Home

 

Searching all stock for "post":

Aurora over Scotland (18 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Cairn O Mount au61714jhp Scottish Northern Lights Cairn O’Mount rays red winter clouds December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed slightly shorter than the 20 seconds I later settled on and hence slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61713jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61709jhp Scotland Aurora Borealis lights Cairn O’Mount rays red yellow green winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61708jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter active 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61706jhp Scotland Aurora Borealis quiet display Cairn O’Mount arc winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61705jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61704jhp Scotland Northern Lights early stage display winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61703jhp Scottish low grade Aurora Borealis display Cairn O’Mount arc active winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617023jhp Scotland Aurora Borealis dying phase Northern sky faint rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617020jhp Scotland Aurora Borealis rays bundle colours ray purple yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61701jhp Scotland Aurora Borealis arc north Cairn O’Mount winter December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT on the 11th December. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617018jhp Scotrish Aurora Borealis northwards night sky bright multiple rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617017jhp British Aurora Borealis Cairn O’Mount Ursa Major bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, Plough, constellation, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617016jhp Scotland British Aurora Borealis Plough stars Cairn O’Mount rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617015jhp Scotland Aurora Borealis active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617013jhp Scotland Aurora Borealis active phase colourful bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617012jhp Scottisah Northern Lights active phase Cairn O’Mount rays stars yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617011jhp Scottish Aberdeenshire Aurora Borealis colours active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Egypt > Abydos & Dendara (14 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Dendara Temple Hypostyle hall EG007128jhp Dendara Temple coloured reliefs hyposyle hall Hathor ancient Egyptian photo, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, hypostyle, columns, hall, first, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration, scanned, slide
Dendara Temple Hypostyle hall EG007127jhp Dendara Temple coloured reliefs columns hypostyle painted Hathor ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, hypostyle, columns, hall, first, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration, scanned, slide
Dendara Hypostyle Columns eg075566jhp Dendara Temple coloured reliefs hypostyle hall columns painted Hathor ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, hypostyle, outer, hall, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, face, columns, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Dendara Hypostyle Ceiling eg075565jhp Dendara Temple hypostyle reliefs ceiling columns painted Hathor ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, landscape, hypostyle, outer, hall, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, columns, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Dendara Hypostyle Ceiling eg075561jhp Dendara Temple coloured reliefs ceiling Nut painted Hathor ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, landscape, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Dendara Hypostyle Ceiling eg075560jhp Dendara Temple hypostyle columns ceiling Nut painted Hathor ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, hypostyle, columns, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Dendara Hypostyle Ceiling eg075559jhp Dendara Temple hypostyle reliefs ceiling Nut painted Hathor face ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, columns, hypostyle, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, face, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Dendara Hypostyle Ceiling eg075558jhp Dendara Temple coloured reliefs ceiling Nut painted Hathor face ancient Egyptian insterior photograph, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, landscape, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Dendara Hypostyle Ceiling eg075556jhp Dendara Temple coloured reliefs ceiling Nut painted Hathor ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of colored reliefs on the ceiling on the inside of the hypostyle hall with the sky Goddess Nut in original colours and with representations on the outer and inner facades of the Roman Pharoahs Claudius, Nero,Tiberius and Augustus with the Egyptian Gods Horus, Hathor whose face adorns the capitals of the coloumns. Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, landscape, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, Horus, coloured, colored, reliefs, painted, colors, colours, carving, decoration
Abydos Hypostyle Hall Sunbeam 5350EG07JHP Abydos Temple Hypostyle Hall Interior Photo Sun beams rays dark, in the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the Temple of Seti/Sety 1 and added to by Ramses 11 and here in the hypsotyle hall is an atmospheric scene albeit caused by hole in the roof but would have given a sense of the dark solitude only lit by light from the ancient window in the far distance. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, upright, sunbeam, hypostyle hall, columns, hieroglyphs, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight
Abydos Hypostyle Hall Reliefs 5354EG07JHP Abydos Egypt Temple Sety inside wall painting pharaoh djed desecration photo in the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the Temple of Seti/Sety 1 and added to by Ramses 11 and in this photo Sety 1 is erecting the djed column with the help of the Goddess Isis Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, landscape, hypostyle hall, columns, hieroglyphs, wall, relief, painting, djed, column, Goddess, Isis, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, Ramasses, Ramesses
Abydos Hypostyle Hall 5351EG07JHP Abydos Temple Hypostyle Hall corridor dark interior photograph sun rays in the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, upright, sunbeam, hypostyle hall, columns, hieroglyphs, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight
Abydos First Hypostyle Hall 5343EG07JHP Abydos Egyptian Temple Sety Hypostyle Hall Interior Photograph Columns sunlight, the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico. In the entrance hyspostyle hall is a famous lintel on which some fascinating carvings appear to suggest modern military equipment such as an attack helicopter, tank, submarine but these are caused by superimpositions of different layers of plaster and carvings called palimpsest. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, upright, first, hypostyle hall, columns, hieroglyphs, UFO, lintel, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight
Abydos First Hypostyle Hall 5341EG07JHP Abydos Ancient Egyptian Temple Hypostyle Hall interior roof lintels columns ceiling, the largest royal monument built in white limestone, situated at the most important and one of the oldest necropolis of ancient Egypt is the home of Osiris is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico. In the entrance hyspostyle hall is a famous lintel on which some fascinating carvings appear to suggest modern military equipment such as an attack helicopter, tank, submarine but these are caused by superimpositions of different layers of plaster and carvings called palimpsest. Keywords: Egypt, Egyptian, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Abedju, al-Madfunah, al-Ballyana, entrance, landscape, first, hypostyle hall, columns, hieroglyphs, UFO, lintel, history, archaeology, ancient, Egyptology, temple, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, approach, pylon, court, hypostyle, painted, door, Ramses, colonnade, sunlight

Egypt > Aswan Nubian Museum (1 file)

Aswan Nubian Museum Figurine EG052970JHP Aswan Egyptian Nubian Museum figurine of post Christian period and charming exmaple of mnay exhibits in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, figurine, boy, sprite, inside, interior, ancient, upright

Egypt > Edfu Temple (12 files)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.
Edfu Hypostyle Hall Lintel EG052223JHP Edfu Temple Interior Painted Lintels Hypostyle Hall Anti-bat Bird Netting of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall EG052212JHP Edfu Temple Interior Painted Ceiling Flora Capitals Hypostyle Hall Photograph of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, roof, ceiling, columns, capitals, flora, papyrus, umbels, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, upright
Edfu Hypostyle Hall EG052211JHP Edfu Egypt Temple Interior Ancient Painted Flora Capitals Coulmns Hieroglyphs in the main Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Chamber EG052214JHP Edfu Ancient Egypt Temple Vestry Chamber Consecration West Main Entrance inside the main Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, vestry, repository, vases, west, consecration, chamber, inside, pillared, hypostyle, hall, columns, decorated, hieroglyphs, reliefs, Ptolemaic, landscape
Edfu Hypostyle Hall Chamber EG052213JHP Edfu Temple Ancient Egyptian Library Chamber East Main Entrance Photo inside the hypostyle hall screen in this large and almost intact building located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, library, repository, east, chamber, inside, pillared, hypostyle, hall, columns, decorated, hieroglyphs, reliefs, Ptolemaic, landscape
Edfu Hypostyle Hall Ceiling EG052222JHP Ancient Egyptian Edfu Ptolemaic Temple Interior Painted Flora Capitals Photograph in the main Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, painted, wall, lintel, ceiling, roof, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Ceiling EG052220JHP Edfu Temple Interior Elaborate Egyptian Painted Flora Capitals Ceiling Lintels in the main Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, celing, roof, lintels, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Ceiling EG052218JHP Edfu Temple Interior Painted Palm Capitals Ceiling Lintels Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, ceiling, lintel, roof, underside, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Capital EG052221JHP Edfu Egypt Temple Interior Painted Flora Palmette Capitals Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Capital EG052217JHP Egyptian Edfu Temple Interior Painted Carved Palmette Capitals Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Capital EG052216JHP Edfu Egyptian Ptolemaic Temple Interior Painted Elaborate Flora Capitals Hypostyle Hall of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, ceiling, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape
Edfu Hypostyle Hall Capital EG052215JHP Edfu Temple Interior Painted Symetrical Carved Capitals Hypostyle Hall Photo of this large and almost intact monument located by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Horus, pillared, hypostyle, hall, columns, capitals, flora, papyrus, umbels, composite, painted, colors, colours, decorated, hieroglyphs, reliefs, Ptolemy, Ptolemaic, landscape

Egypt > Karnak Temple (30 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Hypostyle Hall EG0214051jhp Hypostyle Hall Karnak Egyptian Temple Columns Obelisks carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall looking towards the two standing obelisks of Tuthmosis and Hatshesput L&R and one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, Tuthmosis, Tuthmose, Hatshepsut, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214049jhp Hypostyle Hall Reliefs Karnak Egypt Temple Columns Roof beams hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, supports, beams, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214048jhp Hypostyle Hall Karnak Egyptian Temple Columns windows sun glow hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214047jhp Hypostyle Hall Karnak Egypt Luxor Temple Columns Roof supports hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, cartouches, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, supports, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214046jhp Hypostyle Hall sunshine backlit Karnak Egyptian Temple Columns carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214042jhp Hypostyle Hall Ramesses cartouche Karnak Egyptian Columns carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, cartouche, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214041jhp Hypostyle Hall Karnak Egyptian Temple Columns tourists scale huge size taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall to the south gate and the diminutive figures help one gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, tourists, visitors, people, small, scale, huge, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214040jhp Hypostyle Hall Karnak Egypt Temple Columns south door windows hieroglyphs taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214038jhp Hypostyle Hall Karnak Egypt Temple Columns Roof beams repairs patching taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, hieroglyphics, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, repairs, cemented, patching, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214037jhp Hypostyle Hall Karnak Egyptian Temple Columns Roof beams painted carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, cartouche, deep, cut, windows, painted, roof, supports, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, beams, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG0214036jhp Luxor Hypostyle Hall Karnak Egyptian Temple columns dark silhouette hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG02140053jhp Hypostyle Hall Karnak Egypt Obelisks Columns sunlight golden carving hieroglyphs taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall towards the two remaining standing obelisks Tuthmose on the right and Hatshepsut to its left and one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, Hatshepsut, Tuthmose, Tuthmosis, evening, late, afternoon, sandstorm, sunshine, golden, poor, light
Karnak Hypostyle Hall EG074934jhp Hypostyle Hall Karnak Egyptian columns undressed Window small court pylon third inside this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the small court adjacent to the Third Pylon of Amenhotep 111 to the east of the Hypostyle Hall. Note the unfinished columns where the construction methods are clearly visible where the small building blocks have not been dressed smooth. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, unfinished, incomplete, undressed, rough, hieroglyphs, deep, cut, windows, painted, roof, third, pylon, small, court, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amenhotep
Karnak Hypostyle Hall EG074933jhp Hypostyle Hall Karnak Temple Columns Roof Window small court pylon third inside this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the small court adjacent to the Third Pylon of Amenhotep 111 to the east of the Hypostyle Hall. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, unfinished, hieroglyphs, deep, cut, windows, painted, roof, third, pylon, small, court, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amenhotep
Karnak Hypostyle Hall EG074932jhp Hypostyle Hall Karnak Temple Egypt Columns Roof westwards third pylon view a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the Third Pylon looking westwards back towards the usual entrance in this monumental processional hall. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, tourists, visitors, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep, cut, windows, painted, roof, gateway, third, pylon, small, court, entrance, view, westwards, Seti 1, Sethos, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG074931jhp Hypostyle Hall Outer Wall Reliefs Karnak Temple Seti Barque many oars carving on the north outer wall of the Hypostle Hall at Karnak a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the northern side of the Temple where most of the inscriptions are related to Seti 1 and his various military campaigns in Syria and Palestine and the hall is viewed from the gate on this side. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, North, entrance, Seti 1, Sethos, military, large, mulitple, rowers, barque, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG074930jhp Outer North Wall Karnak Egyptian Temple Sethos Barque Shrine Carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the northern side of the Temple where most of the inscriptions are related to Seti 1 and his various military campaigns in Syria and Palestine and the hall is viewed from the gate on this side. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, hieroglyphs, deep, cut, gateway, outer, wall, North, entrance, Seti 1, Sethos, barque, Amun, shrine, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG074929jhp North Outer Wall Karnak Temple Seti Battle scene chariot prisoners carving on the outer wall of the Hypostyle Hall at Karnak, a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the northern side of the Temple where most of the inscriptions are related to Seti 1 and his various military campaigns in Syria and Palestine and the hall is viewed from the gate on this side. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, North, entrance, Seti 1, Sethos, military, campaigns, Syria, Palestine, Yenoam, chariots, barque, battle, scene, prisoners, begging, offering, Amun-Re, arrows, horses, dead, battlefield, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG074928jhp Hypostyle Hall Outer North Wall Karnak Temple Barque Shrine Carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the northern side of the Temple where most of the inscriptions are related to Seti 1 and his various military campaigns in Syria and Palestine and the hall is viewed from the gate on this side. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, hieroglyphs, deep, cut, gateway, outer, wall, North, entrance, Seti 1, Sethos, barque, Amun, shrine, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG074926jhp Hypostyle Hall North gate Karnak Seti Amun Temple Columns Roof Carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the northern side of the Temple where most of the inscriptions are related to Seti 1 and his various military campaigns in Syria and Palestine and the hall is viewed from the gate on this side. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Amun, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep, cut, windows, painted, roof, gateway, outer, wall, North, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG96999JHP Karnak Egypt Temple Hypostyle Hall Columns Roof Lintel Windows is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using a wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way which supported sandstone gridded clerestory windows one of which is visible. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, clerestory, windows, grid, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG969916JHP Hypostyle Hall Karnak Temple Fisheye Photo Columns Perspective Ramses Sky is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using a wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way which supported sandstone gridded clerestory windows one of which is visible. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, clerestory, windows, grid, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG969915JHP Hypostyle Hall Egyptian Karnak Temple Warped Perspective Fisheye Photograph Upwards is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This unusual view using an ultra wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way. reaching 23metres. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG969912JHP Hypostyle Hall Karnak Temple Fisheye Bent Perspective Carvings Hieroglyphs Columns is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This unusual view using an ultra wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG969910JHP Egyptian Hypostyle Hall Karnak Temple Painted Roof Supports Columns is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way and with coloured reliefs under the roof support structures still visible. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, colors, colours, lintel, support, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG944615JHP Hypostyle Hall Ancient Egyptian Karnak Temple Processional Walk Pylon remains is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way looking towards the first entrance pylon. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, processional, way, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall Columns EG02AI39JHP Hypostyle Hall Huge Columns Slatted Windows Karnak Temple Carving Hieroglyphs on East Bank of Nile at Luxor with poor light caused by passing sandstorm but still does not detract from the huge size of this interior constrcution by Ramses 11. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses, sandstorm
Karnak Hypostyle Hall Columns EG02AI35JHP Karnak Hypostyle Hall Egyptian Weather Sand Wind Columns Carvings Sandstorm taken on a rather disappointing day for light, during the storm and at which point it was possible to see all the columns in this massive temple because of the blowing sand and which still dominate this interior central area of the Luxor East Bank of the River Nile complex. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses, sandstorm
Karnak Hypostyle Hall EG074935JHP Hypostyle Hall Karnak Temple Egypt Unfinished Columns Roof Window Blue Sky is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This photo is of part of the massive hypostyle hall columns and an intact window frame at the eastern side, the columns are not dressed and illustrate the construction methods of the ancient Egyptian builders. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, outer wall, entrance, Ramses, Ramasses, Ramesses
Karnak Hypostyle Hall EG074925JHP Ancient Egyptian Hypostyle Hall Karnak Temple Columns Scale People Small is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This photo is of part of the massive hypostyle hall columns at the eastern side entrance and looking through the complex with some useful human figures to give a sense of scale to these 70 feet high central papyrus style columns. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, outer wall, entrance, Ramses, Ramasses, Ramesses

Egypt > Kom Ombo Temple (1 file)

Pictures in this gallery are of Kom Ombo Temple located by The River Nile North Of Aswan
Kom Ombo Hypostyle Hall EG052448JHP Kom Ombo Ptolemaic Temple Hypostyle Hall Sideon Cruiseboat Nile Berth View on the River Nile just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ptolemaic, carvings, detailed, delicate, beautiful, fine

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > North of Cairo (1 file)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Tell Basta Hypostyle Hall EG077112JHP Tell Basta Bastet temple hyspostyle hall Zagazig photograph Egypt Delta site is a large complex near the ancient town of Bubastis north of Cairo which has recently had a new visitors centre and museum built but remains a rather confusing collection of damaged material with the main temple of Bastet reflected in this photographs. Damaged by earthquakes some 2000 years ago as is seen in much of the structural damage today it is still fascinating with the excitement of finding beautiful carvings and examples of the craftsmanship of those ancient builders now hidden away amongst grass and a scatter field of damaged remnants from what was a huge cult site to the Cat Goddess Bastet visited by hundreds and thousands of pilgrims as recorded by Herodotus. Not usually part of normal Egyptian packages but can be visited privately and is part of an interesting day journey that should include Tanis as well. Keywords: Egypt Egyptian eastern Delta Zagazig ancient Tell Basta Bast Bubastis Bastet archaeology temple hypostyle pillared landscape granite Osorkon Festival Hall jubilee Atum columns carved

Egypt > Valley of Kings Luxor (1 file)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213077jhp Egypt Valley Kings Thutmosis Tomb KV43 star ceiling interior antechamber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases and this was a very difficult one to take becuase of the huge differences in light levels from the floor lighting to the ceiling and regettably was not taken in RAW file which would have offered more control in post production. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs

Egypt > Victorian Albumen Prints (3 files)

A collection of copies of photographs of Egyptian sites taken in the 1870's by Victorian photographers Beato, Frith and Sebah and modern versions have been made as well.
Beato Karnak Hypostyle Hall 8381VQJHP Karnak Temple Hypostyle Hall Columns Egyptians Donkey Frith Photo Old Albumen located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the famous hypostyle hall looking towards the entrance pylon down the processional way with a local guide and donkeys to give a sense of scale. Photo Taken by the Victorian photographer Antonio Beato around 1870. Keywords: Egypt, Luxor, Thebes, River Nile, East Bank, Karnak Temple, entrance, upright, gate, hypostyle hall, columns, donkeys, local, guide, ancient, history, archaeology, ancient, Egyptian, Egyptology, Antonio Beato, Victorian, 1890, photographer, albumen, copy, print
Beato Karnak Hypostyle 04JHP05 Karnak Egyptian Temple Hypostyle Hall Columns Carving Beato Old Photograph on East Bank of River Nile at Luxor photographed by Antonio Beato, a Victorian photographer around 1890 and this copy is taken from his album called The Nile 1872 Keywords: Egypt, Luxor, Thebes, River Nile, East Bank, Karnak Temple, entrance, upright, gate, hypostyle hall, columns, ancient, history, archaeology, ancient, Egyptian, Egyptology, Antonio Beato, Victorian, 1890, photographer, albumen, copy, print
Beato Karnak Hypostyle 03JHP05 Karnak Temple Entrance Hypostyle Hall Beato Old Photograph Egyptian Scale on East Bank of River Nile at Luxor photographed by Antonio Beato, a Victorian photographer around 1890 and this copy is taken from his album called The Nile 1872. Keywords: Egypt, Luxor, Thebes, River Nile, East Bank, Karnak Temple, entrance, upright, gate, hypostyle hall, columns, ancient, history, archaeology, ancient, Egyptian, Egyptology, Antonio Beato, Victorian, 1890, photographer, albumen, copy, print

Scotland > Aberdeen City (6 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Woolmanhill Donald Wynd xvv2257jhp Aberdeen City Woolmanhill Hospital summer flower display street lamp HM Theatre Donald Wynd typical of many just street decorations found throughout this Scottish City in the North East of Scotland renowned these days as the Oil Capital of Europe, the industries main base at this established seaport on the North Sea. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, upright, HM Theatre, Donald, Wynd, Denburn, Woolmanhill, hospital, granite, flowers, lamp, post, display, hanging, basket, summer, colorful, colourful
Rosemount xv0181jhp Rosemount Aberdeen Union Terrace Steps Lamp Post St Mark's Church Theatre with its new restaurant and ticket office extension. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, landscape, granite, silver, HM Theatre, St Marks, Central, Library, Rosemount, Viaduct, Union Terrace Gards, gate, entrance, architecture, style, classic, spring, summer
Aberdeen City Park VS0632JHP Union Terrace Gardens Aberdeen City Scotland Summer Flower Baskets view of HM Theatre, the Wallace Statue and St Mark's Kirk Aberdeen City's famous Bon Accord Coat-of-Arms as a floral display Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, landscape, granite, silver, HM Theatre, St Marks Church, Central Library, Rosemount, Viaduct, William Wallace statue, Bon Accord, floral, display, hanging baskets, lamp post, Union Terrace Gardens, architecture, style, classic, visitors, parks, Britain in Bloom, flowers, summer, colorful, colourful, colours, colors
Aberdeen Bon Accord Cresc SO286059JHP Aberdeen City Summer Bon Accord Crescent Street Union Street which were once residential but are nearly all offices that illustrates the typical granite construction and style so characteristic of Aberdeen, the Silver City names because of this silver grey stone Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, landscape, summer, granite, silver, grey, architecture, lamp-post, style, classic, Bon Accord, crescent, offices, street furniture, street, hanging basket, flowers, floral displays, Britain in Bloom
Aberdeen Bon Accord Cresc SO286058JHP Aberdeen City Scotland Bon Accord Crescent Summer Floral Display Hanging Baskets is one of the charming streets off Union Street which were once residential but are nearly all offices that illustrates the typical granite construction and style so characteristic of Aberdeen, the Silver City names because of this silver grey stone Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, upright, granite, silver, grey, architecture, lamp-post, style, classic, Bon Accord, crescent, offices, street furniture, street, hanging basket, flowers, floral displays, Britain in Bloom
Aberdeen Coat of Arms SM6201JHP Bon Accord Coat Arms Aberdeen City Scotland Lampost Southern Way Road which is found on street furniture, official publications and street names. Rampant Leopards and three castles are the main elements of the symbol here on a light standard along the Great Southern Road Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, upright, summer, granite, silver, grey, architecture, style, classic, Bon Accord, rampant, Leopards, castles, forts, crescent, 'Great Southern Road', light, lamp-post, street furniture, flowers, roses, Britain in Bloom, pavement

Scotland > Aberdeenshire (7 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Cairn Snow Fence bnm3006jhp Cairn Wooden Fence post Scottish spring eroded Clachnaben hill shiny moorland taken by roadside between Banchory on Royal Deeside and Fettercairn in the Mearns areas of Aberdeenshire in North East Scotland and near the summit of the hill called Cairn O'Mount looking northwards to Clachnaben with its distinctive tor and towards Royal Deeside past roadside snow fences showing a beautiful quality with an almost satin finish caused by years of sunshine, wind, rain, ice and snow erosion and maybe helped by passing wasps getting wood pulp for their nests. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, northwards, Kincardineshire, Clachnaben, Glen, Dye, Cairn, O'Mount, snow, fences, eroded, weathered, hills, landscape, spring, moorland, grass, walking, granite, boulders, lichen, heather, May, 2016, Nikon, camera, DSLR, D700, digital, photograph
East fm Benachie Forest zxc0390jhp Benachie Forest road east Braco farmland field fence post spring Scottish Grampian in the North East looking eastwards between Inverurie and Kintore over Newton of Braco farm in the direction of the coast north of Aberdeen. The road runs past the Hill of Bennachie from Chapel of Garioch to Blairdaff where one can fork east to Kemnay or west over the River of Don to Monymusk. This view is near a layby on the side of the Benachie Forest on the east side of Millstone Hill. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Garioch, Bennachie, hill, Benachie, Forest, Millstone, Newton, Braco, farm, eastwards, landscape, spring, gorse, birch, pine, tree, trees, hills, farming, rapeseed, fields, fence, post, rotten, weathered, dyke, road, sunlight, blue, sky
East fm Benachie Forest zxc0388jhp Benachie Forest dyke gorse fence post trees landscape Aberdeenshire spring Scotland Grampian in the North East looking eastwards between Inverurie and Kintore over Newton of Braco farm in the direction of the coast north of Aberdeen. The road runs past the Hill of Bennachie from Chapel of Garioch to Blairdaff where one can fork east to Kemnay or west over the River of Don to Monymusk. This view is near a layby on the side of the Benachie Forest on the east side of Millstone Hill. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Garioch, Bennachie, hill, Benachie, Forest, Millstone, Newton, Braco, farm, eastwards, landscape, upright, spring, gorse, birch, pine, tree, trees, hills, farming, rapeseed, fields, fence, post, rotten, weathered, dyke, road, sunlight, blue, sky
Tamnagorn Spring zxc1377jhp Bennachie Hill Tamnagorn spring farmland fence forest cattle broom Aberdeenshire Scottish roadside photograph view above steep tight corner at Tamnagorn Farm looking northwards to Bennachie in the direction of Millbank where this road joins the main A944 Alford road from Aberdeen. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mar, Tamnagorn, Birselasie, Bennachie, hill, landscape, summer, spring, broom, yellow, flowers, white, clouds, hills, farming, fields, fence, road, trees, forest, wooden, fence, posts
Tamnagorn Spring zxc1375jhp Bennachie fields Tamnagorn spring farm tractor road cattle broom Aberdeenshire Scottish roadside photograph view above steep tight corner at Tamnagorn Farm looking northwards to Bennachie in the direction of Millbank where this road joins the main A944 Alford road from Aberdeen. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mar, Tamnagorn, Birselasie, Bennachie, hill, landscape, summer, spring, broom, yellow, flowers, green, grass, white, clouds, hills, farming, fields, fence, road, trees, forest, tractor, car, wooden, fence, posts
Knockespock View asd7042jhp Suie Hill viewpoint Tap O’Noth fence lichen Knockespock Aberdeenshire Scotland a spectacular view north westwards lying between Alford and Huntly. This viewpoint is accessed from the Bridge of Alford to Montgarrie and takes you over the Correen Hills by Suie Hill to Clatt and onto the Alford Huntly road near Rhynie. The distinctive shape of the Tap O’Noth hill with its vitrified Pictish fort remains on the top. Knockespock House is the large mansion that lies directly beneath this viewpoint. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathbogie, Strathdon, Correen, Hills, Suie, Hill, viewpoint, Knockespock, house, fence, post, old, weathered, upright, spring, summer, May, Alford, Huntly, road, Clatt, Rhynie, Tap O’Noth, Pictish, fort, vitrified, remains, Ben, Rhinnes, Millmedden, Craigneuk, Wood, forest, trees, heather, layby, walks, carpark, high, panorama, north
Knockespock View asd7041jhp Suie Hill viewpoint Tap O’Noth Rhynie fence post view Strathbogie Aberdeenshire Scotland a spectacular view north westwards lying between Alford and Huntly. This viewpoint is accessed from the Bridge of Alford to Montgarrie and takes you over the Correen Hills by Suie Hill to Clatt and onto the Alford Huntly road near Rhynie. The distinctive shape of the Tap O’Noth hill with its vitrified Pictish fort remains on the top. Knockespock House is the large mansion that lies directly beneath this viewpoint. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathbogie, Strathdon, Correen, Hills, Suie, Hill, viewpoint, Knockespock, house, landscape, fence, post, spring, summer, May, Alford, Huntly, road, Clatt, Rhynie, Tap O’Noth, Pictish, fort, vitrified, remains, Ben, Rhinnes, Millmedden, Craigneuk, Wood, forest, trees, heather, layby, walks, carpark, high, panorama, north

Scotland > Aberdeenshire Coast (1 file)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
Banff Street Postbox TO190062JHP Banff Aberdeenshire Royal Burgh Street Moray Red Postbox Spring Photo by Firth River Deveron estuary crossed by a beautiful seven arched bridge and is town with a history dating back to the 12th century and was granted a charter by Robert the Bruce in the 14th Century. Once a thriving herring fishing port it is now a quiet town catering more to tourism with an excellent golf course at Duff House and has several sandy beaches. It is reckoned to be on of the driest and sunniest locations is Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Banff, sea, Moray, Firth, town, seaport, River, Deveron, estuary, houses, street, trees, red, postbox, spring, landscape

Scotland > Ancient Stones (6 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

South Leylodge Stones jkl8124jhp South Leylodge Recumbent Flankers Stone Circle Kintore Aberdeenshire bronze Age historic ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8123jhp South Ley Lodge Recumbent Standing Stones Circle Flanker Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8122jhp South Leylodge Standing Stone Stones Circle Kintore Scottish winter Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8121jhp South Ley Lodge Recumbent Standing Stones monolith winter Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, silhouette, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8120jhp South Leylodge Recumbent Stone Circle Kintore Aberdeenshire Scotland prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8119jhp South Leylodge Recumbent Standing Stone Stones Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter

Scotland > Clouds, Sunsets, Dawns and Weather (3 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Wind Blown Snow Scotland VS3821JHP Snow Drifting Exposed Hilltop Wind Blown Drifts Shapes Sunshine Cold Deeside quickly builds up snow drifts which can block roads and strand sheep and cattle, this one on Upper Craigton hill above Kincardine O'Neil on Royal Deeside in Aberdeenshire Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian River, Dee, Kincardine, O’Neil, upper, Craigton, hill, winter, snow, snowfall, landscape, countryside, rural, nature, fence-posts, sunshine, sun, white, blue, winter, wind, windswept, blizzard, drifts, drifting, shapes, blocked, cold, wet, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, ice, icy, freezing, curves, Arctic-like
Snow Drifts Scotland VS3829JHP Snow Drifts Shapes Ice Glistening Sunshine Winter Scotland Craigton Deeside across exposed hilltops quickly builds up snow drifts which can block roads and strand sheep and cattle, this one on Upper Craigton hill above Kincardine O'Neil on Royal Deeside in Aberdeenshire Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian River, Dee, Kincardine, O’Neil, upper, Craigton, hill, upright, winter, snowfall, snow, windblown, countryside, rural, nature, fence-posts, sunshine, sun, white, blue, wind, windswept, blizzard, drifts, drifting, shapes, blocked, cold, wet, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, ice, icy, freezing, curves, Arctic-like
Snow Drifts Scotland VS3828JHP Snow Drifts Icey Shining Sunshine Shapes Upper Craigton Deeside Scotland Fence across exposed hilltops quickly builds up snow drifts which can block roads and strand sheep and cattle, this one on Upper Craigton hill above Kincardine O'Neil on Royal Deeside in Aberdeenshire Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Grampian River, Dee, Kincardine, O’Neil, upper, Craigton, hill, winter, snow, snowfall, countryside, rural, nature, fence-posts, sunshine, sun, white, blue, wind, windblown, windswept, blizzard, drifts, drifting, shapes, blocked, cold, wet, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, ice, icy, freezing, curves, Arctic-like

Scotland > Deeside Towns and Villages (2 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Deeside fm Craigton xcv8331jhp Kincardine O’Neil village summer fence posts Craigton view west Aberdeenshire Deeside Scotland heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Braemar Clunie Bridge xvv1084jhp Braemar Village Clunie Bridge Centre summer Royal Deeside Aberdeenshire Scotland westerly River Dee and popular base for hill walking in Cairngorms as well as skiing at nearby Glenshee on the road to Perth. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Braemar, village, Clunie, burn, Deeside, landscape, bridge, street, light, lamp, post, wishing, well, west, summer

Scotland > Forestry & Farming (4 files)

This gallery will have photography relating to the working areas of Aberdeenshire covering farming and forestry. Includes areas of forestry where there is public access for walks such as The Deeside Way and also photographs of forest harvesting, tree cutting, and stacked logs ready for transport to the local sawmills.
Craigton Summer xcv8922jhp Deeside summer sunshine rural slate roof dyke barn broom Craigton Scottish Aberdeenshire viewed above the River Dee at Kincardine O’Neil near the top of Craigton Hill in Aberdeenshire, North East Scotland. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River, Dee, Morven, west, Pass, Ballater, north, hill, Craigton, top, landscape, upright, summer, June, 2015, Kincardine, O'Neil, colours, colors, colourful, colorful, coloured, colored, brown, yellow, green, grass, broom, flowers, beech, trees, sunshine, slate, roof, dyke, stonewall, wooden, fence, post, DSLR, digital, camera, photo, photograph
Craigton Summer xcv8921jhp Royal Deeside summer rural scene barn broom Craigton Hill Scotland Aberdeenshire viewed above the River Dee at Kincardine O’Neil near the top of Craigton Hill in Aberdeenshire, North East Scotland. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River, Dee, Morven, west, Pass, Ballater, north, hill, Craigton, top, landscape, summer, June, 2015, Kincardine, O'Neil, colours, colors, colourful, colorful, coloured, colored, brown, yellow, green, grass, broom, flowers, beech, trees, sunshine, slate, roof, dyke, stonewall, wooden, fence, post, DSLR, digital, camera, photo, photograph
Aberdeenshire Landscape zxc5499jhp Farmland Netherley Cookney Deeside Scottish autumn Aberdeenshire farming crops rape seed eastwards from Newbigging towards the small hill on which Cookney is situated. This view is near the main Maryculter to Stonehaven Road located to the west of Aberdeen, south of the River Dee and in this area is planned the new Western Periphery Bypass for Aberdeen City. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Maryculter, Peterculter, Culter, Milltimber, Netherley, Newbigging, Stonehaven, landscape, countryside, rural, farming, agriculture, ploughed, fields, field, earth, rape, seed, crop, autumn, dyke, fence, post, gate, clouds, shapes, blue, sky, white, grey, green, grass, leaves, plants, sunny, sunshine, eastwards, D700, Nikon, DSLR, digital
deeside farmland vs0728jhp Royal Deeside Auchinhove Whitehouse Scotland Field Fence Post Barley Autumn Sunshine on the road to Aboyne from Wester Kincraigie via Wardhead. Looking southwards on late summer day when the North East of Scotland is most colourful with ripening barley fields and the countryside still is a vibrant green. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Whitehouse, Auchinhove, Wardhead, Coull, hill, hills, Royal Deeside, autumn, landscape, panorama, farming, agriculture, field, countryside, rural, nature, colourful, colorful, sunny, clouds, barley, ripe, willowherb

Scotland > Historic Properties (16 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Braemar-Castle-qax8460jhp Braemar Castle fort autumn rainbow wintry larch trees Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. The sign in the foreground is a message of hope that the Corona Virus pandemic will be beaten. The photo was taken by luck on 21st November, 2020 at around 11.20UT. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, fort, fortress, musket, loops, historic, history, heritage, larch, colours, colors, preserved, pine, trees, colourful, colorful, autumn, winter, storm, rainbow, arc, luck, roadside, sign, 21st, November, 2020, Nikon, DSLR, D700, camera, digital, photograph.
Huntly Castle jkl7898jhp Huntly Castle winter trees lamp post Aberdeenshire Scottish fort palace shadows, the present manifestation being basically a Palace, is situated on a strategic hillock over looking the River Deveron near its joining the Bogie at the town of Huntly where traces of a motte and bailey stood dating back to the 12th century. The present ruin dates from the 15th century and is adorned with 17th century oriels and armorials. It was the family seat of the Gordon Earl’s of Huntly for much of its chequered history and major player in the history of Scotland from the days of Robert the Bruce to the troubles times of the Covenanter’s. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The castle carpark is a few yards from the entrance and ticket office and is accessed passing through the centre of Huntly and past the Gordon School. It is open for most of the summer and requires an entrance fee to be paid. Keywords: Scotland, Grampian, North, East, Aberdeenshire, Huntly, Castle, Scottish, Historic, lamp-post, lamp, post, shadows, upright, winter, preserved, restoration, protected, history, historical, Dukes, Gordon, Earls, Marquises, agricultural, engineering, River, Deveron, Bogie, Norman, peel, earth, motte, fort, palace, 12th, century, AD, Duncan, Fife, William, Lion, Cock of the North, quarry, Historical, trees, bare, colours, colors, blue, sky, sunshine
Huntly Castle asd7280jhp Huntly Castle spring oriels tower road lamp post Aberdeenshire Scottish blue sky palace, the present manifestation being basically a Palace, is situated on a strategic hillock over looking the River Deveron near its joining the Bogie at the town of Huntly where traces of a motte and bailey stood dating back to the 12th century. The present ruin dates from the 15th century and is adorned with 17th century oriels and armorials. It was the family seat of the Gordon Earl’s of Huntly for much of its chequered history and major player in the history of Scotland from the days of Robert the Bruce to the troubles times of the Covenanter’s. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The castle carpark is a few yards from the entrance and ticket office and is accessed passing through the centre of Huntly and past the Gordon School. It is open for most of the summer and requires an entrance fee to be paid. Keywords: Scotland, Grampian, North, East, Aberdeenshire, Huntly, Castle, Scottish, Historic, upright, preserved, restoration, protected, history, historical, Dukes, Gordon, Earls, Marquises, agricultural, engineering, River, Deveron, Bogie, Norman, peel, earth, motte, 12th, century, AD, Duncan, Fife, William, Lion, Cock of the North, quarry, Historic, trees, leaves, green, spring, colours, colors
Duffus Castle fm Postern qwe7411jhp Duffus Castle Morayshire Scottish Norman bailey gate postern view interior battlements stands proud of the low lying swampy Laich with its deep defensive ditch and still ironically keeps a military connection with modern jets from Kinloss soaring over it on takeoff. Located near the Elgin to Hopeman road it is a Historic Scotland property. Keywords: Scotland, Scottish, North, East, Moray, Firth, Morayshire, Highlands, Elgin, Duffus, Kinloss, Castle, fort, Norman, feudal, motte, bailey, ruin, walls, masonry, stonework, postern, gate, side, framed, view, inside, exterior, entrance, quarters, cellar, rooms, summer, door, upright
Duffus Castle fm Postern qwe7407jhp Duffus Castle Scotland motte bailey fort postern side gate framed view stands proud of the low lying swampy Laich with its deep defensive ditch and still ironically keeps a military connection with modern jets from Kinloss soaring over it on takeoff. Located near the Elgin to Hopeman road it is a Historic Scotland property. Keywords: Scotland, Scottish, North, East, Moray, Firth, Morayshire, Highlands, Elgin, Duffus, Kinloss, Castle, fort, Norman, feudal, motte, bailey, ruin, walls, masonry, stonework, postern, gate, side, framed, view, inside, entrance, quarters, cellar, rooms, summer, door, landscape
Duffus Castle Postern qwe7404jhp Duffus Castle Morayshire Scottish Norman motte bailey fort postern gateway ruin stands proud of the low lying swampy Laich with its deep defensive ditch and still ironically keeps a military connection with modern jets from Kinloss soaring over it on takeoff. Located near the Elgin to Hopeman road it is a Historic Scotland property. Keywords: Scotland, Scottish, North, East, Moray, Firth, Morayshire, Highlands, Elgin, Duffus, Kinloss, Castle, fort, Norman, feudal, motte, bailey, ruin, walls, masonry, stonework, postern, gate, entrance, quarters, cellar, rooms, summer, door, landscape
Huntly Castle Scotland TO3367467JHP Huntly Castle Front Roadside Lamp-post Palace Aberdeenshire Historic Scotland, the present manifestation being basically a Palace, is situated on a strategic hillock over looking the River Deveron near its joining the Bogie at Huntly where traces of a motte and bailey stood dating back to the 12th century. The present ruin dates from the 15th century and is adorned with 17th century oriels and armorials. It was the family seat of the Gordon Earl’s of Huntly for much of its chequered history and major player in the history of Scotland from the days of Robert the Bruce to the troubles times of the Covenanter’s. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The castle carpark is a few yards from the entrance and ticket office and is accessed passing through the centre of Huntly and past the Gordon School. It is open for most of the summer and requires an entrance fee to be paid. Keywords: Scotland, Grampian, North East, Aberdeenshire, Huntly, Castle, Scottish, Historic, upright, preserved, restoration, oriels, windows, armorials, protected, history, historical, Norman, motte, 12th century, trees
Braemar Castle TO4290268JHP Braemar Castle Royal Deeside Military Fort River Dee Roadside Community Owned built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, shadows, military, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290267JHP Braemar Castle Winter Sunshine Pine Tree Shadows Deeside Aberdeenshire Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, winter, shadows, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290264JHP Braemar Castle Fort Autumn Larch Colours Sunshine Photo Royal Deeside Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290263JHP Braemar Castle Scottish Military Fortress Deeside Scotland Autumn Larch Pine Golden Colours built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290261JHP Braemar Castle Fortress Military Battlements Scottish History Community Ownership Aberdeenshire built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle Scotland VS0970JHP Braemar Castle Military Fort Fortress Highlands Royal Deeside Aberdeenshire Photo view taken of the star-shaped battlements and musket loops situated at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0968JHP Braemar Castle Star-shaped Battlements Musket Loops Scottish Military Fort at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0960JHP Braemar Castle Roadside View Woodland Larch Trees Summer Shadows Photograph now in community ownership, at the western end of Royal Deeside in Aberdeenshire just at the entrance to the village of Braemar on the road to Perth from Royal Deeside. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0959JHP Braemar Castle Stock Library Photo Scottish Historical Military Fortress Deeside now in community ownership, at the western end of Roayl Deeside in Aberdeenshire. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition

Scotland > Morayshire Coast (2 files)

Photographs covering the Morayshire coast from Cullen to Nairn, including the Bow Fiddle Rock, Portkockie, Buckie, Lossiemouth, Burghead and Findhorn.
Covesea Wild Flowers qwe7370jhp Covesea Moray Firth sea wild summer flowers thistles Morayshire Scotland from Lossiemouth Hopeman trail clifftop walk Scotland offering some beautiful views over the Moray Firth to the Black Isle and Cromarty but is a demanding exercise only possible at low tide if you choose the lower route. A marked clifftop trail makes the journey between Covesea and Hopetown easier with some spectacular views and plenty of marine birdlife. Along this stretch of the coast is a cave called the Sculptors Cave with Pictish carvings showing the ancient attraction of this coastline reinforced with the importance of nearby Burghead, the site of a major Pictish fort and harbour. Keywords: Scotland, Scottish, Moray, Firth, Grampian, Highlands, Morayshire, landscape, upright, heritage, trail, coast, Lossiemouth, Cromarty, Black, Isle, fence, posts, cliff, heather, purple, thistles, westwards, sea, blue, sky, summer
Covesea Wild Flowers qwe7368jhp Covesea seashore Moray Firth sea wild flowers thistles Morayshire Scotland from Lossiemouth Hopeman trail clifftop walk Scotland offering some beautiful views over the Moray Firth to the Black Isle and Cromarty but is a demanding exercise only possible at low tide if you choose the lower route. A marked clifftop trail makes the journey between Covesea and Hopetown easier with some spectacular views and plenty of marine birdlife. Along this stretch of the coast is a cave called the Sculptors Cave with Pictish carvings showing the ancient attraction of this coastline reinforced with the importance of nearby Burghead, the site of a major Pictish fort and harbour. Keywords: Scotland, Scottish, Moray, Firth, Grampian, Highlands, Morayshire, landscape, heritage, trail, coast, Lossiemouth, Cromarty, Black, Isle, fence, posts, cliff, heather, purple, thistles, westwards, sea, blue, sky, summer

Scotland > More Arty (5 files)

Photographs which are less scenic or landscape often close up studies with light, shapes and forms of more interest including old weathered fencing covered with moss and lichens
Fence Lichen Moss xvv3201jhp Old Weathered Wooden Fence Lichen Moss Aberdeenshire Rural Wire Patterns typical of some redundant parts round fields on Royal Deeside in Aberdeenshire in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, countryside, farming, rural, stonewall, dyke, fence, fencing, posts, wooden, wire, barbed wire, lichens, moss, fungus, weathered, worn, old, patterns, rusty, stones, granite, landscape
Old Fence Wires xvv3200jhp Old Weathered Wooden Fence Post Wire Dyke Aberdeenshire Scotland typical of some redundant parts round fields on Royal Deeside in Aberdeenshire in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, countryside, farming, rural, stonewall, dyke, fence, fencing, posts, wooden, wire, barbed wire, lichens, moss, fungus, weathered, worn, old, patterns, rusty, stones, granite, upright
Old Fence xvv3199jhp Scottish Weathered Wooden Fencing Lichen Moss Grass Dyke Photo Aberdeenshire typical of some redundant parts round fields on Royal Deeside in Aberdeenshire in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, countryside, farming, rural, stonewall, dyke, fence, fencing, posts, wooden, wire, barbed wire, lichens, moss, fungus, weathered, worn, old, patterns, rusty, stones, granite, landscape
Fence and Barbed Wire xvv3197jhp Old Weathered Wooden Pattern Fencing Barbed Wire Fern Shadows Photograph Scotland and typical of some redundant parts round fields on Royal Deeside in Aberdeenshire in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, countryside, farming, rural, stonewall, dyke, fence, fencing, posts, wooden, wire, barbed wire, lichens, moss, bracken, fungus, weathered, worn, old, patterns, rusty, stones, granite, landscape
Weathered Fence xvv3193jhp Weathered Fallen Lichen Moss Covered Wood Fence Dyke Stone Wall Aberdeenshire typical of some redundant parts round fields on Royal Deeside in Aberdeenshire in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, countryside, farming, rural, stonewall, dyke, fence, fencing, posts, wooden, wire, barbed wire, lichens, moss, fungus, weathered, worn, old, patterns, rusty, stones, granite, upright

Scotland > Other Scotland (4 files)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
Kirkmichael Road Evening rty0071jhp Kirkmichael Pitlochry road dramatic evening farming Scotland typical of the open empty more barren parts of the mountainous areas of Scotland here on the road between Pitlochry and Kirkmichael travelling towards the Spittal of Glenshee Road between Blairgowrie and Braemar illustrating the often beautiful evening light that is for ever changing in the Scottish Highlands. Keywords: Scotland, Scottish, Tayside, Glenshee, Spittal, Kirkmichael, Pitlochry, road, landscape, fence, post, light, dramatic, changing, hills, moorland, grass, hilly, farmland, sunny, sunshine, autumn, evening, stormy, clouds
Kirkmichael Road Evening rty0069jhp Kirkmichael Glenshee dramatic clouds evening light farming Scottish autumn roadside typical of the open empty more barren parts of the mountainous areas of Scotland here on the road between Pitlochry and Kirkmichael travelling towards the Spittal of Glenshee Road between Blairgowrie and Braemar illustrating the often beautiful evening light that is for ever changing in the Scottish Highlands. Keywords: Scotland, Scottish, Tayside, Glenshee, Spittal, Kirkmichael, Pitlochry, road, landscape, fence, posts, light, dramatic, changing, hills, moorland, grass, hilly, farmland, sunny, sunshine, autumn, evening
Fortingall Village 122514JHP Picturesque Village Fortingall Aberfeldy Tayside Region central Scotland thatched roofs and in a community with thought to be the oldest tree in Europe dating back some 2000 years. Keywords: Scotland, Scottish, Perthshire, Tayside, Loch, Tay, Fortingall, Taymouth Castle, Glenlyon, Lyon, river, Aberfeldy, thatched, cottages, village, quaint, yew, tree, old, ancient, landscape, lamp post, scanned, transparency
Fortingall Aberfeldy 122513JHP Village Fortingall River Lyon Glen Aberfeldy Tayside Region Scotland thatched roofs and in a community with thought to be the oldest tree in Europe dating back some 2000 years. Keywords: Scotland, Scottish, Perthshire, Tayside, Loch, Tay, Fortingall, Taymouth Castle, Glenlyon, Lyon, river, Aberfeldy, thatched, cottages, village, quaint, yew, tree, old, ancient, landscape, lamp post, scanned, transparency

Scotland > Rivers, Glens & Lochs (14 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Don Monymusk bnm3626jhp River Don Monymusk roadside Scottish summer fields fence posts trees North East Scotland looking eastwards and downstream just near the village of Monymusk, on a long straight out of the village one glimpses the River Don, before the Pitfichie Castle crossroads near the road bridge from Kemnay that is overlooked by the distinctive outline of Bennachie with its summit now the site of a vitrified Pictish fort and its distinctive outline clearly viewed from many parts of Aberdeenshire. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Bennachie, Monymusk, village, Tillyfourie, Kemnay, road, summer, landscape, countryside, rural, farmland, farming, agriculture, forestry, fields, crops, new, green, roadside, fence, trees, 2016, June, digital, photograph, Nikon, D700, DSLR, camera
Above Abergeldy xcv9284jhp Royal Deeside Abergeldie Castle view summer July Lochnagar mountain Aberdeenshire Scotland and viewed from above the North Deeside Road from between Ballater and Balmoral at Wester Micras where this famous salmon fishing river passes through some of Deeside’s most iconic countryside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Abergeldie, Castle, Wester, Micras, Ballater, Coilacriech, Balmoral, Crathie, estate, River, Dee, Royal, Deeside, Lochnagar, Craig, Ghiubhais, mountain, snow, forest, upright, landscape, trees, river, water, summer, colours, larches, pines, silver, birches, birch, 2015, July, digital, photograph, photo, Nikon, D700, camera, farmland, fields, dyke, stones, wooden, post, clouds, white, sunny, sunshine, blue sky, North, road
Deeside Summer xcv8891jhp Deeside Abergeldie Castle Lochnagar mountain trees North Road Scottish summer Aberdeenshire and viewed from above the North Deeside Road from between Ballater and Balmoral near Wester Micras overlooking the North deeside Road where this famous salmon fishing river passes through some of Deeside’s most iconic countryside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Abergeldie, Castle, Wester, Micras, Ballater, Coilacriech, Balmoral, Crathie, estate, River, Dee, Royal, Deeside, Lochnagar, Craig, Ghiubhais, mountain, snow, forest, NDR, landscape, trees, river, water, summer, colours, larches, pines, silver, birches, birch, 2015, June, digital, photograph, photo, Nikon, D700, camera, farmland, fields, dyke, stones, wooden, post, clouds, white, sunny, sunshine, blue sky, North, road
Deeside Summer xcv8887jhp Royal Deeside Craig Ghiubhais hill south road summer Aberdeenshire Scotland and viewed from above the North Deeside Road from between Ballater and Balmoral at Wester Micras where this famous salmon fishing river passes through some of Deeside’s most iconic countryside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Abergeldie, Castle, Wester, Micras, Ballater, Coilacriech, Balmoral, Crathie, estate, River, Dee, Royal, Deeside, Lochnagar, Craig, Ghiubhais, mountain, snow, forest, landscape, trees, river, water, summer, colours, larches, pines, silver, birches, birch, 2015, June, digital, photograph, photo, Nikon, D700, camera, farmland, fields, dyke, stones, wooden, post, clouds, white, sunny, sunshine, blue sky, North, road
Deeside Summer xcv8879jhp River Dee Royal Deeside Abergeldie Castle Lochnagar mountain summer Aberdeenshire Scotland and viewed from above the North Deeside Road from between Ballater and Balmoral at Wester Micras where this famous salmon fishing river passes through some of Deeside’s most iconic countryside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Abergeldie, Castle, Wester, Micras, Ballater, Coilacriech, Balmoral, Crathie, estate, River, Dee, Royal, Deeside, Lochnagar, Craig, Ghiubhais, mountain, snow, forest, landscape, trees, river, water, summer, colours, larches, pines, silver, birches, birch, 2015, June, digital, photograph, photo, Nikon, D700, camera, farmland, fields, dyke, stones, wooden, post, clouds, white, sunny, sunshine, blue sky, North, road
Deeside Summer xcv8876jhp River Dee Royal Deeside Abergeldie Castle Lochnagar mountain Crathie wester Micras Aberdeenshire Scotland and viewed from above the North Deeside Road from between Ballater and Balmoral at Wester Micras where this famous salmon fishing river passes through some of Deeside’s most iconic countryside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Abergeldie, Castle, Wester, Micras, Ballater, Coilacriech, Balmoral, Crathie, estate, River, Dee, Royal, Deeside, Lochnagar, Craig, Ghiubhais, mountain, snow, forest, panorama, landscape, trees, river, water, summer, colours, larches, pines, silver, birches, birch, 2015, June, digital, photograph, photo, Nikon, D700, camera, farmland, fields, dyke, stones, wooden, post, clouds, white, sunny, sunshine, blue sky, North, road
Deeside Summer xcv8867jhp Dee Royal Deeside Abergeldie Castle Lochnagar panorama summer Aberdeenshire Scotland and viewed from above the North Deeside Road from between Ballater and Balmoral at Wester Micras where this famous salmon fishing river passes through some of Deeside’s most iconic countryside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Abergeldie, Castle, Wester, Micras, Ballater, Coilacriech, Balmoral, Crathie, estate, River, Dee, Royal, Deeside, Lochnagar, Craig, Ghiubhais, mountain, snow, forest, panorama, landscape, trees, river, water, summer, colours, larches, pines, silver, birches, birch, 2015, June, digital, photograph, photo, Nikon, D700, camera, farmland, fields, dyke, stones, wooden, post, clouds, white, sunny, sunshine, blue sky, North, road
Glen Gairn Lecht Road qwe8824jhp River Gairn Glen Deeside summer Aberdeenshire Scotland ruin croft heather on this tourist route northwards from Royal Deeside to the Highlands via the Cockbridge, the ski resort at the Lecht summit and heading on to Tomintoul, Granton-on-Spey to Inverness. This view is taken above Gairnshiel at the fork which goes to Balmoral and westwards or to Ballater running down Glen Gairn. Keywords: Scotland, Scottish, Aberdeenshire, Ballater, Glen, Gairn, river, water, estate, Royal Deeside, upright, fence, post, southwards, traditional, ruined, croft, stone, walls, heather, hills, moorland, road, empty, curve, Lecht, Balmoral, Gairnshiel, hotel, clouds, evening, sunshine, forest, trees, farms
Deeside Autumn rty3482jhp Deeside Autumn colours Craigton road Aberdeenshire wooden fence post bracken taken alongside the back road lying between Kincardine O’Neil and Torphins on Royal Deeside in a field near the top of the hill offering extensive views to the south with the distinct outline of Clachnaben as well westwards from the top up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, autumn, Craigton, hill, road, upper, Kincardine, O'Neil, upright, brown, russet, fence, post, wooden, weathered, bracken, dyke, stone, wall, granite, lichen, sunlight, bright, sunshine, countryside, rural, nature, field, grass, stubble, green, colours
Deeside Autumn rty3476jhp Deeside Autumn farm old gate post bracken brown dyke Craigton field Aberdeenshire taken alongisde the back road lying between Kincardine O’Neil and Torphins on Royal Deeside near the top of Craigton hill offering extensive views to the south with the distinct outline of Clachnaben as well westwards from the top up Deeside to the Pass of Ballater, Lochnagar and nearer to home the Hill of Morven slightly obscured by the Hill of Coull. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, autumn, west, Craigton, hill, road, upper, Kincardine, O'Neil, landscape, brown, russet, fence, post, wooden, weathered, bracken, dyke, stone, wall, granite, lichen, sunlight, bright, sunshine, countryside, rural, nature, field, grass, green, colours
Torphins fm Pitmurchie rty1112jhp Deeside Torphins Pitmurchie eastwards Craigmyle Scottish autumn forest fields photograph taken from near Pitmurchie House on a pleasant autumnal late summer afternoon before the trees start to turn. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, eastwards, Torphins, village, Pitmurchie, Craigmyle, hill, Fare, trees, Glassel, clouds, cattle, landscape, farming, agriculture, countryside, rural, autumn, sun, sunshine, flora, grass, green, sycamore, trees, fence, posts, forest
Glassel fm Pitmurchie rty1110jhp Deeside Torphins Pitmurchie Glassel eastwards hill Fare rowan tree berries autumn taken from near Pitmurchie House on a pleasant autumnal late summer afternoon before the trees start to turn. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, eastwards, Torphins, village, Pitmurchie, Craigmyle, hill, Fare, trees, Scolty, Glassel, clouds, cattle, landscape, farming, agriculture, countryside, rural, autumn, sun, sunshine, flora, grass, green, rowan, red, berries, trees, fence, posts, forest
Deeside fm Pitmurchie rty1116jhp Deeside Torphins Pitmurchie view eastwards Scolty Hill Craigmyle Aberdeenshire autumn taken from near Pitmurchie House on a pleasant autumnal late summer afternoon before the trees start to turn. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, eastwards, Torphins, village, Pitmurchie, Craigmyle, hill, trees, Scolty, Glassel, clouds, cattle, landscape, farming, agriculture, countryside, rural, autumn, sun, sunshine, flora, grass, green, sycamore, trees, fence, posts, forest
Braemar Castle Autumn T04290261jhp Braemar Castle fort autumn roadside larch trees bronze Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, autumn, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful

Scotland > Snow Scenes Deeside (16 files)

Snow scene photographs of Deeside in North East Scotland generally excluding Historic Properties which will include snow scenes with the castles etc.
Mar Above XRoads wyy4097jhp Snow Sheep Scottish Winter Crossroads Lumphanan Mar Northwards Aberdeenshire Bennachie in the North East Scotland on the road from the village of Lumphanan across to Mar and Alford and the distinctive very distant hill called Bennachie on the right near the pine tree. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Lumphanan, Crossroads, Mar, Northwards, Bennachie, sheep, snow, winter, early, spring, off-season, countryside, trees, fence, posts, sunshine, sun, white, blue, landscape
Deeside Lumphanan XRoads wyy4090jhp Snow Sunshine Scottish Winter Photo Deeside Crossroads Lumphanan Aberdeenshire Trees in the North East Scotland overlooking the road from the village of Lumphanan across to Mar and Alford taken from the adjoining road that comes up from Dess. Winter is nearly over and the snow is beginning to melt in the warm afternoon sunshine. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Lumphanan, Crossroads, XRoads, Southwards, Royal, Deeside, snow, winter, early, spring, off-season, countryside, pine, trees, fence, posts, sunshine, white, blue, landscape
Craigton Snow Steading xv7772jhp Snow Steading Fence Post Covered Trees Scottish Royal Deeside Photo Upper Craigton Aberdeenshire view near Kincardine O’Neil in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, Upper Craigton, steading, countryside, gate, fence, post, covered, beech, trees, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, upright
Snowy Torphins TO17009JHP Torphins Village Scottish snow scene Aberdeenshire Scotland on Royal Deeside looking westwards towards the centre and the crossroads by the Post Office, Pharmacy and local supermarket by the Learney Arms Hotel. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Torphins, village, winter, street, snow, sunshine, white, blue, winter, picturesque, landscape, trees, leaves, pavement, heaped, ploughed, road
Crossroads Snow Fence xv7685jhp Snow scene Scottish Royal Deeside at Crossroads Lumphanan Aberdeenshire North East Scotland on the road from the village across to Mar and Alford. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Crossroads, countryside, trees, fence, posts, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, Christmas, card, upright
Crossroads Roadside xv7694jhp Snow scene Scottish Royal Deeside at Crossroads Lumphanan Aberdeenshire North East Scotland on the road from the village across to Mar and Alford. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Lumphanan, Crossroads, Perk, hill, countryside, trees, fence, posts, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, landscape
Snow Upper Craigton xv7772jhp Scottish Deep Snow Scene Buildings Trees Covered Fence Post Deeside Upper Craigton above Kincardine O'Neil on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, Upper Craigton, hill, countryside, fence-post, barn, beech, trees, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, upright
Snow Fence Trees TO3146227JHP Mill Camie Road Snow Fence Covered Stone Wall Fields Trees Winter follows the River Feugh on its eastern side and after leaving the Feugh Bridge at Banchory goes southwards with a pleasant view of lower Feughside and Scolty Hill with its distinctive memorial tower as a backdrop. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal Deeside, Grampian, Camie, road, dyke, fence, posts, Banchory, snow, River Feugh, upright, sparkling, glistening, shining, trees, sunshine, sun, white, blue, winter, picturesque, Christmas, Xmas, card, wonderland, virginal, untouched, pure, beautiful, Feughside, countryside
Snow Fence Trees TO3146226JHP Scottish Winter Photo Snow Covering Fence Stone Wall Feughside Deeside Mill Camie Road follows the River Feugh on its eastern side and after leaving the Feugh Bridge at Banchory goes southwards with a pleasant view of lower Feughside and Scolty Hill with its distinctive memorial tower as a backdrop. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal Deeside, Grampian, Camie, Banchory, snow, River Feugh, landscape, fence, posts, wooden, dyke, sparkling, glistening, shining, trees, sunshine, sun, white, blue, winter, picturesque, Christmas, Xmas, card, wonderland, virginal, untouched, pure, beautiful, Feughside, countryside
Snow Fence Scolty TO3146235JHP Scolty Hill Feughside Royal Deeside Banchory Snow Covered Fence Foreground taken by the Mill of Camie Road which follows the River Feugh on its eastern side and after leaving the Feugh Bridge at Banchory goes southwards with a pleasant view of lower Feughside and Scolty Hill with its distinctive memorial tower as a backdrop. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal Deeside, Grampian, Camie, Banchory, snow, River Feugh, landscape, sparkling, glistening, shining, trees, sunshine, sun, white, blue, winter, picturesque, Christmas, Xmas, card, wonderland, virginal, untouched, pure, beautiful, Feughside, Scolty, hill, tower, countryside, fence, posts, wooden
Snow Fence Scolty TO3146233JHP Royal Deeside Winter Photo Snow Covered Scene Fence Scolty Hill Banchory taken from the Mill of Camie Road follows the River Feugh on its eastern side and after leaving the Feugh Bridge at Banchory goes southwards with a pleasant view of lower Feughside and Scolty Hill with its distinctive memorial tower as a backdrop. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal Deeside, Grampian, Camie, Banchory, snow, River Feugh, upright, sparkling, glistening, shining, trees, fence, posts, wooden, sunshine, sun, white, blue, winter, picturesque, Christmas, Xmas, card, wonderland, virginal, untouched, pure, beautiful, Feughside, Scolty, hill, tower, countryside
Snow Fence Scolty TO3146232JHP Scolty Hill Banchory Feughside Royal Deeside Snow Wide Photograph Winter in white fresh snow is a rocky gorge visited by hundred of visitors all year round, near Banchory on Royal Deeside west of Aberdeen in North East Scotland. Mill of Camie Road follows the River Feugh on its eastern side and after leaving the Feugh Bridge at Banchory goes southwards with a pleasant view of lower Feughside and Scolty Hill with its distinctive memorial tower as a backdrop. Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal Deeside, Grampian, bridge, Camie, Banchory, snow, River Feugh, landscape, fence, posts, wooden, glistening, shining, trees, bramble, sunshine, sun, white, blue, winter, picturesque, Christmas, Xmas, card, wonderland, virginal, untouched, pure, beautiful, Feughside, Scolty, hill, tower, countryside
Snow on gate TO3156323JHP Snow Scene Craiglash Road Forest Gate Royal Deeside Scottish Winter near Kincardine O’Neil in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, hill, Craiglash, Road, snow, forest, gate, post, countryside, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, landscape
Snow on gate TO3156322JHP Snow Scene Craiglash Road Forest Gate Track Covered Grass Sunshine near Kincardine O'Neil on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, hill, Craiglash, Road, snow, countryside, gate, post, forest, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, landscape
Snow on gate TO3156321JHP Snow Scenery Craiglash Road Forest Gate Trees Covered Sunshine Track near Kincardine O'Neil on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, hill, Craiglash, Road, snow, countryside, gate, post, forest, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, upright
Snow forest track TO3156327JHP Scottish Winter Snow Covered Woodland Scene Forest Track White Pristine by Craiglash Road near Kincardine O’Neil on Royal Deeside in North East Scotland. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Kincardine O’Neil, hill, Craiglash, Road, snow, countryside, fence-posts, sunshine, sun, white, blue, winter, powdery, picturesque, wonderland, virginal, untouched, pure, beautiful, landscape

Click below to purchase all images shown (you can fine-tune on next page):