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Egypt > Abydos & Dendara (23 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.
Abydos Ramesses 11 Temple Relief 5440EG07JHP Temple Small Ramesses Abydos Coloured painted reliefs exterior sunlight photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, pharaoh, seated, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Relief 5429EG07JHP Temple Egyptian Pharaoh Ramasses 11 Abydos Small colourful painted walls is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, wine, water, food, fruit, lotus, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Relief 5406EG07JHP Temple Egypt Small Abydos Ramses wall carving outline early draft in this site a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, painted, sketches, working, unfinished, outlines, bas reliefs, hieroglyphs, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Pharaoh Barge 5422EG07JHP Royal Boat Barque colourful painted wall relief Abydos Small Temple Ramses 11 with one of many surviving 3200 year old coloured bas reliefs is a small site a few hundred metres from the main Abydos Temple of Seti 1 north of Luxor in Egypt. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, royal barge, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Paintings 5435EG07JHP Temple Ramasses Egypt Small Abydos Painted frieze offering wine food photo is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5444EG07JHP Temple Small Abydos Ramses 11 interior wall painting offering lotus flower is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. An offering scene in one of the small chapels. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5415EG07JHP Abydos Small Temple Ramesses 11 prisoners reliefs kneeling tied bound is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. These are iconic images of prisoners relating to the Battle of Kadesh and his victory story so beloved of Ramesses. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, holiday, travel, 2007, Fuji, S5, DSLR, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, Gods, Sety 1, Ennead, Onuris, Thoth, Min, Osiris, Kadesh, battle, prisoners, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5414EG07JHP Temple Abydos Small Ramses vulture flying neret Nekhbet cartouche colourful painted reliefs at this location a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. A very colourful cartouche of Ramesses 11 is visible near the corner of this wall. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, vulture, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Painting 5403EG07JHP Temple Abydos Small Ramesses 11 hierogylphs Ancient Egyptian cattle deer fowl is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, bullock, fowl, antelope, food, meat, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5450EG07JHP Small Temple Ramesses Abydos Osiris interior wall coloured painting photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. In this scene the King stands before Osiris watched by a humanoid djed pillar, a very rare and unusual scene. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, djed, pillar, humanoid, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5437EG07JHP Egyptian Small Temple Abydos Ramses painted colourful frieze offering wine food is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5421EG07JHP Temple Ramesses Abydos solar Barque Wia Gods Thoth Re falcon on walls a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Offering 5417EG07JHP Temple Pharaoh offering crown blue khepresh Ramasses painted relief photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, offerings, wine, food, meat, fruit, lotus, flowers, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Godesses 5446EG07JHP Temple Abydos Small Interior Wall painting chapel seated goddess cartouche is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. This photo is one one of the small chapels. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, wall, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, interior, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Gate 5434EG07JHP Egyptian Temple Small Ramesses 11 Abydos Black Granite Gate photograph is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. In this photograph is one of the grey granite gates that is still standing. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Gate 5433EG07JHP Small Egypt Temple Abydos Ramesses Cartouche Granite Gate above is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. In this photograph is one of the grey granite gates that is still standing with a beautifully carved cartouche to the Great Pharaoh. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Figure 5409EG07JHP Small Temple Ramses 11 Abydos Egypt detail exquisite colorful bas reliefs in this site near Abydos Temple north of Luxor in Egypt Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, bas reliefs painted colours colourful detail bull herdsman hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Exterior 5460EG07JHP Temple Small Abydos Egypt outside photograph overview ancient Ramesses 11 building a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. This view is of the outside of the enclosure wall much of the top level of which has been destroyed and adjacent to the site is the modern town of Abydos. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, exterior, mudbrick, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple Exterior 5459EG07JHP Temple Small Ramses outer wall Abydos village desert photograph Egyptian site a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. This view is of the outside of the enclosure wall much of the top level of which has been destroyed and adjacent to the site is the modern town of Abydos. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, exterior, mudbrick, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple 5455EG07JHP Small Temple Ramasses Abydos interior Ancient Egyptian upright walls gate which is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, interior, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, upright, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Ramesses 11 Temple 5454EG07JHP Temple Small Abydos Egypt Ramesses 11 interior gate walls landscape photo a 10 minute walk to the NW of the main Sety 1 Temple at Abydos and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Abydos, Ramses, Ramesses, temple, mortuary, interior, limestone, sandstone, bas reliefs, hieroglyphs, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, landscape, history, archaeology, ancient, Egyptology, Gods, Sety 1, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Mudbrick Archaeology 5401EG07JHP Small Temple Ramses Abydos village mudbrick archaeology buildings walls seen during a 10 minute walk to the NW of the main Sety 1 Temple at Abydos, passing remains of ancient dwelling houses and although much smaller and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Ramses, Ramesses, temple, mortuary, walk, mudbrick, remains, walls, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, holiday, travel, 2007, Fuji, S5, DSLR, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, Gods, Sety 1, Ennead, Onuris, Thoth, Min, Osiris, Kadesh, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral
Abydos Mudbrick Archaeology 5400EG07JHP Abydos Village modern ancient mudbrick buildings Egyptian Temple Ramses photo is a 10 minute walk to the NW of the main Sety 1 Temple at Abydos, passing remains of ancient dwelling houses near the modern town of Abydos. Although this temple is small and completely uncovered, it is worth the walk and effort to see it for there are many high quality colorful painted reliefs which are easily accessible and a joy to behold. Probably covered as late as the Napoleonic exploration means the sun and exposure to the elements has not had long enough to destroy the colours completely something that will eventually happen. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Ramses, Ramesses, walk, modern, town, mudbrick, remains, buried, sand, dwellings, temple, mortuary, limestone, gray, granite, sandstone, painted, bas reliefs, hieroglyphs, cartouche, entrance, portico, pylon, octostyle, square, pillars, hall, chapels, court, holiday, travel, 2007, Fuji, S5, DSLR, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, Gods, Sety 1, Ennead, Onuris, Thoth, Min, Osiris, Kadesh, battle, sunlight, colours, colors, colourful, colorful, exposed, roofless, natural, light, conserved, mineral

Egypt > Aswan in general (29 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Quarry EG949313ajhp Aswan granite quarry levels layers hole marks Ptolemaic Roman period Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1994, slide, film, 35mm, format, Fuji, RDP, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00459jhp Unfinished Obelisk Granite huge side view long to top Quarry Aswan ancient Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00458jhp Unfinished Obelisk Granite channel base pounding Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00457jhp Abandoned Obelisk Granite side trench Quarry insitu background Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00456jhp Unfinished Obelisk Granite huge side channel gully long view Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00455jhp Granite huge Quarry workings techniques holes metal working Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, metal, copper, iron, chisel, marks, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00454jhp Granite huge Quarry workings techniques chisel marks remains pink Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00453jhp Granite pink red Quarry chisel cuts workings techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00452jhp Granite closeup quarry Ptolemaic Roman techniques slots line fracture technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004515jhp Granite pink grey Quarry workings panorama later techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004514jhp Granite huge Quarry metal teeth late workings remains technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004513jhp Granite Quarry general overview old workings levels removed Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004512jhp Unfinished Obelisk Granite huge split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004511jhp Unfinished Obelisk Granite huge top view broken fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617232jhp Unfinished Obelisk Granite huge top view centre fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617231jhp Unfinished Obelisk Granite central over view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617230jhp Unfinished Obelisk Granite channel pounded trench Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG02cf90178jhp Unfinished Obelisk Granite huge damage fractured Quarry Aswan Egypt high view holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90179jhp Unfinished Obelisk Granite Quarry Aswan Egypt general over view panorama holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90177jhp Unfinished Obelisk Granite channel hole pounded Diorite Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounding, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90176jhp Unfinished Obelisk Granite channel gully long view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90175jhp Unfinished Obelisk deep channel gully long view Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, ball, pounded, pounding, channels, gullies, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02cf90174jhp Unfinished Obelisk Granite split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2002, Fuji S2, 35mm, format, digital, DSLR
Aswan Quarry EG02155ajhp Unfinished Ramses Colossus Granite abandoned hill top Tlaina Quarry Aswan Southern Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02154ajhp Unfinished Colossus Granite abandoned head face Ramses Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02153ajhp Unfinished Colossus Granite base feet abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02152ajhp Unfinished Colossus Granite rear Egyptians locals abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02151ajhp Unfinished Colossus Granite abandoned fractured rear Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG94423jhp Unfinished Obelisk Granite huge abandoned fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

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