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Aurora over Scotland (29 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Egypt > Aswan in general (1 file)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Botanical Gardens EG052814jhp Egypt Aswan Plantation Island Botanical Gardens resthouse tourists people often visited on trips in feluccas to the Nubian Villages or Cataracts and the west bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. The Botanical Gardens are a pleasant relaxing visit with walks though tree covered paths, splashes of colourful flowers, wild birds and the occasional cat by places to sit and the usual rest house per this photo at the main disembarking area when the visit is completed. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, Plantation, Kitcheners, Island, Botanical, gardens, park, trees, palm, bark, leaves, branches, flowers, resthouse, tourists, people, men, women, visitors, resting, cool, landscape, colour, colours, colors, shapes, shade, walks, rest, area, seats, creepers, jungle

Egypt > Karnak Temple (7 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple Quay EG075080jhp Karnak Temple Egyptian Entrance First Pylon West quay slipways excavations have been ongoing in front of this huge site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The photo shows early stages of the work taken in 2007 but they were not as per the original part of the site as some blocks were dated to the reign of Sheshonq circa 900BC although it is attributed as early as Ramses 11. Of course cartouches from a later period could have been added or were included on blocks inserted when repairs or upgrades made. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, entrance, first, pylon, western, Ramses, Ramasses, Ramesses, Sheshonq, sandstone, history, archaeology, ancient, Egyptology, harbour, quay, slipway, garden, channels, excavations, avenue, sphinxes
Karnak Temple Quay EG075078jhp Karnak Temple Egypt Entrance First Pylon West Harbour quay slipways excavations have been ongoing in front of this huge site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The photo shows early stages of the work taken in 2007 but they were not as per the original part of the site as some blocks were dated to the reign of Sheshonq 1 circa 900BC although it is attributed as early as Ramses 11. Of course cartouches from a later period could have been added or included on blocks inserted when repairs or upgrades made. Behind the policeman is the Obelisk of Sety 11 c 1195 BC and beyond ruins of a small barque chapel of Hakoris Hakor or Achoris, circa 380BC Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, entrance, first, pylon, western, Ramses, Ramasses, Ramesses, Sety11, Seti, Sethos, Sheshonq, Hakoris, Hakor, Achoris, sandstone, history, archaeology, ancient, Egyptology, harbour, quay, slipway, garden, channels, excavations, avenue, sphinxes
Karnak Headless Statue EG074953jhp Karnak Temple Egyptian Festival Hall Thutmosis Tuthmose statue Akhmenu near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is near the four papyrus bud columns on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074959jhp Karnak Luxor Egypt Festival Hall Thutmose papyrus bud columns cartouches near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074957jhp Karnak Temple Egyptian festival hall Thutmose Akhmenu Colonnade papyrus columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Columns EG074956jhp Karnak Temple Egypt Festival Hall Thutmosis Colonnade papyrus bud columns near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear
Karnak Papyrus Column EG074958jhp Karnak Egypt Festival Hall Thutmosis cartouches Colonnade papyrus bud column near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph of these four papyrus bud columns is on the outside Festival Hall of Thutmose 111 towards the north eastern corner. The hall was constructed next to one of the oldest areas of Karnak Temple. This is a complex mix of columned hall, chapels, magazines which are not represented in these photos; this area is described as Akhmenu by the ULCA Digital Karnak Archive but not mentioned a such in any other guide books although it does mean festival Hall per se. This area covers, the Hall of Ancestors containing an extensive king’s list, the famous botanical garden suite with plants found on his military campaigns into Palestine, a shrine for the underworld God Sokar and beyond the remains of a stand of beautiful papyrus columns described as the Colonnade of Tuthmosis 111 and other parts such as The Temple of the Hearing Ear, a sort of public area where offerings and prayers could be made to Amun; the inner sanctum being inaccessible to all but the priests and pharaoh. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, cartouche, Thutmosis, Thutmose, 111, festival, hall, Akhmenu, colours, painted, colors, history, archaeology, ancient, Egyptology, tent, pole, papyrus, columns, military, tent, campaigns, Men-Khepheru-Re, Blessed, Most, Splendid, Monuments, antechamber, magazines, painted, lintels, carvings, hieroglyphs, roof, supports, suites, Sokar, botanical, gardens, corridor, hall, ancestors, kings, list, hearing, ear

Egypt > North of Cairo (5 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Tanis Granite Junkyard EG077223JHP Tanis Temple Amun Granite Blocks Obelisk Column Photograph Ancient Egypt Delta site in the North once thought to be the capital Per-Ramesses created by Ramses 11 but was in fact the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, landscape, history, ancient, antiquity, archaeology, Egyptology, Amun, Amon, Temple, junkyard, Ramasses, Ramses, Ramesses, buried, sand, blocks, erosion, weathering, cartouche, deepcut, granite, carvings, hieroglyphs, broken, obelisk, column, enclosure, wall
Tanis Amon Ramesses Carving EG077220JHP Tanis Ramses Carving Cartouche Granite Broken Block Amun Temple Ancient Egypt Delta site located in the North and once thought to be the capital Per-Ramesses created by Ramses 11 but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, upright, history, ancient, antiquity, archaeology, Egyptology, Amun, Amon, Temple, Ramasses, Ramses, Ramesses, cartouche, deepcut, granite, carvings, hieroglyphs, broken
Tanis Royal Tombs Roof EG077283JHP Tanis Royal Tombs Necropolis Exterior Roof Construction Photo Egypt Delta Site in the North and once thought to be the capital Per-Ramesses created by Ramses but was in fact the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, ancient, antiquity, archaeology, landscape, Egyptology, granite, limestone, blocks, roof, structure, Royal, Necropolis, tombs, exterior, Psuennes, Takelot, Osorkon, Shoshenq, Sheshonq, roof, mudbrick, enclosure
Tanis Statue Bases EG077208JHP Tanis Egypt Ramesses Statue Base Feet Legs Photograph Ancient Egyptian Cartouche Egyptian Delta site in the North once thought to be the capital Per Ramasses created by Ramses but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, history, ancient, antiquity, archaeology, upright, Egyptology, Ramasses, Ramses, statue, base, feet, granite, carved, hieroglyphs, cartouche, standing, statues
Tanis Ramses Foot & Feet EG077209JHP Tanis Egypt Temple Ramses Statue Bases Feet Legs Photo Ancient Cartouche Egyptian Delta site in the North once thought to be the capital Per Ramasses created by Ramses but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, ancient, antiquity, archaeology, landscape, Egyptology, Ramasses, Ramses, granite, carvings, hieroglyphs, statues, bases, foot, feet, legs, cartouche

Egypt > Outlying Pyramids (20 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Bent Pyramid Dashur eg961329ajhp Egypt Dahshur Bent Red North Pyramids entrance high view vehicle sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70 zoom lens
Bent Pyramid Dashur eg00725jhp Egyptian Dahshur Bent Pyramid construction limestone casing exposed stonework limestone blocks Snefru King burial cladding desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Bent Pyramid Dashur eg00724jhp Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, tallest and most intact and is visible in the distance on the left. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, landscape, format
Bent Pyramid Dashur eg00723jhp Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format
Bent & Red Pyramid Dashur eg00722jhp Egypt Egyptian Dahshur Bent Red Pyramids Snefru King desert necropolis is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format
Bent Pyramid Dashur eg961314jhp Egypt Dahshur Bent Pyramid Snefru burial limestone casing west side entrance hole is visible center top above plundered area of casing. The bent Pyramid is famous for its very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961312jhp Egyptian Dashur Bent Black Pyramid entrance west view limestone desert distance is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, west, entrance, scale outside, highup
Bent Pyramid Dashur eg961311jhp Egypt Dahshur Bent Pyramid Snefru side Black limestone cladding desert high view near entrance on west side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 111, mudbrick, black, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961306jhp Egyptian Dashur Bent Pyramid Snefru limestone cladding plundered construction blocks desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9613011jhp Egypt Dashur Bent Pyramid damage plundered robbed limestone blocks exposed construction casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, south, corner, exposed, robbed
Bent Pyramid Dashur eg9613010jhp Egypt Dahshur Bent Pyramid damge plundered robbed limestone casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg961297jhp Egypt Dahshur Bent Pyramid Snefru King burial causeway limestone cladding plundered north east corner desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, northeast corner
Bent Pyramid Dashur eg961296jhp Egypt Egyptian Dahshur Bent Pyramid Snefru King causeway limestone cladding desert north east corner is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, plundered, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, northeast corner
Bent Pyramid Dashur eg9612915jhp Ancient Egyptian Dashur Bent Pyramid subsidiary south side rubble casing plundered is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, corner, plundered, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612914jhp Egypt Egyptian Dahshur Bent Pyramid subsidiary small south side rubble desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612913jhp Egypt Dahshur Bent Pyramid Sneferu chapel stelae mudbrick wall east side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, stelae, mudbrick, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Bent Pyramid Dashur eg9612912jhp Egypt Egyptian Dashur Bent Pyramid Snefru King burial chapel stelae mudbrick wall is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, mudbrick, enclosure, stelae, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Bent Pyramid Dashur eg9612911jhp Egypt Egyptian Dahshur Bent Pyramid Snefru east side chapel sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright
Bent Pyramid Dashur eg9612910jhp Egypt Dashur Bent Pyramid Snefru King burial east side chapel desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4
Abu Sir Pyramids eg9512115jhp Egypt Abu Sir Sahure carved block per nu shrine hieroglyphs snake ankh art near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls. Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, art, artwork, hieroglyphs, hieroglyphics, per nu, shrine, snake, serpent, ankh, sign, Life, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Egypt > Valley of Kings Luxor (17 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213057jhp Egypt Egyptian Tomb KV19 Prince Mentuherkhepshef hieroglyphics entrance reliefs was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt; Luxor; West Bank; Thebes; Theban; Valley Kings; prince; tomb; KV19; Montu; Mentuherkhepshef; Montu-hir-Khopshef; upright; paintings; colourful; colorful; colours; colors; bright; white; plaster; ancient; Egyptian; archaeology; Egyptology; hieroglyphics; death; burial; mythology; afterlife; history; hieroglyphics; entrance; Gods; offering; fruit; flowers; wine; grapes; bread; DSLR; Fuji; S2; handheld; artificial; light; Photoshop; adjusted; corrections; Perspex; screens;
Valley Kings EG0213055jhp Egypt Luxor Valley Tomb Mentuherkhepshef Osiris Atef Crown painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Osiris, Atef, crown, beard, upright, painting, painted, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213054jhp Egyptian Tomb Prince Mentuherkhepshef painting closeup offering colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213053jhp Egypt Valley kings KV19 offering table closeup details painting colorful in the tomb of Prince Monu-hir- Khopshef, son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, closeup, details, painting, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213052jhp Egypt Luxor Tomb KV19 Mentuherkhepshef painting fruit wine grapes colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, closeup, detail, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213051jhp Egyptian Tomb Valley kings Offering table fruit food lotus flowers painted colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, Lotus, table, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213049jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Khonsu Solar Disk Crescent painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, solar, disk, crescent, sky, diety, form, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213048jhp Egypt Tomb Mentuherkhepshef painting offering food feast details colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, table, feast, Lotus, flower, fowl, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213047jhp Egypt Egyptian Tomb KV19 Montu-hir-Khopshef Sekhmet Sakhmat lioness painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, lioness, solar, disk, ureaus, red, dress, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213046jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Isis Goddess solar disk painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Isis, Goddess, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213045jhp Egypt Kings Valley Tomb Mentuherkhepshef painting fruit gifts table colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213044jhp Egyptian Tomb KV19 Prince Mentuherkhepshef Amun God painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Amun, God, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213043jhp Valley Kings Egyptian Tomb Prince Mentuherkhepshef Sekhmet painting solar ureaus colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, Goddess, lioness, solar, disk, ureaus, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213042jhp Egypt Tomb KV19 Prince Montu-hir-Khopshef offering table fruit painting colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213041jhp Luxor Valley Kings Egyptian Tomb Mentuherkhepshef Khonsu falcon God painting colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, Horus, Solar, Disk, Crescent, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213040jhp Egypt Egyptian Tomb Prince Mentuherkhepshef offering scene colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213039jhp Egypt Valley Kings Tomb KV19 Prince Mentuherkhepshef painting offering colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, wine, pouring, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens

Scotland > Ancient Stones (6 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

South Leylodge Stones jkl8124jhp South Leylodge Recumbent Flankers Stone Circle Kintore Aberdeenshire bronze Age historic ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8123jhp South Ley Lodge Recumbent Standing Stones Circle Flanker Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8122jhp South Leylodge Standing Stone Stones Circle Kintore Scottish winter Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8121jhp South Ley Lodge Recumbent Standing Stones monolith winter Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, silhouette, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8120jhp South Leylodge Recumbent Stone Circle Kintore Aberdeenshire Scotland prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8119jhp South Leylodge Recumbent Standing Stone Stones Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter

Scotland > Clouds, Sunsets, Dawns and Weather (open collection)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.

Scotland > Other Scotland (9 files)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
River View fm Bridge qwe9630jhp Dunkeld River Tay town bridge view Cathedral riverbank fishing Scotland summer is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, town, summer, landscape, riverbank, trees, sunshine, flower, displays, tubs, pavement, bridge, view, southbank, road, A9, Little, Perth.
NTS House Restoration qwe9627jhp Dunkeld town street Scottish NTS Saltire Award Restored houses painted sunny one of the attractive aspects of this town situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style of which this Saltire Award winning restoration by the National Trust for Scotland illustrates in this street near the Cathedral. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, town, street, houses, restoration, NTS, Saltire, Award, Atholl, summer, landscape, harled, white, painted, sunshine, pavement, Cathedral, walk, road
Dunkeld Cathedral qwe9626jhp Dunkeld Cathedral east window town side Strathtay Perthshire Scotland summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, upright, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window, town
Dunkeld Cathedral qwe9620jhp Dunkeld Cathedral River Tay banks trees Scottish medieval southern Scotland summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, southern, aspect, tower, west, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window
Dunkeld Cathedral qwe9597jhp Dunkeld Cathedral west tower Strathtay Historic Scotland summer sunshine photo of this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, upright, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, window
Dunkeld Cathedral qwe9596jhp Dunkeld Cathedral West Tower Historic Scotland blue sky sunny summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, blue, sky, sunny, east, window
Dunkeld Cathedral qwe9594jhp Dunkeld Cathedral Riverbank Tay view southern aspect Strathtay Scottish summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, southern, aspect, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window
Dunkeld Cathedral qwe9591jhp Dunkeld Cathedral south face west tower Scotland Strathtay Perthshire summer this beautiful building was started in the mid-13th Century, later suffered extreme damage and later restored in the 18th Century. It is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, Cathedral, medieval, summer, landscape, south, face, tower, west, Chapel, St Columba, Ninian, museum, riverbank, trees, sunshine, shadows, east, window, blue, sky, white, clouds
Dunkeld qwe9641jhp Dunkeld River Tay town bridge street Scotland Strathtay Perthshire summer is situated on the banks of the River Tay which separates Dunkeld Town per se and Birnam on the far bank. Dunkeld was badly damaged during the Battle of Dunkeld in 1689 was later rebuilt in the 18th Century in a much ‘planned’ style. The location has a chequered and sometime violent history certainly recorded back to Pictish times around 820AD and long association with Christianity since its fledging beginnings in Scotland. Any location by a river lying in the lee of surrounding hills probably attracted habitation even in prehistoric times. It is very busy attractive town for visitors, extremely so during summer weekends, and lies conveniently close to the A9 route between Perth and northwards via Pitlochry into the Highlands. Keywords: Scotland, Scottish, Perthshire, Strathtay, Dunkeld, River, Tay, town, street, Atholl, Hotel, summer, landscape, riverbank, trees, sunshine, flower, displays, tubs, pavement, bridge, church, road, A984, Little, Caputh, Stanley, Perth.

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