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Egypt > Luxor Nobles Tombs (29 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Menna Tomb Ceiling EG10022JHP Luxor Egypt Menna Tomb Nobles Ceiling Matting Colours Patterned Photo is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tomb of the Nobles I visited in 1994 and was taken by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, scribe, ceiling, patterns, matting, bright, tomb, painting, colourful, colorful, colours, colors, painted, sun, reflected, light, transparency, scanned
Tomb Menna Relief EG552JHP Luxor Egypt Interior Photo Menna Tomb Relief Wheat Harvest Recording Workers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tomb of the Nobles I visited in 1994 and was taken by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' el-Qurna, landscape, Menna, scribe, fields, recording, writing, taxes, wheat, tomb, painting, colourful, colorful, colours, colors, painted, natural, light, transparency, scanned

Egypt > Minya, Amarna & Ashmunayn (37 files)

Photographs in this gallery cover the main sites of Amarna, its North Palace, Aten and Small Temple, Bani Hasan Rock cut chapels, Tuna el-Gebel with the Catacombs with baboon and ibis mummies, Stela of Akhenaten on the north boundary, Petosiris Tomb-Chapel, Chapels of Ptoemais and Isadora, Roman Water Wheel Well and Temple of Thoth and el Ashmunein with an Open Air Museum with huge granite statues of Baboons and nearby a Temple to Thoth with a later Christian Basilica all located along the River Nile between Cairo and Luxor accessed from the nearby university city of Minya
Tuna el-Gebel Well Wheels 6299EG07JHP Ancient Egypt Necropolis Tuna el-Gebel City Dead Water Wheel Roman Well with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, well, waterworks, pottery, shards, Thoth, Temple, desert, sand, dry, deep, shaft
Tuna el-Gebel Well Wheelhouse 6306EG07JHP Egyptian Roman Water Wheel Housing Brick Built Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, wheelhouse, well, waterworks, pottery, shards, Thoth, Temple, desert, sand, dry, deep, shaft, brickwork
Tuna el-Gebel Well Wheelhouse 6305EG07JHP Roman Egyptian Tuna el-Gabal Water Wheel Housing Brick Building Desert Sand is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, well, waterworks, pottery, shards, Thoth, Temple, desert, sand, dry, deep, shaft, brickwork
Tuna el-Gebel Well Wheelhouse 6304EG07JHP Water Wheel Brick Built Housing Roman Egyptian Tuna el-Gebel Photo of City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, well, waterworks, pottery, shards, Thoth, Temple, desert, sand, dry, deep, shaft, brickwork
Tuna el-Gebel Well Shards 6296EG07JHP Necropolis Tuna el-Gabal Pot Shards Broken Water Vessels Sand Photograph Egypt at City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well and near it the area is covered with broken drinking pots. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, well, waterworks, broken, pottery, shards, drinking, vessels, Thoth, Temple, desert, sand, dry, deep, shaft
Tuna el-Gebel Well Shaft 6301EG07JHP Well Construction Circular Deep Downwards Roman Egyptian Pilgrims Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well shown in this photograph. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, well, waterworks, pottery, shards, Thoth, Temple, desert, sand, dry, deep, shaft, bricks, brickwork, round
Tuna el-Gebel Two Temples 6288EG07JHP Necropolis Tuna el-Gebel Two Temples Polemais Ptomais Ptolemaic Egypt Minya is City of the Dead with various chapels, temples, these are Ptolemais and behind that of Petosiris and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, two, temples, Ptolemy 1, Ptolemaic, Roman, El-Fasagi, Ibiotapheion, pronaos, cult, Greek, style, clothing, Petosiris, Ptoemais, Greco-Roman, frieze
Tuna el-Gebel Tomb of Isadora 6290EG07JHP Necropolis Tomb Isadora Mummy Ancient Egyptian Desert Minya Tuna el-Gebel is City of the Dead with various chapels, temples, and this is the slightly morbid Tomb of Isodora a young woman who was drowned and whose mummy is on show inside. There are also catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, tomb, isodora, drowned, girl, woman, mummy, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel tomb, cult, romantic
Tuna el-Gebel Thoth as Baboon 6272EG07JHP Necropolis Tuna el-Gabal Catacomb Mummified Baboon God Shrine Egypt is City of the Dead with various chapels, here a shrine to Thoth as a baboon, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, Necropolis, catacombs, shrine, God, baboon, ibis, mummies, burial, Thoth, animal, hypogea, funerary, cemeteries
Tuna el-Gebel Temple of Thoth 6312EG07JHP Temple Thoth Desert Ancient Egypt Columns Sand Sky Necropolis Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined as this photo shows, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, temple, Roman, Greco-Roman, columns, pillars, Thoth, Necropolis, sand, desert, erosion
Tuna el-Gebel Temple of Thoth 6308EG07JHP Necropolis Temple Thoth Ruins Sand Desert Columns Stonework Tuna el-Gabal Egypt is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined as this photo shows, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, temple, Roman, Greco-Roman, columns, pillars, Thoth, Necropolis, sand, desert, erosion
Tuna el-Gebel Temple of Thoth 6307EG07JHP Ancient Egyptian Greco-Roman Temple Thoth Desert Sand Ruins Necropolis Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined as this photo shows, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, temple, Roman, Greco-Roman, columns, pillars, Thoth, Necropolis, sand, desert, erosion
Tuna el-Gebel Temple Complex 6268EG07JHP Temple Complex Necropolis Tuna el-Gebel Egypt Minya Pedosiric Sand Walkways Boardwalk in City of the Dead with various chapels, temples, the central in this photo that of Petosiris and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tombs, temples, Petosiris, Pedosiric, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs
Tuna el-Gebel Stela of Akhenaten 6326EG07JHP Northern Boundary Stele Akhenaten Nefertiti Tuna-el-Gabal Ancient Egyptian Eroded Statue with the king and queen seated in this photo which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen and is passed during a visit to the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, stela, year 6, city, Amarna, Nefertiti, daughters, princesses, sun, solar, disk, offering, Aton, Aten, Amarna
Tuna el-Gebel Stela of Akhenaten 6322EG07JHP Northern Boundary Stele Akhenaten Nefertiti Aten Rays Amarna Minya Egypt as this photo illustrates with its iconic Aten style which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. The marker is passsed while visiting the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, stela, year 6, city, Amarna, Nefertiti, daughters, princesses, sun, solar, disk, offering, Aton, Aten, Amarna
Tuna el-Gebel Sky 6317EG07JHP Eastern Arabian Desert Sky Clouds Sand Panorama Necropolis Tuna el-Gebel Egypt is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried near the Temple of Thoth and unexcavated under the desert sands. The site is centred on the Temple, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, panorama, desert, sky, cirrus, clouds, eastern, Arabian, panorama, sand, wadi, expanse, empty
Tuna el-Gebel Sky 6316EG07JHP Eastern Arabian Desert Sky Clouds Egypt Minya Vista Panoramic Photograph from the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried near the Temple of Thoth and unexcavated under the desert sands. The site is centred on the Temple, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, panorama, desert, sky, cirrus, clouds, eastern, Arabian, panorama, sand, wadi, expanse, empty
Tuna el-Gebel Sky 6315EG07JHP Eastern Arabian Desert Sky Vista Clouds Sand Egyptian Necropolis Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried near the Temple of Thoth and unexcavated under the desert sands. The site is centred on the Temple, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, desert, sky, cirrus, clouds, eastern, Arabian, panorama, sand, wadi, expanse, empty
Tuna el-Gebel Roman Well 6302EG07JHP Necropolis Tuna el-Gebel Roman Well Brick Built Mudbricks Wall Egyptian City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal, water, wooden, wheel, well, waterworks, pottery, shards, Thoth, Temple, desert, sand, dry, deep, shaft, brickwork, mudbricks
Tuna el-Gebel Ptoemais Temple Tomb 6286EG07JHP Necropolis Tuna el-Gabal Temple Tomb Ptoemais Desert Sand Clouds Low Angle Photo is City of the Dead with various chapels, temples, this the delightfully compact temple tomb of Ptolemais and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Ptolemy 1, Ptolemaic, Roman, El-Fasagi, Ibiotapheion, pronaos, cult, Greek, style, clothing, Ptoemais, Greco-Roman, frieze, uraei
Tuna el-Gebel Ptoemais Temple 6285EG07JHP Ancient egyptian Necropolis Tuna el-Gabal Temple Ptoemais Tomb Pronaos Ptolemaic at City of the Dead with various chapels, temples, this the delightfully compact temple tomb of Ptolemais and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Ptolemy 1, Ptolemaic, Roman, El-Fasagi, Ibiotapheion, pronaos, cult, Greek, style, clothing, Ptoemais, Greco-Roman, frieze, uraei
Tuna el-Gebel Petosiris Temple Rear 6283EG07JHP Necropolis Tuna el-Gebel Temple Petosiris Pedosiric Rear Egypt Desert Sand at City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The tomb-chapel illustrated is the rear of that of Petosiris, a High Priest of Thoth dating to around 300BC. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, rear, backview, Petosiris, Pedosiric, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs
Tuna el-Gebel Petosiris Temple 6313EG07JHP Necropolis Tuna el-Gebel Temple Petosiris Front Capitals Naos Portico Egypt at City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The tomb-chapel illustrated is that of Petosiris, a High Priest of Thoth dating to around 300BC. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Petosiris, Pedosiric, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs
Tuna el-Gebel Petosiris Temple 6277EG07JHP Necropolis Tuna el-Gebel Temple Pedosiric Ptolemaic Tombs Chapels Ancient Egyptian is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The tomb-chapel illustrated is that of Petosiris, a High Priest of Thoth dating to around 300BC. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Petosiris, Pedosiric, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs
Tuna el-Gebel Petosiris Relief 6280EG07JHP Necropolis Tuna el-Gabal Temple Petosiris Carving Wall Outer Sekhmet Offering Scene is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. This photo is an exterior relief on the tomb-chapel of Petosiris here offering to Thoth for whom he acted as a High Priest dating to around 300BC. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Petosiris, Pedosiric, God, Offering, Sekhmet, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs, wall, exterior
Tuna el-Gebel Petosiris Relief 6279EG07JHP Egyptian Necropolis Tuna el-Gebel Temple Petosris Thoth Offering Exterior Carving is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. This photo is an exterior relief on the tomb-chapel of Petosiris here offering to Thoth for whom he acted as a High Priest dating to around 300BC. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Petosiris, Pedosiric, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs, wall, exterior
Tuna el-Gebel Petosiris Capitals 6282EG07JHP Necropolis Tuna el-Gebel Petosiris Temple Capitals Feathers Ostrich Naos Portico Wall is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The tomb-chapel illustrated is that of Petosiris, a High Priest of Thoth dating to around 300BC. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, chapel, tomb, temple, Petosiris, Pedosiric, 300BC, priest, columns, pillars, capitals, painted, colors, burial shaft, motifs, hieroglyphs, painted reliefs
Tuna el-Gebel Ibis Catacomb 6274EG07JHP Egyptian Necropolis Tuna el-Gebel Catacombs Burial Holes Ibis Thoth Underground in City of the Dead with various chapels, temples and catacombs for animal mummies, in this photo for the Ibis and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, Necropolis, catacombs, baboon, ibis, mummies, burial, Thoth, animal, hypogea, funerary, cemeteries
Tuna el-Gebel Guest House 6275EG07JHP Necropolis Tuna el-Gebel Guest House Egyptian Writer Modern Retreat Hossian City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. It also has more modern guest houses as the one illustrated used by Egyptian author Dr Taha Hossian for instance.The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, Tuna el-Gebel, Gabal, guest, house, Taha Hossian, writer, author, famous, rest
Tuna el-Gebel Desert 6329EG07JHP Arabian Eastern Desert Adjacent Boundary Stele Clouds Sand Rocks Akhenaten Gabal which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen and passed on a visit to Tuna el-Gebel. Keywords: Egypt, Egyptian, landscape, panorama, desert, sky, cirrus, clouds, eastern, Arabian, panorama, sand, wadi, expanse, empty, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, rocks, bluff, cliff, wadi, tracks
Tuna el-Gebel Buried Buildings 6310EG07JHP Necropolis Tuna el-Gabal Ruins Mudbrick Buildings Pilgrim Houses Desert Sand is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried as in this photo near the Temple of Thoth and unexcavated under the desert sands. The site is centred on the Temple, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, buried, desert, sand, mudbrick, houses, Temple, Thoth, excavation, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal
Tuna el-Gebel Buried Buildings 6309EG07JHP Buried Mudbrick Houses Ancient Egyptian Tuna el-Gebel Desert Sand Ruins at City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried as in this photo near the Temple of Thoth and unexcavated under the desert sands. The site is centred on the Temple, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheelhouse as illustrated in this photo obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, landscape, buried, desert, sand, mudbrick, houses, Temple, Thoth, excavation, Egyptology, history, archaeology, ancient, pilgrims, Tuna el-Gebel, Gabal
Tuna el-Gebel Boundary Stela A 6327EG07JHP Northern Boundary Stele Akhenaten Rock Face Tuna el-Gebel Distance Photo which can be visited after a short low grade climb up steps and this photo shows the view to Tuna el-Gebel from the top where it is protected from the elements behind a Perspex screen. Visited enroute to the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Keywords: Egypt Egyptian, landscape, Egyptology, history, archaeology, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, stela, information, board, steps, sand, Nefertiti, daughters, princesses, sun, solar, disk, offering, Aton, Aten, Amarna
Tuna el-Gebel Boundary Stela A 6319EG07JHP Northern Boundary Stela Egyptian Akhenaten Tuna Gabal Sand Steps Photograph which can be visited after a short low grade climb up steps as in this photo where it is protected from the elements behind a Perspex screen enroute to the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Keywords: Egypt Egyptian, landscape, Egyptology, history, archaeology, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, stela, steps, sand, Nefertiti, daughters, princesses, sun, solar, disk, offering, Aton, Aten, Amarna
Tuna el-Gebel Boundary Stela A 6318EG07JHP Northern Boundary Stele Akhenaten Steps Sand Windblown Covered Egyptian Photo which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen as in this photo. This is visited enroute to the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Keywords: Egypt Egyptian, upright, Egyptology, history, archaeology, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, stela, steps, sand, Nefertiti, daughters, princesses, sun, solar, disk, offering, Aton, Aten, Amarna
Tuna el-Gebel Baboon Mummy 6271EG07JHP Necropolis Tuna el-Gebel Catacomb Mummified Baboon Thoth Egyptian God Interior at City of the Dead with various chapels, temples and catacombs for animal mummies, in this photo is a baboon mummy and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, Egyptology, history, archaeology, ancient, Tuna el-Gebel, Gabal, Necropolis, catacombs, baboon, ibis, mummies, burial, Thoth, animal, hypogea, funerary, cemeteries
Tuna el-Gebel Desert 6330EG07JHP Arabian Eastern Desert Clouds Adjacent Boundary Stele Akhenaten Amarna Minya enroute to the necropolis of Tuna el-Gebel is City of the Dead with various chapels, temples and catacombs for animal mummies and many more which are still buried and unexcavated under the desert sands. The site is centred on a Temple of Thoth, badly ruined, dating from Ramesside through to Roman times and was a place of pilgrimage so there are buildings for accommodation as well and remains of a Roman water wheel obtaining its water from a deep well. Near to the cemetery is the northern boundary stela of Akhenaten which can be visited after a short low grade climb up steps where it is protected from the elements behind a Perspex screen. Keywords: Egypt, Egyptian, upright, desert, sky, cirrus, clouds, eastern, Arabian, panorama, sand, wadi, expanse, empty, Tuna el-Gebel, Gabal, Akhenaten, northern, boundary, marker, rocks, bluff, cliff, wadi, tracks

Egypt > Valley of Kings Luxor (36 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213077jhp Egypt Valley Kings Thutmosis Tomb KV43 star ceiling interior antechamber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases and this was a very difficult one to take becuase of the huge differences in light levels from the floor lighting to the ceiling and regettably was not taken in RAW file which would have offered more control in post production. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213076jhp Egypt Luxor Thutmosis 1V Tomb KV43 steep interior passage steps in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, steps, passage, passageway, steep, bare
Valley Kings EG0213075jhp Egypt Valley Kings Thutmose Tomb KV43 Osiris was septer ankh hedjet; crown; in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche
Valley Kings EG0213074jhp Egypt Valley Kings Luxor Tuthmosis Tomb Hathor Goddess ankh dress pink different in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different
Valley Kings EG0213073jhp Egyptian Valley Kings Thutmosis Tomb KV43 Hathor ankh dress different patterns in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, red, diamonds, patterns, ureaus, different
Valley Kings EG0213072jhp Egypt Valley Kings Luxor Thutmose Tomb painting Hathor eye makeup wedjat in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different, eye
Valley Kings EG0213071jhp Egypt Valley Kings Thutmosis Tomb KV43 Maya restoration hieratic text in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya; the section shown was the least effected by reflections on the perspex screen. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213069jhp Egypt Valley Kings Thutmose Tomb KV43 sarcophagus screen bare room in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213068jhp Egyptian Valley Luxor Thutmosis Tomb burial chamber sarcophagus Nephthys covered in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213067jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 Nephthys sarcophagus Ka arms in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213066jhp Egyptian Valley Kings Thutmosis head sarcophagus Nephthys hieroglyphics protection in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213065jhp Egyptian Valley Kings Tuthmosis Tomb sarcophagus cartouche granite red in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, birth, name, Thutmosis, Thutmose, 1V, Menkheperure, throne, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, red, grainte, cartouche, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213064jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 burial chamber interior in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213063jhp Egypt Valley Kings Thutmose 1V Tomb KV43 steep passageway inside in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213062jhp Egyptian Valley Kings Luxor Thutmosis Tomb passageway interior bare sloping floored in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213061jhp Egypt Valley Kings Thutmosis 1V Tomb KV43 Anubis painting colourful in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213060jhp Egypt Valley Kings Luxor Thutmose Pharaoh Tomb Osiris Anubis in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, hieroglyphs, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213059jhp Egypt Valley Kings Luxor Thutmosis Tomb Hathor ankh cartouche solar disk in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213058jhp Egypt Valley Kings Luxor Thutmosis 1V Tomb KV43 Osiris painting antechmaber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213057jhp Egypt Egyptian Tomb KV19 Prince Mentuherkhepshef hieroglyphics entrance reliefs was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt; Luxor; West Bank; Thebes; Theban; Valley Kings; prince; tomb; KV19; Montu; Mentuherkhepshef; Montu-hir-Khopshef; upright; paintings; colourful; colorful; colours; colors; bright; white; plaster; ancient; Egyptian; archaeology; Egyptology; hieroglyphics; death; burial; mythology; afterlife; history; hieroglyphics; entrance; Gods; offering; fruit; flowers; wine; grapes; bread; DSLR; Fuji; S2; handheld; artificial; light; Photoshop; adjusted; corrections; Perspex; screens;
Valley Kings EG0213055jhp Egypt Luxor Valley Tomb Mentuherkhepshef Osiris Atef Crown painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Osiris, Atef, crown, beard, upright, painting, painted, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213054jhp Egyptian Tomb Prince Mentuherkhepshef painting closeup offering colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213053jhp Egypt Valley kings KV19 offering table closeup details painting colorful in the tomb of Prince Monu-hir- Khopshef, son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, closeup, details, painting, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213052jhp Egypt Luxor Tomb KV19 Mentuherkhepshef painting fruit wine grapes colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, closeup, detail, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213051jhp Egyptian Tomb Valley kings Offering table fruit food lotus flowers painted colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, Lotus, table, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213049jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Khonsu Solar Disk Crescent painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, solar, disk, crescent, sky, diety, form, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213048jhp Egypt Tomb Mentuherkhepshef painting offering food feast details colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, table, feast, Lotus, flower, fowl, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213047jhp Egypt Egyptian Tomb KV19 Montu-hir-Khopshef Sekhmet Sakhmat lioness painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, lioness, solar, disk, ureaus, red, dress, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213046jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Isis Goddess solar disk painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Isis, Goddess, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213045jhp Egypt Kings Valley Tomb Mentuherkhepshef painting fruit gifts table colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213044jhp Egyptian Tomb KV19 Prince Mentuherkhepshef Amun God painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Amun, God, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213043jhp Valley Kings Egyptian Tomb Prince Mentuherkhepshef Sekhmet painting solar ureaus colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, Goddess, lioness, solar, disk, ureaus, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213042jhp Egypt Tomb KV19 Prince Montu-hir-Khopshef offering table fruit painting colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213041jhp Luxor Valley Kings Egyptian Tomb Mentuherkhepshef Khonsu falcon God painting colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, Horus, Solar, Disk, Crescent, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213040jhp Egypt Egyptian Tomb Prince Mentuherkhepshef offering scene colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213039jhp Egypt Valley Kings Tomb KV19 Prince Mentuherkhepshef painting offering colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, wine, pouring, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens

Scotland > Deeside Towns and Villages (3 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Inchmarlo Daffodils asd5754jhp Banchory Inchmarlo daffodils spring birch trees Goach Hill Deeside Aberdeenshire Scottish view taken to the west of this first and largest Deeside town some 18 miles west of Aberdeen in North East Scotland. It is situated to the north of the River Dee and this view taken from the roadside opposite the Inchmarlo retirment complex looks south across the river to the Hhill of Goach visible through the trees. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Inchmarlo, Royal, Deeside, west, Goach, hill, Scolty, roadside, daffodils, yellow, bus, stop, covered, perspex, River, Dee, field, landscape, countryside, rural, Nature, trees, silver, birches, common, beech, colourful, colorful, coloured, colored, sun, sunshine, spring
Inchmarlo Daffodils asd5752jhp Banchory Inchmarlo daffodils bus stop spring trees Kincardineshire Royal Deeside Scotland view taken to the west of this first and largest Deeside town some 18 miles west of Aberdeen in North East Scotland. It is situated to the north of the River Dee. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Inchmarlo, Royal, Deeside, west, roadside, daffodils, yellow, bus, stop, covered, perspex, River, Dee, field, landscape, countryside, rural, Nature, trees, common, beech, colourful, colorful, coloured, colored, sun, sunshine, spring
Inchmarlo Daffodils asd5748jhp Banchory Inchmarlo daffodils roadside spring trees Kincardineshire Deeside Scotland view taken to the west of this first and largest Deeside town some 18 miles west of Aberdeen in North East Scotland. It is situated to the north of the River Dee. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Inchmarlo, Royal, Deeside, west, roadside, daffodils, yellow, bus, stop, covered, perspex, River, Dee, field, landscape, countryside, rural, Nature, trees, common, beech, colourful, colorful, coloured, colored, sun, sunshine, spring

Scotland > Morayshire (2 files)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Sueno Stone Forres TO3357373JHP The Sueno Stone Cross-slab Pictish Record Battle Defeat Forres Moray Scotland of the Danes in 1014AD. It stands 23 feet high, the tallest such medieval sculpture in Scotland and the 7.6 ton sandstone slab is decorated with warriors, war scenes, the vanquished corpses, animals and Celtic interlaced spiral knotwork. It has been covered in this huge Perspex canopy to stop the weathering that is caused by modern acid rain. Keywords: Scotland, Moray, Morayshire, Firth, Highlands, Scottish, Forres, Sueno, Stone, cross-slab, upright, Royal Burgh, Pictish, battle, victory, Norse, Orkney, 9th century, AD, medieval, sculpture, sandstone, ring-headed, interlace, spiral, knot-work, bearded, figures, war, report, covered, conservation
Sueno Stone Forres TO3357371JHP Sueno Stone Cross-slab Pictish Battle Record Covered Perspex Weathering describing the defeat of the Danes in 1014AD. It stands 23 feet high, the tallest such medieval sculpture in Scotland and the 7.6 ton sandstone slab is decorated with warriors, war scenes, the vanquished corpses, animals and Celtic interlaced spiral knotwork. It has been covered in this huge Perspex canopy to stop the weathering that is caused by modern acid rain. Keywords: Scotland, Moray, Morayshire, Firth, Highlands, Scottish, Forres, Sueno, Stone, cross-slab, upright, Royal Burgh, Pictish, battle, victory, Norse, Orkney, 9th century, AD, medieval, sculpture, sandstone, ring-headed, interlace, spiral, knot-work, bearded, figures, war, report, covered, conservation

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