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Aurora over Scotland (147 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora over Stone Circle SO0213981jhp 
 Scotland Aurora Borealis Orion Pleiades Corona green zenith celestial wings from Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south the last of the digital photos was taken at 00.18.10hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213980jhp 
 Scotland flanker monolith Aurora Borealis Orion Pleiades Corona green zenith wings Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.17.20hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213979jhp 
 Scotland flanker Stones Aurora Borealis south Pleiades Corona green zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.16.23hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213978jhp 
 Scottish flanker above Aurora Borealis south Orion Pleiades Corona zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.15.11hrsUT for 17secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213977jhp 
 Scottish Stone Circle Aurora Borealis south Orion Pleiades Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.14.32hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213975jhp 
 Scotland Stone Circle Aurora Borealis above flanker red colours rays North Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.47hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213974jhp 
 Scotland Stone Circle Aurora Borealis Corona red colours rays Plough North Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.18hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213973jhp 
 Scotttish Stone Circle Aurora Borealis Corona arms colours rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Morven was taken at 00.00.36hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213970jhp 
 Deeside Stone Circle Aurora Borealis Corona dome rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Tarland was taken at 23.58.42hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213967jhp 
 Scotland Stone Circle Aurora Borealis Corona rays recumbent Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.56.31hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213959jhp 
 Scottish Stone Circle Aurora Borealis Corona red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.27.22hrsUT for 20secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213956jhp 
 Scotland Aurora Borealis corona building red green rays dome stone Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.25.12hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213955jhp 
 Scottish Aurora Borealis corona building red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.24.10hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213954jhp 
 Scottish Aurora Borealis sweeping red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.23.29hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213952jhp 
 Scotland Stone Circle Aurora Borealis sweeping red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.21.36hrsUT for 19secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213951jhp 
 Scottish Stone Circle Aurora Borealis sweeping arms Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.20.58hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213949jhp 
 Scottish Stone Circle Aurora Northern Lights Corona Orion Stars red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.19.04hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213947jhp 
 Scottish Stone Circle Aurora Borealis Corona Orion Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.15.05hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213946jhp 
 Scotland Stone Circle Aurora Borealis Corona activity rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.13.18hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213943jhp 
 British Stone Circle Aurora Borealis Corona dome zenith Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.44hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213942jhp 
 Scottish Stone Circle Aurora Borealis Corona dome Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.14hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213941jhp 
 Stone Circle Aurora Borealis Corona Orion flanker red ray Tarland Deeside winter Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.57.10hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213940jhp 
 Scottish Stone Circle RSC Aurora Borealis Corona west red ray Tarland Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.56.13hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright
Aurora over Stone Circle SO0213939jhp 
 Stone Circle Aurora Borealis Corona Orion red ray Tomnaverie Deeside Scotland recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.55.46hrsUT for 11secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora over Stone Circle SO0213937jhp 
 Scottish Stone Circle Aurora Borealis Corona Orion red ray Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.34.58hrsUT for 8secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, upright, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137034jhp 
 Aurora Borealis Scotland Corona crown red purple nitrogen rays treetops west Aberdeenshire Deeside last digital photograph taken over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.15.02hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137033jhp 
 Aurora Borealis Scottish Corona crown red wings sweeping rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.13.56hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137032jhp 
 Aurora Borealis Scottish colours east car headlights arms Corona red Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.56hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137031jhp 
 Aurora Borealis Scottish colours Corona centre crown red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.12hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137030jhp 
 Aurora Borealis Scottish colourful Corona zenith red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.11.32hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137029jhp 
 Aurora Borealis Scotland colours Corona red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.10.48hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137027jhp 
 Aurora Borealis red rays Scotland Torphins colours eastwards car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.09.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, telephone pole, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137026jhp 
 Aurora Borealis Scottish winter Torphins colours east car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.08.42hrsUT for 11secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137025jhp 
 Aurora Borealis Scotland Northern Lights November Corona red green rays colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.07.58hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137023jhp 
 Aurora Borealis Scotland Corona red wings centre colours west pine tree silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.50hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137022jhp 
 Aurora Borealis Scottish winter east car headlights red rays colours Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.10hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Torphins, Glassel, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137021jhp 
 Aurora Borealis Scottish winter November Corona zenith red wings centre colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.05.25hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137020jhp 
 Aurora Borealis Scottish winter display Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.54hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137019jhp 
 Aurora Borealis Scotland Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137018jhp 
 Aurora Borealis Scottish Corona zenith red wings centre power colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.03.46hrsUT for 8secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137016jhp 
 Aurora Borealis Scottish Corona centre green pink wings west above trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137015jhp 
 Aurora Borealis Scottish Corona zenith green arms west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137014jhp 
 Aurora Borealis Scotland Corona zenith green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.01.28hrsUT for 14secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf137013jhp 
 Aurora Borealis Scottish Corona display red green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.00.52hrsUT for 18secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13610jhp 
 Aurora Borealis Scotland Corona red wings forest trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.46.34hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO.. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13609jhp 
 Aurora Borealis Scottish Corona display red wings forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.45.56hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 it set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Red Corona aucf13601jhp 
 Aurora Borealis Corona Deeside display red wings west Aberdeenshire Scotland photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This first digital photo was taken at 17.33.02hrsUT for 24secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera
Aurora Cloudy Display aucf12837jhp 
 Aurora Borealis Scottish green red rays North Plough clouds increasing Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.27.34hrsUT for 24secs, showing green and red oxygen rays looking North with increasing cloud cover starting to blank out the Aurora display. The Plough is above gap between the two tree tops. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof
Aurora Cloudy Display aucf12723jhp 
 Aurora Scotland Deeside Corona display green red rays zenith clouds colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.49.26hrsUT for 25secs showing green and red oxygen rays at the centre or zenith of the corona looking directly upwards over Royal Deeside with some increasing cloud and strong wind. The cf127 session of which this is the last frame, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12722jhp 
 Aurora Northern Lights Scotland deeside Corona green red rays zenith centre colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.42hrsUT for 22secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside with some swiftly passing cloud. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12721jhp 
 Aurora Northern Lights Scottish Corona green red rays zenith crown colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.01hrsUT for 15secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12720jhp 
 Aurora Borealis Scotland Corona green red rays huge fan colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.25.38hrsUT for 28secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to west of north over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12719jhp 
 Aurora Borealis Scotland Corona display rays fan westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.24.34hrsUT for 24secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to the west over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12718jhp 
 Aurora Borealis Scottish Corona display rays fan clouds Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.23.22hrsUT for 23secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking upwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12713jhp 
 Aurora Borealis Scotland red green oxygen rays clouds west gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.07.23hrsUT for 22secs showing mainly green red oxygen rays through the clouds looking westwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12712jhp 
 Aurora Borealis Scotland green red Northern Lights rays clouds northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.06.33hrsUT for 21 secs showing mainly green oxygen arc light with green and red oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12710jhp 
 Aurora Borealis Scotland strong green red rays clouds openings bright stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03.38hrsUT for 38 secs showing mainly green oxygen arc light with strong green oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12709jhp 
 Aurora Borealis Scotland display strong green rays clouds openings stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03hrsUT for 20secs showing mainly green oxygen arc light with strong rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12705jhp 
 Aurora Borealis Scottish display faint rays clouds cover gaps northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.00.6hrsUT for 22secs showing mainly green oxygen arc light with very faint rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12702jhp 
 Aurora Borealis Scotland display clouds covered gaps north Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.58.09hrsUT for 19secs showing yellow green oxygen gas backlighting extensive cloud cover to the North. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Aurora Cloudy Display aucf12701jhp 
 Aurora Borealis Scottish display rays clouds covered gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 23.56.52hrsUT for 20secs showing yellow green oxygen faint ray visible through a cloud gap looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera
Deeside Aurora bnm6446jhp 
 Aurora Borealis British March display rays colours shooting star Deeside Aberdeenshire taken on the evening of 27th March, 2017 at Crooktree, 25 miles west of Aberdeen, starting around 21.43UT and was indicated by the magnetometer readings on AuroraWatch. Although cloud was forecast earlier the display happened before the cloud arrived but when it got dark enough to see it. A low grade Arc was visible to the North, beneath Cassiopeia at 21.44, it went active shortly afterwards with faint multiple rays with bright bases on the arc and some lateral movement, North to West and it died down again very quickly at 21.47UT, allowing approximately 10 exposures. Small meteor burn out visible about 1/3 in from left just in the faint purple band. Colours not visible to the human eye to the brightness this photo records. Magnetometer suggested possible further activity but by 22.00 there was 100% cloud cover. This photograph was taken with a Nikon D700 full frame DSLR using a 28mm Nikkor f2.8 lens at f4 aperture, ISO3200 for 12 seconds at 21.45.39hrsUT. The increased ISO sensitivity of modern DSLR’s allows for shorter exposures circa 10 sec average times giving more accurate recordings of these moving events. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora Borealis, Arc, Rays, Lights, Merry Dancers, Meteor, shooting star, Cassiopeia, North, landscape, CME, solar, wind, night, sky, stars, oxygen, nitrogen, gas, molecules, magnetic, red, blue, purple, faint, low, grade, colourful, colorful, colours, colors, brief, night, spring, March, 2017, D700, Nikon, DSLR, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora The Ley au7756jhp 
 Scottish Aurora Borealis arc morning nitrogen purple rays May telephone poles 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.48hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7753jhp 
 Scotland Aurora new Borealis display arc morning nitrogen purple rays May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77526jhp 
 British Aurora lights display Crathes Goddess dawn bright folding arc rays morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77525jhp 
 Scottish Aurora display Banchory Goddess dawn bright folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77524jhp 
 Scotland Aurora Borealis Deeside Goddess dawn light folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77521jhp 
 Dawn approach active lights display arc red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.56hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77520jhp 
 Dawn approaching Aurora lights display red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.57hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77519jhp 
 Aurora Borealis British active display arc red purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77518jhp 
 Aurora Borealis Deeside folded arc purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77516jhp 
 Aurora Borealis Deeside arc purple rays Ley poles silhouette Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77515jhp 
 Aurora Borealis Deeside Banchory new arc purple large ray tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.52hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77514jhp 
 Aurora Borealis Aberdeenshire new arc purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77513jhp 
 Scottish Northern Lights very active purple red rays tree siluoette May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77511jhp 
 British Northern Lights arc active purple red rays tree stars Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77510jhp 
 British Aurora Borealis arc active nitrogen purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7649ajhp 
 British Northern Lights moon large red pink oxygen rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.09hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7645ajhp 
 Scotland Northern Lights Harestone Road large red rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.06hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76432ajhp 
 Scotland Aurora Borealis red oxygen rays larch branches silhouette Deeside display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.26hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76431ajhp 
 British Aurora Borealis rays larch branches silhouette Scottish display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.25hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7642ajhp 
 Scotland Aurora Borealis Harestone Road moon red rays Deeside spring 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.05hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76427ajhp 
 Scotland Aurora Borealis moving blurred red pink rays Banchory Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.23hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76426ajhp 
 Scottish Aurora Borealis strong display red pink rays Jim Henderson Photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.22hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76425ajhp 
 Scottish Aurora Borealis increasing display red pink rays spring summer 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.21hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76413ajhp 
 Scottish Aurora Borealis moon setting patches faint rays Deeside May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.13hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76412ajhp 
 Aurora Borealis British rich pink rays beautiful larch tree branches silhouette 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76411ajhp 
 Aurora Borealis Scotland large pink highup rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76410ajhp 
 Scottish Northern Lights large pink candy floss rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76335jhp 
 Scotland Northern Lights Tree folding curving arc rays bright colours display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76334jhp 
 Scottish Northern Lights Tree folding arc rays strong active display Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76331jhp 
 Scotland Aurora Borealis Ley Tree folding arc strong active display Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76323jhp 
 Scottish Aurora tree active rays red yellow silhouette Jim Henderson photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.41hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76322jhp 
 British Northern Lights tree arc rays pink yellow spring silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76319jhp 
 British Aurora Borealis moon arc rays yellow spring telephone pole silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76318jhp 
 Scottish Aurora Borealis folding arc rays yellow Aberdeenshire spring telephone pole 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76313jhp 
 Scotland Aurora Borealis Ley Tree Deeside arc rays red pink spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.31hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora with Moon au76227jhp 
 British Aurora Borealis Ley moonlight moon Aberdeenside May spring morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. This is an excellent example that Aurora displays can be seen durting moonlight conditions. Taken on the early morning of the 1st May at 00.10 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76236ajhp 
 Scottish Aurora Borealis telephone pole active rays stage display lights spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.20hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76228ajhp 
 Scotland Aurora Borealis telephone pole early stage display Deeside spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71517jhp 
 British Scottish Aurora Proton beam ray unique strange red light winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This is porbably one of the most unusual events I photographed as the only sign of a display was this isolated beam of light, red to the eye, a hovering there for several minutes before disappearing without anyother activity. Susequently I have seen this type of structure described as a proton ray or beam rather than the normal electron charged rays of the more classical Aurora displays. I happened to speak to Andy Bradford who saw the same thing at Kincardine O'Neil, several miles to the west around the same time, 20.50hrs UT on the 19th February which ruled out one theory I had of a security light or helicopter pad landing light from Raemoir Hotel. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, proton, beam, column, light, unusual, rare, unique, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 19th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7621jhp 
 British Northern Lights Aurora display Crathes Cassiopeia rays arc winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.20hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on. This was a new arc developing after a burst of activity, single ray around 01.00UT but a fresh start of rays can be made out at the extreme right.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7613ajhp 
 Scotland Northern Lights display Crathes arc early stage winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.20hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on. This was a new arc developing after a burst of activity, single ray around 01.00UT but a fresh start of rays can be made out at the extreme right.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7422ajhp 
 Scotland Aurora Borealis display Neuk rays red winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.42hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using Kodak 5020 EES 35mm slide film rated at 1600asa and exposed around the 20 seconds I later settled on. I was using one or two cameras at the time, sometimes swopping the lens from one to the other camera but I later resorted to one film, Fuji,as I found that changing a lens without always checking the focus and apertures could prove 'fatal'-out of focus ort underexposed and easy to do in the excitment of the moment when the display went active.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Kodak, 5020 EES, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7119ajhp 
 Scotland Aurora Borealis tree folded arc reflections yellow bending winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo taken on the 15th of February around 21.35hrsUT is one from early 1990, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa, in this case rated at 800asa, and exposed around the 20 seconds I later settled on. This was an experiment to see if this very strong folding arc would reflect in my van engine bonnet which it did not and focusing on the bonnet threw the Aurora strongly out of focus as at f2.8 there was no Depth of Field to play with.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, folded, Arc, Rays, Northern, Lights, Merry Dancers, landscape, focus, soft, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 1600asa, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp 
 Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp 
 Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp 
 Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp 
 Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp 
 Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au61058jhp 
 Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp 
 Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp 
 Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp 
 Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp 
 Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp 
 Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp 
 Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp 
 Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp 
 Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp 
 Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp 
 Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp 
 Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp 
 Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp 
 Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp 
 Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp 
 Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp 
 Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp 
 Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp 
 Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp 
 Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp 
 Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp 
 Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp 
 Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp 
 Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp 
 Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp 
 Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp 
 Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp 
 Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp 
 Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Deeside bnm1954jhp 
 Aurora Borealis Scotland bright strong green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.51.42UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, bright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1951jhp 
 Northern Lights Scotland bright red green rays Aberdeenshire March Deeside taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.50.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1942jhp 
 Aurora Borealis Scotland multiple rays streaming Deeside Aberdeenshire display west taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.47.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, streaming, flaring, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1939jhp 
 Aurora Borealis Scottish many flaming rays Jim Henderson Photo experiment taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.47.37UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, flaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1922jhp 
 Aurora Lights display Scotland bright flaming yellow rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.39.00UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1918jhp 
 Aurora Borealis Scottish hotspot streaming green arc active rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.36.52UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. 
This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. 
 Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, westwards, flaming, patching, streaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Folding Arc AB9076334JHP 
 Aurora Borealis Folding Arc rays Crathes Deeside Scotland Northern Lights taken near midnight on the 1st May, 1990 at the Ley near Crathes just to the east of banchory on Royal Deeside some 18 miles west of Aberdeen. After an very busy night of displays this renewed arc became active and started to bend and snake with rays climbing from it and giving the illusion of large floating curtains. The colour was mainly from nitrogen giving the mauve hue and the display continued until dawn light around 3.00am started to drown it out. Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 28mm Nikkor f2.8 lens with an exposure around 15-20 seconds. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, Arc, folding, Rays, Northern Lights, Merry Dancers, landscape, photo, photograph, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest
Aurora 7Mar94 ab94631jhp 
 Aurora Borealis Scotland Deeside westwards tree winter display green nitrogen gas rays arc Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with Cassiopeia lying to the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. This photo was used as the cover image for The Aurora, a book published by me in 1997, now sadly out of print but still avaiable on the second hand market. 
 Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Egypt > Abydos & Dendara (3 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Dendera Temple EG007122jhp 
 Dendara Dendera temple Qena Nile Egypt roof sacred lake mudbrick walls desert taken from this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the view from the roof of the temple looking south westwards over the Sacred Lake, now filled with palm trees and beyond the mudbrick enclosure or boundary wall. The water here was used for rituals carried out during the Feast of Osiris and nearby is the well from which the water was drawn. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa
Dendara Waterspout 5533EG07JHP 
 Dendara Temple Waterspout exterior back lion head hieroglyphs wall gargoyle, a monument which is home of the Goddess Hathor, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of one of the waterspouts on the rear outer wall. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, lion, waterspout, gargolye, sistrum, rear, backwall, exterior, outside, carving, Gods, figures, hieroglyphics, hieroglyphs, archaeology, ancient, Egyptology, goddess, Ba, Hathor
Dendara Waterspout 5532EG07JHP 
 Dendara Temple Waterspout outer rear wall ancient Egyptian reliefs hieroglyphs Gods of this home of the Goddess Hathor, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is of one of the waterspouts on the rear outer wall. 
 Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, landscape, lion, waterspout, gargolye, sistrum, rear, backwall, exterior, outside, carving, Gods, figures, hieroglyphics, hieroglyphs, archaeology, ancient, Egyptology, goddess, Ba, Hathor

Egypt > Aswan in general (32 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Quarry EG949313ajhp 
 Aswan granite quarry levels layers hole marks Ptolemaic Roman period Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1994, slide, film, 35mm, format, Fuji, RDP, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00459jhp 
 Unfinished Obelisk Granite huge side view long to top Quarry Aswan ancient Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00458jhp 
 Unfinished Obelisk Granite channel base pounding Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00457jhp 
 Abandoned Obelisk Granite side trench Quarry insitu background Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00456jhp 
 Unfinished Obelisk Granite huge side channel gully long view Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00455jhp 
 Granite huge Quarry workings techniques holes metal working Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, metal, copper, iron, chisel, marks, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00454jhp 
 Granite huge Quarry workings techniques chisel marks remains pink Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00453jhp 
 Granite pink red Quarry chisel cuts workings techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00452jhp 
 Granite closeup quarry Ptolemaic Roman techniques slots line fracture technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004515jhp 
 Granite pink grey Quarry workings panorama later techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004514jhp 
 Granite huge Quarry metal teeth late workings remains technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004513jhp 
 Granite Quarry general overview old workings levels removed Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004512jhp 
 Unfinished Obelisk Granite huge split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004511jhp 
 Unfinished Obelisk Granite huge top view broken fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617232jhp 
 Unfinished Obelisk Granite huge top view centre fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617231jhp 
 Unfinished Obelisk Granite central over view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617230jhp 
 Unfinished Obelisk Granite channel pounded trench Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG02cf90178jhp 
 Unfinished Obelisk Granite huge damage fractured Quarry Aswan Egypt high view holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90179jhp 
 Unfinished Obelisk Granite Quarry Aswan Egypt general over view panorama holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90177jhp 
 Unfinished Obelisk Granite channel hole pounded Diorite Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounding, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90176jhp 
 Unfinished Obelisk Granite channel gully long view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90175jhp 
 Unfinished Obelisk deep channel gully long view Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90174jhp 
 Unfinished Obelisk Granite split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02155ajhp 
 Unfinished Ramses Colossus Granite abandoned hill top Tlaina Quarry Aswan Southern Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02154ajhp 
 Unfinished Colossus Granite abandoned head face Ramses Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.
The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02153ajhp 
 Unfinished Colossus Granite base feet abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02152ajhp 
 Unfinished Colossus Granite rear Egyptians locals abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02151ajhp 
 Unfinished Colossus Granite abandoned fractured rear Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG94423jhp 
 Unfinished Obelisk Granite huge abandoned fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan
Aswan Coptic Cathedral Tower EG053046JHP 
 Aswan Egyptian Coptic Modern Cathedral main tower elegant domes photograph recently constructed with geometric shapes as seen from the main road running from the promenade out to the airport, British and High Dam and Philae Island passing the modern Nubian Museum and large Islamic Cemetery into outskirts rapidly being developed as the city expands. 
 Keywords: Egypt, Egyptian, Aswan, River Nile, Coptic, Cathedral, church, Christian, religion, religious, modern, new, road, street, tower, domes, cross, upright, Egyptian, modern, building
Aswan Coptic Cathedral EG053040JHP 
 Aswan Egyptian Coptic Cathedral granite boulders main road recent construction with geometric domes and the large towers as seen from the main road running from the promenade out to the airport, British and High Dam and Philae Island passing the modern Nubian Museum and large Islamic Cemetery into outskirts rapidly being developed as the city expands. 
 Keywords: Egypt, Egyptian, Aswan, River Nile, Coptic, Cathedral, church, Christian, religion, religious, modern, new, road, street, towers, domes, cross, landscape, Egyptian, modern, building
Aswan Cathedral Entrance EG053048JHP 
 Aswan Egypt Coptic Cathedral main entrance elegant gate recently constructed geometric domes and the large tower as seen from the main road running from the promenade out to the airport, British and High Dam and Philae Island passing the modern Nubian Museum and large Islamic Cemetery into outskirts rapidly being developed as the city expands. 
 Keywords: Egypt, Egyptian, Aswan, River Nile, Coptic, Cathedral, church, Christian, religion, religious, modern, new, road, street, tower, domes, cross, landscape, entrance, gate, arches, Egyptian, modern, building

Egypt > Edfu Temple (7 files)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.
Edfu Pylon South EG0209JHP 
 Edfu Temple Egypt Pylon Mammisi Ruins Carvings Horus Cartouche Foreground Photo viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic
Edfu Pylon South EG0208JHP 
 Egyptian Edfu Temple Pylon Mammisi Front Wall Carving Horus Pharaoh viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic
Edfu Pylon South EG0207JHP 
 Ancient Egyptian Edfu Temple Pylon Behind Framed Mammisi Ruins Photo viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic
Edfu Pylon South EG0206JHP 
 Edfu Temple Ancient Egypt Pylon Framed Mammisi Gate Closeup view from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic
Edfu Pylon South EG0203JHP 
 Edfu Temple Pylon Ruins Ancient Egyptian Mammisi Mudbrick Walls Carvings viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic
Edfu Pylon South EG0202JHP 
 Edfu Temple Pylon Mammisi Doorjam Hieroglyphs Pharaoh Gods Bas Reliefs viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic
Edfu Pylon South EG0201JHP 
 Ancient Egyptian Edfu Ptolemaic Temple Pylon Facade Low Angle Vista viewed from the south and the remains of the mammisi or birth house behind the viewer and the site is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. 
 Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, frontage, temple, Horus, pylon, south, carvings, hieroglyphs, Ptolemy, Ptolemaic

Egypt > Fayoum & Desert (8 files)

Pictures in this gallery cover the Fayoum area, Lake Qarun, Karanis, Qasr al-Saghah and Soknopaiou Nesos
Karanis nr Southern Temple 6438EG07JHP 
 Karanis Kom Aushim City Fayoum Egypt Ptolemaic Roman Mudbrick Erosion in the north eastern edge of the oasis area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has been replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples as this photos shows as we approach the Southern Temple to the right 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, walk, approach, mudbrick, wall, South temple, outer, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis nr Southern Temple 6437EG07JHP 
 Karanis Kom Aushim Egyptian Desert City Ruins Mudbrick Sand Skeleton on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has been replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples as this photos shows as we approach the Southern Temple to the right 
 Keywords: Egypt, Egyptian, Egyptology, landscape, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, walking, approach, South temple, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6456EG07JHP 
 Karanis Kom Aushim Egypt Southern Temple Gateway Entrance Granite was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one, the entrance gates shown in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, entrance, gate, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6455EG07JHP 
 Egypt Karanis Kom Aushim Temple Entrance South Gate Paving Stones was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one, the entrance gates shown in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, entrance, gates, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, stairs, gleaming, shining, surreal, desert, sand
Karanis Southern Temple 6445EG07JHP 
 Karanis Kom Aushim Southern Temple Base Stones Gate Egyptian Construction was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one whose front approach is illustrated in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, entrance, gate, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6443EG07JHP 
 Karanis Kom Aushim Egyptian Southern Temple Foundation Building Structure was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one, the side of which is shown in this photo, is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6442EG07JHP 
 Karanis Kom Aushim Southern Temple Foundation Base Stone Structure Photo was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one of which the side is shown in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6441EG07JHP 
 Karanis Kom Aushim Southern Temple Name Board Information Egypt was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one illustrated in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. 
 Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, information, board, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand

Egypt > Giza Pyramids & Sphinx (52 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
The Sphinx EG951094jhp 
 Giza Egyptian Sphinx Great Pyramid face carved limestone blue sky clouds this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, 1995, 645, slide, film, transparency, Bronica, ERTSi, 70mm, lens
Giza Sphinx Temple EG051009jhp 
 Giza ancient Egypt Sphinx Temple Khafre Pyramid limestone walls blue sky this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face is here seen from the Sphinx Temple by the main toursit walkway to the Valley Temple faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, Temple, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, nem enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Stele EG051036jhp 
 Giza Egypt Sphinx Khafre Chephren Pyramid Paws Stele closeup telephoto this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. Here the famous 'Dream' Stele is taken using a 300 mm telephoto from the road to the Great Pyramid and as close as one can get without going into the enclosure. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, closeup, telephoto, lion, paws, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Stele EG051013jhp 
 Gizah Egyptian Sphinx Khafre Chephren Paws Stele closeup telephoto this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. Here the famous 'Dream' Stele is taken using a 300 mm telephoto from the road to the Great Pyramid and as close as one can get without going into the enclosure. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, Dream, closeup, telephoto, upright, lion, paws, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Pyramid EG051033jhp 
 Giza ancient Egyptian Sphinx Khafre vista Pyramid Paws Stele Menkaure this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point above the Sphinx Temple where the main approach starts. Just on the left is the third Giza pyramids that of Menkaure. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, Menkaure, Mycerinus, causeway, landscape, vista, lion, stele, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Head EG051005jhp 
 Gizah Egyptian Sphinx head face eyes nose mouth nemes painted colours closeup this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face taken from the Sphinx Temple faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, head, face, eyes, nose, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Head EG051004jhp 
 Giza Egyptian Sphinx head eyes nose mouth nemes ear painted colour this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face taken from the Sphinx Temple faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, head, face, eyes, nose, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Head EG050998jhp 
 Giza Egyptian Sphinx head face eyes nose mouth nemes painted colours this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, head, face, eyes, nose, ear, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead, concrete, repair, strengthen, addition
Giza Sphinx Face EG050996jhp 
 Giza ancient Egyptian Sphinx head face nemes headdress eyes ears nose mouth this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete
Giza Sphinx Face EG050994jhp 
 Giza Egypt Sphinx face eyes nose mouth nemes painted colours closeup this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, paws, haunch, face, eyes, nose, mouth, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx Detail EG050997jhp 
 Gizah Egypt Sphinx ear concrete repair nemes limestone erosion closeup telephoto this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, face, ear, closeup, detail, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, painted, colour, red, forehead
Giza Sphinx EG051040jhp 
 Giza Egyptian Sphinx Khafre Chephren faceon head face blue sky Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051035jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid Paws Stele sunny temple this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, stewle, causeway, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051034jhp 
 Giza Egypt Sphinx Khafre Chephren Pyramid Paws Stele police camel this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, police, camel, tourists, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051031jhp 
 Giza Egyptian Sphinx Chephren Pyramid Paws Stele Temple walls tourists this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051020jhp 
 Giza Egyptian Sphinx Khafre Chephren Paws Stele sideon limestone blocks this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051019jhp 
 Giza Egypt Sphinx head face Khafre Chephren Paws Stele side desert this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, side, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051016jhp 
 Gizah Egyptian Sphinx Khafre Chephren Paws Stele Face Torso head this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx EG051011jhp 
 Gizah Egypt Sphinx Khafre Chephren Pyramid Paws Stele face head this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, stele, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Temple Walls EG02029jhp 
 Giza Egyptian Sphinx Temple walls entrance Valley Pyramid erosion limestone frames this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, upright, lion, face, nemes, headdress, enclosure, entrance, Egyptology, archaeology, ancient, limestone, blocks, weathered, erosion
Sphinx Temple Walls EG020030jhp 
 Giza Egyptian Sphinx face Head Temple Khafre Chephren Pyramid wall framed this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on the entrance walk to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, walls, blocks, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Pyramids Giza EG02014jhp 
 Giza Egypt Cairo Sphinx Cheops Khufu Khafre Chephren Pyramids Causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, blue, sky, sunshine, clear
Sphinx Khafre Giza EG02028jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid Temple walls limestone blocks frame this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, upright, lion, face, nemes, headdress, enclosure, Egyptology, archaeology, ancient, limestone, walls, blocks, eroded
Sphinx Giza Vista EG02003jhp 
 Giza Egypt Sphinx Cheops Khufu Khafre Chephren Menkaure Pyramids Vista show the context of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway approaching his Valley Temple. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, Menkaure, soft, erosion, limestone, Valley, Temple, causeway, landscape, vista, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza Vista EG02002jhp 
 Giza Egypt Vista approach Sphinx Khafre Chephren Pyramid entrance Temple offers the first ral look at this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on the entrance to Giza and the approach to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, vista, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, entrance, approach
Sphinx Giza Vista EG02001jhp 
 Giza Egyptian panorama approach Sphinx Khafre Chephren Pyramid entrance Temple offers the first real look at this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on the entrance to Giza and the approach to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza EG02020jhp 
 Giza Cairo Egyptian Sphinx Cheops Khafre Pyramid Enclosure Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza EG02019jhp 
 Giza Egypt Cairo Sphinx Khufu Khafre Chephren Pyramid Paws Stele limestone this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Giza EG02018jhp 
 Giza Egyptian Sphinx Head Cheops Chephren Great Pyramid Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx & Great Pyramid Giza EG02012jhp 
 Giza Egyptian Sphinx Lion Head Khufu Khafre Great Pyramid Solar Museum this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple and just visible is the roof of the Solar Barque Museum at the base of the Great Pyramid. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, Solar, Barque, Museum, blue, sky
Sphinx & Great Pyramid Giza EG02011jhp 
 Giza Egyptian Sphinx Cheops Khufu Khafre Chephren Pyramid blue sky sets off this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple and just visible is the roof of the Solar Barque Museum at the base of the Great Pyramid. 
 Keywords: keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, Solar, Barque, Museum
Sphinx Enclosure Causeway EG02016JHP 
 Giza Egyptian Sphinx Cheops Khufu Khafre Chephren Pyramid Paws Stele this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Sideon EG02024JHP 
 Egypt Giza Sphinx Shoulder Cheops Khufu Pyramid Haunch Side Photo this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, soft, erosion, limestone, Valley, Temple, causeway, head, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Pyramid EG02023JHP 
 Egyptian Egypt Giza Sphinx Cheops Khufu Pyramid Photograph Enclosure where this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Enclosure EG02022JHP 
 Egyptian Giza Sphinx Enclosure Cheops Khufu Pyramid Paws Stele Police by this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, soft, erosion, limestone, Valley, Temple, causeway, landscape, police, camels, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Shinx Paws EG02013JHP 
 Egyptian Egypt Giza Sphinx Cheops Khufu Pyramid Paws Stele Photo this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, stele, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Sphinx Great Pyramid EG02633JHP 
 Egyptian Sphinx Giza Cairo Egypt Limestone Ancient Iconic Mystery Pharaoh, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, Valley, Temple, causeway, upright, lion, stele, paws, stele, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient, slide, scanned
Sphinx Great Pyramid EG02631JHP 
 Egyptian Sphinx Giza Great Pyramid Giza Ancient Royal Memorial Photograph, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, causeway, upright, lion, stele, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
Sphinx Evening EG02611JHP 
 Egyptian Sphinx Giza Vista Tourists Visitors Pyramid Cheops Evening Photo, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, Valley, Temple, causeway, landscape, crowds, visitors, evening, lion, stele, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
Giza Vista EG02921JHP 
 Egyptian Sphinx Giza Panorama Khufu Great Khafre Pyramids Approach Valley Temple, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Khufu, Cheops, Great, soft, erosion, limestone, Valley, Temple, causeway, landscape, vista, lion, paws, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, slide, scanned, morning
Giza Vista EG02920JHP 
 Egyptian Sphinx Giza Valley Temple Khafre Pyramid Vista Approach Photograph, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, vista, panorama, lion, paws, haunch, face, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient
Giza Sphinx Vista EG02628JHP 
 Egyptian Sphinx Giza Great Pyramid Panorama Causeway Enclosure Morning Empty, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is off to the left, although some attribute it to the previous Khufu who built the first and Greatest Pyramid which is behind the head in this view. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Great, Khufu, soft, erosion, limestone, morning, causeway, landscape, lion, stele, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient, slide, scanned
Grand Gallery Giza EG9510518JHP 
 Grand Gallery Passageway Great Pyramid Egypt Gizah Interior Steps People created out of corbelled granite blocks acts as a stress reliever from the huge weight pressure of the building above and an awesome access to the Kings Chamber, the possible final resting place of the Pharaoh Khufu who had the largest pyramid built around 2500BC. Photographed in 1995 when restrictions were less strict but oh for a digital camera. 
 Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, grand, gallery, interior, royal, tomb, granite, 1995, Fuji 645, Bronica, upright, ancient, Egyptology, archaeology, transparency, scanned, flash
The Sphinx Stele EG051038JHP 
 Sphinx Giza Egypt Paws Dream Stele Granite Limestone Erosion Front, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. Closeup of the Dream Stele attributed to Thutmosis 1V around 1400BC 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Temple, Khafre, Thutmosis, soft, erosion, limestone, landscape, lion, granite, stele, dream, paws, enclosure, conservation, repairs, Egyptology, archaeology, ancient, sand, covered, cleared
The Sphinx Side EG051026JHP 
 Sphinx Giza Side Repairs Bricks Limestone Erosion Water Wind Sand, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, desert, landscape, lion, side, blocks, detail, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Profile EG051023JHP 
 Sphinx Profile Giza Ancient Egyptian Limestone Carving Pharaoh Muslim Cemetery, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, causeway, landscape, upright, lion, profile, side-on, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient, Musilm, cemetery, desert, bluff, outcrop
The Sphinx Profile EG051021JHP 
 Sphinx Crouching Profile Side Giza Cairo Egypt Desert Limestone Carving, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, Valley, Temple, causeway, desert, landscape, lion, stele, dream, paws, haunch, flank, profile, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Haunch EG051025JHP 
 Sphinx Giza Egypt Haunch Rear Legs Crouching Limestone Construction Repairs, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, haunch, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Flank EG051027JHP 
 Sphinx Giza Shoulder Neck Construction Repairs Conservation Bricks Erosion, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, Khafre, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, flank, profile, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx Enclosure EG051022JHP 
 Sphinx Giza Enclosure Rear Quarrying Khafre Menkaure Pyramids Giza Egypt, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This view is to the south of the monument showing detail of the enclosure wall near the Causeway to Khafre Pyramid with its distinct casing cap and off to the left is the smaller pyramid of Menkaure. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Khafre, Chephren, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, conservation, repairs, Egyptology, archaeology, ancient
The Sphinx EG051010JHP 
 The Sphinx Front Head Face Body Gizah Paws Dream Stele Egyptian Carved Limestone Statue, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau. The pyramid of Menkaure is just visible beyond the left hand headress flange. 
 Keywords: Egypt, Egyptian, Giza, Sphinx, pyramid, Menkaure, Mycerinus, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, stele, dream, paws, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient
Sphinx fm Temple EG051007JHP 
 The Sphinx Giza Cairo Egypt Temple Valley Khafre Pyramid Blocks Eroded, somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau viewed from between the Valley Temple and the Sphinx's own temple exterior walls. 
 Keywords: Egypt, Egyptian, Giza, Gizah, Sphinx, pyramid, Khafre, Chephren, soft, erosion, limestone, Temple, causeway, landscape, lion, face, nemes, headdress, enclosure, conservation, repairs, Egyptology, archaeology, ancient

Egypt > Infra Red Photographs (32 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020836jhp 
 Giza Egypt Sphinx Chephren Pyramid infra red Temple B&W film view on the public approach to this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020835jhp 
 Egypt Giza Sphinx face front infra red temple view pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, faceon, front, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020833jhp 
 Egyptian Giza Sphinx Temple face front infra red pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020832jhp 
 Egypt Cairo Giza Sphinx Temple face oblique infra red pyramid cropped view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020830jhp 
 Egypt Sphinx Temple face oblique infra red Jim Henderson Photograph view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020827jhp 
 Egypt Giza Sphinx face head profile closeup infra red low causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020826jhp 
 Giza Egypt Sphinx head face Khafre Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, head, closeup, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020825jhp 
 Giza Egyptian Sphinx enclosure man scale figure Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020824jhp 
 Egypt Sphinx enclosure worker scale figure Pyramid infra red causeway B&W view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020822jhp 
 Giza Egypt Sphinx Khafre Khufu causeway Pyramids infra red low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, pyramids, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020821jhp 
 Egyptian Sphinx Chephren Cheops Pyramids infra red low causeway enclosure view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020820jhp 
 Egyptian Sphinx Cheops Pyramid enclosure infra red low causeway low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020819jhp 
 Giza Egyptian Sphinx panorama Pyramid Great infra red causeway Cairo view this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, camel, mounted, policeman, lion, paws, stele, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020817jhp 
 Giza Egyptian Sphinx Great Pyramid infra red view causeway camel police mounted to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020816jhp 
 Egypt Sphinx Khufu Pyramid infra red camel police mounted causeway view to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020815jhp 
 Egypt Sphinx Khufu Cheops Pyramid infra red B&W film causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020814jhp 
 Egyptian Sphinx Khufu Cheops Pyramid Cairo infra red causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020433jhp 
 Giza Egyptian Sphinx Khafre Khufu Pyramids infra red people tourists view causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020432jhp 
 Giza Egypt Sphinx |Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, cropped, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020431jhp 
 Giza Egyptian Sphinx side face Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020430jhp 
 Giza Egypt Sphinx sideon body Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, sideon, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02085jhp 
 Giza Egypt Cairo Sphinx Khafre Chephren Pyramid infra red B&W first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02083jhp 
 Giza Egyptian Sphinx Khafre Chephren Pyramid infra red first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02049jhp 
 Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02048jhp 
 Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02047jhp 
 Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02046jhp 
 Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02045jhp 
 Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02044jhp 
 Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02043jhp 
 Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02042jhp 
 Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG020410jhp 
 Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. 
 Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egypt > Karnak Temple (28 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak South Wall EG0214070jhp 
 Wall Reliefs Karnak Temple South conquered cities cartouches Amun carvings a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Wall EG0214069jhp 
 Hypostyle Hall Outer Wall Karnak battle scene South Ramses chariot carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Wall EG0214068jhp 
 Outer Wall Reliefs Karnak Temple South Ramesses Chariots bow arrow carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, bow, arrow, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Wall EG0214066jhp 
 Hypostyle Hall Outer Wall Karnak Temple South carvings Ramasses chariots a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Wall EG0214065jhp 
 Wall Reliefs Karnak Temple South Ramesses Amun prisoners presenting carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Wall EG0214063jhp 
 Outer Wall Karnak Temple Ramesses gate Ptah Amun Battle scene carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple to thre east of the gate where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, battle, scene, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Gate EG0214064jhp 
 Hypostyle Hall Wall Reliefs Karnak South gate carving Ramesses Amun door jam a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses
Karnak South Gate EG0214062jhp 
 Hypostyle Hall Outer Wall Karnak Temple South Gate gates carvings a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. Looking through the Hypostle Hall from the south gate of Ramesses 11 to the North gate where most of the outer wall reliefs are those of Seti 1. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses, gates, vistors, tourists, people, photographing
Karnak South Gate EG0214061jhp 
 Hypostyle Hall Outer Wall Karnak Temple South Ramesses Gate carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, 11, Ramasses, Ramesses, tourists, visitors, people
Karnak Thutmosis Obelisk EG074992jhp 
 Egypt Karnak Amun Temple Sacred Lake Tuthmose obelisk palm trees in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, telephoto, Amun, obelisk, Tuthmose, Tuthmosis, obelisk, hypostyle, hall, windows, roof, palm, trees, water, reflections, pyramidion, top, section, blocks, pylons, columns
Karnak Sacred Lake EG074994jhp 
 Ancient Egypt Karnak Sacred Lake water reflections obelisks palm trees in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns
Karnak Sacred Lake EG074990jhp 
 Egypt Karnak Sacred Lake view telephoto obelisks palm trees water in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, telephoto, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns
Karnak Sacred Lake EG074988jhp 
 Egypt Karnak Sacred Lake obelisks hypostyle hall palm frond framed in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, fronds, framed, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns
Karnak Sacred Lake EG074987jhp 
 Egypt Karnak Sacred Lake obelisks hypostyle hall palms water reflections in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, upright, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns
Karnak Sacred Lake EG074986jhp 
 Ancient Egypt Karnak Temple Sacred Lake obelisks palm trees water in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns
Karnak Sacred Lake EG074985jhp 
 Egypt Luxor Karnak Sacred Lake obelisks palm trees water Hypostyle Hall in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns
Karnak Sacred Lake EG074984jhp 
 Ancient Egyptian Karnak Temple Sacred Lake South obelisks palm trees water in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. Queen Hatshepsut erected several Obelisks, one of the two remaining largest obelisks stands between the fourth and fifth pylons looking north in the Transverse Hall but the southern obelisk had collapsed and the main section of the top with the pyramidion is lying horizontally near the Sacred Lake. This lake was originally supplied with water through underground tunnels from the River Nile and would have fluctuated when the river flooded; these days the level remains the same through out the year. Priest’s houses have been found around the area the modern light show sitting is, there was a Nilometer and also an area for introducing the sacred geese. Accessed usually through the Gate of Ramesses 1X but is often approached from the walk back from the Festival Hall of Tuthmosis and the Gate of Nectanebo on the east of the Central Enclosure. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, Sacred, Lake, landscape, Amun, Hatshepsut, obelisk, Tuthmose, Tuthmosis, obelisks, hypostyle, hall, palm, trees, water, reflections, red, granite, fallen, obelisk, pyramidion, top, section, lying, horizontal, blocks, pylons, columns, Rights Managed, Ownership and Copyright to Jim Henderson, Photo Credit as Jim Henderson
Karnak Carved Wall EG074995jhp 
 Court Pylons Wall Reliefs Karnak Temple doorway eighth pylon Roy-Rome priests on the walls in the Court between the seventh and eighth pylons around the doorway into the staircase on the east wing of the Eighth Pylon. On the door lintel are mirror versions of the same person, Roy-Rome, a long serving High Priest to Amun with arms raised in praise but to where a cartouche, now hacked out, would have been. The figures on the right are two priests in linen robes, one of Roy-Rome, the other his son Beknekhonsu offering praise is an extensive area of text which refers to Seti 11. For a detailed description of the Karnak site I recommend the Touregypt.net site and this link will take you onto the site: http://www.touregypt.net/featurestories/karnak6.htm 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, seventh, eighth, pylon, court, doorway, lintel, staircase, blue, door, closed, blocked, hieroglyphs, deep, cut, outer, wall, reliefs, carving, Ramses, 11, Ramasses, Ramesses, Seti, Seti 11, Sethos, tableaux, Amun, Roy-Rome, Roy, Rome, priest, high, son, Becknekhonsu, offering, praising, adoring, text, description, cartouche, erased, damaged, removed
Karnak Thutmosis Statue EG074944jhp 
 Thutmosis Statue Karnak Temple Egyptian carved seated nemes red Granite with Thutmosis cartouches out of frame on either side this figure is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile.Thutmosis 111 who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, a Festival Hall and a nearby carved column with painted lotus flowers. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, statue, granite, seated, nemes, headdress, uraeus, beard, broken, Thutmosis, Thutmose, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche
Karnak Fallen Obelisk EG074865jhp 
 Karnak Temple Luxor granite fallen obelisk Horus Hieroglyphs Egyptian deep-cut carvings found behind the huge statue of Ramses going out of the eastern gate to the Open Air Museum and this huge temple complex is located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, fallen, broken, obelisk, pyramidion, Horus, carvings, granite, hieroglyphs, courtyard, Taharqa, column, kiosk, entrance, front, upright, Ramses, statue, rear, history, archaeology, ancient, Egyptology
Karnak Fallen Obelisk EG074864jhp 
 Karnak Temple Luxor granite fallen obelisk Thutmosis Amun cartouche Hieroglyphs Egyptian deep-cut carvings found behind the huge statue of Ramses going out of the eastern gate to the Open Air Museum and this huge temple complex is located on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. It is not usually part of the standard tour package so has to be entered ‘privately’ and an additional ticket purchased on entry, accessed from the First Forecourt through the eastern gate past the famous standing statue of Ramses 11. Passing through an area full of stored blocks rescued from other parts of the Karnak site, you can view restored chapels including such as an Amenhotep 1 alabaster barque chapel, the exquisite White Chapel of Senwosret 1, the Chapelle Rouge of Hatshepsut and a recent large addition is the reconstruction of Thutmosis IV [Thutmose] temple for a quiet, contemplative and beautiful experience to the busy main Karnak tour. 
 Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, fallen, broken, obelisk, Thutmosis, Thutmose, cartocuhe, Amun, pharaoh, pyramidion, Horus, carvings, granite, hieroglyphs, courtyard, Taharqa, column, kiosk, entrance, front, landscape, Ramses, statue, rear, history, archaeology, ancient, Egyptology
Karnak Temple Ptah EG053559jhp 
 Temple Ptah Karnak ancient Egypt sanctuary Sekhmet lion statue Thutmosis which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, construction, restoration, additions, statue, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053558jhp 
 Temple Ptah Karnak Egyptian Thutmosis sanctuary statue granite interior ancient which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, vestibule, sanctuaries
Karnak Temple Ptah EG053557jhp 
 Temple Ptah Karnak Egypt gate solar disc door Thutmosis texts entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053556jhp 
 Temple Ptah Karnak Egypt gates decorated Ptolemaic cartouche hieroglyphs entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, No 3, Ptolemy, Neos Dionysos, X111, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053555jhp 
 Temple Ptah Karnak ancient Egyptian gates Ptolemaic Thutmosis entrance hieroglyphs which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053554jhp 
 Temple Ptah Karnak Egypt gate six decorated Ptolemaic Gods custodians which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Khonsu, Mut, Ma'at, Ptolemy V11, six, gates, custodians, entrance, galabea, turban, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemaic, construction, restoration, additions, decorated, Gods, hieroglyphics, sandstone
Karnak Temple Ptah EG053553jhp 
 Temple Ptah Karnak Egypt gates decorated Ptolemaic entrance custodians palm tree which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. 
 Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, custodians, entrance, galabea, turban, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries

Egypt > Lake Nasser (37 files)

This gallery will contain photos of the sites visited on cruises of Lake Nasser from Kasr Imbrim in the south, Amada, Derr Tomb, Pennuit, El Seboua, Dakka, Maharraka, Qertassi and Kalabsha near Aswan.
Kalabsha Aswan EG20339jhp 
 Kalabsha Temple entrance gate winged lintel Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20337jhp 
 Kalabsha Temple Aswan Lake Nasser Qertasi Qirtasi tourists Hathor relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20336jhp 
 Kalabsha Temple open air museum drawing elephant large prehistoric Egyptian Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20335jhp 
 Kalabsha Temple open air museum drawing antelope gazelle prehistoric Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20334jhp 
 Kalabsha Temple Aswan Lake Nasser open air museum stele heiroglyphs relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20332jhp 
 Kalabsha Temple Beit el-Wali Ramses chariot action bow relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple of Beit el-Wali from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG20331jhp 
 Kalabsha Temple high view rear Aswan Lake Nasser cruiseboat relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203317jhp 
 Kalabsha Kiosk Qertassi Qirtasi Hathor capitals sandy walk Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203316jhp 
 Kalabsha Temple Lake high view pylon hypostyle hall columns capitals Egyptian Ptolemaic Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203315jhp 
 Kalabsha Temple Lake Nasser high view pylon hypostyle hall Egypt Ptolemaic Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203314jhp 
 Kalabsha Temple ambulatory hypostyle hall walls sandstone blocks gate doors Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, ambulatory, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203313jhp 
 Kalabsha Temple wall carving plaque Mandulis Greek God king Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG203312jhp 
 Kalabsha Temple wall carvings Augustus Gods Isis Horus Mandulis relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202836jhp 
 Kalabsha Temple Aswan Lake Nasser Qirtasi rocks sand shore view relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202836Ejhp 
 Kalabsha Temple Lake Nasser rocky shoreline crewmen bow cruiseboat berth sand landing relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202835jhp 
 Kalabsha Temple Lake view Nasser Qertasi rocky shoreline crewman landing relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202833jhp 
 Kalabsha Temple Aswan Lake view Nasser Qertasi rocky shoreline desert relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Aswan EG202831jhp 
 Kalabsha Temple Aswan Lake Nasser High Dam Crown Monument lakeside relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan
Kalabsha Temple EG9615815jhp 
 Kalabsha Temple Aswan Lake Nasser pylon Qertassi Egypt Roman approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps as this slide illustrates. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG9615814jhp 
 Kalabsha Temple island boulders approach pylon Aswan Lake Nasser Egypt relocated Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG9615813jhp 
 Egyptian Kalabshah Temple Aswan Lake Nasser rocks pylon approach Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG961578jhp 
 Kalabsha Temple Pylon wall carvings Trajan Isis Horus Mandulis Egyptian Gods headdresses by approach water High Dam south side is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Triple, Atef, Crown, Hemhem, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG961575jhp 
 Kalabsha Temple Aswan Lake Nasser Qertassi Pylon roof View Egypt water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, upright, roof, viewpoint, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG961572jhp 
 Kalabsha Temple Lake Nasser Qirtasi Pylon roof View Egyptian water High is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG961568jhp 
 Kalabsha Temple hypostyle santuary relocated Egyptian columns carvings papyrus Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG961565jhp 
 Kalabsha Temple Lake Nasser relocated Egypt Roman Pylon front entrance Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG961559jhp 
 Kalabsha Temple Qirtasi Kiosk Hathor columns Aswan relocated Egyptian Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, upright, framed, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Temple EG9615511jhp 
 Kalabsha Temple Qertassi view columns papyrus Hathor Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Qertassi EG961544jhp 
 Kalabsha Qertassi Kiosk boulders sand columns papyrus Hathor relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Qertassi EG961541jhp 
 Kalabsha Qertassi Kiosk flaking boulders columns papyrus Hathor face Egyptian relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Exhibit EG9615711jhp 
 Kalabsha Temple Nasser relocated Egyptian outdoor exhibits carvings pre-history elephant Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Exhibit EG961546jhp 
 Kalabsha Temple Nasser relocated Egyptian outdoor exhibit carving hieroglyphs stone Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Dedwen Chapel EG961548jhp 
 Kalabsha Temple Dedwen Chapel relocated Egyptian granite columns Ptolemaic Nubia High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Carving EG961586jhp 
 Kalabsha Temple Bayt-al-Wali carving Ramasses wall triumph Viceroy relocated Egypt entrance columns water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Beit el-Wali EG9615714jhp 
 Kalabsha Temple Beit-el-Wali rock cut Ramasses wall paintings Amun golden relocated Egypt entrance columns water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
Kalabsha Beit el-Wali EG9615712jhp 
 Kalabsha Temple Beit-el-Wali rock cut Ramses relocated Egypt entrance columns water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, 1996, Fuji, slide, 645, scanned, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemies, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises
es-Sebua Outer Courtyards EG051703JHP 
 Ancient Egyptian Temple Lake Nasser es-Sebua al-Sabu Sphinx Avenue Pylon with Statue of Ramses by the entrance gate at its location on the shores of Lake Nasser after relocation from its previous location 2km away to avoid flooding after the creation of the High Dam in Aswan. The temple was built by Ramesses 11 of which much evidence stands as statues, sphinxes and engaged Osiride Statues in the inner courtyards. The temple was later used for Christian worship and has the curious site of Ramesses adoring St Peter in the sanctuary. This site is usually a part of a Lake Nasser cruise and begins a part of the cruise which is completed with a longish hot desert walk to the nearby sites of Dakka and Maharraka before returning to the cruiseboat. 
 Keywords: Egypt, Lake, Nasser, Egyptian, ancient, es-Sebua, Ramses, Ramesses, Ramasses, Statues, Osiride, avenue, sphinxes, sphinx, lionesses’, valley, temple, pylon, court, courtyard, Amun-Re, Re-Harakhte, re-Harakhti, relocated, Wadi al-Sabu, landscape, cruise, visit, shores, desert, rock-cut, saved

Egypt > Luxor Nobles Tombs (16 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Menna Tomb EG006730jhp 
 Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp 
 Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp 
 Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp 
 Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp 
 Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp 
 Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp 
 Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp 
 Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp 
 Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp 
 Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp 
 Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp 
 Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp 
 Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp 
 Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp 
 Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp 
 Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > Minya, Amarna & Ashmunayn (19 files)

Photographs in this gallery cover the main sites of Amarna, its North Palace, Aten and Small Temple, Bani Hasan Rock cut chapels, Tuna el-Gebel with the Catacombs with baboon and ibis mummies, Stela of Akhenaten on the north boundary, Petosiris Tomb-Chapel, Chapels of Ptoemais and Isadora, Roman Water Wheel Well and Temple of Thoth and el Ashmunein with an Open Air Museum with huge granite statues of Baboons and nearby a Temple to Thoth with a later Christian Basilica all located along the River Nile between Cairo and Luxor accessed from the nearby university city of Minya
Bani Hassan EG076147jhp 
 Beni Hasan Egypt resthouse tickets dog fields farming modern oleander flowers arrival at this site offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, upright, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076146jhp 
 Bani Hassan resthouse farmland agricultural fields dog Egypt entrance green offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076144jhp 
 Bani Hassan village ruins mudbrick abandoned ancient Egypt desert sand offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, village, landscape, abandoned, pirates, evicted, ruins, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076143jhp 
 Bani Hassan village ruined ghostly abandoned ancient Egypt desert sand cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, village, upright, abandoned, pirates, evicted, ruins, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076142jhp 
 Beni Hasan ancient Egypt desert village ruins ghostly petrified sand steps cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, village, landscape, abandoned, pirates, evicted, ruins, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076141jhp 
 Bani Hassan River Nile trees palms farmland fertile Egypt steps cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076140jhp 
 Beni Hasan Egypt River Nile Egyptian farmland Mosque trees island green viewed from the steps to this site offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, Mosque, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076139jhp 
 Beni Hasan tombs ancient Egypt desert sand steps downwards path offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, upright, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076138jhp 
 Bani Hassan tombs ancient Egypt steps cliff cliff-face River Nile offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, upright, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076137jhp 
 Beni Hasan rock cut chapels tombs ancient Egypt desert cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076135jhp 
 Bani Hassan ancient Egyptian cliff cliff-face path bluff tombs access offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076134jhp 
 Bani Hassan ancient Egypt cliff cliff-face highview fields River Nile crops trees offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076133jhp 
 Bani Hassan River Nile fields upstream Egypt desert sand highview offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076129jhp 
 Beni Hasan Egyptian agriculture River Nile high panorama palm trees desert sand steps cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076126jhp 
 Bani Hassan steps Mosque river fields green high bluff view Egypt desert cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, Mosque, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076124jhp 
 Bani Hassan abandoned village mudbrick houses pirates ancient Egyptian desert sand steps cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, village, landscape, abondoned, pirates, ruins, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076121jhp 
 Beni Hasan Egypt desert sand steps River Nile Mosque fields path cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, Mosque, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076120jhp 
 Bani Hassan start steps resthouse tombs Egyptian desert cliff cliff-face offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff
Bani Hassan EG076118jhp 
 Bani Hassan resthouse fields agriculture Egypt River Nile Minya crops green entrance to a site offering thirty nine tombs along the face of a bluff above the River Nile some 20km south of Minya make Bani Hasan a special visiting place for its decorations along the themes of wrestling, battle scenes and the collection of taxes by the nomarchs of the Oryx Nome give some beautiful tomb paintings to view - unfortunately photography inside the tombs was absolutely refused when I visited. It is fairly steep climb to the tombs but is on a properly constituted path with well spread out steps as some of the photographs show and offers some fantastic views of the River Nile bending its way through a rich green fertile area of fields and farming. 
 Keywords: Egypt, Egyptian, River, Nile, Bani, Hassan, Beni, Hasan, landscape, Egyptology, history, archaeology, ancient, agriculture, fields, crops, maize, palm, trees, tombs, Governors, nomarchs, capital, Oryx, Nome, limestone, rock, climb, 80, metres, steps, resthouse, cut, 39, tomb-chapels, shaft, graves, officials, servants, Osiris, Anubis, prayers, Khum-hotep, animal, birds, Amu, donkeys, paintings, coloured, colored, Amenemhet, Ameni, wrestlers, skills, techniques, east, bank, bluff

Egypt > North of Cairo (2 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Tell Basta Southern Aspect EG077109JHP 
 Tell Basta Bastet temple eastern aspect Hathor capital columns Egyptian Delta site is a large complex near the town of Zigazig north of Cairo which has recently had a new visitors centre and museum built but remains a rather confusing collection of damaged material with the main temple of Bastet reflected in this photographs. Damaged by earthquakes some 2000 years ago as is seen in much of the structural damage today it is still fascinating with the excitement of finding beautiful carvings and examples of the craftsmanship of those ancient builders now hidden away amongst grass and a scatter field of damaged remnants from what was a huge cult site to the Cat Goddess Bastet visited by hundreds and thousands of pilgrims as recorded by Herodotus. Not usually part of normal Egyptian packages but can be visited privately and is part of an interesting day journey that should include Tanis as well. 
 Keywords: Egypt Egyptian eastern Delta Zagazig ancient Tell Basta Bast Bubastis Bastet archaeology temple landscape granite Osorkon Festival Hall Hathor papyrus capitals columns carvings hieroglyphs cartouche
Tell Basta Bastet South Side EG077128JHP 
 Tell Basta Bastet temple complex south overview Butastis Zagazig ancient Egyptian site Delta is a large complex near the town of Zigazig north of Cairo which has recently had a new visitors centre and museum built but remains a rather confusing collection of damaged material with the main temple of Bastet reflected in this photographs. Damaged by earthquakes some 2000 years ago as is seen in much of the structural damage today it is still fascinating with the excitement of finding beautiful carvings and examples of the craftsmanship of those ancient builders now hidden away amongst grass and a scatter field of damaged remnants from what was a huge cult site to the Cat Goddess Bastet visited by hundreds and thousands of pilgrims as recorded by Herodotus. Not usually part of normal Egyptian packages but can be visited privately and is part of an interesting day journey that should include Tanis as well. 
 Keywords: Egypt Egyptian eastern Delta Zagazig ancient Tell Basta Bast Bubastis Bastet archaeology temple upright landscape granite Osorkon Festival Hall jubilee Atum papyrus capital sanctuary columns

Egypt > Outlying Pyramids (20 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Senwosret Pyramid Lisht eg01299jhp 
 Egypt el-Lisht Pyramid Senusret collapsed mound mastaba desert sand casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01298jhp 
 Egyptian Lisht Pyramid Sesostris collapsed limestone blocks casing intact construction Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg01297jhp 
 Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01296jhp 
 Egypt el-Lisht Pyramid Senwosret museum painted farm scenes wheat flails Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, flash, Metz, working, fields, farm, workers, flailing, wheat, threshing
Senwosret Pyramid Lisht eg01295jhp 
 Egypt el-Lisht Pyramid Senusret painted releif workers farmers animals limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape farm, workers, animals, deer, cattle
Senwosret Pyramid Lisht eg01294jhp 
 Egypt el-Lisht Pyramid Senusret museum coloured farm scenes limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01293jhp 
 Egypt el-Lisht Pyramid Senusret museum exhibit cartouche carving Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area of whihc this was one-I think it is a cartouche but cannot read it. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, cartocuhe, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012912jhp 
 Egyptian Lisht Pyramid Senwosret collapsed grantie remnants limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright, frgamnets, scarce, remains
Senwosret Pyramid Lisht eg012911jhp 
 Egypt el-Lisht Pyramid Senusret granite fragments limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012910jhp 
 Egypt Pyramid Senusret worked limestone block masonry techniques cutting Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, masonry, stonework, holes, splitting, techniques, skills
Senwosret Pyramid Lisht eg012736jhp 
 Egypt Lisht Pyramid Senwosret enclosure wall double limestone blocks Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012736Ejhp 
 Egypt el-Lisht Pyramid Senusret building limestone blocks eroded surviving casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012735jhp 
 Egypt el-Lisht Pyramid Senusret tomb shaft royal burial enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, shft, hole, deep
Senwosret Pyramid Lisht eg012734jhp 
 Egypt Lisht Pyramids Senusret mastabas limestone blocks eroded Amenemhet desert sand Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012733jhp 
 Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks wall enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012732jhp 
 Egyptian el-Lisht Pyramid Sewosret construction collapsed mound limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012731jhp 
 Egypt Lisht Pyramid Senusret causeway granite slab mortuary temple walls Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, slab
Senwosret Pyramid Lisht eg012730jhp 
 Egypt el-Lisht Pyramid Senusret stonework masonry dovetails joints limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, stonework, dovetails, joints, carving, masonry, building, architecture
Senwosret Pyramid Lisht eg012729jhp 
 Egyptian el-Lisht Pyramid Senusret limestone blocks enclosure wall tombs mastaba Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012728jhp 
 Egypt Lisht Pyramid Senusret collapsed mound limestone enclosure wall casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. 
 Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Egypt > River Nile Cruise & Sites (12 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
River Nile Esna Lock EG052098jhp 
 Egypt Egyptian River Nile Esna lock cruiseboats entering exiting water photos taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, exiting, entering, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
River Nile Esna Lock EG052097jhp 
 Egypt Egyptian River Nile Esna lock cruiseboat in coming out transfer photo taken on the cruise from Luxor to Aswan and at the Esna Lock there was major congestion owing to only one lock in operation, although an additional one was being constructed. The cruiseboat offers a peaceful way albeit a busy one to see modern day Egyptian life that occurs along the banks of this historic major African river, while visiting ancient temples as well and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 2005 and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. The traders made the most of the delays and stopped cruiseboats to throw their wares up to passengers, mainly galabeas, cotton goods and carpets with much interest and humour at the normal shouted haggling process. For those after serious galabeas then a better bet for quality and value for money was to wait for Edfu and even the souks of Aswan, although the process of dealing with traders helped pass the time waiting, could be several hours, to get through the lock to continue the journey south. 
 Keywords: Egypt, Egyptian, Egyptians, Modern, contemporary, West, East, Bank, River, Nile, Esna, lock, landscape, tansfer, coming, out, riverbank, daily, life, cruiseboats, congestion, bottleneck, delays, anchored, waiting, tourists, passengers, busy, convoy, water, cruise, cruising, design, style, windows, reflections, white, railings, lifebelts, patio, decks, colours, colors, colorful
Silsila Riverside Shrine EG052414JHP 
 Egypt Egyptian Ancient Silsila Nile Shrines Ramasses Cobras Freize Photo stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. Photo is slightly soft and will need sharpening. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, freize, cobras, cornich, Merneptah Ramasses, upright
Silsila Quarrying EG052418JHP 
 Egypt Photos Ancient Silsila Quarry River Nile Shrines Capstan Rock stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, Speos, Horemheb, Merneptah, Ramasses, Sety, landscape
Rock Cut Work Silsila EG052409JHP 
 Egypt Egyptian Ancient Silsila Quarry River Nile Shrines Rock Cut stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, riverbank, riverside, Gabal, Silsilah, sandstone, shrines, rock, cut, landscape
Rock Cut Shrines EG052413JHP 
 Egyptian Ancient Silsila River Nile Rock Cut Shrines Library Photos stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Sety 1 Ramasses 11 and Merneptah in left to right order although that of Sety and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, Sety, Ramasses, Merneptah, landscape
Riverside Shrine Silsila EG052410JHP 
 Egypt Egyptian Ancient Silsila Quarry Riverside Nile Shrines Rock Cut stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, rock, cut, riverside, riverbank, landscape
Gebel Silsila Shrines EG052412JHP 
 Egyptian Ancient Silsila Nile Rock Cut Shrines Ramasses Merneptah Photograph stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah on left, Ramasses 11 on right and Sety 1 although the latter and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, Merneptah, Ramasses, landscape
Capstan Shrines Silsila EG052411JHP 
 Egypt Egyptian Ancient Silsila Quarry River Nile Shrines Capstan Rock stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, Speos, Horemheb, Merneptah, Ramasses, Sety, landscape
Capstan Rock Silsila EG052416JHP 
 Egyptian Library Photo Silsila Quarry River Nile Shrines Capstan Rock stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, Speos, Horemheb, Merneptah, Ramasses, Sety, upright
Capstan Rock Gebel Silsila EG052407JHP 
 Egypt Egyptian Ancient Silsila Quarry River Nile Capstan Rock Cruise stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, cruise, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, shrines, Speos, Horemheb, Merneptah, Ramasses, Sety, landscape
Berth At Gebel Silsila EG052408JHP 
 Egypt Egyptian Ancient Silsila Quarry River Nile Berth Dahabiyya Boat Cruise stands out sharply as the river narrows at the cult location north of Aswan and a well known marker for the Nile cruises as one nears or leaves the ancient marshland known as the Kom Ombo Basin. Nearby the distinctive large rock a remnant of the ancient quarrying are three riverside shrines of Merneptah, Ramasses 11 and Sety 1 although the later and the landing berth have been badly damaged by earthquakes many centuries ago. 
 Keywords: Egypt, Egyptian, Ancient, West, East, Bank, River, Nile, Gebel, Silsila, Quarry, Dahabiyya, cruise, cruiseboat, felucca, sailing, boat, berth, history, archaeology, Egyptology, quarrying, stele, Capstan, Gabal, Silsilah, sandstone, landscape

Egypt > Saqqara & Memphis (7 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara South Tomb EG051126jhp 
 Egyptian limestone Zoser Saqqara South Tomb entrance flight steps deep hole dating from around 2500BC to the south of Cairo is the earliest stone built monument in Egypt and probably in the world and near the ancient Egyptian capital of Memphis and was designed by Imhotep, one of the greatest minds in ancient Egypt and later deified as a God. Construction is with small bricks of fine white limestone giving this huge building a very delicate structure and aesthetic appearance. Still one of the highlights of any visit to Egypt, despite the wealth of fantastic places to see, and for me best enjoyed towards the evening when the site is often quiet and the face of the pyramid from the colonnade entrance is bathed in soft golden light. 
 Keywords: Egyptology, archaeology, ancient, history, upright, royal, tombs, Step, pyramid, Zoser, Djoser, pharaoh, king, Imhotep, chief, works, architect, first, funerary, desert, sand, limestone, stones, bricks, levels, steps, mastaba, style, entrance, face, south, tomb, steps, deep, hole, downwards, flight
Saqqara South Tomb EG051125jhp 
 Ancient Egypt limestone south tomb Step Pyramid Djoser Saqqara steps dating from around 2500BC to the south of Cairo is the earliest stone built monument in Egypt and probably in the world and near the ancient Egyptian capital of Memphis and was designed by Imhotep, one of the greatest minds in ancient Egypt and later deified as a God. Construction is with small bricks of fine white limestone giving this huge building a very delicate structure and aesthetic appearance. Still one of the highlights of any visit to Egypt, despite the wealth of fantastic places to see, and for me best enjoyed towards the evening when the site is often quiet and the face of the pyramid from the colonnade entrance is bathed in soft golden light. 
 Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, upright, royal, tombs, Step, pyramid, Zoser, Djoser, pharaoh, king, Imhotep, chief, works, architect, first, funerary, desert, sand, limestone, stones, bricks, levels, steps, mastaba, style, entrance, face, south, tomb, steps
Saqqara South House EG051093jhp 
 Saqqara Egyptian South House graffiti New Kingdom Djoser Step Pyramid Jubilee Court oldest stone monument in the world, built for King Djoser around 2500BC, near the Hed-Seb Festival Jubilee Court with its stylish fluted columns based on the stems of papyrus reeds are these two distinct mysterious buildings one with lily designs and the other with papyrus stile columns. In the South are the remains of 1st Kingdom graffiti, apologies for the legs, which is important in attributing the Step Pyramid to King Djoser by name. 
 Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, North, South, House, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, landscape, royal, tombs, pyramid, Zoser, Djoser, pharaoh, king, Step Pyramid, monument, stone, Hed-Seb, Jubilee, court, shrines, desert, sand, colonnade, ribbed, engaged, rushes, reeds, stems, pented, limestone, lilies, papyrus, designs, graffiti, New, Kingdom
Saqqara South House EG051092jhp 
 Step Pyramid Saqqara Egypt South House Stone Jubilee Court lily in the world, built for King Djoser around 2500BC, near the Hed-Seb Festival Jubilee Court with its stylish fluted columns based on the stems of papyrus reeds are these two distinct mysterious buildings one with lily designs and the other with papyrus stile columns. In the South are the remains of 1st Kingdom graffiti, apologies for the legs, which is important in attributing the Step Pyramid to King Djoser by name. 
 Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, North, South, House, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, landscape, royal, tombs, pyramid, Zoser, Djoser, pharaoh, king, Step Pyramid, monument, stone, Hed-Seb, Jubilee, court, shrines, desert, sand, colonnade, ribbed, engaged, rushes, reeds, stems, pented, limestone, lilies, papyrus, designs, graffiti, New, Kingdom
Saqqara Step Pyramid 6774EG07JHP 
 Step Pyramid Saqqara King Djoser Farming Agriculture Fields Cabbages Egypt stands out from the distant desert escarpment looking across the fertile agricultural land bordering the main road south from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step Pyramid, necropolis, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds palm trees, fields, agriculture, vegetables, fertile
Saqqara Step Pyramid 6773EG07JHP 
 Step Pyramid Saqqara King Djoser Palm Trees Roadside Farming Vegetable Fields stands out from the distant desert escarpment looking across the fertile agricultural land bordering the main road south from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step Pyramid, necropolis, landscape, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds palm trees, fields, agriculture, vegetables, fertile
Saqqara Step Pyramid 6772EG07JHP 
 Ancient Egyptian Step Pyramid Saqqara Roadside Photo Fertile Farming Fields stands out from the distant desert escarpment looking across the fertile agricultural land bordering the main road south from Cairo. 
 Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, Step Pyramid, necropolis, upright, digital, recent, history, antiquity, Egyptology, archaeology, ancient, history, desert, sand, reeds palm trees, fields, agriculture, vegetables, fertile

Egypt > Valley of Kings Luxor (31 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213077jhp 
 Egypt Valley Kings Thutmosis Tomb KV43 star ceiling interior antechamber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases and this was a very difficult one to take becuase of the huge differences in light levels from the floor lighting to the ceiling and regettably was not taken in RAW file which would have offered more control in post production. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213076jhp 
 Egypt Luxor Thutmosis 1V Tomb KV43 steep interior passage steps in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, steps, passage, passageway, steep, bare
Valley Kings EG0213075jhp 
 Egypt Valley Kings Thutmose Tomb KV43 Osiris was septer ankh hedjet; crown; in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche
Valley Kings EG0213074jhp 
 Egypt Valley Kings Luxor Tuthmosis Tomb Hathor Goddess ankh dress pink different in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different
Valley Kings EG0213073jhp 
 Egyptian Valley Kings Thutmosis Tomb KV43 Hathor ankh dress different patterns in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, red, diamonds, patterns, ureaus, different
Valley Kings EG0213072jhp 
 Egypt Valley Kings Luxor Thutmose Tomb painting Hathor eye makeup wedjat in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different, eye
Valley Kings EG0213071jhp 
 Egypt Valley Kings Thutmosis Tomb KV43 Maya restoration hieratic text in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya; the section shown was the least effected by reflections on the perspex screen. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213069jhp 
 Egypt Valley Kings Thutmose Tomb KV43 sarcophagus screen bare room in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213068jhp 
 Egyptian Valley Luxor Thutmosis Tomb burial chamber sarcophagus Nephthys covered in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213067jhp 
 Egypt Valley Kings Luxor Thutmosis Tomb KV43 Nephthys sarcophagus Ka arms in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213066jhp 
 Egyptian Valley Kings Thutmosis head sarcophagus Nephthys hieroglyphics protection in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213065jhp 
 Egyptian Valley Kings Tuthmosis Tomb sarcophagus cartouche granite red in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, birth, name, Thutmosis, Thutmose, 1V, Menkheperure, throne, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, red, grainte, cartouche, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213064jhp 
 Egypt Valley Kings Luxor Thutmosis Tomb KV43 burial chamber interior in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213063jhp 
 Egypt Valley Kings Thutmose 1V Tomb KV43 steep passageway inside in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213062jhp 
 Egyptian Valley Kings Luxor Thutmosis Tomb passageway interior bare sloping floored in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213061jhp 
 Egypt Valley Kings Thutmosis 1V Tomb KV43 Anubis painting colourful in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213060jhp 
 Egypt Valley Kings Luxor Thutmose Pharaoh Tomb Osiris Anubis in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, hieroglyphs, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213059jhp 
 Egypt Valley Kings Luxor Thutmosis Tomb Hathor ankh cartouche solar disk in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213058jhp 
 Egypt Valley Kings Luxor Thutmosis 1V Tomb KV43 Osiris painting antechmaber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys.
Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Tomb Ramasses IV EG0171EJHP 
 Ancient Egyptian Tomb Ramses 1V [KV2] Valley Kings Luxor Thebes West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, entrance, passagway, tunnel, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01716JHP 
 Ancient Egypt Tomb Ramses 1V [KV2] Ceiling Painted Nut Sky Goddess Interior in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, Shu, heavens, holding, supporting, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01714JHP 
 Burial Chamber Ancient Egyptian Tomb Ramses 1V [KV2] Barque Hieroglyphs Photo in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, solar, barque, chamber, wall, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01713JHP 
 Tomb Ramses 1V [KV2] Valley Kings Egypt Painted Ceiling Walls Tungsten Photo on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, passages, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017133JHP 
 Tomb Ramses 1V [KV2] Painted Corridor Passage Egyptian Builders Skills in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, passageway, tunnel, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG01712JHP 
 Egyptian Tomb Ramses 1V [KV2] Burial Chamber Sarcophagus Ceiling Nut Colours in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017127JHP 
 Burial Chamber Egyptian Tomb Ramses 1V [KV2] Granite Sarcophagus Photo Inside in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017124JHP 
 Tomb Ramses 1V [KV2] Valley Kings Egypt Luxor Burial Chamber Colourful Reliefs Nut on the West Bank of the River Nile, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017122JHP 
 Tomb Ramasses Valley Kings Thebes Chamber Egyptian Custodian Painting Colours on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, custodian, turban, galabea, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017120JHP 
 Egyptian Tomb Ramesses KV2 Ceiling Painted Stars Colours Cartcouches in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, ceiling, roof, cartouches, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, stars, spells
Tomb Ramasses IV EG017119JHP 
 Entrance Corridor Painted People Tomb Egyptian Pharaoh Ramses Valley Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, entrance, exit, passageway, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells
Tomb Ramasses IV EG017111JHP 
 Ancient Egyptian Tomb Ramses Corridor Wall Book Dead Hieroglyphs Afterlife Spell in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR. 
 Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, formula, Book, Dead, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Egypt > Victorian Albumen Prints (1 file)

A collection of copies of photographs of Egyptian sites taken in the 1870's by Victorian photographers Beato, Frith and Sebah and modern versions have been made as well.
Beato Karnak South Gate 37JHP05 
 Karnak South Gate Egyptian Khonsu Temple Beato Old Photograph Albumen Print leading down an Avenue of Sphinxes to the Precinct of Mut. The photograph was taken by Antonio Beato around 1870 for his album of albumen prints entitled The Nile 1872. 
 Keywords: Egypt, Luxor, Thebes, River Nile, East Bank, Karnak Temple, entrance, landscape, Khonus, south, gate, hypostyle hall, columns, ancient, history, archaeology, ancient, Egyptian, Egyptology, Antonio Beato, Victorian, 1890, photographer, albumen, copy, print

Scotland > Aberdeen City (99 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Marischal wyy8556jhp 
 Aberdeen Scottish summer Marischal buildings Bruce Statue horse summer granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky, August, 2011, camera, Nikon, D700, digital
Aberdeen Marischal wyy8544jhp 
 Aberdeen Marischal College Robert Bruce Statue woman seated summer granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky, August, 2011, camera, Nikon, D700, digital, girl, pink, dress
Aberdeen Marischal wyy8530jhp 
 Aberdeen City Marischal College summer Scottish facade roadside view granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky, August, 2011, camera, Nikon, D700, digital, girl, pink, dress
Aberdeen Marischal wyy8528jhp 
 Scotland Aberdeen City Marischal College Council offices entrance summer granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky, August, 2011, camera, Nikon, D700, digital, council, offices, entrance
Aberdeen Beach xvv1692jhp 
 Aberdeen City Scottish summer wheel balloons ride fairground Queens Links entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach xvv1691jhp 
 Aberdeen City Scotland resort funfair wheel colourful Sunny Queens Links entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach xvv1689jhp 
 Aberdeen City Scotland Nigg Beach Resort Sunny promenade Queens Links at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. looking towards Nigg Lighthouse and the entracne to Aberdeen Harbour. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, upright, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach xvv1687jhp 
 Aberdeen City Scottish Nigg Beach Resort Information marker Sun summer photo at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. looking towards Nigg Lighthouse and the entracne to Aberdeen Harbour. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, resort, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach xvv1676jhp 
 Aberdeen City Scotland Beach Don Estuary Esplanade defences sand sea adjacent to the entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, Don, Estuary, northwards, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach xvv1675jhp 
 Aberdeen Scottish summer Beach resort groynes defences sea Esplanade Walkways Sun Queens Links adjacent to the entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach xvv1674jhp 
 Aberdeen City Scotland Beach Resort Information marker Sun Queens Links at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. looking towards Nigg Lighthouse and the entracne to Aberdeen Harbour. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Spring jkl8489jhp 
 Aberdeen City Scotland Great Southern dual carriageway spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display as you approach along the Great Southern Road and climb out of the City on the Stonehaven Road after passing the Dee Bridge at the south west end of the City. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring jkl8487jhp 
 Aberdeen City Scottish Aberdeenshire colourful playing area spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display as you approach along the Great Southern Road and climb out of the City on the Stonehaven Road after passing the Dee Bridge at the south west end of the City. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, pub, play, park, sports, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring jkl8485jhp 
 Aberdeen City Scotland Aberdeenshire colourful spring flower beds displays river Dee which give this major arterial route entering or exiting the City for the south such a colourful display as you approach along the Great Southern Road and climb out of the City on the Stonehaven Road after passing the Dee Bridge at the south west end of the City. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, bed, upright, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring jkl8484jhp 
 Aberdeen City Scotland Aberdeenshire colours river Dee path spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display as you approach along the Great Southern Road and climb out of the City on the Stonehaven Road after passing the Dee Bridge at the south west end of the City. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, pat, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring jkl8482jhp 
 Aberdeen City Scottish spring flowers riverside Aberdeenshire colourful flower trees displays which give this major arterial route entering or exiting the City for the south such a colourful display as you approach along the Great Southern Road and climb out of the City on the Stonehaven Road after passing the Dee Bridge at the south west end of the City. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, riverside, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring jkl8479jhp 
 Aberdeen City Scotland Aberdeenshire colourful riverside spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display as you approach along the Great Southern Road and climb out of the City on the Stonehaven Road after passing the Dee Bridge at the south west end of the City. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, Great, Southern, riverside, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Duthie Park jkl8530jhp 
 Aberdeen City Duthie Park Scotland new mound flagpole restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout and the replacement of the famous Rose Mound by this Victorian flagpole mound is one of the most striking if not extreme changes. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, mound, rose, major, change, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Victorian, design, restoration, fountain, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8527jhp 
 Aberdeen City Duthie Park Scottish boating ponds water reflection restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8525jhp 
 Aberdeen Duthie Park Scottish water reflection pond island restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, island, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, refelctions, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8524jhp 
 Aberdeen City Duthie Park Scotland pond bridge pavilion restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, bridge, wrought, iron, pavilion, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8521jhp 
 Aberdeen City Duthie Park Scotland water reflection restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8520jhp 
 Aberdeen City Duthie Park water reflection restoration Scottish spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8519jhp 
 Aberdeen City Duthie Park Scotland water reflection island restoration spring sun a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, island, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8518jhp 
 Aberdeen City Duthie Park bridge granite Scotland water reflections restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, bridge, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8517jhp 
 Aberdeen City Duthie Park Scottish water reflection restoration architecture spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, bridge, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8516jhp 
 Aberdeen City Duthie Park Scottish water reflections shape restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, design, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8513jhp 
 Aberdeen Duthie Scotland waterfall design shapes bridge restoration spring sunshine a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, shapes, design, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8512jhp 
 Aberdeen City Duthie Park purple Crocuses Scottish spring flowers paths westend colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, westend, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, refelctions, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8511jhp 
 Aberdeen City Duthie Park Crocuses Scottish spring westend flowers walks colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, westend, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, refelctions, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8509jhp 
 Aberdeen City Duthie Park Scotland water supply connection memorial with signs that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, commeration, water, supply, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8507jhp 
 Aberdeen City Duthie Park Scottish fountain water restoration tree obelisk with spring light a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has had a major facelift bringing it back to the original Victorian layout of which this fountain is part. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8506jhp 
 Aberdeen spring Duthie Park Scotland fountain water restoration tree obelisk with spring light a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has had a major facelift bringing it back to the original Victorian layout of which this fountain is part. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8505jhp 
 Aberdeen City Duthie Park Crocuses Scottish spring carpet flowers tree fountain sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8504jhp 
 Aberdeen City Duthie Park Crocuses Scotland spring carpet flowers tree framed colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8503jhp 
 Aberdeen City Duthie Park Scottish spring pond water reflection obelisk colours a sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8502jhp 
 Aberdeen City Duthie Park Scotland spring reflections obelisk water pond colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8501jhp 
 Aberdeen City Duthie Park Crocuses Scottish spring pond obelisk water reflections sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8500jhp 
 Aberdeen City Duthie Park Crocuses Scotland spring carpet pond reflections obelisk sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8498jhp 
 Aberdeen City Duthie Park Crocuses Scottish spring picnic flowers pond water colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, picnic, tables, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8497jhp 
 Aberdeen City Duthie Park Crocuses Scotland spring flowers pinic table pond colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, upright, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Duthie Park jkl8496jhp 
 Aberdeen City Duthie Park Crocuses Scottish spring carpet flowers pond colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, spring, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, boating, pond, restoration, fountain, reflections, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, mauve, white, green, colorful, colourful, colours, colors, blue, sky, clouds, gulls, 2014, DSLR, March
Aberdeen Spring Crocuses jkl8478jhp 
 Aberdeen City Scotland Deevale paths steps crocuses spring flower displays tree lined path which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, paths, trees, upright, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8473jhp 
 Aberdeen City Scotland Aberdeenshire Deevale River Dee Lochnagar view spring taken above the major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, Leggart, Avenue, Lochnagar, housing, estate, Stonehaven, Road, bridge, River, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8471jhp 
 Aberdeen City Scottish spring Garthdee ski slopes dry Deevale Bank crocuses spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, Garthdee, ski, slope, dry, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8469jhp 
 Aberdeen City Scotland Deevale Bank carpet crocuses spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, upright, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8468jhp 
 Aberdeen City Scotland cityscape skyline Deevale Bank crocuses spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, cityscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8465jhp 
 Aberdeen City skyline Scottish Aberdeenshire Deevale Bank road crocuses spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, skyline, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8464jhp 
 Aberdeen City Scotland Stonehaven Road Deevale Bank crocuses spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, upright, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8462jhp 
 Aberdeen City Scottish Stonehaven dual carriageway crocuses spring flower displays Deevale which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8460jhp 
 Aberdeen City Scottish Deevale Bank crocuses spring flower displays green grass which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8459jhp 
 Aberdeen City Scotland Deevale Road Bank crocuses purple white spring flowers displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8457jhp 
 Aberdeen City Scotland Aberdeenshire Deevale carpet crocuses spring flowers displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, upright, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Spring Crocuses jkl8456jhp 
 Aberdeen City Scotland Aberdeenshire Deevale Bank crocuses spring flower displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Union Terrace xv0169jhp 
 Union Terrace Gardens arches park walks paths spring Aberdeen trees located in the centre of the Aberdeen and viewed from the iconic Union Terrace Gardens with the famous Bon Accord floral coat-of arms on the face of the bank in the Gardens beneath the background terraces offers unique public space landscaped on a natural gorge.
There has been much debate about proposals to cover over this natural public park and possibly destroy for ever an iconic unique feature of the City with something more
akin to the myraids of concreted public areas in any conurbation worldwide. Off to the right, just out of this view is a large steeple is at last part of a new development underway and it will be preserved as a feature of the major building. 
 Keywords: Scotland, Scottish, Aberdeenshire, North, East, Aberdeen, City, William, Wallace, Statue, HM Theatre, Rosemount, St. Mark's, Church, Library, Union, Terrace, Gardens, landscape, garden, park, Bon, Accord, floral, clock, coat, arms, display, granite, grey, silver, architecture, style, classic, public, park, flowers, yellow, daffodils, green, spring, vibrant, colorful, colourful, colours, colors, blue, sky, sun, shining
Aberdeen Union Terrace xv0168jhp 
 Union Terrace Gardens Abeerdeen Art Gallery Cowdray hall spring trees park located in the centre of the Aberdeen and viewed from the iconic Union Terrace Gardens with the famous Bon Accord floral coat-of arms on the face of the bank in the Gardens beneath the background terraces offers unique public space landscaped on a natural gorge.
There has been much debate about proposals to cover over this natural public park and possibly destroy for ever an iconic unique feature of the City with something more
akin to the myraids of concreted public areas in any conurbation worldwide. Off to the right of this view just out of sight is a large steeple is at last part of a new development underway and it will be preserved as a feature of the major building. 
 Keywords: Scotland, Scottish, Aberdeenshire, North, East, Aberdeen, City, William, Wallace, Statue, HM Theatre, Rosemount, St. Mark's, Church, Library, Union, Terrace, Gardens, landscape, garden, park, Bon, Accord, floral, clock, coat, arms, display, granite, grey, silver, architecture, style, classic, public, park, flowers, yellow, daffodils, green, spring, vibrant, colorful, colourful, colours, colors, blue, sky, sun, shining
Aberdeen Queens Links asd8630jhp 
 Aberdeen City Scotland seafront Walkways Sunshine Queens Links Fridays restaurant at the entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Fridays, Cadona, fun, fair, wheel, upright, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Queens Links asd8629jhp 
 Aberdeen City Scotland Beach Esplanade Walkways Sunny Queens Links restaurants entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Fridays, Cadona, fun, fair, wheel, upright, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Queens Links asd8628jhp 
 Aberdeen City Scottish summer Queens Links Fridays restaurant entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Queens Links asd8627jhp 
 Aberdeen City Scotland Beach Queens Chiquito Cineworld summer Links leisure complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Chiquito, Cineworld, cinema, multiplex, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Funfair Balloons asd8636jhp 
 Aberdeen Scotland Beach Cadona ferris wheel balloons colourful Queens Links entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, ferris, upright, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Funfair Balloons asd8635jhp 
 Aberdeen City Scotland Beach Esplanade Cadona Balloon wheel rides Queens Links entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, ferris, upright, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Funfair Balloons asd8634jhp 
 Aberdeen City Scotland Beach Esplanade ferris wheel baskets colours Queens Links entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, ferris, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Funfair Balloons asd8632jhp 
 Aberdeen City Scottish summer Sunny balloons clouds wheel Queens Links Cadona entertainment complex built at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, upright, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen Beach Defences asd8631jhp 
 Aberdeen City Scotland Beach Esplanade walks groynes sea defences sand ships at the seafront of the City of Aberdeen in North East Scotland. Here there are a whole range of entertainments for visitors, family and Aberdonians from restaurants, café’s, Cineworld cinema complex, Cadona’s Fun Fair, a Leisure complex, the Beach Ballroom, walking along the Esplanade and of course the beach itself with wide sandy expanses when the tide is out. 
 Keywords: Aberdeen, City, Scotland, Scottish, Grampian, Aberdeenshire, North, East, sea, beach, Queens, Links, leisure, entertainment, restaurants, Cadona, fun, fair, wheel, landscape, coast, granite, silver, colourful, summer, dawn, sunrise, railings, flora, beach, sand, esplanade, complex, steps, groynes, defences, conservation, erosion, waves, blue, sky, white, clouds, balloon, baskets, colours, painted
Aberdeen fm Greyhope Jetty UP684116jhp 
 Aberdeen North Pier Maritime Operations centre safety trawler Greyhope jetty Scotland view looking at a safety trawler heading out to sea and offshore duty as it passes the new Maritime Operations centre on the North Pier, Foordee. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, jetty, landscape, new, marine operations centre, maritime, summer, coast, oil, industry, granite, silver, harbour, entrance, mud, tanks colourful, colorful, colourful, colours, colors, trawler, safety, boat, leaving
Aberdeen fm Greyhope Jetty UP684115jhp 
 Aberdeen Harbour entrance Footdee Pocra Pilot House trawler Greyhope jetty Scotland view looking at a safety trawler heading out to sea and offshore duty as it passes the old Pilot House at Pocra Quay. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, landscape, pilot house, maritime, summer, coast, oil, industry, granite, silver, harbour, entrance, mud, tanks colourful, colorful, colourful, colours, colors, trawler, safety, boat, leaving
Aberdeen fm Greyhope Jetty UP684111jhp 
 Scottish Aberdeen Harbour entrance Pocra trawler supply boat Greyhope jetty view looking at a safety trawler heading out to sea and offshore duty as it passes the old Pilot House at Pocra Quay. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, landscape, pilot house, maritime, summer, coast, oil, industry, granite, silver, harbour, entrance, mud, tanks colourful, colorful, colourful, colours, colors, trawler, safety, boat, leaving, supply, boat, anchored, Albert, basin, quay
Aberdeen Leaving North Pier UP684119jhp 
 Aberdeen Scottish Harbour entrance safety trawler North Pier sea leaving heading out to sea and offshore duty as it passes pier lighthouse on a quiet summer afternoon. Viewed here from Greyhope Road jettywith a telephoto lens near where it begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, Pier, North East, sea, Greyhope Road, jetty, landscape, telephoto, maritime, summer, coast, oil, industry, granite, silver, harbour, entrance, safety, trawler, leaving, colourful, colorful, colourful, colours, colors
Dee Vale Crocuses UP101643jhp 
 Aberdeen City Scottish Deevale Bank road grassy slope crocuses flower display which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, houses, estate, housing, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, winter, vibrant, colorful, colourful, colours, colors
Dee Vale Crocuses UP101637jhp 
 Aberdeen City Scotland Aberdeenshire Deevale crocuses winter Stonehaven Road which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, vale, bank, slopes, roadside, landscape, housing, estate, Kincorth, Stonehaven, road, dual, carriageway, southern, entrance, exit, sea, coast, oil, industry, granite, silver, Rivers, Dee, tourism, cars, parks, municipal, public, Britain in Bloom, flowers, display, crocuses, white, mauve, green, winter, vibrant, colorful, colourful, colours, colors
Dee Vale Crocuses UP101635jhp 
 Aberdeen City Scotland Stonehaven road cars Deevale Bank crocuses winter flowers displays which give this major arterial route entering or exiting the City for the south such a colourful display after you cross the River Dee by the Bridge of Dee or approach along the Great Southern Road and climb out of the City on the Stonehaven Road lying been Deevale Road in Kincorth and Leggart Avenue South. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Deevale, Kincorth, vale, bank, slopes, roadside, landscape, housing, estate, Stonehaven, Road, bridge, Dee, dual, carriageway, great, southern, entrance, exit, sea, coast, oil, industry, granite, silver, tourism, cars, parks, municipal, public, skyline, Britain in Bloom, flowers, display, crocuses, white, mauve, green, winter, vibrant, colorful, colourful, colours, colors
Duthie Park Crocuses UP101633jhp 
 Aberdeen City Duthie Park Crocuses Aberdeenshire winter grass bank trees sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, boating, pond, grassy, banks, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, green, yellow, pastel, pale, blue, sky, sunny, colorful, colourful, colours, colors
Duthie Park Crocuses UP101631jhp 
 Aberdeen City Duthie Park Crocuses Scottish winter carpet flowers closeup sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, boating, pond, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, yellow, plae, closeup, green, colorful, colourful, colours, colors
Duthie Park Crocuses UP101627jhp 
 Aberdeen City Duthie Pond Crocuses Scotland winter carpet flowers colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, pond, boating, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, green, colorful, colourful, colours, colors
Duthie Park Crocuses UP101610jhp 
 Aberdeen City Duthie Park Crocuses Scottish winter trees flowers bandstand sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, green, colorful, colourful, colours, colors
Duthie Park Crocuses UP101608jhp 
 Aberdeen City Scotland Duthie Park Crocuses bandstand winter flowers colours sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, bandstand, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, green, colorful, colourful, colours, colors
Duthie Park Crocuses UP101602jhp 
 Aberdeen City Duthie Park Crocuses Scottish winter closeup low flowers obelisk sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, obelisk, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, green, colorful, colourful, colours, colors
Duthie Park Crocuses UP101600jhp 
 Aberdeen Duthie Park Obelisk Crocuses Scottish winter carpet flowers trees grass sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park is about to complete a major facelift bringing it back to the original Victorian layout. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, sea, coast, granite, silver, Rivers, Dee, parks, public, municipal, park, Duthie, restaurant, Winter Gardens, obelisk, Britain in Bloom, flowers, crocuses, trees, winter, mauve, white, green, colorful, colourful, colours, colors
Marischal College Statue wyy8562jhp 
 Aberdeen Marischal College Robert Bruce Statue horse bronze granite towers spire is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, Tudor, Gothic, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky
Marischal College Statue wyy8553jhp 
 Aberdeen City Marischal College Robert Bruce Statue horse bronze summer granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, St Nicholas, House, Town, House, Law, Courts, university, entrance, landscape, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky
Marischal College Statue wyy8552jhp 
 Aberdeen Marischal building Robert Bruce Statue horse summer visitor granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, Mitchell, Tower, Tudor, Gothic, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky
Marischal College Statue wyy8549jhp 
 Aberdeen City Marischal College Robert Bruce Statue Mitchell Tower Scotland silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, Gothic, Mitchell, Tower, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky
Marischal College Spires wyy8535jhp 
 Aberdeen City Marischal College Scottish Tudor Gothic front spires granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, Tudor, Gothic, front, entrance, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky
Marischal College Spires wyy8525jhp 
 Scottish Aberdeen City Marischal College entrance summer granite silver spires is one of the most recognisable buildings in the City of Aberdeen if not Scotland with its elaborate spires carved out of the silver grey granite common throughout most of Aberdeen Victorian architecture. A recent addition is the magnificent bronze statue of Robert the Bruce on his charger and also this building has a new lease of life becoming the working quarters of the City Council rather than solely being part of the University. 
 Keywords: Scotland, Scottish, Aberdeenshire, North, East, Aberdeen, City, Marischal, College, Robert, Bruce, statue, horse, bronze, Council, Offices, university, entrance, landscape, upright, granite, grey, silver, coats, arms, heraldic, shields, badges, colours, colourful, architecture, elaborate, style, classic, summer, cirrus, clouds, blue, sky
Aberdeen Donmouth Esplanade VS1589JHP 
 Aberdeen Northwards Bridge of Don Cirrus Clouds Summer Grass Golf Course Esplanade area near the River Don and the mouth of its estuary into the North Sea looking over the King's Links Golf Course 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, links, golf, course, colourful, colorful, colourful, colours, colors
Aberdeen Donmouth Esplanade VS1581JHP 
 Aberdeen City Scotland Esplanade Golf Course Links Donside Northwards Grass and the view northwards to the Bridge of Don area of Aberdeen near the River Don and the mouth of its estuary into the North Sea looking over the King's Links Golf Course 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, links, golf, course, colourful, colorful, colourful, colours, colors
Aberdeen Beach nr Donmouth VS1573JHP 
 Aberdeen City Scotland Coast Esplanade Lifebelt southwards Don Estuary Area end of the beach. 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, esplanade, path, sea, beach, sand, waves, flats, lifebelt, centre, groyne, stones, defences, clouds, summer, coast, colourful, colorful, colourful, colours, colors
Aberdeen Beach & Donmouth VS1572JHP 
 Aberdeen Scottish Beach Groynes Sand North Cirrus Clouds Don Estuary looking towards the Bridge of Don area of Aberdeen near wehre the River Don enters North Sea. 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, groynes, wooden, erosion, defences, colourful, colorful, colourful, colours, colors
Aberdeen Beach & Donmouth VS1570JHP 
 Aberdeen Scotland Beach Sand Sea Wooden Groyne Cirrus Clouds photo and the view towards the north and the Bridge of Don area of Aberdeen near the River Don and the mouth of its estuary into the North Sea 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, upright, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, groynes, wooden, erosion, defences, colourful, colorful, colourful, colours, colors
Aberdeen Beach & Donmouth VS1569JHP 
 Aberdeen Beach Northwards Groyne Sand Cirrus Clouds Waves Photograph the view towards the north and the Bridge of Don area of Aberdeen near the River Don and the mouth of its estuary into the North Sea 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, upright, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, groynes, wooden, erosion, defences, colourful, colorful, colourful, colours, colors
Aberdeen Beach & Donmouth VS1568JHP 
 Aberdeen Scottish Beach Groyne Panorama North Cirrus Clouds Sky Waves and the view towards the north and the Bridge of Don area of Aberdeen near the River Don and the mouth of its estuary into the North Sea 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, landscape, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, groynes, wooden, gulls, waves, foam, erosion, defences, colourful, colorful, colourful, colours, colors
Aberdeen Beach & Donmouth VS1564JHP 
 Aberdeen City Scotland Beach Sea Waves Clouds North Panorama Photo and the Bridge of Don area of Aberdeen near the River Don and the mouth of its estuary into the North Sea 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, waves, foam, sea, gulls, colourful, colorful, colourful, colours, colors
Aberdeen Beach & Donmouth VS1558JHP 
 Aberdeen Beach Esplanade Grass Windy Highview Vista Northwards North Sea and the view towards the north and the Bridge of Don area of Aberdeen near the River Don and the mouth of its estuary into the North Sea. 
 Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, River Don, estuary, Donmouth, esplanade, cirrus, cumulonimbus, anvil, clouds, summer, coast, entrance, mouth, links, golf, course, colourful, colorful, colourful, colours, colors
Aberdeen Duthie Park UP101596JHP 
 Aberdeen City Duthie Park Crocuses Scottish Spring Carpet Low Photo sign that winter is on its way out and the crocuses are the first of colourful displays in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, parks, public, municipal, park, Duthie, Winter Gardens, obelisk, flowers, crocuses, trees, green, spring, colorful, colourful, colours, colors
Aberdeen Harbour Mouth SO296073JHP 
 Aberdeen Harbour Entrance South Shore River Dee Estuary Wide Photo of the rocky shoreline by the south breakwater beneath the Torry Point Battery and down from Greyhope Road 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Footdee, Fittie, 'Pocra Quay', harbour, entrance, rocks, breakwater, southern, shore, 'Torry Point Battery', skyline, Greyhope Road, landscape, 'pilot house', 'maritime operations centre', new, offshore, clouds, summer, coast, River Dee, Estuary, colourful, colorful, colourful colours colors
Aberdeen Pilot Boat at Work SO280054JHP 
 Aberdeen Pilot Boat Action Scottish North Sea Supply Boat Photo goes out to meet an incoming oil supply vessel near the entrance to the harbour and out flow of the River Dee 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, sea, ship, supplyboat, pilot boat, horizon, upright, pilot house, maritime, new, lifebelt, marine operations centre, summer, coast, oil, industry, harbour, supply boat, colourful, colorful, colourful, colours, colors
Aberdeen Rowers SO29115JHP 
 Aberdeen University Rowing Club Team Rowing River Dee abstract photograph study of four members of Aberdeen University Rowing Club working out on River Dee near the Wellington Bridge 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, sea, coast, landscape, granite, silver, River Dee, riverside, banks, rowing, rowers, abstract, dazzling, sunlight, silhouette, shiny, shimmering, club
Aberdeen Beach Sunrise SM6702JHP 
 Aberdeen Beach Groynes Sea Tide Out Summer Dawn Water Reflections in the North East of Scotland over the wooden walls used to stabilise the sand erosion with a distant lighthouse on the south pier of the harbour entrance and the outlet for the River Dee. 
 Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, sea, coast, granite, silver, River Dee, colourful, summer, dawn, sunrise, beach, reflections, water-level, sand, lighthouse, harbour, entrance, pier, seagulls, esplanade, entertainment, wooden, groyne, protection, erosion, waves

Scotland > Aberdeenshire (12 files)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Coull Slack Fork 1916311jhp 
 Tillylodge Slack Coull fork junction panorama Lochnagar mountain Deeside Scotland Aberdeenshire just above the viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, fork, junction, panorama, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, autumn, summer, clouds, cumulus, spectacular, photograph, photo, 2002, September, Fuji, RVP, 645, Bronica, medium, format, slide, transparency, film, scanned
Bennachie River Don up602975jhp 
 Bennachie Hill summer Pitfichie Monymusk River Don fields Aberdeenshire Scotland Donside in the North East with a view from road looking northwards to Bennachie on the Chapel Garioch road which goes through to Monymusk via Blairdaff. To the left out of view is Pitfichie Castle and Farm bordering the road which crosses the road bridge over the River Don from where this view was taken before heading either over the eastern limb of Bennachie or bearing right for Kemnay. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Monymusk, Pitfichie, River, Don, Donside, water, bridge, view, Bennachie, hill, summit, castle, Burnhervie, Blairdaff, Mar, Garioch, Bennachie, hill, landscape, summer, spring, hills, farming, field, crop, barley, trees, forest, riverbanks, grass, wild, flowers, white, clouds, blue, sky, sunny, sunshine, August, 2007, Fuji, S5Pro
Morven Spring jkl9311jhp 
 Morven hill spring pond swans Migvie panorama Deeside Scottish silver birch trees alongside the Migvie road out of Tarland heading west in Aberdeenshire. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Royal Deeside, Deeside, Migvie, roadside, wildlife, swans, ducks, Morven, hill, spring, springtime, water, reflections, landscape, panorama, farming, agriculture, forest, larch, silver, birch, countryside, rural, nature, colourful, colorful, sun, sunshine, blue, sky, white, clouds
Morven Spring jkl9323jhp 
 Morven hill spring pond swans Migvie Tarland Deeside Scotland silver birch trees alongside the Migvie road out of Tarland heading west in Aberdeenshire. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Royal Deeside, Deeside, Migvie, roadside, wildlife, swans, ducks, Morven, hill, spring, springtime, water, reflections, landscape, farming, agriculture, forest, larch, silver, birch, countryside, rural, nature, colourful, colorful, sun, sunshine, blue, sky, white, clouds
South Mearns Garvock qwe7555jhp 
 Mearns Garvock viewpoint south Aberdeenshire Grampians Scotland summer evening landscape looking westwards towards the Cairn O’Mount, south towards Forfar or northwards in the Aberdeen direction. The Howe of Mearns is a central part low lying flat fertile farmland in the centre of an area stretching from the south of Stonehaven to the Tay Estuary. Once you head North West over the various Angus Glens or over the Cairn O’Mount from Fettercairn you go into hill farming, moorland or forested estates onto Deeside and eventually reach the Highlands. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Grampians, Mountains, Howe, Mearns, Cairn O’Mount, Clatterinbrig, southwards, Laurencekirk, Fettercairn, Garvock, viewpoint, agriculture, farming, fields, wheat, cereal, crops, grass, rich, fertile, flat, wooded, hills, Grampians, summer, landscape
Carnie Roundabout Flowers wyy4560jhp 
 Carnie Roundabout Daffodils Flowers Clachnaben Hills Aberdeenshire Spring Photo Deeside landscape west of Aberdeen looking southwards to Royal Deeside from the Carnie Roundabout on the Raemoir Road from Westhill to Torphins or Tarland via Garlogie. 
 Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Westhill, Carnie, roundabout, dyke, roadside, Deeside, Clachnaben, hills, landscape, fields, daffodils, yellow, flowering, spring
Frosty Stone Parapet TO4471031JHP 
 Frosted Bridge Parapet at Inchmarnoch on the South Deeside Road between Dinnet and Ballater makes these granite stones stand out against the background roadside. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Inchmarnoch, Dinnet, south, Deeside, road, upright, winter, frost, icy, granite, bridge, parapet, stones, countryside, rural, nature, colourful, colorful, coloured, colored, sunshine
Frosty Stone Parapet TO4471030JHP 
 Frosted Bridge Parapet at Inchmarnoch on the South Deeside Road between Dinnet and Ballater makes these granite stones stand out against the background roadside. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Inchmarnoch, Dinnet, south, Deeside, road, landscape, winter, frost, icy, granite, bridge, parapet, stones, countryside, rural, nature, colourful, colorful, coloured, colored, sunshine
Queens View Tarland UP381009JHP 
 Queens View Tillylodge at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, Morven, summer, evening, shadows, dead, tree, branches, skeleton, upright, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View Tarland UP380981JHP 
 Queens View Tillylodge at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, Morven, landscape, summer, evening, shadows, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View Tarland UP380980JHP 
 Queens View Tillylodge at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, Morven, landscape, summer, evening, shadows, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View Tarland UP380979JHP 
 Queens View Tillylodge at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, Morven, landscape, summer, evening, shadows, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine

Scotland > Aberdeenshire Coast (50 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
St Cyrus Beach S0211838jhp 
 St Cyrus Beach Rocks Rockpools Coastal tides Aberdeenshire Autumn Scotland located south of Aberdeen in the North East of Scotland is the almost empty sandy beach beneath its majestic cliffs which has wonderful rock pools full of seashore wildlife when the tide is out. The southern stretch of the beach near mouth of the River Esk is a Nature Reserve with guided walks and ranger services. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Mearns, Howe, coastal, trail, North Sea, coast, St Cyrus, beach, landscape, autumn, sea, water, rock pools, tree, trunk, eroded, cliffs, sand, Montrose, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, Fuji, Finepix, DSLR, S2Pro, digital, October, 2003
St Cyrus Beach S0211836jhp 
 St Cyrus Beach Rocks sand tree beached Scottish Coast autumn Aberdeenshire located south of Aberdeen in the North East of Scotland is the almost empty sandy beach beneath its majestic cliffs which has wonderful rock pools full of seashore wildlife when the tide is out. The southern stretch of the beach near mouth of the River Esk is a Nature Reserve with guided walks and ranger services. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Mearns, Howe, coastal, trail, North Sea, coast, St Cyrus, beach, landscape, autumn, sea, water, rock pools, tree, trunk, eroded, cliffs, sand, Montrose, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, Fuji, Finepix, DSLR, S2Pro, digital, October, 2003
St Cyrus Beach S0211833jhp 
 St Cyrus Beach Rocks Rockpools Mearns Coast Hen Rock Cave Aberdeenshire Autumn located south of Aberdeen in the North East of Scotland is the almost empty sandy beach beneath its majestic cliffs which has wonderful rock pools full of seashore wildlife when the tide is out. The southern stretch of the beach near mouth of the River Esk is a Nature Reserve with guided walks and ranger services. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Mearns, Howe, coastal, trail, North Sea, coast, St Cyrus, beach, landscape, autumn, sea, water, rock pools, Hen Rock, cave, cliffs, sand, Montrose, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections, Fuji, Finepix, DSLR, S2Pro, digital, October, 2003
Stonehaven War Memorial UP220150jhp 
 Stonehaven War Memorial silhouette April Scotland legacy Grecian temple style mock which looks southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Stonehaven War Memorial UP220149jhp 
 Stonehaven War Memorial silhouette spring Scottish legacy rocks Grecian temple mock which looks southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, upright, silhouette, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Stonehaven Memorial Spring UP220137jhp 
 Aberdeenshire coast south Stonehaven yellow daffodils War Memorial spring Scottish which looks southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Stonehaven Memorial Spring UP220136jhp 
 Aberdeenshire Stonehaven daffodils flowers War Memorial spring Scotland yellow mass which looks southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, upright, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Stonehaven Memorial Daffodils UP220138jhp 
 Aberdeenshire Stonehaven daffodils War Memorial spring panorama Scottish yellow flowers looking southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Dunnottar Castle UP220159jhp 
 Aberdeenshire coast Dunnottar Castle sea cove bay cliffs path spring Scotland looking southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Dunnottar Castle UP220157jhp 
 Aberdeenshire coast Dunnottar Castle fields gorse cliff path walk spring Scotland looking southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
Dunnottar Castle Spring UP220147jhp 
 Aberdeenshire coast Dunnottar Castle fields gorse panorama spring Scottish looking southwards across Strathlethan Bay to Bowdun Head and Dunnottar Castle. The location is to the south of the town of Stonehaven which is a popular seaport town south of Aberdeen on the North East Coast, a popular place for boat owners to berth sea going yacht s and boats as well as a busy training centre for offshore survival courses. The harbour is fronted by hotels, the Tolbooth Museum, has a free public carpark, toilets and restaurants and walks along the adjacent Stonehaven Bay to its Open Air Swimming Pool. To the south of the town is the famous and spectacular ruin of Dunnottar Castle perched on a headland out from the cliffs into the North Sea. Note the Exif date is incorrect on this image-was April not January. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Stonehaven, Dunnottar Castle, outline, distance, walks, Mearns, Bowdun, Head, Strathlethen, Bay, Memorial, Grecian, columns, battles, dates, landscape, coast, cove, beach, waves, rocks, tides, cliffs, headland, fields, ploughed, daffodils, flowers, yellow, gorse, April, 2007, Fuji, Finepix, S5Pro, digital, DSLR, camera
MacDuff Anchor UP041232jhp 
 Macduff harbour anchor snow Scottish winter stormy clouds sea Aberdeenshire Doune church sea is a town adjacent to Banff divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This view is located at Doune Church on Station Brae with a possible 18th Century sailing ship anchor and a cross erected in 1783 to mark the creation of Macduff as a Burgh here looking towards the town centre and harbour of MacDuff and out to the Moray Firth. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, harbour, Doune, church, anchor, viewpoint, cross, station, brae, winter, snow, lying, stormy, dark, clouds, ominous, dramatic, light, February, 2007, morning, Finepix, Fuji, S3Pro, DSLR, camera, digital
MacDuff Anchor UP041231jhp 
 Macduff harbour anchor Aberdeenshire Scotland Doune church snow winter stormy sea is a town adjacent to Banff divided by the River Deveron and remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. This view is located at Doune Church on Station Brae with a possible 18th Century sailing ship anchor and a cross erected in 1783 to mark the creation of Macduff as a Burgh here looking towards the town centre and harbour of MacDuff and out to the Moray Firth. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, buildings, landscape, upright, harbour, Doune, church, anchor, viewpoint, cross, station, brae, winter, snow, lying, stormy, dark, clouds, ominous, dramatic, light, February, 2007, morning, Finepix, Fuji, S3Pro, DSLR, camera, digital
Todhead Coastline jkl8240jhp 
 Todhead Catterline sea waves crashing rocks Forley Craig coast northwards Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8238jhp 
 Todhead sea waves crashing rocks dramatic winter Mearns Aberdeenshire Scottish located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8234jhp 
 Todhead power foam sea waves action crashing rocks cliffs North Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8233jhp 
 Todhead headland sea waves crashing rocks spectacular powerful Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8228jhp 
 Todhead North Sea waves crashing rocks stones lichen action Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, upright, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8227jhp 
 Todhead headland Catterline sea rocks bay Braidon Millhill cliffs winter Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8226jhp 
 Todhead headland sea waves crashing rocks stones cliff Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, upright, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8223jhp 
 Winter Scottish Todhead headland Catterline sea waves rocks bay Braidon Forley cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8222jhp 
 Todhead Catterline Scotland sea waves bay Forley Craig coastline Mearns Aberdeenshire located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8220jhp 
 Todhead headland sea waves crashing rocks cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8219jhp 
 Todhead headland sea waves rocks cliffs Mearns Aberdeenshire Scottish winter located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8216jhp 
 Todhead headland Catterline sea waves crashing rocks bay Braidon Scottish coast cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8213jhp 
 Todhead sea waves crashing rocks cliffs Mearns Aberdeenshire Scotland winter located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8209jhp 
 Todhead headland cliffs sea waves crashing rocks southwards Scottish Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, south, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8208jhp 
 Todhead headland sea waves crashing rocks reflections sun cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, south, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8204jhp 
 Todhead Scotland North sea waves crashing pounding cliffs Mearns south Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, southwards, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8201jhp 
 Todhead headland Scottish winter sea waves crashing rocks sunshine cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, south, southwards, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8199jhp 
 Todhead headland sea waves crashing explosive waves rocks cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, upright, south, southwards, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8195jhp 
 Todhead sea waves crashing rocks cliffs dramatic Mearns Aberdeenshire Scottish located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, south, southwards, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8194jhp 
 Todhead headland pudding round stones rocks cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, upright, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8193jhp 
 Todhead headland pudding stone rocks lichen cliffs geology Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8188jhp 
 Todhead headland coast north sea waves rocks bay Braidon Millhill cliffs Forley Mearns Aberdeenshire located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Todhead Coastline jkl8187jhp 
 Todhead headland Catterline sea waves crashing rocks bay Braidon Millhill cliffs Mearns Aberdeenshire Scotland located south of Catterline is the former Todhead Lighthouse on the North east coast of Aberdeenshire south of Stonehaven standing pudding stone cliffs. The cliffs stick out on a small headland but with sheer drops into the North Sea but offering spectacular views of the sea pounding on the rocks below and views northwards along the coast from Braidon Bay and to the distant Forley Craig beyond Catterline, famous for its seafood restaurant. The lighthouse was built in 1897 by D.A. Stevenson and is still a stylish if sad reminder of the heyday of Victorian Maritime heritage. Its short ‘dumpy’ tower hides a shaft dug into the cliffs underneath which allowed the original clockwork mechanism to operate as described in Jane Geddes’s Deeside and Mearns Architectural Guide. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Kincardine, Catterline, Braidon, Bay, Millhill, Forley, Craig, Kinneff, Kirk, Crown, Jewels, regalia, hidden, Todhead, lighthouse, buildings, architecture, cliffs, stones, pudding, geology, sea, waves, crashing, pounding, breaking, white, foam, landscape, winter, Mearns, Howe, Coast, coastline, Grampians, 1897, Stevenson D.A., builder, architect, shaft, harled, corbelled, gallery, lantern, dome, disused, redundant, staff, house, accommodation, stylish, painted, brickwork, blue, sky, sunshine, maritime
Ythan Estuary Wreck rty2611jhp 
 Sands Forvie Dunes wooden boat wreck Ythan Estuary sea Aberedeenshire autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, barnacles, seaweed, weathered, mud, low, tide, out
Ythan Estuary Wreck rty2610jhp 
 Sands Forvie Dunes wooden boat wreck Ythan Estuary Scottish autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, barnacles, seaweed, weathered, mud, low, tide, out
Ythan Estuary Wreck rty2609jhp 
 Scotland Sands Forvie wooden boat wreck Ythan Estuary Aberdeenshire autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, upright, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, barnacles, seaweed, weathered, mud, low, tide, out, cirrus, clouds, jetstream
Ythan Estuary Wreck rty2608jhp 
 Sands Forvie Dunes Scottish coast boat wreck cirrus clouds jettrail Ythan Estuary autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, barnacles, seaweed, weathered, mud, low, tide, out, cirrus, clouds, jet, stream
Ythan Estuary Wreck rty2607jhp 
 Scotland Sands wooden boat wreck upturned clouds cirrus Ythan Estuary autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, barnacles, seaweed, weathered, mud, low, tide, out, cirrus, clouds
Ythan Estuary Wreck rty2603jhp 
 Scotland Sands Forvie Dunes wooden boat wreck Ythan Estuary autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, barnacles, seaweed, weathered, mud, low, tide, out
Newburgh & Sands of Forvie rty2599jhp 
 Sands Forvie Dunes grass golf links Newburgh Ythan Estuary Aberdeenshire autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, northwards, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, tide, out, low, golf, links
Newburgh & Sands of Forvie rty2596jhp 
 Scotland Sands Forvie Dunes Newburgh inland River Ythan Estuary autumn photo along Aberdeenshire coastline on North East coast of Scotland north of Aberdeen. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Newburgh, Forvie, sands, river, Ythan, estuary, northwards, landscape, autumn, beach, dunes, wreck, wooden, boat, birdlife, grass, sand, tide, out, low, golf, links
South Pier Lighthouse S29JHP 
 South Pier Lighhouse Aberdeen Harbour waves autumn storms Scottish Aberdeenshire North Sea taken from the Greyhope Road to Girdleness Lighthouse at Nigg south of Aberdeen Harbour where the River Dee exits into the ocean. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeen, City, harbour, River Dee, Aberdeenshire, Greyhope, road, South Pier, lighthouse, wall, autumn, storms, sea, waves, crashing, landscape, coast, rocks
South Pier Lighthouse Action S214JHP 
 South Pier Aberdeen City Harbour waves autumn storms Scotland Aberdeenshire North Sea taken from the Greyhope Road to Girdleness Lighthouse at Nigg south of Aberdeen Harbour where the River Dee exits into the ocean. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeen, City, harbour, River Dee, Aberdeenshire, Greyhope, road, South Pier, lighthouse, panorama, wall, autumn, storms, sea, waves, crashing, landscape, coast, cove, beach, rocks
Findlater Doocot 181436JHP 
 Findlater Doocot Cliffs Aberdeenshire Scotland Photograph Evening Light near Castle overlooking Moray Firth near Portsoy and reached by a short walk from Sandend along the cliffs westwards. The castle is perched on a headland jutting out into the sea and although accessible care should be taken. 
 Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, Sandend, Findlater, doocot, castle, landscape, winter, cliffs
Pennan Tide Out TO190020JHP 
 Pennan Seafront Houses Spring Rockpools Scotland Photo Moray Firth Aberdeenshire North Coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. 
 Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, rockpools, spring, landscape, coast, coastal, cliffs, headland
Muchalls Coast Southwards 71256JHP 
 Muchalls Seashore Stormy Dramatic Light Clouds Rocks Shadows Aberdeenshire Photo coast south of Aberdeen near Portlethen by the North Sea. 
 Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Muchalls, landscape, coast, cove, beach, rocks, cliffs, headland, village, summer, stormy, southwards, scanned, transparency, squall
St Cyrus Beach Scotland SO11835JHP 
 St Cyrus Beach Rocks Rockpools Mearns Coast Aberdeenshire Autumn Photo south of Aberdeen in the North East of Scotland is the almost empty sandy beach beneath its majestic cliffs which has wonderful rock pools full of seashore wildlife when the tide is out. The southern stretch of the beach near mouth of the River Esk is a Nature Reserve with guided walks and ranger services. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian Mountains, Mearns, North Sea, coast, St Cyrus, beach, landscape, sea, water, rock pools, cliffs, sand, Montrose, River Esk, estuary, reserve, nature, sky, clouds, rocks, reflections

Scotland > Ancient Stones (6 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

South Leylodge Stones jkl8124jhp 
 South Leylodge Recumbent Flankers Stone Circle Kintore Aberdeenshire bronze Age historic ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8123jhp 
 South Ley Lodge Recumbent Standing Stones Circle Flanker Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8122jhp 
 South Leylodge Standing Stone Stones Circle Kintore Scottish winter Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8121jhp 
 South Ley Lodge Recumbent Standing Stones monolith winter Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, silhouette, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8120jhp 
 South Leylodge Recumbent Stone Circle Kintore Aberdeenshire Scotland prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, upright, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter
South Leylodge Stones jkl8119jhp 
 South Leylodge Recumbent Standing Stone Stones Circle Kintore Aberdeenshire prehistoric ruined monument in a field [NJ766132] to the North of the dead end slip road signed Lauchintilly off the B977 Dunecht to Kintore Road. Only the flankers and recumbent appear to be left although there are several single standing stones in nearby fields, possibly monoliths from the original RSC but now useful scratching posts for cattle. Also called the South Ley Lodge RSC per Aubrey Burl’s book ref No: 98 P353 for his details regarding the site. Ian Shepherd in Exploring Scotland’s Heritage: Grampian suggests on page 145 that it might be an example of a RSC that was only that-the flankers and the recumbent and the rest of the circle was never completed. The point was also made that these stones were the first built as the largest and most important although this idea is somewhat contradicted in later studies made at Tomnaverie where these stones are thought to have been added as the final stage of closing out the monument. Ref: the moon and the bonfire, Chapter 5 by Professor Richard Bradley. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Kintore, Leylodge, South, Ley, Lodge, Lauchintilly, Bennachie, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, DSLR, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, countryside, wild, autumn, electric, pylons, clouds, streaking, blue, sky, winter

Scotland > Clouds, Sunsets, Dawns and Weather (6 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Deeside NLC qax2491jhp 
 Noctilucent clouds NLC summer night sky thinning July Scotland Torphins Aberdeenshire blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking towards the East, at 60 degrees from Crooktree towards Torphins and 25 miles west of Aberdeen in North East Scotland, my second show in 2018 in the early morning of the 2nd July. Taken at 00.32.32 BST using a D700 Nikon DSLR with Nikkor N 24mm f2.8, at f5.6, 6.7 second exposure at ISO200. It was a windless night with no cloud cover. The display started to thin out after this and small puffy clouds started to appear above the main display as it thinned out. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, windy, moving, blurred, landscape, NLC, north, east, high, atmosphere, ice, crystals, cirrus, reflections, twilight, cottage, silhouette, chimney pot, trees, branches, summer, sun, stars, latitude, Northern, hemisphere, sapphire, blue, cobwebs, filaments, detail, structure, waves, ripple, whitish blue, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night shining, meaning, eastern sky, ultraviolet radiation, sky, layers, still, Nikon, D700 FX DSLR, digital, ISO200, lens, Nikkor N 24mm f2.8, 2018, July.
Partial Solar Eclipse xcv7122jhp 
 Partial Solar Eclipse finish end Sun Moon Crescent Chunk Scotland Deeside on the 20th March, 2015 over Aberdeenshire in North East Scotland near Kincardine O’Neil on Royal Deeside. Some minor cloud problem but luckily not at the crucial moment and far better than forecast.

This is one of the first photos taken and shows the eclipse underway with the moon away almost to complete the eclipse and was taken at 10.33hrs but cloud and rain blocked out the final clearing of the eclipse. The maximum effect was around 95% and was promoted as the first of this century, with the next partial eclipse being in 2026 and a total one in 2090. The peak of the display was around 9.45am and it did get noticeably darker and although there was still bird activity I did hear an owl start calling in the forest. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Kincardine, O’Neil, landscape, eclipse, partial, sun, moon, sky, bright, blue, sunshine, predicted, clouds, spring, 2015, eerie, DSLR, Nikon, D700, digital, telephoto
NLC Torphins zxc2607jhp 
 Noctilucent clouds NLC colours silvery filaments shining night photo Scotland Aberdeenshire sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July this was one of the last photos before the cloud cloaked out the upper atmospheric show. Taken at 23.31 UT [after midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 3 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
Clouds towards South qwe7807jhp 
 Summer Hill Fare clouds dramatic vista southwards Clachnaben Deeside Aberdeenshire panorama taken from this huge hill area standing north of Banchory and extending from Echt in the east to Torphins in the west and part of Dunecht Estates on Royal Deeside to the west of Aberdeen in Aberdeenshire. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Raemoir, Hill, Fare, landscape, Clachnaben, Deeside, Royal, countryside, rural, Nature, trees, common, forest, pine, summer, clouds, dramatic, stormy, grey, Estate, panorama, high, vista, moorland
Clouds Scotland SO34053JHP 
 Small Cumulus Scudding Early Summer Rural Farmland Scotland Deeside Upper Craigton Hill May late afternoon sky giving the appearance of some monster lobster as they spread out over a background of stratocumulus here above the Hill of Fare in Aberdeenshire North East Scotland 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Dee, Royal, Deeside, upright, Craigton Hill, Hill of Fare, Torphins, cumulus, clouds, unusual, shapes, weather, meteorological, classification, groups, low, medium, high, altitude, Cl, Cm, Ch, optical, phenomena, thundercap, anvil, stratocumulus, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, rain, showers, storms, haze, dust, ice, water, droplets, blue, white, grey, brown, beautiful, shapes, scale, size, height
Clouds Scotland SO34050JHP 
 Small Cumulus Scudding Moving Blue Sky White Clouds Aberdeenshire Scotland across a May late afternoon sky giving the appearance of some monster lobster as they spread out over a background of stratocumulus here above the Hill of Fare in Aberdeenshire North East Scotland 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Dee, Royal, Deeside, landscape, Craigton Hill, Hill of Fare, Torphins, cumulus, clouds, unusual, shapes, weather, meteorological, classification, groups, low, medium, high, altitude, Cl, Cm, Ch, optical, phenomena, thundercap, anvil, stratocumulus, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, rain, showers, storms, haze, dust, ice, water, droplets, blue, white, grey, brown, beautiful, shapes, scale, size, height

Scotland > Deeside Towns and Villages (6 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Queens View Tarland qax3753jhp 
 Queen’s View spring sunshine Tarland Coull Lochnagar mountain Aberdeenshire Scotland early spring Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, clouds, cirrus, cumulus, spectacular, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, upright
Queens View Tarland qax3752jhp 
 Queen’s View Tillylodge Slack early spring Lochnagar Morven snow Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, clouds, cumulus, spectacular, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo
Queens View Tarland qax3751jhp 
 Queen’s View Tillylodge Coull Lochnagar viewpoint marker winter mountain Deeside Scotland early spring Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, clouds, cirrus, cumulus, spectacular, winter, spring, March, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo
Ballater Dee Southbank VS1781JHP 
 Ballater River dee Southbank Bridge Aberdeenshire Royal Deeside Scottish town some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland. Lying to the north of the River Dee it is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Ballater, town, River Dee, landscape, summer, southbank, bridge, boulders, water, trees, south, Monaltrie
Morrone Outcrop xvv1037jhp 
 Braemar Walk Morrone Hill Juniper Outcrop Rocks Trees Scottish Spring Evening above the Deeside Field Club Morrone Hill marker on the signposted walk starting at the duck pond at the end of Chapel Brae in the Royal Deeside village of Braemar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Morrone, hill, landscape, walk, path, marker, outcrop, silver birches, juniper, larch, granite, trees, countryside, rural, mountains
Morrone Outcrop xvv1036jhp 
 Braemar Royal Deeside Scotland Village Walk Morrone Hill Juniper Trees above the Deeside Field Club Morrone Hill marker on the signposted walk starting at the duck pond at the end of Chapel Brae in the Royal Deeside village of Braemar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Morrone, hill, upright, walk, path, marker, outcrop, silver birches, juniper, larch, granite, trees, countryside, rural, mountains

Scotland > Flora and Fauna (27 files)

Gallery of Scottish photographs of plants, flowers, such as bluebells, harebells, Dames Rocket, broom, gorse, fox gloves, poppies; trees such as gean, silver birch, pines, Scots Pines, larch, and a few wild animals such as birds, hare, pheasants, roe deer, red squirrels, insects, butterflies such as peacocls, red admirals, tortoiseshell, although I am not a wildlife photographer as such.
Small Tortoiseshell bnm9177jhp 
 Butterfly small tortoiseshell colourful rear view blue chevrons buddleia feeding Scotland August summer photograph as they feed and fly eratically between different buddleia bushes and they hardly settle and are moving all the time so awkward to photograph. So far I have counted only a pair of them on my several buddleaias and these are the second brood of the year as the first appear much earlier in the summer. Numbers overall are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9172jhp 
 Butterfly small tortoiseshell purple buddleia feeding Aberdeenshire Scottish August summer photograph as they feed and fly eratically between different buddleia bushes and they hardly settle and are moving all the time so awkward to photograph. So far I have counted only a pair of them on my several buddleaias and these are the second brood of the year as the first appear much earlier in the summer. Numbers overall are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, stinging, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock Side bnm9145jhp 
 Butterfly peacock folded wings underneath dark buddleia feeding Deeside Scotland summer photograph as it feeds between different buddleia bushes vists. Its folded wings showing a rather dull, dark and uninteresting underneath. Numbers of butterflies overall are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Inachis io, defence, pattern, wings, folded, underneath, dark, red, black, white, patches, peacock, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9101jhp 
 Butterfly small tortoiseshell buddleia wing pattern blue halfmoon Aberdeenshire Scotland late summer photograph as the second batch feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9100jhp 
 Butterfly small tortoiseshell buddleia feeding Aberdeenshire Scotland late summer photograph as the second batch feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9099jhp 
 Butterfly small tortoiseshell rear view buddleia feeding Deeside Scotland summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Red Admiral bnm9113jhp 
 Butterfly red admiral worn scratches buddleia feeding Deeside Scottish summer photograph as they feed and fly between different buddleia bushes showing early signs that the summer's activities are taking their toll. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, two, aristocrats, defence, pattern, wings, red, black, white, patches, admiral, admirable, vanessa, atalanta, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Red Admiral bnm9104jhp 
 Butterfly red admiral folded wings sideon underneath aristocrat buddleia Deeside Scotland summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, two, aristocrats, defence, pattern, wings, red, black, white, patches, underneath, folded, side view, admiral, admirable, vanessa, atalanta, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock on Orange bnm9107jhp 
 Butterfly peacock aristocrat orange buddleia colours eyes Aberdeenshire Scotland summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Inachis io, defence, pattern, wings, red, black, white, patches, peacock, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9079jhp 
 Butterfly small tortoiseshell summer two red admirals buddleia Deeside Aberdeenshire Scotland Scottish August photograph as they feed and fly between different buddleia bushes and up tp the left top is a peacock. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, admirals, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9077jhp 
 Butterfly small tortoiseshell aristocrats red admirals buddleia feeding Deeside Aberdeenshire Scottish summer photograph as they feed and fly between different buddleia bushes and up tp the left top is a peacock. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, two, admirals, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Small Tortoiseshell bnm9040jhp 
 Butterfly small tortoiseshell aristocrat buddleia feeding Deeside Scottish summer photograph as they feed and fly between different buddleia bushes and up tp the left top is a peacock. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Aglais urticae, defence, pattern, wings, red, black, white, patches, bars, small, tortoiseshell, blue, half-moons, wings, caterpillars, nettles, web, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Red Admirals bnm9057jhp 
 Butterflies red admirals aristocrat buddleia feeding Deeside Scotland summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, two, aristocrats, defence, pattern, wings, red, black, white, patches, admiral, admirable, vanessa, atalanta, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock Butterfly bnm9087jhp 
 Butterfly peacock strong colours mauve buddleia open wings striking defence Scottish Aberdeenshire dull light summer eyes photographed as it feeds and fly on this buddleia bush. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, defence, pattern, wings, red, black, white, patches, admiral, admirable, vanessa, atalanta, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock Butterfly bnm9084jhp 
 Butterfly peacock aristocrat mauve buddleia open wings defences feeding Aberdeenshire Scotland summer eyes photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Inachis io, defence, pattern, wings, red, black, white, patches, peacock, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock Butterfly bnm8939jhp 
 Butterfly peacock aristocrat white buddleia feeding Aberdeenshire Scotland summer eyes photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Inachis io, defence, pattern, wings, red, black, white, patches, peacock, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock Butterfly bnm8931jhp 
 Butterfly peacock aristocrat orange buddleia feeding Deeside Scotland summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Inachis io, defence, pattern, wings, red, black, white, patches, peacock, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock Butterflies bnm9063jhp 
 Butterfly peacocks three aristocrat buddleia feeding colours Deeside Scotland summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, three, sharing, aristocrats, Inachis io, defence, pattern, wings, red, black, white, patches, peacock, peacocks, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Peacock & Fritillary bnm9025jhp 
 Butterfly peacock aristocrat fritillary dark green buddleia feeding Deeside Scottish Aberdeenshire summer photograph as they feed and fly between different buddleia bushes. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, peacock, Inachis io, butterflies, fritillaries, Argynnis aglaja, defence, lively, skimming, skittish, pattern, wings, black, small, dark, green, underside, hind, spotted, curves, dots, triangles, arrow-heads, brown, wings, caterpillars, spiny, red spots, buddleia, bright, colours, colourful, purple, mauve, orange, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
Butterfly Feeding bnm8956jhp 
 Butterfly peacock aristocrat feeding suctorial proboscis buddleia sunny Deeside Scotland summer photograph as it feeds on buddleia flower pod. Numbers are better this year, 2017, although still down on 20 years ago when 100plus was not unusual. So far this year I have counted over 50 at one time, mainly Peacocks and Red Admirals with a couple of Small Tortoiseshells and one Dark Green Fritillary but some good sunny spells seems to have got them active. One surprise was to find a Golden Ringed Dragonfly hanging from a buddleia early in the morning, no movement of any kind while I photographed it but it had gone 10 mins later when I came out again. 
 Keywords: Scotland, Scottish, Britain, Grampian, Aberdeenshire, Deeside, countryside, rural, wildlife, landscape, summer, sunny, butterfly, butterflies, aristocrats, Inachis io, defence, pattern, wings, red, black, white, patches, peacock, feeding, suctorial, proboscis, faceon, stalks, eyes, spectacles, scary, caterpillars, nettles, buddleia, bright, colours, colourful, purple, mauve, August, 2017, Nikon, DSLR, D700, camera, 28-105mm macro lens, AF Nikkor
River Dee Flora asd9754jhp 
 River Dee Silvene Vulagris Aberdeenshire Scottish Deeside wild flowers flora riverbank stones sand summer found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, upright, bladder, champion, silvene, vulagris, flowers, lobed, petals, tube, fishing, salmon, broom, gorse, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside
River Dee Flora asd9753jhp 
 River Dee Aberdeenshire Scottish Deeside bladder campion wild flowers flora riverbank stones sand summer found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, landscape, bladder, champion, silvene, vulagris, flowers, lobed, petals, tube, fishing, salmon, broom, gorse, panorama, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside
River Dee Flora asd9750jhp 
 River Dee Aboyne broom Aberdeenshire Scotland Deeside wild flowers flora riverbank stones sand summer found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, upright, fishing, salmon, broom, gorse, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside
River Dee Flora asd9748jhp 
 River Dee broom summer Aberdeenshire Scottish Deeside wild flowers flora riverbank stones sand found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, landscape, fishing, salmon, broom, gorse, panorama, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside
River Dee Flora asd9747jhp 
 River Dee Aboyne Scottish Deeside wild flowers flora riverbank stones sand summer found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, upright, fishing, salmon, broom, gorse, panorama, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside
River Dee Flora asd9746jhp 
 River Dee Aboyne Tanarside Deeside wild flowers white flora riverbank stones sand summer found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, landscape, fishing, salmon, broom, gorse, panorama, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside
River Dee Flora asd9745jhp 
 River Dee Aboyne Scottish Deeside wild flowers flora riverbank stones sand summer found in a small dried out channel off the main riverbank alongside this popular salmon fishing stretch by one of the salon fishing beats adjacent to Aboyne accessed from the South Deeside Road between Aboyne and Dinnet just after passing the Bridge of Ess and entrance to Glen Tanar. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Aboyne, Tanarside, River, Dee, summer, riverbank, riverside, channel, gully, landscape, fishing, salmon, broom, gorse, panorama, water, rocks, stones, pebbles, sand, wild, flowers, yellow, trees, clouds, countryside

Scotland > Historic Properties (62 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Fetternear House bnm6661jhp 
 Fetternear House Kemnay ruin front coat arms panel carved Leslie Aberdeenshire Scotland shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, landscape, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6658jhp 
 Fetternear House tower castellations frontage Kemnay Donside Scotland ruin shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, landscape, upright, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6655jhp 
 Fetternear House front daffodils April Kemnay Aberdeenshire Scotland ruin shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, landscape, upright, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6651jhp 
 Fetternear House spring daffodils front ruin shell towers front castellated historical building located near Kemnay Aberdeenshire near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, landscape, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6650jhp 
 Fetternear House rural spring view Kemnay Donside Aberdeenshire Scotland ruin shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, landscape, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6649jhp 
 Fetternear House rural Marshes Burn spring Kemnay Aberdeenshire Scottish ruin shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, landscape, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6647jhp 
 Fetternear House Bishop’s Palace site Marshes Burn fields Kemnay Aberdeenshire Scotland ruin shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, ruin, derelict, shell, dangerous, upright, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, SEPP, April, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, Marshes Burn
Fetternear House bnm6646jhp 
 Fetternear House rural setting Marshes Burn Kemnay Aberdeenshire Scotland ruin shell towers front castellated historical building located near Kemnay near the River Don which was gutted by a fire in 1919 and has remained a shell ever since. The location has had a history going back for over 800 years, there was a medieval Palace for the Bishop’s of Aberdeen, which was located to the south of the present house in the photograph. SEPP have carried out excavations of the site finding considerable evidence of the early palace. The current house dates from around 1566 after it was acquired by the Leslies of Balquhain although from a small tower originally it has expanded to the present façade in 1818. The carved panel above the main entrance is attributed to Count Patrick Leslie around 1690. Although it is accessible to view it is in a dangerous state of disrepair and is fenced off from public access. 
 Keywords: Scotland, North, East, Scottish, Aberdeenshire, Grampian, Kemnay, Fetternear, house, ruin, derelict, shell, dangerous, no access, towers, castellations, fire, gutted, 1919, carved, Leslie, Leslies of Balquhain, Catholics, family, Aberdeen, Bishop’s, Palace, nearby, coat, arms, panel, River, Don, Donside, castles, trail, Bennachie, historical, historic, history, countryside, Marshes Burn, rural, nature, colourful, colorful, coloured, colored, peaceful, woods, walks, private, land, excavations, Aberdeen University, spring, Nikon, D700, DSLR, FX, digital camera, daffodils, field, burn
Dunnottar Castle Jan86 142c13jhp 
 Dunnottar Castle ruin winter January cloud clifftop Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. This photograph was taken in January 1986 and is scanned off a 645 transparency and was used as a Stirling Gallery postcard which is still being used and has sold over 200,000 cards.

As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, january, winter, morning, sunshine, cloud, formation, anvil, shape, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, scanned, 645, 120, transparency, slide, Fujichrome, photo, wide, panorama, Bronica, camera, 1986.
Old Kinneff Kirk zxc5213jhp 
 Kinneff Old Church autumn sunshine tombstones Mearns Aberdeenshire sea Scotland history Crown Jewels has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, exterior, outside, interior, inside, windows, landscape, autumn, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Misty Dunnottar Castle zxc0224jhp 
 Dunnottar Castle mist hazy haar clifftop Scotland Kincardineshire photograph sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0222jhp 
 Dunnottar Castle ruin spring morning clifftop steps visitors Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, visitors, steps, fence, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0221jhp 
 Dunnottar Castle ruin spring gorge gorse clifftop Scottish fortress Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0219jhp 
 Dunnottar Castle spring gorge gorse clifftop Scotland Kincardineshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0218jhp 
 Dunnottar Castle spring gorge gorse cliffs spectacular Scottish Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0216jhp 
 Dunnottar Castle ruin spring clifftop beach bay rocks Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0215jhp 
 Dunnottar Castle rocks cliffs misty hazy clifftop Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0213jhp 
 Dunnottar Castle ruins gorge cliffs Scottish Jim Henderson Photo Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Misty Dunnottar Castle zxc0211jhp 
 Dunnottar Castle ruin spring gorge gorse clifftop Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, gorge, gorse, landscape, spring, morning, hazy, sunshine, misty, haar, sunlight, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm, lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whigs, vault, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, d700, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7593jhp 
 Dunnottar Castle ruin winter cliff grass sunlight reeds Scottish sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, grass, wind, bent, shaped, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7592jhp 
 Dunnottar Castle ruin winter cliff grass keep Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, repairs, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7590jhp 
 Dunnottar Castle ruined winter sunshine cliff grass Scottish Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, grass, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7589jhp 
 Dunnottar Castle walk steps fence winter clifftop Scotland Kincardineshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, steps, fence, approach, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7588jhp 
 Dunnottar Castle fort public entrance steps clifftop Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, entrance, steps, fence, public, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7587jhp 
 Dunnottar Castle winch rope winter clifftop Scottish Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, winch, base, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7586jhp 
 Dunnottar Castle rope anchor point rusty clifftop Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, anchor, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7584jhp 
 Dunnottar Castle ruin buildings fort winter clifftop Scotland Grampian sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7582jhp 
 Dunnottar Castle ruin winter clifftop Scotland headland shadows sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, shadows, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7581jhp 
 Dunnottar Castle fortress winter clifftop Scotland Kincardineshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7579jhp 
 Dunnottar Castle ruin winter clifftops bay sea coast Scotland panorama spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7576jhp 
 Dunnottar Castle ruined fort winter cliffs sunlight Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7574jhp 
 Dunnottar Castle ruins winter golden sunlight Scottish Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, winter, afternoon, orange, golden, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Dunnottar Castle jkl7573jhp 
 Dunnottar Castle ruin winter clifftop Scotland Aberdeenshire sea coast spectacular stands proud on a strategically strong natural headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault. As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, landscape, winter, afternoon, sunlight, blue, sky, spectacular, coast, coastal, cliffs, rocks, headland, Haven bay, castle, fortress’ fort, benholm lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, tourism, visitors, conglomerate, pudding, stone, dun, fother, 14th, century, marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, whig, s vault’, prison, dungeon, siege, honours, jewels, covenanters, exhibition, 2014, DSLR, digital, photo, wide, panorama
Kinneff Kirk fgh2136jhp 
 Kinneff Church Mearns Aberdeenshire Scottish Reverend Grainger Memorial interior has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, or one of her serving maids from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, interior, inside, windows, landscape, summer, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Kinneff Kirk fgh2127jhp 
 Kinneff Old Parish Kirk interior Grainger Memorial pews Scottish history Crown Jewels has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, memorial, interior, inside, windows, upright, summer, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Reverend, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Kinneff Kirk fgh2121jhp 
 Kinneff Old Parish Church Mearns Aberdeenshire Scotland inside pulpit pews has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, pulpit, interior, inside, windows, landscape, summer, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Kinneff Kirk fgh2116jhp 
 Kinneff Church inside interior pulpit Mearns Aberdeenshire Scottish history Crown Jewels has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, pulpit, interior, inside, windows, landscape, summer, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Kinneff Kirk fgh2108jhp 
 Kinneff Old Parish Church Mearns Aberdeenshire Scottish coast eastside regalia has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, exterior, outside, east, face, windows, landscape, upright, summer, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Kinneff Kirk fgh2104jhp 
 Kinneff Old Parish Church exterior Mearns Aberdeenshire Scotland belfry bell history Crown Jewels has its famous claim to Scottish History as the hiding place for eight years of the Scottish Regalia spirited away by Mrs Grainger, the Minister wife, from Dunnottar Castle. They were saved thus from the clutches of Cromwell’s troops in 1652 during the siege of the castle when his troops were attacking the Scottish Royalist troops loyal to Charles 11. The current church was rebuilt in 1738 on the site of the original one consecrated in 1242. The North aisle and staircase were added in 1876. The bell dates from 1679 and came from Rotterdam. 17th century wall tablets in the church commemorate Sir George Ogilvy of Barras who was Governor of Dunnottar Castle during the siege and who organised the smuggling of the regalia out of the castle. On a personal note, I had the privilege of photographing a re-enactment of what is thought to be how it was done for the current coloured version of the Dunnottar Castle Guidebook. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Catterline, Kinneff, Old, Parish, Church, Kirk, exterior, outside, windows, landscape, summer, Historic, history, Crown, Jewels, Regalia, buried, hidden, Cromwell, Covenanters, Dunnottar, Castle, siege, 1652, Ogilvy, Grainger, Minister, wife, saved, early, church, consecrated, 1242, 17th, century, wall, tablets, Barras, governor, pews, wooden, harled, kirkyard, tombstones, Manse, trees, coast, belfry, Dutch, bell
Drum Castle to South qwe4630jhp 
 Drum Castle entrance summer sunshine Deeside Aberdeenshire Scotland tower mansion was formerly a royal residence with the Great Tower dating from the reign of King William the Lion, late 13th century. Granted to the Irvine family by Robert the Bruce has been under their care from 1323 to 1976, including Forest of Drum, a royal hunting park and the Old Wood with ancient oaks, geans and Caledonian Pines. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5 Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 10 miles west of Aberdeen on the North Deeside Road and is open to the public all the year round. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, North, East, Drumoak, Peterculter, Drum, Castle, NTS, National, Trust, history, medieval, tower, high, Laigh, hall, Jacobean, mansion, entrance, view, northern, aspect, Victorian, lairds, Irvine, family heritage, preserved, woods, lawn, gardens, summer, landscape, sunshine
Drum Castle Southern Aspect xvv3171jhp 
 Drum Castle Front Lawns Autumn Light Blue Sky Scottish Property Aberdeenshire was formerly a royal residence with the Great Tower dating from the reign of King William the Lion, late 13th century. Granted to the Irvine family by Robert the Bruce has been under their care from 1323 to 1976, including Forest of Drum, a royal hunting park and the Old Wood with ancient oaks, geans and Caledonian Pines.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. This is a National Trust for Scotland property situated about 10 miles west of Aberdeen on the North Deeside Road and is open to the public all the year round. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, North, East, Drumoak, Peterculter, Drum, Castle, NTS, history, medieval, tower, high, Laigh, hall, Jacobean, mansion, Victorian, lairds, Irvine, family heritage, preserved, woods, lawn, gardens, upright
Drum Castle South xvv3176jhp 
 Drum Castle Front Panorama Lawn Grass Blue Sky Autumn Colours Scotland was formerly a royal residence with the Great Tower dating from the reign of King William the Lion, late 13th century. Granted to the Irvine family by Robert the Bruce has been under their care from 1323 to 1976, including Forest of Drum, a royal hunting park and the Old Wood with ancient oaks, geans and Caledonian Pines.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. This is a National Trust for Scotland property situated about 10 miles west of Aberdeen on the North Deeside Road and is open to the public all the year round. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, North, East, Drumoak, Peterculter, Drum, Castle, NTS, history, medieval, tower, high, Laigh, hall, Jacobean, mansion, Victorian, lairds, Irvine, family heritage, preserved, woods, lawn, gardens, landscape
Drum Castle South xvv3167jhp 
 Drum Castle Photograph Autumn Light Front Path Foreground Converging Scotland Formerly a royal residence with the Great Tower dating from the reign of King William the Lion, late 13th century. Granted to the Irvine family by Robert the Bruce has been under their care from 1323 to 1976, including Forest of Drum, a royal hunting park and the Old Wood with ancient oaks, geans and Caledonian Pines.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. This is a National Trust for Scotland property situated about 10 miles west of Aberdeen on the North Deeside Road and is open to the public all the year round. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, North, East, Drumoak, Peterculter, Drum, Castle, NTS, history, medieval, tower, high, Laigh, hall, Jacobean, mansion, Victorian, lairds, Irvine, family heritage, preserved, woods, lawn, gardens, landscape
Dunnottar Old Hall Bay 10528JHP 
 Dunnottar Castle Scottish ruin Old Hall Bay Aberdeenshire Scotland stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from Old Hall Bay.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Old Hall, Bay, rocks, sea, waves, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Old Hall Bay 105212JHP 
 Dunnottar Castle Scottish ruin Old Hall Bay Aberdeenshire Scotland ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from Old Hall Bay at low tide during the summer.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Old Hall, Bay, rocks, tide, out, seaweed, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Whigs Vault 61479JHP 
 Dunnottar Castle Whigs Vault dungeon Scottish Aberdeenshire Scotland in ruin standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; this photo is inside the Whigs Vault or prison.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Whigs, Vault, prison, dungeon, Covenanters, landscape, fortress, transparency, scanned
Dunnottar Castle UP684018JHP 
 Dunnottar Castle cliff Autumn Scottish Aberdeenshire Ruin Fortress Sea Sunshine standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from the main approach on the cliffs with Castke Haven Bay to the left and Old Hall to the right giving an excellent sense of the strategic position on the headland.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Haven, Old Hall, Bay, rocks, sea, waves, landscape, autumn; headland, spectacular, coast, coastal, cliffs, fortress
Dunnottar Castle UP684012JHP 
 Dunnottar Castle Approach Path Keep Cliffs Scottish Aberdeenshire Fort Atumn Ruin standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from cliffs looking at the main and only entrance at the top of the steps.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, upright, steps, entrance, gate, door, approach, spectacular, coast, coastal, cliffs, fortress
Dunnottar Castle UP684001JHP 
 Dunnottar Castle Panorama Photograph Cliff Autumn Dramatic Light Scottish ruin Aberdeenshire Scotland stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from cliffs on first approach to the castle.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, autumn, evening, rocks, sea, waves, landscape, spectacular, coast, coastal, cliffs, fortress
Dunnottar Castle S0799JHP 
 Dunnottar Castle Cliff Spring Aberdeenshire Scottish Fortress Ruin Stonehaven Fort stands proud on a spectacular headland jutting out into the North Sea. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from cliffs near the start of the steps down to the beach.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Bays, rocks, sea, waves, upright, spectacular, coast, coastal, cliffs, fortress
Dunnottar Castle S0795JHP 
 Dunnottar Castle Wide Cliffs Vista Sea Spring Sunny Clouds Aberdeenshire Scotland fortress ruin standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from the cliffs with Castle Haven Bay to the left and Old Hall Bay to the right and a excellent appreciation of the strategic strength of the headland.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Haven, Old Hall, Bay, rocks, sea, waves, landscape, spectacular, coast, coastal, cliffs, fortress
Dunnottar Castle Panorama S0807JHP 
 Dunnottar Castle Scotland Panoramic High South Old Hall Bay Coastline Aberdeenshire ruin standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from above Old Hall Bay to the south looking northwards towards Castle Haven Bay and North Sea coast.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Haven, Old Hall, Bay, rocks, sea, waves, landscape, panorama, spectacular, coast, coastal, cliffs, fortress
Dunnottar Castle Keep 15256JHP 
 Dunnottar Castle Fort Fortress Keep Stone Building Tower Aberdeenshire Scotland ruin on site standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here is the castle Keep, the main guardhouse and above the only entrance gate and portcullis.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, landscape, keep, guardhouse, spectacular, cliffs, fortress, transparency, scanned
Dunnottar Castle Haven Bay 1438JHP 
 Dunnottar Castle Winter Sea Waves Castle Haven Bay Aberdeenshire Scotland ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from Castle Haven Bay.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Haven, Bay, rocks, sea, waves, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Hamlet Film 7832JHP 
 Dunnottar Castle Hamlet Film Set Battlements Outline Flags Scottish Aberdeenshire ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here during the filming of Mel Gibson Hamlet with additional battlements and flags.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Hamlet, film, set, flags, battlements, upright, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Haar 71102JHP 
 Dunnottar Scottish Castle Haar Shrouded Mist Ghostly Fortress Cliffs Aberdeenshire ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here during a sea mist or Haar.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Haar, seamist, foggy, eerie, Haven, Bay, rocks, sea, waves, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Dawn 1118315JHP 
 Dunnottar Castle Dawn Sun Rays Beams Equinox Autumnal Scottish Silhouette stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here at dawn from the cliffs during the week of the autumn equinox.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, dawn, sunrise, equinox, sea, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Dawn 1118311JHP 
 Dunnottar Castle Sunrise Sun Beams Clouds Autumn Equinox Cliff Photo view Aberdeenshire Scotland ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from cliffs during the equinox sunrise and used on the front cover of the current colour guidebook.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, sunrise, dawn, equinox, sea, upright, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Dawn 111789JHP 
 Dunnottar Castle Dawn Sun Clouds Rays Golden Scottish Aberdeenshire Autumn Equinox ruined fortress stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from Castle Haven Bay.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, sunrise, dawn, sunbeams, outline, silhouette, sea, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Dawn 111781JHP 
 Dunnottar Castle Scottish Autumn Equinox Dawn Photograph Clouds Sun Cliff view ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from the cliffs during an autumnal dawn.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, sunrise, autumn, dawn, sea, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Dawn 1117812JHP 
 Dunnottar Castle Cloud Sunrise Autumn Aberdeenshire Scotland Silhouette Ruin Photo stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here from the clifs during an autumnal sunrise.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, sunrise, dawn, sunbeam, silhouette, sea, upright, spectacular, coast, coastal, cliffs, fortress, transparency, scanned
Dunnottar Castle Dawn 111634JHP 
 Dunnottar Castle Cloudy Autumn Dawn Photo Library Scotland Cliff Fortress standing proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwell’s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here at dawn from the cliffs during the week of the autumn equinox.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223. 
 Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, sunrise, dawn, autumnal, equinox, sea, waves, landscape, spectacular, coast, coastal, cliffs, fortress, transparency, scanned

Scotland > Morayshire Coast (7 files)

Photographs covering the Morayshire coast from Cullen to Nairn, including the Bow Fiddle Rock, Portkockie, Buckie, Lossiemouth, Burghead and Findhorn.
Findhorn Estuary Mouth VS3307JHP 
 Findhorn Bay Estuary Scottish Autumn Photo Stock Library Groyne Beach Shingle looking to Cromarty Firth located north of Morayshire town of Forres on the Moray Firth on the banks of River Findhorn and is a sheltered anchorage for small boats and yachts and famous for its spiritual community and ecovillage. 
 Keywords: Scotland, Scottish, Moray Firth, Grampian, Highlands, Morayshire, Findhorn, Cromarty, firth, river, bay, estuary, landscape, beach, grass, dunes, pebbles
Moray Firth fm Lossiemouth VQ9475JHP 
 Lossiemouth Beach West Rocky Foreshore Wild Flowers Moray Firth Summer in North East Scotland is one of the largest towns on the coast famous for the important RAF airfield with many years of Maritime Reconnaissance flying the now mothballed Nimrod fleet part of the Cold War Defences of the UK. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Lossiemouth, landscape, coast, sea, water, west, beach, rocks, evening, sky, clouds, spring, flowers, colourful, colorful, coloured, colored, colours, colors
Moray Firth fm Lossiemouth VQ9471JHP 
 Lossiemouth Moray Firth Foreshore Beach Rocks Flora Closeup Photo Scotland in North East Scotland is one of the largest towns on the coast famous for the important RAF airfield with many years of Maritime Reconnaissance flying the now mothballed Nimrod fleet part of the Cold War Defences of the UK. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Lossiemouth, upright, coast, sea, water, east, beach, rocks, evening, sky, clouds, spring, flowers, colourful, colorful, coloured, colored, colours, colors
Lossiemouth West beach VQ9486JHP 
 Lossiemouth Beach West Groynes Sand Summer Evening Dog Waves Playing overlooking the Moray Firth in North East Scotland is one of the largest towns on the coast famous for the important RAF airfield with many years of Maritime Reconnaissance flying the now mothballed Nimrod fleet part of the Cold War Defences of the UK. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Lossiemouth, Covesea, landscape, coast, sea, water, west, beach, rocks, evening, sky, clouds, spring, people, wading, dog, splashing, silvery, bay
Lossiemouth West Beach VQ9489JHP 
 Lossiemouth Beach Children Playing Water Edge Waves Sea Sunshine Photo overlooking the Moray Firth in North East Scotland is one of the largest towns on the coast famous for the important RAF airfield with many years of Maritime Reconnaissance flying the now mothballed Nimrod fleet part of the Cold War Defences of the UK. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Lossiemouth, landscape, coast, sea, water, west, beach, rocks, evening, sky, clouds, spring, people, wading, dog, splashing, silvery, bay
Lossiemouth West Beach VQ9485JHP 
 Lossiemouth Beach West Man Dog Waves Playing Scottish Summer Evening overlooking the Moray Firth in North East Scotland is one of the largest towns on the coast famous for the important RAF airfield with many years of Maritime Reconnaissance flying the now mothballed Nimrod fleet part of the Cold War Defences of the UK. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Lossiemouth, Covesea, upright, coast, sea, water, west, beach, rocks, evening, sky, clouds, spring, people, wading, dog, splashing, silvery, bay
Lossiemouth & Covesea VQ9482JHP 
 Lossiemouth West Beach Groynes Lighthouse Sea Summer Photo Evening Scotland overlooking the Moray Firth in North East Scotland is one of the largest towns on the coast famous for the important RAF airfield with many years of Maritime Reconnaissance flying the now mothballed Nimrod fleet part of the Cold War Defences of the UK. 
 Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Lossiemouth, Covesea, light-house, landscape, coast, sea, water, west, beach, rocks, evening, sky, clouds, spring, silvery, bay

Scotland > Other Scotland (16 files)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
Rob Roy Viewpoint qwe9885jhp 
 Loch Lomond Scotland Inveruglas Vorlich Vane mountains Inversnaid shoreline view taken on a summer morning from the Rob Roy National Trust for Scotland viewpoint just above the Inversnaid Hotel offering spectacular view southwards of this large sealoch situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and is rightfully called “Queen of the Scottish lakes”. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Lomond, Inversnaid, hotel, Inveruglas, hydro, electric, pipes, sealoch, sea, water, summer, morning, landscape, west, Rob, Roy, MacGregor, viewpoint, NTS, National, Trust, cave, shores, Ben, Beinn, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, mountains, hills, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, pastel, colours, bracken, silver, birch
Rob Roy Viewpoint qwe9881jhp 
 Loch Lomond Scotland Trossachs water mountains Rob Roy View southwards shoreline views taken on a summer morning from the Rob Roy National Trust for Scotland viewpoint just above the Inversnaid Hotel offering spectacular view southwards of this large sealoch situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and is rightfully called “Queen of the Scottish lakes”. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Lomond, Inversnaid, hotel, Inveruglas, hydro, electric, pipes, sealoch, sea, water, summer, morning, landscape, southwards, Rob, Roy, MacGregor, viewpoint, NTS, National, Trust, cave, shores, Ben, Beinn, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, mountains, hills, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, pastel, colours, bracken, silver, birch
Rob Roy Viewpoint qwe9879jhp 
 Loch Lomond Scottish Trossachs sealoch mountains Rob Roy Viewpoint summer view taken on a summer morning from the Rob Roy National Trust for Scotland viewpoint just above the Inversnaid Hotel offering spectacular view southwards of this large sealoch situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and is rightfully called “Queen of the Scottish lakes”. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Lomond, Inversnaid, hotel, Inveruglas, hydro, electric, pipes, sealoch, sea, water, summer, morning, southwards, upright, Rob, Roy, MacGregor, viewpoint, NTS, National, Trust, cave, shores, Ben, Beinn, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, mountains, hills, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, pastel, colours, bracken, silver, birch
Rob Roy Viewpoint qwe9876jhp 
 Loch Lomond Scotland Trossachs birches bracken summer morning light mountains taken from the Rob Roy National Trust for Scotland viewpoint just above the Inversnaid Hotel offering spectacular view southwards of this large sealoch situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and is rightfully called “Queen of the Scottish lakes”. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Lomond, Inversnaid, hotel, Inveruglas, hydro, electric, pipes, sealoch, sea, water, summer, morning, landscape, Rob, Roy, MacGregor, viewpoint, NTS, National, Trust, cave, shores, Ben, Beinn, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, mountains, hills, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, pastel, colours, bracken, silver, birch
Stronachlachar Morning qwe9893jhp 
 Loch Katrine Scotland Trossachs Stronachlachar morning Ben Venue silhouette mountain shoreline views taken on a summer morning looking south eastwards across this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and enjoyed especially from the Sir Walter Scott boat trip from the distant shoreline joined at Trossachs’ Pier. 
 Keywords: Scotland, Scottish, Trossachs, pier, boats, anchored, row, fishing, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, Stronachlachar, Factor’s, Island, Ben, An, Venue, outline, silhouette, Cruinn, Bheinn, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, morning, light, waters, waves
Stronachlachar Evening qwe9790jhp 
 Loch Katrine Scotland Trossachs view Stronachlachar evening Factor’s Island Venue mountain shoreline views taken on a summer evening looking south eastwards across this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and enjoyed especially from the Sir Walter Scott boat trip from the distant shoreline joined at Trossachs’ Pier. 
 Keywords: Scotland, Scottish, Trossachs, pier, boats, anchored, row, fishing, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, Stronachlachar, Factor’s, Island, Ben, An, Venue, Cruinn, Bheinn, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, evening, light, waters, waves
Stronachlachar Evening qwe9785jhp 
 Loch Katrine Scottish Saltire Stronachlachar evening summer Factor’s Island mountain shoreline views taken on a summer evening looking south eastwards across this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and enjoyed especially from the Sir Walter Scott boat trip from the distant shoreline joined at Trossachs’ Pier. 
 Keywords: Scotland, Scottish, Trossachs, Saltire, flag, pier, boats, anchored, row, fishing, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, Stronachlachar, Factor’s, Island, Ben, An, Venue, Cruinn, Bheinn, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, evening, light, waters, waves
Stronachlachar Evening qwe9779jhp 
 Loch Katrine Stronachlachar evening pier boats anchored Factor’s Island mountain shoreline views taken on a summer evening looking south eastwards across this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and enjoyed especially from the Sir Walter Scott boat trip from the distant shoreline joined at Trossachs’ Pier. 
 Keywords: Scotland, Scottish, Trossachs, pier, boats, anchored, row, fishing, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, Stronachlachar, Factor’s, Island, Ben, An, Venue, Cruinn, Bheinn, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, evening, light, waters, waves, flag, Saltire
Stronachlachar Evening qwe9777jhp 
 Loch Katrine Scottish summer evening Stronachlachar boats Stob A'Choin mountain shoreline views taken on a summer evening looking south eastwards across this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day and enjoyed especially from the Sir Walter Scott boat trip from the distant shoreline joined at Trossachs’ Pier. 
 Keywords: Scotland, Scottish, Trossachs, pier, boats, anchored, row, fishing, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, Stronachlachar, Factor’s, Island, Stob, a'Choin, north, Cruinn, Bheinn, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, evening, light, waters, waves
Sir Walter Scott Cruise rty0038jhp 
 Loch Katrine Scottish Trossachs Strath Gartney water flag northern shoreline views taken on a summer trip on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country just passing Cruinn Bheinn on the return leg. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, Lomond, Dubh, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge
Sir Walter Scott Cruise rty0036jhp 
 Scottish Loch Katrine Trossachs Sir Walter Scott boat trip water flagpole mountains shoreline views looking towards Stronachlachar and thr distant Scottish Alpines taken on a summer trip on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Vorlich, Ime, Vane, Narnain, Lomond, Arthur, Cobbler, Alphines, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge
Sir Walter Scott Cruise rty0032jhp 
 Loch Katrine Scottish Alpine Ben Lomond Trossachs boat trip water mountains shoreline views taken on a summer trip on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. Looking towards Stronachlachar to the distant Lomond Hills or Scottish Alpines with ben Lomond to the left. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, Lomond, Dubh, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge
Sir Walter Scott Cruise rty0015jhp 
 Loch Katrine Scotland Trossachs Strath Gartney north shore hills shoreline views taken on a summer trip on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country here with a view of the northern shore at Strath Gartney and Cruinn Bheinn, with distant Beinn Bhreac and pass to Balquidder. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Balquidder, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, Lomond, Dubh, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge
Sir Walter Scott Cruise rty0010jhp 
 Loch Katrine Scottish Trossachs Pier departure Sir Walter Scott boat trip flagpole shoreline views taken on a summer trip on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, Lomond, Dubh, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge
Sir Walter Scott Cruise rty0008jhp 
 Loch Katrine Sir Walter Scott boat trip awning funnel summer views taken on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alpines, Lomond, Dubh, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge
Ellen s Island rty0006jhp 
 Loch Katrine Scotland Trossachs Walter Scott boat trip Ellen's Island shoreline views taken on a summer trip on this biodiesel fuelled steam powered boat the Sir Walter Scott offering spectacular trip for an hour on this large expanse of freshwater situated amongst beautiful mountain and rugged Scottish country. With historical links to some of the more romantic Scottish history from the birthplace of Roy Rob MacGregor to the Lady of the Lake story by Sir Walter Scott this is a very popular day trip from tourists from far a field as well as Glaswegians getting out of the City for a day. 
 Keywords: Scotland, Scottish, Trossachs, Stirlingshire, Loch, Katrine, freshwater, water, boat, trip, summer, landscape, Strath, Gartney, reservoir, Rob, Roy, MacGregor, birthplace, Glengyle, shores, Sir, Walter, Scott, author, novel, Lady, Lake, biodiesel, fuelled, steam, powered, paddle, steamer, Stronachlachar, Ellen’s, Factor’s, Island, Ben, Venue, Cruinn, Bheinn, Beinn, Bhreac, Mheadhonach, Meall, Goathach, Vorlich, Ime, Vane, Narnain, Arthur, Cobbler, Alphines, mountains, lochside, lochshore, shoreline, trees, rugged, blue, sky, white, clouds, sunshine, sunny, sun, glistening, waters, waves, wake, flag, flagpole, railing, awning, funnel, bridge

Scotland > Rivers, Glens & Lochs (57 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Lochnagar-Queens-View-qax8055jhp 
 Queen’s View Tillylodge Lochnagar mountain cloud cover Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, peak, outline, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, autumn, summer, clouds, topped, cover, cumulus, spectacular, October, 2nd, 2020, Nikon, D700, camera, digital, DSLR, photograph, photo, telephoto
Queens View Deeside qax4234jhp 
 Queen’s View Tarland Lochnagar Morven Deeside summer broom Aberdeenshire sunny spectacular vista viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph, not visible because of distance, is the small hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, broom, yellow, farming, green, grass, fields, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, white, clouds, cumulus, spectacular, summer, spring, May, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, upright
Queens View Deeside qax4232jhp 
 Queen’s View Tarland Lochnagar mountain Deeside early summer broom Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph, not visible because of distance, is the small hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, broom, yellow, farming, green, grass, fields, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, white, clouds, cumulus, spectacular, summer, spring, May, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo
Queens View Deeside qax4223jhp 
 Queen’s View marker viewpoint Tarland sightseers visitors Deeside early summer broom Aberdeenshire at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph, not visible because of distance, is the small hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, broom, yellow, farming, green, grass, fields, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, white, clouds, cumulus, spectacular, summer, spring, May, 2019, Nikon, D700, camera, digital, DSLR, photograph, photo, visitors, tourists, sightseers, people, young
Queens View Tarland fgh6678jhp 
 Queen’s View Lochnagar early snow winter mountain Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, early, fall, winter, clouds, cirrus, cumulus, spectacular September, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo
Queens View Tarland fgh5308jhp 
 Queen’s View viewpoint marker Lochnagar Scottish summer mountain dramatic clouds Aberdeenshire Tillylodge Coull turnoff viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, autumn, summer, clouds, cirrus, cumulus, spectacular September, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo
Queens View Tarland fgh5307jhp 
 Queen’s View viewpoint marker Lochnagar mountain Deeside Scotland clouds Aberdeenshire Tillylodge Coull turnoff viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, autumn, summer, clouds, cirrus, cumulus, spectacular September, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo, upright
Queens View Tarland fgh5301jhp 
 Queen’s View Tarland fields Lochnagar Scottish mountain Deeside clouds scenic Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, autumn, summer, clouds, cirrus, cumulus, spectacular September, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo, upright
Queens View Tarland fgh5300jhp 
 Queen’s View Tarland Lochnagar Scottish mountain Deeside autumn clouds dramatic Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, autumn, summer, clouds, cirrus, cumulus, spectacular September, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo
Queens View Tarland fgh5297jhp 
 Queen’s View Tarland Lochnagar mountain Deeside scenic Scotland summer clouds viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, autumn, summer, clouds, cirrus, cumulus, spectacular September, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo
Queen s View Tarland asd5405jhp 
 Queen’s View Tillylodge Tarland Lochnagar mountain spring snow Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. Please note Exif date is incorrect-should be 2013 not 2012. Not set correctly. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, telephoto, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, spring, April, 2013, Nikon, D700, camera, digital, DSLR, photograph, photo
Glen Dye Spring bnm7010jhp 
 Glen Dye Charr Burn gorse yellow spring Scottish Aberdeenshire summer May taken on the Cairn O’Mount stretch of road just before the steep hill down to the Spital Brig, looking across to the Charr Burn and a very typical part of the grouse and deer moorland and forestry Glen Dye estate located between Banchory on Royal Deeside and Fettercairn in Mearns. The road crosses over the moorlands peaking at the Cairn O’Mount with a viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile Howe of Mearns plain south as far as Dundee. Looking over the very narrow single lane Spital Brig is an old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. The small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, road, B974, Clachnaben, hill, Heatheryhaugh, landscape, upright spring, summer, gorse, yellow, flowers, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2017, 3rd, May, sunshine, sunny, blue, sky, bright, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm7008jhp 
 Glen Dye Clachnaben tor hill gorse summer heather Scotland cirrus Aberdeenshire Charr taken on the Cairn O’Mount stretch of road just before the steep hill down to the Spital Brig, looking across to the Charr Burn and a very typical part of the grouse and deer moorland and forestry Glen Dye estate located between Banchory on Royal Deeside and Fettercairn in Mearns. The road crosses over the moorlands peaking at the Cairn O’Mount with a viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile Howe of Mearns plain south as far as Dundee. Looking over the very narrow single lane Spital Brig is an old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. The small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, road, B974, Clachnaben, hill, Heatheryhaugh, landscape, spring, summer, gorse, yellow, flowers, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2017, 3rd, May, sunshine, sunny, blue, sky, cirrus, clouds, bright, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm7006jhp 
 Glen Dye Charr spring Cairn O'Mount road gorse moorland hills trees Scottish Aberdeenshire summer Charr taken on the Cairn O’Mount stretch of road just before the steep hill down to the Spital Brig, looking across to the Charr Burn and a very typical part of the grouse and deer moorland and forestry Glen Dye estate located between Banchory on Royal Deeside and Fettercairn in Mearns. The road crosses over the moorlands peaking at the Cairn O’Mount with a viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile Howe of Mearns plain south as far as Dundee. Looking over the very narrow single lane Spital Brig is an old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. The small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, road, B974, Clachnaben, hill, Heatheryhaugh, landscape, spring, summer, gorse, yellow, flowers, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2017, 3rd, May, sunshine, sunny, blue, sky, bright, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm7005jhp 
 Clachnaben tor hilltop trees Scottish Aberdeenshire spring summer Charr taken on the Cairn O’Mount stretch of road just before the steep hill down to the Spital Brig, looking across to the Charr Burn and a very typical part of the grouse and deer moorland and forestry Glen Dye estate located between Banchory on Royal Deeside and Fettercairn in Mearns. The road crosses over the moorlands peaking at the Cairn O’Mount with a viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile Howe of Mearns plain south as far as Dundee. Looking over the very narrow single lane Spital Brig is an old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. The small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, road, B974, Clachnaben, hill, Heatheryhaugh, landscape, spring, summer, gorse, yellow, flowers, water, Dye, Spital, Spittal, Charr, burn, track, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2017, 3rd, May, sunshine, sunny, blue, sky, bright, digital, camera, DSLR, Nikon, D700
Glen Dye bnm4254jhp 
 Glen Dye Spital road bridge narrow hills forest moorland Scotland summer Aberdeenshire sunny taken near the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, July, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye bnm4253jhp 
 Glen Dye Spital ruin hills Scotland summer forest white clouds sunny taken over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, July, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye bnm4252jhp 
 Glen Dye Spittal ruin hills trees Scottish Aberdeenshire cirrus clouds sunny taken over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, upright, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, July, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye bnm4251jhp 
 Glen Dye Spital ruin hills trees Scotland summer Aberdeenshire cirrus clouds sunny taken over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, July, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Don Monymusk bnm3632jhp 
 River Don Monymusk telephoto crop summer fields trees Aberdeenshire Scotland in North East Scotland looking eastwards and downstream just near the village of Monymusk, on a long straight out of the village one glimpses the River Don, before the Pitfichie Castle crossroads near the road bridge from Kemnay that is overlooked by the distinctive outline of Bennachie with its summit now the site of a vitrified Pictish fort and its distinctive outline clearly viewed from many parts of Aberdeenshire. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Bennachie, Monymusk, village, Tillyfourie, Kemnay, road, summer, landscape, countryside, rural, farmland, farming, agriculture, forestry, fields, crops, new, green, roadside, fence, trees, 2016, June, digital, photograph, Nikon, D700, DSLR, camera
Don Monymusk bnm3629jhp 
 River Don Monymusk roadside summer fields view Donside Aberdeenshire Scotland in North East Scotland looking eastwards and downstream just near the village of Monymusk, on a long straight out of the village one glimpses the River Don, before the Pitfichie Castle crossroads near the road bridge from Kemnay that is overlooked by the distinctive outline of Bennachie with its summit now the site of a vitrified Pictish fort and its distinctive outline clearly viewed from many parts of Aberdeenshire. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Bennachie, Monymusk, village, Tillyfourie, Kemnay, road, summer, landscape, countryside, rural, farmland, farming, agriculture, forestry, fields, crops, new, green, roadside, fence, trees, 2016, June, digital, photograph, Nikon, D700, DSLR, camera
Don Monymusk bnm3626jhp 
 River Don Monymusk roadside Scottish summer fields fence posts trees North East Scotland looking eastwards and downstream just near the village of Monymusk, on a long straight out of the village one glimpses the River Don, before the Pitfichie Castle crossroads near the road bridge from Kemnay that is overlooked by the distinctive outline of Bennachie with its summit now the site of a vitrified Pictish fort and its distinctive outline clearly viewed from many parts of Aberdeenshire. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Bennachie, Monymusk, village, Tillyfourie, Kemnay, road, summer, landscape, countryside, rural, farmland, farming, agriculture, forestry, fields, crops, new, green, roadside, fence, trees, 2016, June, digital, photograph, Nikon, D700, DSLR, camera
Glen Dye bnm2710jhp 
 Glen Dye Charr water hills moors Scotland Aberdeenshire Spring April snow taken just above the Spital Bridge looking westwards along part of this typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, spring, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, April, Snow, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Clachnaben bnm2709jhp 
 Glen Dye Clachnaben tor hilltop Scottish Aberdeenshire Spring April snow taken just above the Spital Bridge part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, spring, snow, white, clouds, blue, sky, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, April, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Forest bnm3015jhp 
 Glen Dye Clachnaben larch trees fresh May spring vibrant green Scotland Aberdeenshire taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, spring, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, May, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Forest bnm3014jhp 
 Glen Dye Clachnaben tor hilltop larch trees green Scottish Aberdeenshire Spring taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, upright, spring, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, May, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Forest bnm3012jhp 
 Glen Dye Clachnaben tor hill larch trees fresh spring green Scottish Aberdeenshire taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, spring, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, green, fresh, vibrant, pine, grass, walking, wild, 2016, May, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm2535jhp 
 Glen Dye Spital bridge burn water Cairn O'Mount road snow spring sunny Scotland Aberdeenshire burn taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, pine, heather, grass, walking, wild, 2016, April, snow, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm2534jhp 
 Glen Dye Spital ruined inn drove roads snow spring sunny Scotland Aberdeenshire burn taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, upright, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, pine, heather, grass, walking, wild, 2016, April, snow, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm2533jhp 
 Glen Dye Spital ruin snow spring forest hills Scottish Aberdeenshire burn taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, pine, heather, grass, walking, wild, 2016, April, snow, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm2531jhp 
 Glen Dye Spittal ruined hospital snow April spring forest hills Scottish Aberdeenshire burn taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, upright, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, pine, heather, grass, walking, wild, 2016, April, snow, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Glen Dye Spring bnm2530jhp 
 Glen Dye Spital ruin hostelry snow winter scene spring sunshine Scotland Aberdeenshire burn taken near Heatheryhaugh part of a typical moorland and forestry estate located between Banchory on Royal Deeside and Fettercairn in Mearns crossed over the highland peaking at the Cairn O’Mount with viewpoint for views southwards to the coast near Montrose and the whole of the flat fertile plain south as far as Dundee. Looking over the old ruin by the Spital Burn which once was a ‘Spital’ or Hospital, a hostel for weary travellers either crossing the Cairn drove road or herdsmen moving cattle south to the Lowland Markets. The area had a reputation for robbers or highway men but after the railways took the main livestock to markets droving died out as did horse travelling and the roadside inn fell into ruin. Next to the Spital is a small single lane single arch bridge which has never been widened so is not liked by log lorries or coaches. There is a ruin on the other side of the Cairn O’Mount just above the Clatterin Brig which served a similar purpose and my Grandmother told me she had stayed in that hostelry when she and her new husband travelled on horse and trap from Montrose to Banchory in the late 1800’s. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen Dye, Cairn, O’Mount, Clachnaben, hill, Heatheryhaugh, landscape, summer, water, Dye, Spital, Spittal, Charr, burn, ruin, hospital, hostel, hotel, inn, bridge, bracken, rocks, tor, rocky, outcrop, trees, moorland, forest, larch, pine, heather, grass, walking, wild, 2016, April, snow, sunshine, sunny, digital, camera, DSLR, Nikon, D700
Above Glen Dye vbn0787jhp 
 Glen Dye Scotland Aberdeenshire Cairn road forest heather moors autumn scene which is a typical grouse shooting moorland in Aberdeenshire here near The Water of Dye in Glen Dye off the Cairn O'Mount road between Banchory on Royal Deeside and Fettercairn in the Mearns. In the distance just out of this view is the rocky tor on a hill called Clachnaben while the view takes the eye into Deeside and distant Aberdeenshire with young commercial forest plantations in mid view. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen, Dye, Clachnaben, hill, 2015, Nikon, D700, DSLR, landscape, September, autumn, brachen, rocks, Spital, Cairn, O'Mount, road, winding, hilly, empty, bridge, water, estate, moorland, forest, plantations, hills, shooting, grouse, pines, larch, summer, wildlife, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, flora, grass, walking, conservation, green, blue, farming, agriculture, wild
River Don Pitfichie zxc3836jhp 
 River Don Bennachie summer sunshine Pitfichie Monymusk bridge Donside Aberdeenshire in North East Scotland looking upstream westwards towards Paradise Woods on bright summer morning. Bennachie summit is the small dimple on the right and is the site of a vitrified Pictish fort and a distinct outline clearly viewed from many parts of Aberdeenshire. Pitcfichie Castle, a modern residence, is situated out of the photo on the left. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Don, Donside, Mar, Monymusk, Bennachie, landscape, upstream, upright, road, bridge, sunshine, sun, sunny, summer, morning, sparkling, water, reflections, glass, shining, riverbanks, trees, vitrified, fort, forest, Paradise Woods, autumn, colours, trees, bridge, 2014, DSLR, digital, Nikon, D700, Pitfichie, castle
River Don Pitfichie zxc3835jhp 
 River Don Bennachie summer sunshine Pitfichie Monymusk bridge Donside Aberdeenshire in North East Scotland looking upstream westwards towards Paradise Woods on bright summer morning. Bennachie summit is the small dimple on the right and is the site of a vitrified Pictish fort and a distinct outline clearly viewed from many parts of Aberdeenshire. Pitcfichie Castle, a modern residence, is situated out of the photo on the left. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Don, Donside, Mar, Monymusk, Bennachie, landscape, upstream, road, bridge, sunshine, sun, sunny, summer, morning, sparkling, water, reflections, glass, shining, riverbanks, trees, vitrified, fort, forest, Paradise Woods, autumn, colours, trees, bridge, 2014, DSLR, digital, Nikon, D700, Pitfichie, castle
Bennachie River Don zxc3470jhp 
 Bennachie Hill summer River Don bridge Pitfichie Monymusk Aberdeenshire Scotland Donside in the North East with a view from road bridge looking upstream to Bennachie after leaving Monymusk and heading for Blairdaff and Chapel Garioch Road. To the left and out of picturtee is Pitfichie Castle and Farm . 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Inverurie, Monymusk, Pitfichie, castle, River, Don, road, bridge, view, upstream, Mar, Garioch, Bennachie, hill, landscape, summer, spring, hills, farming, field, crop, barley trees, ash, forest, roadside, grass, clouds, clouds, blue, sky, sunny, sunshine
Above Haugh of Glass zxc2365jhp 
 River Deveron Glen Haugh Glass trees Scotland Aberdeenshire Summer panorama taken from the Huntly to Edinglassie Road running east of the River Deveron as it flows northwards from Cabrach to Huntly and eventually out to sea at Banff. 
 Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Highlands, Cabrach, River, Deveron, Edinglassie, Haugh, Glass, glen, rolling, hills, forest, fields, Huntly, sunny, summer, flowers, wild, grass ruined, croft, rural, Nature, landscape, field, farm, farms, farming, agriculture, hill, rugged, grass, land-use, trees, parapet, wall, sunlight, panorama, DSLR, Nikon, D700
Morven South Deeside fgh1676jhp 
 South Deeside Road Aberdeenshire Scotland Morven summer farmland Potarch Ballogie viewed just after Northbrae near the junction of the Potarch to South Deeside Road where the road either goes right westwards to Aboyne or eastwards, via Marywell to Feughside. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Morven, Northbrae, Potarch, South, road, SDR, Ballogie, Marywell, Aboyne, Birse, landscape, farmland, fields, hill, trees, clouds, countryside
Queens View Tarland asd5416jhp 
 Queens View Slack Tarland Lochnagar mountain Deeside spring Scottish Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, spring, upright, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View Tarland asd5414jhp 
 Queens View spring Slack Maker panorama Coull Lochnagar mountain Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, marker, spring, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View Tarland asd5413jhp 
 View Tillylodge Tarland Morven hill Lochnagar mountain Deeside spring Scottish Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, spring, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Mount Battock Queens View asd5411jhp 
 Queens View Slack Coull Mount Battock Hill Deeside Scotland spring Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Mount, hill, Battock, spring, Tomnaverie, Stone, Circle, landscape, telephoto, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Morven Queens View asd5410jhp 
 Queens View Tillylodge Slack Tarland Coull Morven hill spring snow Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, spring, snow, patches, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Lochnagar Queens View asd5407jhp 
 Queens View Tarland Lochnagar mountain spring snow patches Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, telephoto, hills, spring, snow, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Deeside Dess High View rty0157jhp 
 Royal Deeside Dess high view summer fields panorama Aberdeenshire Scotland looking out over Royal Deeside and Auchinhove from Woodend by Broom hill on the Dess road to Crossroads of Lumphanan. 
 Keywords: Scotland, Scottish, Aberdeenshire, Dess, Lumphanan, crossroads, high, Woodend, Broom, hill, hills, Royal, Deeside, summer, landscape, road, gorse, foxgloves, pine, trees, cloudless, blue, sky, countryside, farmland, fields, grass, cattle
Auchallater nr Braemar qwe9531jhp 
 Auchallater burn rocks heather sheep birches Glen Callater Aberdeenshire Scotland is the attractive starting point with a small carpark for walkers going into the mountains or just walking to Loch Callater a relatively easy flat walk on estate road. The pull off is a few miles out of Braemar on the Cairnwell/Glenshee road across from the farm of the same name. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Glen, Water, Clunie, Auchallater, Cairnwell, road, Glenshee, burn, upright, autumn, Callater, hill, walk, outcrop, silver, birches, rowan, heather, purple, flowering, sheep, granite, trees, countryside, rural, mountains
Auchallater nr Braemar qwe9530jhp 
 Auchallater water burn rocks heather sheep walk Glen Callater Braemar Aberdeenshire Scotland is the attractive starting point with a small carpark for walkers going into the mountains or just walking to Loch Callater a relatively easy flat walk on estate road. The pull off is a few miles out of Braemar on the Cairnwell/Glenshee road across from the farm of the same name. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Glen, Water, Clunie, Auchallater, Cairnwell, road, Glenshee, burn, landscape, autumn, Callater, hill, walk, outcrop, silver, birches, rowan, heather, purple, flowering, sheep, granite, trees, countryside, rural, mountains
Auchallater nr Braemar qwe9528jhp 
 Auchallater burn rocks heather sheep Callater Braemar Aberdeenshire Scotland is the attractive starting point with a small carpark for walkers going into the mountains or just walking to Loch Callater a relatively easy flat walk on estate road. The pull off is a few miles out of Braemar on the Cairnwell/Glenshee road across from the farm of the same name. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Glen, Water, Clunie, Auchallater, Cairnwell, road, Glenshee, burn, landscape, autumn, Callater, hill, walk, outcrop, silver, birches, rowan, heather, purple, flowering, sheep, granite, trees, countryside, rural, mountains
Auchallater nr Braemar qwe9526jhp 
 Auchallater burn granite rocks heather sheep autumn Callater Aberdeenshire Scottish is the attractive starting point with a small carpark for walkers going into the mountains or just walking to Loch Callater a relatively easy flat walk on estate road. The pull off is a few miles out of Braemar on the Cairnwell/Glenshee road across from the farm of the same name. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Glen, Water, Clunie, Auchallater, Cairnwell, road, Glenshee, burn, upright, autumn, Callater, hill, walk, outcrop, silver, birches, rowan, heather, purple, flowering, sheep, granite, trees, countryside, rural, mountains
Auchallater nr Braemar qwe9522jhp 
 Auchallater water hills rocks heather sheep Braemar Aberdeenshire Scotland photo is the attractive starting point with a small carpark for walkers going into the mountains or just walking to Loch Callater a relatively easy flat walk on estate road. The pull off is a few miles out of Braemar on the Cairnwell/Glenshee road across from the farm of the same name. 
 Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Glen, Water, Clunie, Auchallater, Cairnwell, road, Glenshee, burn, landscape, autumn, Callater, hill, walk, outcrop, silver, birches, rowan, heather, purple, flowering, sheep, granite, trees, countryside, rural, mountains
Slack of Tillylodge rty0368jhp 
 Queens View Tillylodge Slack Coull fork road Scottish mountain Lochnagar outline Deeside just before the viewpoint called The Queen's View at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. This is the view approaching from the east and gives you the best and first real sense of the scale of Lochnagar, the fourth largest mounatin in Britian 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Coull, fork, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, outline, landscape, hills, panorama, countryside, colourful, colorful, sun, sunshine
Slack of Tillylodge rty0367jhp 
 Queens View Tillylodge Slack Coull fork road Lochnagar outline Deeside Scotland autumn just before the viewpoint called The Queen's View at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. This is the view approaching from the east and gives you the best and first real sense of the scale of Lochnagar, the fourth largest mounatin in Britian. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Coull, fork, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, outline, landscape, hills, panorama, countryside, colourful, colorful, sun, sunshine
Queens View Tarland rty0382jhp 
 Queens View Tillylodge Slack Tarland Coull Lochnagar mountain Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, stone, circle, hill, landscape, hills, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View Tarland rty0373jhp 
 Queens View Tillylodge Slack Lochnagar Deeside Scottish panorama Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine
Queens View & Lochnagar rty0385jhp 
 Queens View Tillylodge Slack Tomnaverie Stone Circle Lochnagar Deeside Scotland Aberdeenshire viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, telephoto, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, autumn
West Deeside Ballater UP653657JHP 
 Craigendarroch seat roadside Ballater Royal Deeside viewpoint westwards Coilacriech Aberdeenshire Scotland travelling out of the town towards Balmoral and Braemar along the River Dee. 
 Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Ballater, town, Craigendarroch, hotel, timeshare, Hilton, seat, viewpoint, Deeside, forest, Coilacriech, westwards, landscape
River Feugh Southwards xvv2816jhp 
 Falls Feugh Summer Tree Framed Branches Mist Torrents Falls Photo are a popular tourist attraction just outside Banchory on Royal Deeside, Aberdeenshire Scotland where the River Feugh pours through a narrow gorge of rocks and under a pretty road bridge before entering the River Dee. There is a salmon ladder but the main excitement is watching the fish climbing up the naturally created rapids seeking their spawning beds further up river. 
 Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Feugh, River, Falls of Feugh, spring, summer, landscape, rocks, water, tumbling, gorge, ladder, colourful, colorful, coloured, colored, trees, green, viewpoint, attraction

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