Home

 

Searching all stock for "prior":

Aurora over Scotland (1 file)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora aucf14102jhp Aurora Borealis Scottish dispersed green arc Plough winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.32hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc patches prior to rays forming slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Egypt > Abu Simbel (3 files)

Photographs of the Great Temple of Ramses 11 at Abu Simbel and those of his wife's temple of Nefertari with some interior images as well.
Abu Simbel Fallen Ramses EG02078JHP Abu Simbel Great Temple huge rock carved fallen statue facedown Ramasses 11 as was prior to what was once a River Nile site but now reconstructed in a mammoth UNESCO rescue project in the 1960’s and housed in an artificial hill high enough to save it from the total flooding with the creation of Lake Nasser. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, rock, carved, huge, Great Temple, upright, Ramses, Ramasses, Ramesses, pharaoh, seated, fallen, earthquake, frost, history, antiquity, archaeology, Egyptology, UNESCO, cliff
Abu Simbel Fallen Ramses EG02077JHP Abu Simbel Great Temple carved fallen statue face Egyptian Pharaoh Ramses 11 with his wife and daughters as was prior to what was once a River Nile site but now reconstructed in a mammoth UNESCO rescue project in the 1960’s and housed in an artificial hill high enough to save it from the total flooding with the creation of Lake Nasser. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, rock, carved, huge, Great Temple, landscape, Ramses, Ramasses, Ramesses, daughters, pharaoh, seated, history, antiquity, archaeology, Egyptology, UNESCO, cliff
Abu Simbel Fallen Ramses EG02076JHP Abu Simbel Great Temple carved collapsed statue torso face history Ramesses 11 and his wife and daughters as was the way it appeared prior to what was once a River Nile site but now reconstructed in a mammoth UNESCO rescue project in the 1960’s and housed in an artificial hill high enough to save it from the total flooding with the creation of Lake Nasser. Keywords: Egypt, ancient, Egyptian, Lake Nasser, River Nile, Nubia, Abu Simbel, rock, carved, huge, collapsed, fallen, earthquake, Great Temple, upright, Ramses, Ramasses, Ramesses, daughters, pharaoh, seated, history, antiquity, archaeology, Egyptology, UNESCO, cliff

Egypt > Aswan Nubian Museum (1 file)

Aswan Museum Philae Model EG052967JHP Aswan Egyptian Nubian Museum model of Philae Temple before relocation with the noticeable omission of Trajan's Kiosk and inside a modern airconditioned building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, Philae, Temple, model, prior, relocation, inside, interior, ancient, landscape

Egypt > Infra Red Photographs (9 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Plants InfR EG02049jhp Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02048jhp Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02047jhp Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02046jhp Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02045jhp Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02044jhp Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02043jhp Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02042jhp Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG020410jhp Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > Minya, Amarna & Ashmunayn (1 file)

Photographs in this gallery cover the main sites of Amarna, its North Palace, Aten and Small Temple, Bani Hasan Rock cut chapels, Tuna el-Gebel with the Catacombs with baboon and ibis mummies, Stela of Akhenaten on the north boundary, Petosiris Tomb-Chapel, Chapels of Ptoemais and Isadora, Roman Water Wheel Well and Temple of Thoth and el Ashmunein with an Open Air Museum with huge granite statues of Baboons and nearby a Temple to Thoth with a later Christian Basilica all located along the River Nile between Cairo and Luxor accessed from the nearby university city of Minya
Bani Hassan & River Nile 6122EG07JHP River Nile Agriculture Resthouse High View Bani Hassan Minya Egypt prior to the walk to visit some of the thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography was absolutely refused when I visited. Keywords: Egypt, Egyptian, River Nile, Egyptology, agriculture, farming, fields, crops, maize, palm, trees, Bani Hassan, Bani Hasan, Beni Hassan, landscape, green, lush, fertile

Scotland > Deeside Towns and Villages (2 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Deeside Train bnm3543jhp Crathes Deeside Way Railway train diesel trees Scottish summer Aberdeenshire taken near this busy and large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. This view is taken by the North Deeside Road from Aberdeen to Braemar adjacent to Crathes Castle. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town and can be seen along this stretch of restored railway line which runs from Crathes, just opposite to the main entrance to Crathes Castle, an important National Trust for Scotland property in North East Scotland. The line stops at the outskirts of Banchory on its eastern face although prior to the Beeching cuts the line ran from Aberdeen west along the River Dee to its terminus at Ballater. Large parts of the disused railway line have now been incorporated in a walking and cycling path called the Deeside Way and offer the enthusiastic rambler a substantial dedicated route from Aberdeen to Ballater. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, Crathes, Milton, railway, line, train, steam, diesel, preservation, restored, relayed, track, landscape, north, road, Scolty, hill, tower, forest, trees, field, summer, sunshine, grass, green, 2016, Nikon, D700, photo, digital, June, sunshine, sunny, colourful, colorful, colours, colors
Deeside Train bnm3541jhp Banchory Crathes Deeside Way Railway train diesel Scotland summer Aberdeenshire taken near this busy and large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. This view is taken by the North Deeside Road from Aberdeen to Braemar adjacent to Crathes Castle. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town and can be seen along this stretch of restored railway line which runs from Crathes, just opposite to the main entrance to Crathes Castle, an important National Trust for Scotland property in North East Scotland. The line stops at the outskirts of Banchory on its eastern face although prior to the Beeching cuts the line ran from Aberdeen west along the River Dee to its terminus at Ballater. Large parts of the disused railway line have now been incorporated in a walking and cycling path called the Deeside Way and offer the enthusiastic rambler a substantial dedicated route from Aberdeen to Ballater. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, Crathes, Milton, railway, line, train, steam, diesel, preservation, restored, relayed, track, landscape, north, road, Scolty, hill, tower, forest, trees, field, summer, sunshine, grass, green, 2016, Nikon, D700, photo, digital, June, sunshine, sunny, colourful, colorful, colours, colors

Scotland > Forestry & Farming (1 file)

This gallery will have photography relating to the working areas of Aberdeenshire covering farming and forestry. Includes areas of forestry where there is public access for walks such as The Deeside Way and also photographs of forest harvesting, tree cutting, and stacked logs ready for transport to the local sawmills.
Helicopter Spraying Bracken TO4098973JHP Helicopter Spraying Flying Clear Felled Forest Bracken Roe Deer Watching Weedkilling prior to replanting on Ord Fundlie near Kincardine O Neil on Royal Deeside in North East Scotland and in this case watched by two roedeer. Unfortunately after this was sprayed a few hours later there was a July thunderstorm and the whole area was deluged in torrential rain for 30 mins; timing is everything. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardine, O'Neil, Royal, Deeside, landscape, helicopter, aerial, spraying, weeds, bracken, ferns, cleared, felled, forestry, land, estate, management, fencing, deer, roe, animals, Nature

Scotland > Historic Properties (30 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Braemar-Castle-qax8460jhp Braemar Castle fort autumn rainbow wintry larch trees Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. The sign in the foreground is a message of hope that the Corona Virus pandemic will be beaten. The photo was taken by luck on 21st November, 2020 at around 11.20UT. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, fort, fortress, musket, loops, historic, history, heritage, larch, colours, colors, preserved, pine, trees, colourful, colorful, autumn, winter, storm, rainbow, arc, luck, roadside, sign, 21st, November, 2020, Nikon, DSLR, D700, camera, digital, photograph.
Crathes Castle June Border 15765jhp Crathes Castle Gardens June Border summer red poppies blue sky white clouds Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15761jhp Crathes Castle Gardens June Border summer large red poppy closeup Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright
Crathes Castle June Border 15751jhp Crathes Castle Gardens June Border summer sunny colours riot Banchory Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 157512jhp Crathes Castle June Border Scottish summer sunny poppies pink red Deeside Aberdeenshire summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15749jhp Crathes Castle Gardens June Border summer morning lupins path shadows sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 15747jhp Crathes Castle Gardens June Border summer pink red poppies sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still
Crathes Castle June Border 157412jhp Crathes Castle Gardens June Border summer lupins border path sunshine Aberdeenshire Scotland Deeside summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round. On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high. Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people. Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright
Mar Lodge Braemar 1912928jhp Mar Lodge Norwegian styled Victorian hunting lodge Upper Deeside summer Scotland is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Mar Lodge Braemar 1912925jhp Mar Lodge Norwegian styled Victorian hunting lodge strong sun colours Upper Deeside summer Scotland is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Mar Lodge Braemar 1912726jhp Mar Lodge telephoto Braemar road layby setting heather hills Upper Deeside summer Scotland is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, telephoto, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Mar Lodge Braemar 1912724jhp Mar Lodge heather view River Dee Upper Deeside summer Scottish Braemar Linn road is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Craigievar Castle Autumn TO4350571JHP Craigievar Castle Fort Autumn Aberdeenshire Mar Roadside Telephoto Scotland National Trust property is situated about 6 miles south of Alford A980 and is open to the public from March to end of August although closed during 2008/9 for major renovation on the exterior it is open again as of 2010; this was taken from the Alford road prior to renovation. The grounds are normally open all year round. Example of the best in Scottish Baronial architecture, dating from 1626, and is unspoiled since being relinquished to the NTS by the Forbes-Sempill family. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Mar, Craigievar Castle, fort, upright, NTS, National Trust, landscape, Bennachie, mountain, historic, history, Forbes, Sempill, tower, turrets, golden, larch, autumn, colours, colors, trees, beech, countryside, farming, ploughed, field
Mar Lodge Braemar TO4320458JHP Mar Lodge Norwegian Victorian Hunting Lodge Royal Deeside Braemar Scottish Photo of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, upright, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags
Mar Lodge Braemar TO4320457JHP Mar Lodge Norwegian Front Styled Victorian Hunting Lodge Braemar Aberdeenshire is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, upright, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags
Mar Lodge Braemar TO4320456JHP Mar Lodge Scottish Norwegian Victorian Hunting Lodge Braemar Lawns Front View of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, panoramic, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags
Stag Ballroom Mar Lodge TO4320448JHP Mar Lodge Ballroom Stag Heads Antlers Braemar Royal Deeside Hunting Shooting Events is part of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, upright, ceiling, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, lodge, ballroom, sporting, shooting, deer, stags, skulls, heads, grotesque
Stag Ballroom Mar Lodge TO4320443JHP Mar Lodge Ballroom Stag Head Deer Shot Shooting Trophies Records Dates Display is part of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, upright, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, lodge, ballroom, sporting, shooting, deer, stags, heads, skulls, mounted, grotesque
Stag Ballroom Mar Lodge TO4320442JHP Mar Lodge Ballroom Wall Display Hanging Deer Antlers Heads Stuffed Trophies is part of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, lodge, ballroom, sporting, shooting, deer, stags, heads, skulls, wall, mounted, grotesque
Stag Ballroom Mar Lodge TO4320440JHP Scottish Mar Lodge Ballroom Interior Photo Antlers Hanging Many Displayed Roof Hall is part of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, upright, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, lodge, ballroom, sporting, shooting, deer, stags, grotesque
Mar Lodge Ballroom TO4320454JHP Mar Lodge Ballroom Exterior Wooden Lattice Work Unusal Striking Photo is part of a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom, here showing its rather unique Norwegain style design are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, lodge, ballroom, style, dewsign, exterior, Norwegian, sporting, shooting, deer, stags
Braemar Castle TO4290268JHP Braemar Castle Royal Deeside Military Fort River Dee Roadside Community Owned built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, shadows, military, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290267JHP Braemar Castle Winter Sunshine Pine Tree Shadows Deeside Aberdeenshire Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, winter, shadows, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290264JHP Braemar Castle Fort Autumn Larch Colours Sunshine Photo Royal Deeside Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290263JHP Braemar Castle Scottish Military Fortress Deeside Scotland Autumn Larch Pine Golden Colours built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290261JHP Braemar Castle Fortress Military Battlements Scottish History Community Ownership Aberdeenshire built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle Scotland VS0970JHP Braemar Castle Military Fort Fortress Highlands Royal Deeside Aberdeenshire Photo view taken of the star-shaped battlements and musket loops situated at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0968JHP Braemar Castle Star-shaped Battlements Musket Loops Scottish Military Fort at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0960JHP Braemar Castle Roadside View Woodland Larch Trees Summer Shadows Photograph now in community ownership, at the western end of Royal Deeside in Aberdeenshire just at the entrance to the village of Braemar on the road to Perth from Royal Deeside. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0959JHP Braemar Castle Stock Library Photo Scottish Historical Military Fortress Deeside now in community ownership, at the western end of Roayl Deeside in Aberdeenshire. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition

Scotland > Morayshire (1 file)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Pluscarden Priory TO3357376JHP Pluscarden Abbey Priory Working Christian Community Chapel Scotland Morayshire and gradually being restored to match its 1230 founding creation as one of only three Valliscaulian priories in Britain, is now in the Benedictine order as it was from 1454. Open to the public and offering tranquillity as well as home made produce from jams to polish and famous for its stained glass work, it is located near Elgin on an Elgin to Rafford sideroad. Keywords: Scotland, Scottish, Elgin, Moray, Morayshire, Highlands, landscape, Pluscarden, Priory, Abbey, Valliscaulian, Order, Benedictine, monks, Christian, Monastery, rural, countryside, restoration, Heldon, hill, spring, summer

Scotland > Rivers, Glens & Lochs (1 file)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Braemar Castle Autumn T04290261jhp Braemar Castle fort autumn roadside larch trees bronze Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, autumn, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful

Click below to purchase all images shown (you can fine-tune on next page):