Exterior wall reliefs Temple Ramses dawn sunrise Karnak Luxor Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984611jhp 
 Outer wall reliefs Temple Ramasses dawn sunrise Karnak Egypt golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Ramesses 111 Temple EG0214081jhp 
 Exterior wall hieroglyphics text Temple Ramesses Karnak ancient Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls of the Small temple of Ramesses 111 at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214080jhp 
 Exterior wall carving scared barque Amun Temple Ramesses 111 Karnak Luxor Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, sacred, boat, large, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214079jhp 
 Exterior wall Temple Ramesses 111 Karnak boats sails oars men many, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214078jhp 
 Wall relief large boat sail Temple Ramesses Karnak Nile Egyptian, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214077jhp 
 Temple Ramesses 111 Karnak Egyptian Amun Mut Khonsu Gods carvings, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Mut, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214075jhp 
 Exterior wall reliefs Temple Ramesses 111 Karnak Amun Khonsu offering, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Pharaoh, offering, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214074jhp 
 Gods Thoth Khnum Sekhmet Temple Ramesses 111 Karnak Seshat Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Seshat, Khnum, Sekhmet, Thoth, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214073jhp 
 Exterior wall reliefs Amun Khonsu Temple Ramesses 111 Karnak Luxor Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, offering, nekhbet, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG0214072jhp 
 Exterior wall reliefs damage repairs Temple Ramesses 111 Karnak Egyptian, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, damage, repairs, patching
Karnak Ramesses 111 Temple EG0214071jhp 
 Exterior wall reliefs Temple Ramesses 111 Karnak Luxor Egypt hieroglyphs, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails
Karnak Ramesses 111 Temple EG075056jhp 
 Exterior wall reliefs boats oars carvings Temple Ramesses 111 Karnak Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt and was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, boats, oars, water, procession, Amun, Amun-Re, Amun-Re-Kamutef, king, Ramses, Ramesses, Ramasses, Gods, Harim, barque, shrine, Bubastite, Portal, Sheshonq, military, campaigns, temple, wall, reliefs, bas reliefs, carvings, worn, cartouches, hieroglyphs, birth, name, heqaiunu, throne, Usermaatre, Meryamun
Karnak Ramesses 111 Temple EG075055jhp 
 Exterior wall relief large boat oar carving procession Temple Ramesses Karnak Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt and was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, boats, oars, water, procession, Amun, Amun-Re, Amun-Re-Kamutef, king, Ramses, Ramesses, Ramasses, Gods, Harim, barque, shrine, Bubastite, Portal, Sheshonq, military, campaigns, temple, wall, reliefs, bas reliefs, carvings, worn, cartouches, hieroglyphs, birth, name, heqaiunu, throne, Usermaatre, Meryamun
Karnak Ramesses 111 Temple EG075054jhp 
 Exterior wall reliefs boat sail carvings Temple Ramses 111 Karnak Egyptian, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt and was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, boats, oars, water, procession, Ramses, Amun, Amun-Re, Amun-Re-Kamutef, king, Ramses, Ramesses, Ramasses, Gods, Harim, barque, shrine, Bubastite, Portal, Sheshonq, military, campaigns, temple, wall, reliefs, bas reliefs, carvings, worn, cartouches, hieroglyphs, birth, name, heqaiunu, throne, Usermaatre, Meryamun
Karnak Thutmosis Court EG074902jhp 
 Colours bas relief wall partial restoration pharaoh offering crown khepresh Egypt Festival Court Thutmose 1V Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, upright, Thutmosis, Thutmose: Pharaoh, crown, khepresh, war, blue, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074901jhp 
 Coloured bas relief wall restoration Festival Court Thutmose 1V Amun Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, column, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrine, chapel
Karnak Thutmosis Court EG074900jhp 
 Coloured bas relief wall Aumn pharaoh column Festival Court Thutmosis Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074899jhp 
 Coloured relief wall bull garland lotus flowers Festival Court Karnak Temple Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, bulls, lotus, flowers, garlands, ka, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074897jhp 
 Coloured bas relief columns restoration Festival Court Thutmosis Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, columns, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074896jhp 
 Colours reliefs restored columns Festival Court Thutmose Amun Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, columns, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074895jhp 
 Hieroglyphs bas reliefs Thutmosis 1V cartouche vulture neret Mut Festival Court Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, cartouches, names, vulture, neret, Mut, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074894jhp 
 Coloured carving Thutmose Pharaoh Amun Festival Court Open Karnak Temple Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, crown, pschent, double, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074892jhp 
 Coloured columns restored Festival Court Karnak Temple Luxor Egypt here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, columns, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074891jhp 
 Coloured bas relief column Festival Court Thutmose Atef crown Amun Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, atef, crown, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Karnak Thutmosis Court EG074890jhp 
 Colored bas relief restored column hands ankh Festival Court Thutmose 1V Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, columns, hand, ankh, kilt, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053549jhp 
 Coloured carving Festival Court Thutmose offering lotus Karnak Egypt Luxor here in Open Air Museum where this court is in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, offering, scene, lotus, flowers, crown, khepresh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053548jhp 
 Coloured bas relief column Thutmosis Pharaoh Amun Karnak Museum Egypt in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, column, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053547jhp 
 Construction restoration Festival Court Thutmosis Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053546jhp 
 Bas relief carving bull slaughtered trussed Festival Court Thutmose Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053545jhp 
 Carved bas relief wall animal feast food geese goat Egyptian Festival Court Thutmose 1V Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053544jhp 
 Carving geese leg haunch food offering feast Festival Court Thutmosis Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053543jhp 
 Carved wall feast scene food animals birds restoration Festival Court Thutmose Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, feast, animals, food, offering, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053542jhp 
 Carving animals bulls fowls wall Festival Court Thutmose Museum Karnak in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, geese, fowls, calves, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053541jhp 
 Coloured red offering Festival Court Thutmosis Amun ithyphallic Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053540jhp 
 Coloured relief Horus Amun child king Festival Court Thutmose Karnak Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, Thutmosis, Thutmose: Pharaoh, child, king, Horus, Atef, crown, ankh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053539jhp 
 Coloured bas relief column red Festival Court Thutmsis Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, column, upright, Thutmosis, Thutmose: Pharaoh, Gods, Offering, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053538jhp 
 Coloured bas reliefs fragments wall restoration Festival Court Thutmose Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053537jhp 
 Coloured lintel hieroglyphs columns Festival Court Thutmose Karnak Temple in Luxor here the Festival Court of Thutmosis in the Open Air Museum in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053536jhp 
 Coloured bas relief restored Festival Court Thutmose Amun Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, upright, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels
Thutmosis 1V Festival Court Karnak EG053535jhp 
 Coloured bas relief columns restoration Festival Court Thutmose 1V Open Air Museum Karnak Temple in Luxor here in the process of lovingly being restored and a substantial addition to the many beautiful and charming small chapels that can be found in this hidden peaceful corner of the huge Karnak site. Thutmosis 1V is the Pharaoh associated with the famous Dream Stele which lies between the paws of The Sphinx at Giza. 
 Keywords: Egypt, Egyptian, Thebes, Waset, Ipetisut, Luxor, River, Nile, East, Bank, Karnak, Temple, Open, Air, Museum, landscape, columns, Thutmosis, Thutmose: Pharaoh, Festival, Court, Heb-Sed, renewal, restored, restoration, construction, carving, carved, bas, reliefs, wall, painted, colours, colors, red, horns, bull, meat, food, offering, history, archaeology, Egyptology, Amun-Re, Osiride, Amun-Min, Amun, ithyphallic, hieroglyphs, hieroglyphics, decorated, surfaces, prayer, religion, vestibule, sanctuaries, shrines, chapels

Egypt > Luxor Nobles Tombs (15 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Ramose Tomb EG9622210jhp 
 Ancient Egypt Noble Ramose Tomb Relief women beautiful banquet guests flowers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, women, guests, banquet, braided, hair, black, eye, makeup, beautiful, flowers, lotus, delicate, quality, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, artificial, light, natural, 1996, slide, film, 35mm, Nikon, FM2 manual, scanned, scan
Tomb of Ramose EG945515jhp 
 Ancient Egyptian Ramose Tomb grid drawing outlines scale Wall Relief Egypt Luxor one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh, Abd’el-Qurna, landscape, upright, Ramose, Vizier, governor, drawing, grid, scale, lines, charcoal, painted, outline, figures, carving, plaster, limestone, polished, smooth, start, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, entrance, stones, rubble, damaged, 1994, slide, film, medium, format, transparency, scanned, scan, Bronica, ETRSi, hand, held
Tomb of Ramose EG94504jhp 
 Ancient Egyptian Ramose Tomb entrance gates carving Nobles West Bank Luxor nearby the entrance into a tomb with many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible and this sort of scene is no more. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh, Abd’el-Qurna, landscape, upright, Ramose, Vizier, governor, drawing, grid, outline, figures, carving, plaster, limestone, polished, smooth, start, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, entrance, stones, rubble, damaged, 1994, slide, film, medium, format, transparency, scanned, scan, Bronica, ETRSi, hand, held
Ramose Tomb Relief EG10036JHP 
 Ramose Tomb Relief Luxor Egypt Foreign Faces Ambassadors Interior Photograph, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, upright, Ramose, Vizier, governor, tomb, painting, style, naturalistic, foreign, faces, ethnic, characteristics, outlines, drawing, natural, light, transparency, scanned
Ramose Tomb Relief EG10029JHP 
 Ancient Egyptian Ramose Tomb Relief Funerary Scene Mourners Wall Relief, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned
Ramose Funeral Procession EG10014JHP 
 Ramose Tomb Funeral Procession Top Left-hand Corner Frieze Fading Colourful of columned hall and is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze since then when this was taken with a Bronica 645. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' al-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, funeral, procession, colourful, colorful, colours, colors, painted, natural, light, scanned, transparency
Ramose Tomb Reliefs EG568JHP 
 Ramose Tomb Relief Tombs Nobles Foreign Faces Outlines Ethnic Characteristics, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor nd in this case a fascinating set of unfinished drawings showing foreign facial characteristics. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, upright, Ramose, Vizier, governor, tomb, foreigners, dignatories, faces, ethnic, character, different, style, naturalistic, workings, drawing, outlines, grids, perspective, light, natural, transparency, scanned
Ramose Tomb Reliefs EG566JHP 
 Ramose Egyptian Luxor Tomb Relief Painting Outline Foreign Visitors Prisoners, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, foreigners, faces, characteristics, style, naturalistic, unfinished, workings, outlines, grids, perspective, natural, light, transparency, scanned
Ramose Tomb Reliefs EG564JHP 
 Ramose Tomb Relief Aten Sun Rays Wall Carving Interior Luxor Egypt, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abdâ' l-Qurna, upright, Ramose, Vizier, governor, tomb, bas, relief, Aten, suns, rays, dignitaries, style, naturalistic, classic, natural, light, transparency, scanned
Ramose Tomb Reliefs EG563JHP 
 Ramose Tomb Relief Ancient Egypt Nobles Relief Pharaoh Shrine Sunlight, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd'el-Qurna, landscape, Ramose, Vizier, governor, tomb, bas, relief, pharaoh, seated, throne, Maat, Goddess, hieroglyphs, style, classic, colours, colors, painted, natural, light, transparency, scanned
Ramose Tomb Reliefs EG562JHP 
 Ramose Tomb Relief Luxor Tombs Nobles Interior Wall Carving Natural Light, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor, this one relief of the Pharoah with Goddess Maat in attendance. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Ramose, Vizier, governor, tomb, relief, pharaoh, seated, throne, Maat, Goddess, hieroglyphs, style, classic, frieze, colours, colors, painted, natural, light, transparency, scanned
Ramose Tomb Reliefs EG561JHP 
 Ramose Tomb Relief Wall Grid Lines Draughting Outlines Craftmanship Interior, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor and showing interesting inight into work-in-progress. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned
Ramose Tomb Entrance EG075724JHP 
 Ramose Tomb Approach Modernisation Luxor West Bank Tombs Nobles Exterior of the area around the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, approach, modernisation, digital
Ramose Tomb Entrance EG075723JHP 
 Ramose Tomb Entrance Luxor Tombs Nobles Egypt Modern Changes Tidy showing progress for the modernisation of the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially this approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Ramose, Vizier, governor, tomb, modern, entrance, approach, digital
Ramose Funeral Procession EG5511JHP 
 Ramose Tomb Relief Luxor Egypt Painted Frieze Wall Top Procession Funeral, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor and this is a funeral procession frieze tucked away in the top left hand corner. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, panoramic, Ramose, Vizier, governor, tomb, funeral, procession, shrine, dancers, morners, gifts, offerings, painting, style, classic, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned

Egypt > Medinet Habu (4 files)

Pictures from the great Mortuary temple of Ramasses 111 called the Medinet Habu on the West Bank of the River Nile at Luxor
Medinet Habu Court EG053468JHP 
 Medinet Habu Temple Egypt Second Court Wall Covered Painted Carving Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, landscape, wall, ceiling, barque, solar, funeral, procession, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053467JHP 
 Medinet Habu Temple Colorful Painted Wall Ceiling Luxor Second Court Natural Light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053466JHP 
 Medinet Habu Temple Wall Reliefs Colours Painted Carved Funeral Procession Barque located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court
Medinet Habu Court EG053460JHP 
 Egyptian Medinet Habu Temple Ramses Second Court Coloured Reliefs Colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, the second court in this photograph offers some breathtaking coloured reliefs ironically preserved under the white wash applied during the Christian era and the temple was used as a church. Not included in most standard tour packages, this temple is worth the effort to be visited privately. 
 Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, upright, wall, funeral, procession, barque, second, courtyard, history, archaeology, ancient, Egyptian, Egyptology, Amun, Kematef, decorated, painted, colors, colours, hieroglyphics, surfaces, Djamet, Ramasses, Ramesses, Osiride, statues, portico, court

Egypt > River Nile Cruise & Sites (17 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
River Nile Esna Lock EG052098jhp 
 Egypt Egyptian River Nile Esna lock cruiseboats entering exiting water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, exiting, entering, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Lock EG052097jhp 
 Egypt Egyptian River Nile Esna lock cruiseboat in coming out transfer photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboats EG052096jhp 
 Egypt Egyptian River Nile Esna lock cruiseboats jammed together photograph taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation and while waiting boats were berthed side by side for several hours, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboats EG052095jhp 
 Egypt Egyptian River Nile Esna lock cruiseboats congested cramped many photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation which meant many boats were berthed six deep side by side while they waited, although an additional lock was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Cruiseboat EG052093jhp 
 Egypt Egyptian River Nile Esna cruiseboat still life washing deck life ropes photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, daily, life, congestion, bottleneck, delays, anchored, water, cruise, cruiseboat, white, deck, detail, bollards, rope, washing, drying, hanging, generator, steps, hose, walkway, gangplank, colours, colors, colorful, still, life, arty, art
River Nile Esna Traders EG052090jhp 
 Egypt Egyptians Nile Esna traders flotilla boats selling cotton goods colours water photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, many, boats, flotilla, lineup, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052089jhp 
 Egypt Egyptians Nile Esna traders many boats selling clothes cotton goods photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, multiple, many, crowded, competing, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052085jhp 
 Egypt Egyptian River Nile Esna lock cruiseboats traders boats RA water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, RA, Ambassador, Eastmar, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052080jhp 
 Egypt River Nile Esna lock cruiseboat arriving traders boats selling carpets photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, cruiseboat, RA, Eastmar, arriving, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052069jhp 
 Egypt Egyptian River Nile Esna lock cruiseboat traders boat rowing water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboat, Beau, Soleil, crewmen, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052064jhp 
 Egypt Egyptians Nile traders men negotiating boats selling shawl pointing water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, negotiating, pointing, gesticulating, galabeas, carpets, shawl, red, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052062jhp 
 Egypt Nile Esna cruiseboat passengers receiving checking galabea traders boats selling water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, man, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, woman, checking, receiving, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052061jhp 
 Egypt Egyptians Nile Esna traders boats selling goods oarsmen packets water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052060jhp 
 Egypt Egyptian Nile Esna traders boat selling galabeas faces expressions photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, faces, expressions, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052059jhp 
 Egyptians Nile Esna lock cruiseboats traders boat selling carpet shawl water photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, upright, boats, traders, sellers, selling, galabeas, carpet, shawl, rowing, oarsmen, men, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052058jhp 
 Egypt Egyptians Nile Esna cruise traders boats selling shawl carpet boy photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpet, shawl, rowing, oarsmen, men, boy, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Traders EG052056jhp 
 Egypt Nile Esna lock cruiseboat Ruby traders boats selling clothes rowing photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, boats, traders, sellers, selling, galabeas, carpets, rowing, oarsmen, men, riverbank, daily, life, cruiseboat, Ruby, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful

Scotland > Aberdeen City (1 file)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Provost Skene House xv0205jhp 
 Provost Skene House Aberdeen Scotland Spring Museum bronze Broad blue sky is the charming museum and cafe incorporated into Aberdeen's oldest surviving house with its fascinating religious paintings of unknown date or origin. The pool in the forground is dranined for cleaning but is usually full thoughout most of the year. Currently to the right of this view was the huge modern edifice of St Nicolas House, the council offices but they are now in the process of being demolished and one hope that a more fitting central area facing the majestic Marischal College will be created. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Grampian, Aberdeen, City, 'Provost Skene House', oldest, house, preserved, restored, St Nicolas House, Broad Street, cafe, public, visitors, landscape, water, sprites, feature, museum, religious, paintings, granite, silver, architecture, style, classic

Scotland > Banff & Buchan (2 files)

Photographs of the Banff and Buchan area of Aberdeenshire in North East Scotland that do not fit into other specialist categories or particularly illustrate the nature of the area.
New Byth bnm2891jhp 
 New Byth village Buchan Aberdeenshire Scottish May spring rolling fields seeded near Cuminestown was built around the late 1700’s as part of a process by the landowners to support the increased agriculture of this northern area of Aberdeenshire. The Buchan province whose name means “land at the bend in the ocean” was underdeveloped but was developed as part of the enlightenment as landowners sought to improve their estates and the overall agriculture of the land. Nearby Cuminestown was one of the first founded in 1761 by Joseph Cumine and New Byth followed soon afterwards and later followed by other Central Buchan villages like Maud, Mintlaw and New Deer. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Bennachie, Buchan, New, Byth, central, village, planned, small, farming, farmland, ploughed, fields, blue, sky, landscape, Corsegight, hill, May, 2016, spring, DSLR, Nikon, D700, digital, camera
New Byth bnm2890jhp 
 New Byth village central Buchan Aberdeenshire Scotland planned May spring fields near Cuminestown was built around the late 1700’s as part of a process by the landowners to support the increased agriculture of this northern area of Aberdeenshire. The Buchan province whose name means “land at the bend in the ocean” was underdeveloped but was developed as part of the enlightenment as landowners sought to improve their estates and the overall agriculture of the land. Nearby Cuminestown was one of the first founded in 1761 by Joseph Cumine and New Byth followed soon afterwards and later followed by other Central Buchan villages like Maud, Mintlaw and New Deer. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Bennachie, Buchan, New, Byth, central, village, planned, small, farming, farmland, ploughed, fields, blue, sky, landscape, Corsegight, hill, May, 2016, spring, DSLR, Nikon, D700, digital, camera

Scotland > Historic Properties (1 file)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Old Brig Dee Invercauld fgh2962jhp 
 Old Brig River Dee Invercauld Deeside Scotland summer heather stormy clouds is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the summer heather purple and although catching the sunlight the background is dark and stormy. NB This was taken with a non-digital lens and may need extra sharpening. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, repointed, summer, heather, purple, colours, colors, larch, silver, birch, stormy, clouds, sunshine, DSLR

Scotland > Rivers, Glens & Lochs (40 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Old Dee Brig Invercauld 199621jhp 
 Old Brig O’Dee stone bridge downstream river Dee Invercauld Scottish White Mounth hills and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, bridge, Caulfield, rebellion, River, Dee, Royal, Deeside, landscape, rocks, boulders, water, forest, trees, bridge, military, access, soldiers, single, stonework, Historic, colours, colors, larch, silver birch, cirrus, clouds, dramatic, blue, sky, summer, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Brig O Dee Invercauld 1912533jhp 
 Old Brig O’Dee stone bridge heather river Dee Invercauld Scottish cirrus clouds dramatic light and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, bridge, Caulfield, rebellion, River, Dee, Royal, Deeside, landscape, rocks, boulders, weathered, erosion, water, forest, trees, bridge, military, access, soldiers, single, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch, cirrus, clouds, dramatic, blue, sky, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Old Brig O Dee fgh2960jhp 
 Old Brig O’Dee stone bridge heather river Dee Invercauld Scottish summer dramatic light and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, repointed, summer, heather, purple, sunlit, purple, colours, colors, larch, silver, birch, stormy, dramatic, light, grey, black, moody, ominous, clouds, sunshine, August, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo
Invercauld Autumn to4280256jhp 
 Invercauld River Dee estate Beinn A’Bhuird mountain snow autumn larch trees Braemar road Aberdeenshire photo taken after passing the Old Brig O’Dee enroute for Braemar. The bridge is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who had started the process making a military road system many years earlier. The bridge is located just east of Braemar and this view is from the northern river bank looking to the White Mounth. Located between the estates of Balmoral, south of the river and Invercauld to its north, this view is taken from the side of the North Deeside Road just beyond Invercauld House on the road to Braemar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River, Dee, Royal, Deeside, Beinn A’Bhuird, Ben, Avon, snow, capped, winter, landscape, water, forest, trees, estate, sheep, larch, pine, Cairngorms, Grampians, mountains, tor, 2006, November, Fuji, digital, camera, S3Pro
Invercauld Autumn to4280253jhp 
 Invercauld River Dee estate westwards Beinn A’Bhuird mountain snow winter Braemar road Aberdeenshire photo taken after passing the Old Brig O’Dee enroute for Braemar. The bridge is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who had started the process making a military road system many years earlier. The bridge is located just east of Braemar and this view is from the northern river bank looking to the White Mounth. Located between the estates of Balmoral, south of the river and Invercauld to its north, this view is taken from the side of the North Deeside Road just beyond Invercauld House on the road to Braemar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River, Dee, Royal, Deeside, Beinn A’Bhuird, Ben, Avon, snow, capped, winter, landscape, water, forest, trees, estate, sheep, larch, pine, Cairngorms, Grampians, mountains, tor, 2006, November, Fuji, digital, camera, S3Pro
River Dee Invercauld zxc1853jhp 
 Old Brig O’Dee Invercauld River Dee flora boulders eroded water summer Scottish Aberdeenshire is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, upright, landscape, summer, riverbank, upstream, wild, flowers, flora, closeup, foreground, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1852jhp 
 Old Brig O’Dee Invercauld River Dee wild flowers rocks summer Braemar Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, summer, riverbank, upstream, wild, flowers, flora, closeup, foreground, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1846jhp 
 Old Brig O’Dee Invercauld River Dee blue sky sunshine water summer Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, upright, landscape, summer, riverbank, upstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1844jhp 
 Old Brig O’Dee Invercauld River Dee boulders rapids summer Braemar Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, summer, riverbank, upstream, boulders, rapids, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1843jhp 
 Old Brig O’Dee Invercauld River Dee rocks waterlevel summer Braemar Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, upright, landscape, summer, riverbank, upstream, downstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1842jhp 
 Old Brig O’Dee Invercauld River Dee summer Braemar Scottish photograph is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, summer, riverbank, upstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1840jhp 
 Old Brig O’Dee Invercauld River Dee summer riverbank stones Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, upright, landscape, summer, riverbank, upstream, stones, rocks, brown, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1839jhp 
 Old Brig O’Dee Invercauld River Dee bridge rocks water summer Braemar Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, summer, riverbank, upstream, downstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1837jhp 
 Old Brig O’Dee Invercauld River Dee summer fisherman salmon Braemar Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, upright, landscape, summer, riverbank, upstream, downstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Dee Invercauld zxc1835jhp 
 Old Brig O’Dee Invercauld River Dee fishing summer Braemar Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream on a sunny summer morning. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, summer, riverbank, upstream, downstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, salmon, fishing, fisherman, blue, sky, sunshine, 2014, DSLR, Nikon, D700
River Deveron Spring asd7269jhp 
 River Deveron view layby Woodfold spring trees Aberdeenshire Scotland Strathbogie is one of Aberdeenshire’s famous salmon fishing rivers, rising on the slopes of The Buck in the Cabrach and flowing into the Moray Firth at Banff. Here it is photographed on a small back road from Marnoch Bridge to the Milltown of Rothiemay which winds its way high above the river overlooking the Mains of Mayen before it drops to river level at Rothiemay where this rough layby and viewpiont was in the process of construction. 
 Keywords: Scotland, Grampian, Scottish, Aberdeenshire, Marnoch, Milltown, Rothiemay, road, River, Deveron, Glen, valley, Strathbogie, spring, bridge, landscape, water, trees, beech, gean, blossom, cattle, Mayen, Mains, house, Woodfold, Wood, upstream, downstream, blue, sky, cloudless, sheep, fields, farmland, grass, green, layby, viewpoint, roadside, wild, flowers
River Deveron Spring asd7266jhp 
 River Deveron water hills layby Woodfold spring trees Scotland Strathbogie is one of Aberdeenshire’s famous salmon fishing rivers, rising on the slopes of The Buck in the Cabrach and flowing into the Moray Firth at Banff. Here it is photographed on a small back road from Marnoch Bridge to the Milltown of Rothiemay which winds its way high above the river overlooking the Mains of Mayen before it drops to river level at Rothiemay where this rough layby and viewpiont was in the process of construction. 
 Keywords: Scotland, Grampian, Scottish, Aberdeenshire, Marnoch, Milltown, Rothiemay, road, River, Deveron, Glen, valley, Strathbogie, spring, bridge, landscape, water, trees, beech, gean, blossom, cattle, Mayen, Mains, house, Woodfold, Wood, downstream, blue, sky, cloudless, sheep, fields, farmland, grass, green, layby, viewpoint, roadside, wild, flowers
River Dee Invercauld 3706UP66JHP 
 Invercauld River Dee water downstream northbank Braemar Aberdeenshire Scottish photo just down from the Old Brig O'Dee which is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the northern river bank looking to the White Mounth 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, White, Mounth, downstream, eastwards, landscape, heather, purple, northbank, water, forest, trees, digital, autumn, Septemeber
Brig ODee Invercauld 191248JHP 
 Old Brig O’Dee stone bridge heather river Dee Invercauld Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the purple of late summer heather. 
 Keywords: Scotland; Scottish; Aberdeenshire; Braemar; Invercauld; Balmoral; estate; Old Brig O'Dee; River Dee; Royal Deeside; landscape; rocks; water; forest; trees; bridge; military; stonework; Historic; repaired; late; summer; heather; flowering; purple; green; colours; colors; larch; silver birch;
Brig O Dee Invercauld to East 199624JHP 
 Old Brig O’ Dee Invercauld River Dee rocks water downstream Braemar Aberdeenshire photo is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the northern river bank looking to the White Mounth 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, White, Mounth, downstream, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, scan, slide, July, summer
Brig O Dee Invercauld to East 19956JHP 
 Old Brig O' Dee Invercauld River Dee rocks water downstream Braemar Aberdeenshire photo is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the northern river bank looking to the White Mounth 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, White, Mounth, downstream, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, scan, transparency, July, summer
Brig O Dee Invercauld 51014JHP 
 Old Brig O' Dee Invercauld River Dee water upstream summer broom blossom Braemar Aberdeenshire photo is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the southern river bank on the Balmoral Estate side looking upstream with springtime broom in full blossom. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, Creag, Clunie, upstream, south, bank, landscape, rocks, water, broom, yellow, blossom, forest, trees, bridge, military, stonework, Historic, scan, transparency, June, summer
River Dee at Invercauld TO4280251JHP 
 Old Brig O'Dee Invercauld River Dee Autumn Silver Birch Golden Bridge is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, beach, shingle, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch
River Dee at Invercauld TO4280250JHP 
 Old Brig O'Dee Bridge Military Invercauld Braemar Scotland Riverbank Birch Tree is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch
River Dee at Invercauld TO4280238JHP 
 Old Brig O'Dee Bridge River Dee Riverbank Rock Closeup Foreground Structure at Invercauld is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch
River Dee at Invercauld TO4280237JHP 
 Old Brig O'Dee Invercauld Scottish Military Bridge Riverbank Boulder Foreground is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch
River Dee at Invercauld TO4280231JHP 
 Scottish Old Brig River Dee Invercauld Autumn Rocks Hills Royal Deeside is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch, upright
River Dee Rocks TO4280244JHP 
 Old Brig River Dee Invercauld Rock Water Eddy Closeup Photograph Tumbling is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking into the river and rocks near the bridge. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, foam, swirling, ripple, movement, autumn, brown, peaty, colours, colors, action
River Dee Rocks TO4280243JHP 
 River Dee Rocks Water Eddy Tumbling Flowing Invercauld Braemar Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking into the river amongst the rocks near the brdige. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, foam, ripple, swirling, action, movement, peaty, brown, clear, fresh, autumn, colours, colors
River Dee Autumn TO4280246JHP 
 River Dee Downstream Bank Autumn Colours Invercauld White Mounth Hill near the Old Military Bridge which is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch
River Dee Autumn TO4280245JHP 
 River Dee Riverbank Stoney Autumn Silver Birches Golden Water Hills Invercauld is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, downstream, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch
River Dee Bridge xvv1114jhp 
 Old Brig O'Dee Invercauld River Dee Forest Clouds Sunlight Dramatic Deeside is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, Caulfield, builder, roads, stonework, Historic, repaired
River Dee Bridge xvv1110jhp 
 Old Brig O'Dee Bridge Stone Gleaming Summer Sunshine Evening Invercauld is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired, Caulfield, builder, road
River Dee Bridge xvv1106jhp 
 Old Brig O'Dee River Forest Hills Dark Clouds Sunlight Invercauld is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, Caulfield, roads, stonework, Historic, repaired
River Dee Bridge xvv1104jhp 
 Old Brig O'Dee Invercauld Dramatic Scottish Stock Library Photos River Dee is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, dramatic, light, evening, landscape, rocks, water, forest, trees, bridge, military, Caulfield, builder, Forty Five, rebellion, roads, stonework, Historic, repaired
River Dee Bridge xvv0964jhp 
 Old Brig O'Dee Invercauld River Dee Summer Photograph Stormy Clouds is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, forest, trees, bridge, military, Caulfield, builder, roads, stonework, Historic, repaired
River Dee Bridge xvv0963jhp 
 Old Brig O'Dee Invercauld Stone Built Sunlit Dramatic Dark Forest Contrast is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, Caulfield, roads, stonework, Historic, repaired
River Dee Bridge xvv0938jhp 
 Old Brig O'Dee Invercauld River Dee Scotland Summer Storm Light Strong is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, upright, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired
River Dee Bridge xvv0936jhp 
 Old Brig O'Dee Invercauld Summer Royal Deeside Dee River Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, stonework, Historic, repaired
Dee Bridge Invercauld xvv1101jhp 
 Old Brig O'Dee Invercauld Military Bridge Braemar Balmoral Estate Forest is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge who started the process many years earlier. The bridge is located just east of Braemar and this view is from the modern road bridge which crosses the River Dee to the North. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, River Dee, Royal Deeside, landscape, rocks, water, forest, trees, bridge, military, roads, Caulfield, rebellion, Forty Five, stonework, Historic, repaired

Scotland > Snow Scenes Deeside (5 files)

Snow scene photographs of Deeside in North East Scotland generally excluding Historic Properties which will include snow scenes with the castles etc.
Deeside Snow Invercauld asd4513jhp 
 Fishing seat Invercauld River Dee snow sunny winter riverbank Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, landscape, winter, snow, white, riverbank, downstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch, wooden, bench, seat, fishing, beat
Deeside Snow Invercauld asd4512jhp 
 Invercauld River Dee downstream White Mounth snow winter forest Braemar Aberdeenshire Scotland is taken near the Old Brig O'Dee cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, White, Mounth, upright, winter, snow, white, riverbank, downstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch
Deeside Snow Invercauld asd4509jhp 
 Old Brig O’Dee Invercauld River Dee snow Scottish winter bridge Deeside is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, upright, winter, snow, white, riverbank, upstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch
Deeside Snow Invercauld asd4507jhp 
 Old Brig O’Dee Invercauld River Dee snow winter military bridge Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, winter, snow, white, riverbank, upstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch
Deeside Snow Invercauld asd4506jhp 
 Old Brig O’Dee Invercauld River Dee snow winter Braemar Aberdeenshire Scotland is cared for by Historic Scotland and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, forest, Old, Brig O'Dee, bridge, River, Dee, Royal, Deeside, Carn, Sligat, Creag, Clunie, landscape, winter, snow, white, riverbank, upstream, rocks, water, forest, trees, pines, Caledonian, military, stonework, Historic, repaired, colours, colors, larch, silver, birch

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