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Aurora over Scotland (223 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Deeside Aurora au721112ajhp Scotland Auroral Glow airglow Neuk Crathes Banchory Deeside spring 1990 night sky taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the morning of 9th October at 00.35hrs UT was observed as a regular occurrence on nights preceding active Aurora displays and the Auroral Glow was described in Neil Bone’s The Aurora: Sun-Earth Interactions p112 as against airglow see p147. This was in the days of no Internet predictive sites like Spaceweather.com and the only way I could see displays was to sit on every clear night and watch the skies. This noticeably brighter night sky, rather like twilight that should not have been there at midnight in October encouraged me to make sure of being on site the following evening, in this case at 21.47hrs UT on the 9th when the glow was visible. Activity started around 22.15 with faint beams visible. I have already added other photos taken using Fuji RSP-416 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Auroral Glow, airglow, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa Major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, blue, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, winter, 9th, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74015jhp Scotland Aurora display rays folding arc waning Deeside rooftops shed Aberdeenshire taken over Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74014jhp Scottish Aurora display rays folding arc horseshoe Cassiopeia clouds Deeside rooftops moonlight taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74013ajhp Scottish Northern Lights Aurora rays folding arc horseshoe Cassiopeia rooftops moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au74012jhp Scotland Deeside Aurora Borealis rays folding arc horseshoe rooftops moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7410jhp Scotland Aberdeenshire Aurora Borealis rays arc two houses bathroom lights funny folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7409jhp Scottish Aurora Borealis blue nitrogen two houses bathroom lights funny folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7408ajhp Scottish Aurora Borealis blue nitrogen rays urban houses bathroom light folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7405ajhp Scotland British Aurora Northern Lights blue nitrogen rays urban Banchory folding arc town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7404jhp Scottish Aurora display blue nitrogen rays small changes folding arc Banchory urban town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7403jhp Scottish Aurora Borealis blue nitrogen rays folding arc Banchory urban town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Urban Aurora au7402ajhp Scotland Aurora Borealis rays folding arc Banchory urban town houses horseshoe blue nitrogen moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au816ajhp Scotland Aurora Borealis Rays red oxygen strong colours Christmas Day 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 24th December at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, December, 25th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au722816jhp Scottish Aurora display Neuk Arc Rays pink moonlight Plough October 1990 Aberdeenshire taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 29th October at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, purple, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 29th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au722815jhp Scotland Aurora Borealis Neuk Arc Rays pink moonlight Plough autumn 1990 Aberdeenshire taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 29th October at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, purple, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 29th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au721126ajhp Scotland Northern Lights Neuk Rays red Plough Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 9th Octoberr at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, Octoberr, 9th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au723636ajhp Scottish Aurora Northern Lights larch tree rays red Deeside November 1990 taken on the Harestone Road near the Banchory entrance. Taken on the 28 November at 00.33hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, winter, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, November, 28th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au723622jhp Scotland Northern Lights larch tree rays red stars Deeside winter 1990 taken on the Harestone Road near the Banchory entrance. Taken on the 28 November at 00.21hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, November, 28th, winter, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora & Larch au721133ajhp Scottish Aurora display larch branches Rays red purple Deeside autumn 1990 taken on the Harestone Road near the Banchory end of the road by one of two large larch trees. Taken on the 9th Octoberr at 23.00 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 9th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720434ajhp Scottish Aurora Borealis display weak Arc Ray Plough Banchory autumn 1990 taken on the Harestone Road. Taken on the 21st September at 02.41 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar brighter display on the 14th of the month and in both displays the Plough Constellation was very prominent. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 21st, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720433ajhp Scotland Aurora Borealis weak Arc Ray red Plough Deeside autumn 1990 taken on the Harestone Road. Taken on the 21st September at 02.40 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar brighter display on the 14th of the month and in both displays the Plough Constellation was very prominent. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 21st, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720334ajhp Scottish Northern Lights dying display red faint rays Plough Banchory 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.25 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720317ajhp Scotland Northern Lights Active Arc red oxygen rays Plough constellation 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.07 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720316ajhp British Aurora Borealis Active Arc red oxygen rays Plough Crathes September 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.06 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720315ajhp Scottish Aurora Borealis Neuk Active Arc rays Plough Bid Dipper Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.05 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au720314ajhp Scotland Aurora Borealis Neuk Arc Plough Stars Ursa Major Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.00 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7756jhp Scottish Aurora Borealis arc morning nitrogen purple rays May telephone poles 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.48hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7753jhp Scotland Aurora new Borealis display arc morning nitrogen purple rays May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77526jhp British Aurora lights display Crathes Goddess dawn bright folding arc rays morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77525jhp Scottish Aurora display Banchory Goddess dawn bright folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77524jhp Scotland Aurora Borealis Deeside Goddess dawn light folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77521jhp Dawn approach active lights display arc red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.56hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77520jhp Dawn approaching Aurora lights display red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.57hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77519jhp Aurora Borealis British active display arc red purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77518jhp Aurora Borealis Deeside folded arc purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77516jhp Aurora Borealis Deeside arc purple rays Ley poles silhouette Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77515jhp Aurora Borealis Deeside Banchory new arc purple large ray tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.52hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77514jhp Aurora Borealis Aberdeenshire new arc purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77513jhp Scottish Northern Lights very active purple red rays tree siluoette May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77511jhp British Northern Lights arc active purple red rays tree stars Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au77510jhp British Aurora Borealis arc active nitrogen purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7649ajhp British Northern Lights moon large red pink oxygen rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.09hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7645ajhp Scotland Northern Lights Harestone Road large red rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.06hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76432ajhp Scotland Aurora Borealis red oxygen rays larch branches silhouette Deeside display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.26hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76431ajhp British Aurora Borealis rays larch branches silhouette Scottish display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.25hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7642ajhp Scotland Aurora Borealis Harestone Road moon red rays Deeside spring 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.05hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76427ajhp Scotland Aurora Borealis moving blurred red pink rays Banchory Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.23hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76426ajhp Scottish Aurora Borealis strong display red pink rays Jim Henderson Photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.22hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76425ajhp Scottish Aurora Borealis increasing display red pink rays spring summer 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.21hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76413ajhp Scottish Aurora Borealis moon setting patches faint rays Deeside May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.13hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76412ajhp Aurora Borealis British rich pink rays beautiful larch tree branches silhouette 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76411ajhp Aurora Borealis Scotland large pink highup rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76410ajhp Scottish Northern Lights large pink candy floss rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76335jhp Scotland Northern Lights Tree folding curving arc rays bright colours display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76334jhp Scottish Northern Lights Tree folding arc rays strong active display Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76331jhp Scotland Aurora Borealis Ley Tree folding arc strong active display Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76323jhp Scottish Aurora tree active rays red yellow silhouette Jim Henderson photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.41hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76322jhp British Northern Lights tree arc rays pink yellow spring silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76319jhp British Aurora Borealis moon arc rays yellow spring telephone pole silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76318jhp Scottish Aurora Borealis folding arc rays yellow Aberdeenshire spring telephone pole 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76313jhp Scotland Aurora Borealis Ley Tree Deeside arc rays red pink spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.31hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora with Moon au76227jhp British Aurora Borealis Ley moonlight moon Aberdeenside May spring morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. This is an excellent example that Aurora displays can be seen durting moonlight conditions. Taken on the early morning of the 1st May at 00.10 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au76224ajhp Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 23.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7624ajhp Scotland Aurora Borealis Ley tree faint red rays Deeside Banchory spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 22.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76236ajhp Scottish Aurora Borealis telephone pole active rays stage display lights spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.20hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au76228ajhp Scotland Aurora Borealis telephone pole early stage display Deeside spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au83636jhp British spring Aurora Corona Crathes Castle zenith crown overhead shape pastel colours turrets located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.10hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83635jhp Scotland Aurora Corona Crathes Castle ghost ghostlike shape pastel colours turrets located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.05hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83634jhp Scotland Northern Lights midnight Corona Castle sheets pastel colours turrets located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.00hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83631jhp Scottish Northern Lights Corona Castle sheets pastel colours Jim Henderson photo located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83629jhp Scottish Aurora Borealis Corona Castle sheets light pastel pink green colours located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.47hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83628jhp British Aurora Borealis Corona Castle arms wings rays pastel pink green colours located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.46hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83627jhp Northern Lights Scottish Corona Crathes Castle arms scale cascade pastel located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83624jhp Scotland Northern Lights Corona Crathes Castle turret Deeside rays pastel located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.40hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83620jhp Scottish Aurora Borealis Corona zenith centre Crathes Castle spring pastel colours overhead this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.32hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au83619jhp Scotland Aurora Borealis Corona zenith Crathes Castle Deeside spring pastel colours located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.30hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured
Aurora Crathes Castle au721136ajhp Scottish autumn Northern Lights Crathes Castle Plough red glow faint beams 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.49 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This one was a short period of a strong red glow of high level oxygen and some beams were discernaible on the slides. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721135ajhp British Northern Lights Crathes Castle Deeside oxygen red glow faint beams 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.48 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721134jhp British Aurora Borealis Crathes Castle golden cock autumn oxygen red weathervane reflection moonlight located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.46 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721134ajhp Scotland Aurora Borealis Crathes Castle strong glow rays October oxygen red 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.47hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721133ajhp Scottish Aurora Borealis Crathes Castle Deeside oxygen gas strong red Plough located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.50 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au721132ajhp Scotland Aurora Borealis Crathes Castle Deeside autumn oxygen red 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.45 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718331jhp Scotland Aurora Borealis Neuk haystack clouds light pollution summer nitrogen purple 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.11 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pollution, orange, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718326jhp Scotland Aurora Borealis Deeside summer nitrogen purple rays clouds 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.07 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718323jhp Scottish Northern Lights Neuk Deeside summer nitrogen purple rays clouds stars 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.04 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718321jhp British Aurora Borealis Neuk haystack clouds lights summer nitrogen purple rays 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.01 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au71838jhp Scotland Aurora Borealis Crathes Castle grounds Deeside summer nitrogen purple rays stars 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.05 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, NTS, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au71835jhp Scottish Aurora Borealis Crathes Castle nitrogen purple silhouette rays August display 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.00hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au71834jhp British Aurora Borealis Crathes Castle nitrogen purple early rays August display 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 00.58 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Crathes Castle au718313jhp Scotland Aurora Borealis Crathes Castle summer nitrogen purple waning faint 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7517ajhp Scottish Aurora display Cassiopeia Deeside red purple rays stars spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.37 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7516ajhp Scotland Aurora Borealis Crathes hayrake Deeside red rays stars spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.35 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75136ajhp Scotland Aurora Borealis high rays purple nitrogen gas April spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75136Ejhp Scotland Deeside Aurora Borealis rays purple nitrogen red oxygen gas April spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken near the end of the display on the 18th April around 01.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75135ajhp Scotland Aurora hayrake rays Aberdeenshire Jim Henderson photo spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75134ajhp Scottish Aurora Cassiopeia hayrake wheel silhouette rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75133ajhp Scottish Northern Lights hayrake wheel silhouette stars several rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.37 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75131ajhp Scottish Northern Lights Cassiopeia stars several rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.36 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75128ajhp Scotland Northern Lights Banchory Cassiopeia red purple nitrogen Deeside spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.36 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75127ajhp Scotland Aurora Borealis Crathes Cassiopeia red purple nitrogen Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.35 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75119ajhp British Aurora Borealis clouds red purple colours rays April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.25 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75116ajhp Scottish Aurora Northern Lights clouds red purple rays strong arc April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.17 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75114ajhp Scottish Aurora new display clouds Deeside red purple rays arc April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.12 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71129ajhp British Aurora Borealis February winter rays red Deeside west Hill Fare 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 01.15hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71128ajhp Scotland Aurora Borealis eastwards February winter red large rays active 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 01.05hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71125ajhp Scottish Aurora Borealis Neuk February winter rays streaming active movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 00.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7514ajhp Scottish Aurora lights red strong rays Cassiopeia pink yellow Deeside April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.03hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7513ajhp Scotland Aurora Borealis red strong rays Cassiopeia stars Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.01hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au75120ajhp Scottish Aurora Borealis arc red strong rays Cassiopeia stars north April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.29hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7393jhp Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.25hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73918ajhp Deeside Scotland Aurora Hill Fare rays pink fields Cassiopeia moonlight April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 23.00hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, farmland, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73914ajhp Deeside Scotland Northern Lights rays pink hayrake Cassiopeia dyke moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73913ajhp Aberdeenshire Northern Lights rays pink hayrake Cassiopeia stars moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.35hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73912ajhp British Aurora display rays red hayrake Cassiopeia stars moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.32hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au73911ajhp Scottish Aurora display rays red hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72926ajhp Scotland Aurora Borealis Neuk hayrake Cassiopeia stars Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th March at 23.55hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72830Ejhp Scottish Aurora Borealis Neuk March spring ray cloud hayrake dramatic 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 26nd March, this one at 01.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, clouds, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 26th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72630hp Deeside Scotland Aurora Borealis red rays green yellow purple March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.12hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and the bright patch at the base is the start of some streaming activity. Also note the faint mauve colour on the extreme right evidence of nitrogen gas as well as the standard oxygen colours of red and green. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72629jhp Scotland deeside Aurora Borealis Neuk March spring rays many strong colors 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.11hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72628hp Aberdeenshire Aurora Borealis Cassiopeia red rays green yellow March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.10hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Cassiopeia, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72627jhp British Aurora Borealis Deeside rays moving streaming moving movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.01hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72626jhp Scotland Aurora Borealis Neuk spring rays moving streaming activity movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au72625jhp Scottish Aurora Borealis Neuk March strong ray moving streaming active movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 00.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, movement, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71819ajhp Scotland Aurora Borealis Ley tree dying down red rays winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 23.20hrs UT as it started to die down and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen pushed the development 2 stops. They were exposed around the 15 seconds sligthly less than the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Potarch au72912ajhp Northern Lights Scotland Cassiopeia headlights Deeside purple rays nitrogen spring March 1990 taken on the road from Feughside Inn to Potarch by the Shooting Greens and the lights at the bottom are car headlights on the North Deeside Road near the Potarch Bridge looking northwards over Suie. This display on the 27th March at 21.30hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around 20 seconds as about the best combination with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Feughside, Feugh, water, Strachan, Finzean, Potarch, Shooting, Greens, road, River, Dee, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 27th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Potarch au72910ajhp Scottish Aurora Borealis Potarch road Deeside purple rays nitrogen spring March 1990 taken on the road from Feughside Inn to Potarch by the Shooting Greens and the lights at the bottom are car headlights on the North Deeside Road near the Potarch Bridge looking northwards over Suie. This display on the 27th March at 21.30hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around 20 seconds as about the best combination with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Feughside, Feugh, water, Strachan, Finzean, Potarch, Shooting, Greens, road, River, Dee, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, headlights, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 27th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Finzean au7294ajhp Scottish Aurora Borealis Finzean road Feughside Deeside purple rays nitrogen winter March 1990 taken on the road from Finzean which is to the west of Banchory on Feughside, following the course of the Water of Feugh on the long straight before Feughside Inn and the turn off to Potarch by the Shooting Greens. This display on the 27th March at 21.15hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around 20 seconds as about the best combination with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Feughside, Feugh, water, Strachan, Finzean, Potarch, Shooting, Greens, road, River, Dee, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 27th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7169jhp British Northern Lights telephone poles red yellow colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February photographed around 21.40hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7168jhp Scottish aircraft strobe lights Aurora Borealis red colour Deeside February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.50hrs UT as it started to come active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. The line of dots are the landing lights from commercila aircraft on approach to landing at Aberdeen Airport and in those days no flights could land after 10.00pm. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7167jhp Scottish Aberdeenshire Aurora Borealis rays many arc more active February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.45hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7165jhp Scotland Aurora Borealis early arc active stage telephone pole Deeside winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.45hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7164jhp Scottish Aurora Borealis early beginning ray arc active building tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.42hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7163jhp British Aurora Borealis early stage ray arc active Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.40hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71630jhp Scotland Aberdeenshire Aurora Borealis display dying colours red sky tree winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.35hrs UT with this current phase dying down. There was some more subdued activity on the morning of the 21st February around 01.45hrs but my slides hardly record anything. This was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71626jhp Scottish Deeside Aurora display quiet dying colours Banchory winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.30hrs UT with this current phase dying down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71616jhp Scottish Aurora display pole multiple red rays colours strong arc winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.07hrs UT with this current phase beginning to die down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71615jhp Scotland Aurora pole multiple red rays colourful winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.05hrs UT with this current phase beginning to die down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71613jhp Scotland Merry Dancers Aurora pole mulitple rays folding arc colourful winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken around 22.00hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71612jhp Scotland Northern Lights pole mulitple rays folding arc colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken approx 21.57hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71611jhp Scotland Northern Lights pole red rays over exposed star trails colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken at 21.57hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71610jhp Scottish Northern Lights pole red rays high colours Banchory winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken around 21.55hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7189ajhp Scottish Aurora Borealis display rays red silhouette Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.00hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7187ajhp Aberdeenshire Aurora Borealis telephone pole Banchory red yellow winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.00hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7186ajhp Scottish Aurora car headlights light polution red rays night Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February activity waning around 21.48hrs UT with several red rays and the problem with passing traffic happily very infrequent is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7185ajhp British Aurora Northern Lights multiple red rays winter Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February activity waning around 21.46hrs UT with several red rays and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7184ajhp Scotland Merry Dancers multiple rays arc bending winter Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting increased activity around 21.44hrs UT with several rays breaking of a folding arc and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7183ajhp Scotland Aurora Borealis telephone pole arc curtains curved Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting increased activity around 21.42hrs UT with several rays breaking of a folding arc and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, curved, curtains, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7182ajhp Scottish Deeside Aurora Borealis telephone pole activity increasing Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting around 21.40hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71826ajhp Aurora Borealis telephone poles dying quiet red glow winter Crathes February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February finishing around 23.20hrs UT, the last frame taken on this film and the display now lacking any activity or discernible rays and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, westwards, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71815ajhp Scottish Aurora car headlights light polution red rays night Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.30hrs UT with red and the problem with passing traffic happily very infrequent is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71813ajhp Scotland Deeside Aurora Borealis red yellow colours Jim Henderson photo winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.22hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality as this appears. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71811ajhp Scotland Aurora Borealis waning stars red silhouette tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.20hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality as this appears. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7159jhp British Aurora Borealis The Neuk tree early poor low light winter February 1990 taken on the Harestone Road at my pull off on the Neuk farm. This photo was from one of three films taken on the 16th-20th of February, this one on the 17th after 21.15hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 17th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7154jhp Deeside Aurora Borealis Neuk plane aircraft lights winter February Scotland 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February, this was only one I took around 19.45hrs UT on the 16th suggesting some activity which never happened and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71517jhp British Scottish Aurora Proton beam ray unique strange red light winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This is porbably one of the most unusual events I photographed as the only sign of a display was this isolated beam of light, red to the eye, a hovering there for several minutes before disappearing without anyother activity. Susequently I have seen this type of structure described as a proton ray or beam rather than the normal electron charged rays of the more classical Aurora displays. I happened to speak to Andy Bradford who saw the same thing at Kincardine O'Neil, several miles to the west around the same time, 20.50hrs UT on the 19th February which ruled out one theory I had of a security light or helicopter pad landing light from Raemoir Hotel. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, proton, beam, column, light, unusual, rare, unique, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 19th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71511jhp Scotland Deeside Aurora lights dark low grade light winter February 1990 taken on the Harestone Road at my pull off on the Neuk farm. This photo was from one of three films taken on the 16th-20th of February, this one on the 17th after 21.15hrs UT which did not last long and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Neuk, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 17th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au71510jhp Scottish Aurora display Neuk poor low grade light winter February 1990 taken on the Harestone Road at my pull off on the Neuk farm. This photo was from one of three films taken on the 16th-20th of February, this one on the 17th after 21.15hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Neuk, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 17th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71534jhp Scotland Aurora display arc aircraft lights landing Aberdeen winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.16hrs UT with the stobe landing lights of an aircraft making its approach to Aberdeen Airport as the second this exposure shows the lights disappearing at the bottom right eastwards and at this time no flights were allowed after 22.00hrs. It was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, aicraft, plane, aeroplane, approach, landing, strobe, flashes, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71533jhp Scottish Northern Aurora double active arc aircraft lights Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.15hrs UT with the stobe landing lights of an aircraft making its approach to Aberdeen Airport and at this time no flights were allowed after 22.00hrs. It was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, aicraft, plane, aeroplane, approach, landing, strobe, flashes, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71532jhp Scottish Northern Lights double active arc start display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.10hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71530jhp Scottish Aurora Borealis early double active arc display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.05hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71526jhp Scottish Aurora Borealis low light poor arc display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.00hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71521jhp Scotland Aurora Borealis early evening display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one opf the 20th around 19.45hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7133ajhp Scottish Aurora Lights Deeside Aberdeenshire thin rays winter January 1990 on 23rd and first of the new decade taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT and this was gthe last photo i took that evening. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7132ajhp Scotland Aurora Crathes Aberdeenshire thin rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7129ajhp Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7124ajhp Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7117ajhp Scottish January 1990 Aurora Borealis display Neuk Crathes Banchory ray winter 23rd taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718ajhp Scotland Aurora Borealis display Neuk Crathes strong red rays Plough winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au712ajhp Scottish Aurora Borealis Neuk Deeside Ursa Major stars Banchory rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au711ajhp Scottish Aurora Borealis beginning arc rays Plough Ursa Major stars rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61714jhp Scottish Northern Lights Cairn O’Mount rays red winter clouds December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed slightly shorter than the 20 seconds I later settled on and hence slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61713jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au61709jhp Scotland Aurora Borealis lights Cairn O’Mount rays red yellow green winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61708jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter active 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61706jhp Scotland Aurora Borealis quiet display Cairn O’Mount arc winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61705jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61704jhp Scotland Northern Lights early stage display winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61703jhp Scottish low grade Aurora Borealis display Cairn O’Mount arc active winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617023jhp Scotland Aurora Borealis dying phase Northern sky faint rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617020jhp Scotland Aurora Borealis rays bundle colours ray purple yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61701jhp Scotland Aurora Borealis arc north Cairn O’Mount winter December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT on the 11th December. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617018jhp Scotrish Aurora Borealis northwards night sky bright multiple rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617017jhp British Aurora Borealis Cairn O’Mount Ursa Major bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, Plough, constellation, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617016jhp Scotland British Aurora Borealis Plough stars Cairn O’Mount rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617015jhp Scotland Aurora Borealis active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617013jhp Scotland Aurora Borealis active phase colourful bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617012jhp Scottisah Northern Lights active phase Cairn O’Mount rays stars yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617011jhp Scottish Aberdeenshire Aurora Borealis colours active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Egypt > Aswan in general (97 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Elephantine EG004832jhp Elephantine Island Aswan Egyptian script Satet Senusret temple hieroglyphs insert visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004831jhp Elephantine Egyptian restoration temple building Satet Satis Sesostris Senusret visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004830jhp Elephantine Island Aswan Egypt temple painted reliefs cartouche Gods outlines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004829jhp Elephantine Island Aswan Egyptian restoration Satis temple pillar Hathor face visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004828jhp Elephantine Aswan Egypt restoration Satet temple God Amun Min ithyphallic visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004827jhp Elephantine Island Aswan Egypt restoration temple Satis Satet coloured reliefs lines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004826jhp Elephantine Egyptian Satis painted relief carving lotus wine jars duck offering visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004825jhp Elephantine Island Aswan Egypt restoration temple painted relief Anukis Anuket visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004824jhp Elephantine Island Aswan Egypt Satis Tuthmosis embrace restored temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Tuthmosis 111, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004823jhp Elephantine Island Aswan Egypt restoration temple coloured relief Amun pharaoh khepresh visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Amun, Tuthmosis 111, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004822jhp Elephantine Island Aswan Egypt painted relief feet partial restoration Satis temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004821jhp Elephantine Island Aswan Egyptian restoration temple buildings coloured blocks visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004820jhp Elephantine Island Aswan Egypt restoration temple Satet Senusret Satis restored visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Senusret, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004819jhp Elephantine Island Aswan Egypt restoration Satis Sesostris Senusret temple column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Senusret, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004818jhp Elephantine Island Aswan Egypt granite carved plinth Gods pharaoh offering scene visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005025jhp Elephantine Island Aswan Egypt River Nile fellucca Old Cataract Hotel sailing past visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, tourists, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005024jhp Elephantine Island Aswan Egypt River Nile Nilometer boulders huge riverbank visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005023jhp Elephantine Island Aswan Egypt Nilometer boulders carvings cartouche Nile water visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005022jhp Elephantine River Nile Nilometer riverside Aswan Egyptian water boulders brick wall visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005021jhp Elephantine Island Aswan Egypt garden museum seated statue nomarch peaceful visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005020jhp Elephantine Island Aswan Egypt museum open air garden seated statue visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005019jhp Elephantine Island Aswan Egypt garden museum trees flowers amphora Roman jar visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005018jhp Elephantine Island Aswan Egypt Nilometer steps measuring water Nile floods visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005016jhp Aswan Egypt Nilometer steps River Nile Old Cataract Hotel stone walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005015jhp Elephantine Aswan Nilometer Cataract Hotel steps stone Nile river water Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836jhp Elephantine Island Aswan Egyptian buildings mudbrick walls streets room houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836Ejhp Elephantine Island Aswan Egyptian shrines cult Heqa-ib Heka-ib deified governor Abu restoration Egypt visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004835jhp Elephantine Aswan Egypt restored room column bases buildings mudbrick Abu visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004834jhp Elephantine Aswan Egypt late dynasty houses mudbrick tiers walls rooms visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004833jhp Elephantine Island Aswan Egyptian column palm buildings mudbrick walls village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00509jhp Elephantine Island Aswan Egyptian excavations temple Alexander Gate Cataract Hotel visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00508jhp Elephantine Island Aswan Egypt restoration village buildings mudbrick Nile upstream view visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upstream, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, New, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00507jhp Elephantine Island Aswan Nile River upstream Egypt buildings mudbrick walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00506jhp Elephantine Island Aswan Egyptian buildings mudbrick Mausoleum desert Late Period remains visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00505jhp Elephantine Island Aswan Egypt restored partially mudbrick houses Mausoleum Nile river visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, panorama, landscape, Mausoleum, Aga, Khan, Desert, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00504jhp Elephantine Island Aswan Egyptian restoration temple buildings mudbrick modern city outline visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00503jhp Elephantine Island Aswan Egypt overview restored houses buildings mudbrick village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00502jhp Elephantine Island Aswan Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005014jhp Elephantine Island Aswan Egypt restoration Alexander gate gateway column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005013jhp Elephantine Island Aswan EgyptAlexander gatway carved papyrus column base visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005012jhp Elephantine Island Aswan Egypt naos Nectanebo granite temple debris blocks scattered on this site visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, granite, naos, Pepi 11, Nectanebo 11, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005011jhp Elephantine Island Aswan Egypt Nile downstream Oberoi buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005010jhp Elephantine Island Aswan Egypt Nile New Cataract Hotel buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river. There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs. As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan High Dam EG9617219jhp Aswan Russian monument inside tourists Russia crown concrete Egypt motifs construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, cement, concrete, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual
Aswan High Dam EG9617218jhp Aswan Russian monument Dam Nile crown zenith upwards inside Lake Nasser Egypt construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, cement, concrete, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual
Aswan High Dam EG9617217jhp Aswan Russian monument High Dam Nile crown concrete Egypt flowers construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, landscape, rocks, boulders, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual
Aswan Quarry EG02155ajhp Unfinished Ramses Colossus Granite abandoned hill top Tlaina Quarry Aswan Southern Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02154ajhp Unfinished Colossus Granite abandoned head face Ramses Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02153ajhp Unfinished Colossus Granite base feet abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02152ajhp Unfinished Colossus Granite rear Egyptians locals abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02151ajhp Unfinished Colossus Granite abandoned fractured rear Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Sunset EG961637jhp Egypt Aswan Sunset Nile Qubbet el-Hawwa Dome red purple fellucca silhouette on the West Bank of the River Nile viewed from the berth of cruseboat on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. This may need extra sharpening as taken on a tripod and was a time exposure but there would have been some movement from the boat on the water or engine vibrations. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, landscape, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, corniche, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan
High Dam Aswan EG94421jhp Aswan High Dam River Nile Lake Nasser Egypt construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In the distance is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, landscape, rocks, boulders, granite, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1994, slide, film, 645, transparency, scanned, scan, Bronica, ETRSi
Aswan Qubbet el-Hawwa EG052738jhp Egypt Aswan River Nile reed bed felucca berthed Qubbet el-Hawwa Dome on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2005, DSLR, upright, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, colourful colorful, colours, colors, water, reflections, birds, reeds, feluccas, reed, beds, islands
Aswan Qubbet el-Hawwa EG052737jhp Egypt Aswan River Nile bluff tombs Qubbet el-Hawwa Dome feluccas reeds on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2005, DSLR, landscape, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, colourful colorful, colours, colors, water, reflections, birds, reeds, feluccas, reed, beds, islands
Aswan Qubbet el-Hawwa EG052736jhp Egypt Aswan River Nile bluff tombs Qubbet el-Hawwa Dome felucca sailing on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2005, DSLR, landscape, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, felucca, sailing, passengers, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, colourful colorful, colours, colors, water, feluccas
Aswan Qubbet el-Hawwa EG052735jhp Egypt Aswan water Nile rock cut tombs Qubbat al-Hawa Dome on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2005, DSLR, upright, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, fellucca, sailing, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, colourful colorful, colours, colors, water, reflections
Aswan Qubbet el-Hawwa EG052734jhp Egyptian Aswan River Nile tombs Governors Qubbet el-Hawwa Dome felucca passengers on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2005, DSLR, upright, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, west, bank, felucca, passengers, sailing, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, colourful colorful, colours, colors, water
Aswan Sunset EG02903jhp Egypt Aswan Sunset Nile bluff Qubbet el-Hawwa Dome birds flying clouds on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2002, Fuji, S3, DSLR, landscape, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, corniche, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds
Aswan Sunset EG02902jhp Egyptian evening Aswan Sunset River Nile Qubbat al-Hawa Dome red clouds on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2002, Fuji, S3, DSLR, upright, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, corniche, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds
Aswan Sunset EG02901jhp Egypt Aswan Sunset River Nile bluff tombs Qubbet el-Hawwa Dome red clouds on the West Bank of the River Nile viewed from the berth of the M/S Nile Romance on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, 2002, Fuji, S3, DSLR, landscape, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, shops, trading, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds
Aswan Souk at Night EG02425jhp Egypt Aswan Bazaar night-time night shop Emporium Egyptians spices colours near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, large, display, people, men, traders, night, shops, tunnel, trading, colourful colorful, colours, colors, spices, jars, soft, drinks, fridge, sweets, baskets, merchandise, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02423jhp Egypt Aswan Bazaar night-time shop dark costumes clothes jewellery near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, clothes, costumes, dancing, outfits, galabeas, dancing, outfits, jewellery, bangles, bands, chains, lace, flimsy, Belly, tassels, cotton, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02420jhp Egypt Aswan Souk night shop spices Emporium Osiris glass bottles jars near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, emporium, bazaar, souk, people, traders, night, shops, trading, colourful colorful, colours, colors, spices, jars, glass, display, merchandise, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02417jhp Egypt Aswan Souk night-time night shops Egyptians caleche horse busy street dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, caleche, horse, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02415jhp Egypt Aswan Souk night-time night old cinema minaret badr ruined near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, old, cinema, badr, art, noveau, design, minaret, lights, colourful colorful, colours, colors, spices, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02414jhp Egypt Aswan Souk Bazaar night-time night Minaret Mosque lights Egyptian dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, night, night-time, Minaret, tower, lights, Mosque, tower, colourful colorful, colours, colors, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02413jhp Egypt Aswan Souk evening Egyptian blacksmith working repairing friendly smile near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, man, trader, night, shop, trading, colourful colorful, colours, colors, hardware, pots, pans, blacksmith, working, at work, repairing, smile, friendly, baksheesh, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02412jhp Egypt Aswan Souk night shopping Egyptians dark vegetables apples stalls near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, apples, greens, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02411jhp Egypt Aswan Souk Bazaar night-time night grocery shopping Egyptians dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, grocery, sausages, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02410jhp Egypt Aswan Souk night-time night shops shopping hardware pots pans near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, buckets, lamps, bowls, aluminium, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02409jhp Egypt Aswan Souk night-time night shop Egyptians general grocery jars packets near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, merchandise, groceries, washing, powder, jars, tins, Coke-Cola, packets, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02408jhp Egypt Aswan Bazaar night-time night stalls shopping Egyptians tomatoes clothes near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02406jhp Egypt Aswan Souk night-time night street drinks clothes shopping Egyptians dark stalls near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, landscape, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02405jhp Egypt Aswan Souk night shops stalls spices shopping Egyptians dark near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk at Night EG02404jhp Egypt Aswan Souk Bazaar night-time night shops shopping Egyptians dark stalls near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices, toys, leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy all day and as in this photo during the cool of the evening and it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Egyptians, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, city, holiday, upright, bazaar, souk, people, men, women, shopping, traders, night, shops, trading, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, galabeas, dancing, outfits, hardware, pots, pans, merchandise, groceries, fruit, cotton, blacksmith, baksheesh, caleche, exotic, 2002, Fuji, S3, DSLR
Aswan Souk Sunshades EG053083JHP Aswan Southern Egypt Souk Bazaar street traders sunshades sunny photograph near the promenade in this area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, sunshades, hot, old, men, young, boy, sitting, squatting, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Street Advert EG053106JHP Aswan Egyptian Souk Photo Bazaar House Billboard soft drink Tang advert in this busy area adjacent to the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, house, mural, advertising, billboard, trading, upright, colours, colors, colourful, colorful, busy, drinks, Tang, motif
Aswan Souk Straw Hats EG053108JHP Aswan Egypt Souk Bazaar straw hat woven basket display street, near the promenade, which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, shop, stall, hats, straw, display, stacked, baskets, woven, landscape, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Spices EG053071JHP Aswan Egyptian Souk Bazaar colourful spice baskets containers colours display near the promenade in an area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, shops, stall, spices, spice, straw, woven, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Perfume Bottles EG053068JHP Aswan Egypt Souk Bazaar multi-coloured perfume bottles glass colours shapes display, located near the promenade, is an area full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shop, display, perfume, bottles, shapes, styles, sizes, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Many Colors EG053101JHP Egypt Aswan Nile Souk Bazaar fabric dress shop multi-colored colours silk and located near the promenade in this srea which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shop, fabrics, hanging, dresses, scarfs, cotton, upright, colours, colors, colourful, colorful, clothes
Aswan Souk Fabric Colours EG053097JHP Aswan Egyptian Souk Bazaar silk fabric display many layers colours, located near the promenade, is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stall, fabric, yarn, layers, multi-coloured, cloth, silk, shiny, landscape, upright, colours, colors, colourful, colorful
Aswan Souk Donkey Cart EG053114JHP Aswan Souk Bazaar donkey cart man driver onions potato sacks to the colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, donkey, cart, onions, potatoes, bags, transport, driver, trading, traders, shops, stalls, upright, colours, colors, colourful, colorful, busy
Aswan Souk Cuddly Camels EG053103JHP Aswan Southern Egypt City Souk Bazaar display cuddly camel toys in this trading area near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, city, souk, bazaar, street, trading, shops, stall, cuddly, camels, toys, display, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Coca Cola EG053105JHP Aswan Souk Bazaar old shop advertising sign copyright symbol Coca Cola in this busy area near the promenade which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, Coca Cola, Coke, symbol, advert, upright, colours, colors, colourful, colorful, busy, shopping
Aswan Souk Street EG053078JHP Aswan Egyptian Souk Bazaar busy street shoppers shops scene photograph near the promenade which full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Smoking Pipes EG053096JHP Aswan Egypt Souk Bazaar photo sheesha smokers glass colours display is near the promenade which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, shops, smoking, sheesha, display, pipes, tobacco, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Pottery EG053107JHP Aswan Egypt Souk Bazaar pottery bowls jugs bottles displayed road, near the promenade, which is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, pottery, pots, jars, dishes, bowls, red, cream, road, display, landscape, colours, colors, colourful, colorful, busy, shopping
Aswan Souk Lemons EG053062JHP Aswan Souk Egyptian Bazaar display lemons fruit stall pile yellow near the promenade adds to colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stall, fruit, lemons, landscape, yellow, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Jewellery EG053102JHP Aswan Egyptian Souk Bazaar jewellery glass necklaces bangles beads stall near the promenade is full of colour with stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, jewellery, necklaces, beads, glass, slippers, upright, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Fruit Display EG053094JHP Aswan Egypt Souk Bazaar photo peaches apricots display rows patterns near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, fruit, peaches, apricots, nectarines, shapes, patterns, landscape, pink, yellow, colours, colors, colourful, colorful
Aswan Souk Dress Colors EG053100JHP Aswan Souk Bazaar clothing shop colourful street display scarfs, shawls, dresses, near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stalls, dresses, clothing, cotton, silk, jewellery, necklaces, scarfs, shawls, landscape, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Clothing Display EG053086JHP Aswan Souk Bazaar shop display galabeas Egyptian belly dancing outfits near the promenade adding colour to the street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, stall, clothing, galabeas, landscape, exotic, dance, outfits, lace, embroidered, colours, colors, colourful, colorful, busy, shopping, baksheesh, bargaining
Aswan Souk Butchers EG053079JHP Aswan Souk Bazaar Egyptian butchers shop open air staff customers near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, trading, traders, shops, butchers, meat, landscape, customers, owner, serving, colours, colors, colourful, colorful, busy, shopping, bargaining
Aswan Souk Billboard EG053112JHP Aswan Souk Bazaar house side billboard advertising palm trees painted near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, house, mural, advertising, billboard, trading, upright, colours, colors, colourful, colorful, busy, palm, trees, motif
Aswan Souk Advertising EG053095JHP Aswan Souk Bazaar street house gable bill board avertising palm trees near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. Keywords: Egypt, Egyptian, Aswan, souk, bazaar, street, house, mural, advertising, billboard, trading, upright, colours, colors, colourful, colorful, busy

Egypt > Aswan Nubian Museum (1 file)

Aswan Nubian Museum Glassware EG052960JHP Aswan Egyptian Nubian Museum example of glassblowing and design from Nubia in this modern building whose foundations were laid in 1986, opened in 1997 and organised through UNESCO. Very low artificial light makes general photography difficult as well as affecting accurate colour balance. This now appears to be the only museum in Egypt where photography is still allowed although it is not easy as the ambient lighting is extremely subdued for conservation reasons. Keywords: Egypt, Egyptian, Aswan, Nubian, Nubia, Museum, exhibit, glass, bottle, glassware, design, local, etched, elaborate, inside, interior, ancient, upright

Egypt > Cairo City (2 files)

Photos relating to the City itself and River Nile activities. The Museum and Giza Pyramids are in separate galleries.
Cairo Khan al-Kalili EG072617jhp Egypt Cairo Kan al-Khalili souk street shop Egyptians shopping crowded a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, upright, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, busy, crowded, locals, shopping, throng, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic
Cairo Khan al-Kalili EG072616jhp Egypt Cairo Kan al-Khalili souk Egyptians shopping crowded throng people a busy and often important site seeing stop-off for tourists to Egypt and offered as part of City Tour where many bargains can be picked up as part of that exotic shopping experience in an Arabic Bazaar. Bargaining is also part of the fun and is expected throughout so a new and often daunting experience for the traditional conservative British visitor. Better value can probably be obtained in Aswan or Luxor and certainly for those doing a Nile Cruise large, weighty or fragile items are best left to the last minute. Keywords: Egypt, Egyptians, Cairo, cruise Arabic, landscape, capital, old, city, gates, Sultan, Qansuh, Fatimid, Kan al-Khalili, al-Kalili, souk, street, scene, modern, busy, crowded, locals, shopping, throng, al-Badestan, maze, alleyways, alleys, shops, factories, bazaars, market, antiques, gold, jewellery, clothes, glass, leather, metal, wood, crafts, souvenirs, cafes, restaurants, sheeshas, trade, commercial, mosques, minaret, palm, trees, architecture, al-Azhar, Maydan, square, al-Hussein, Sayyidna, al-Husayn, building, 19C, Gothic

Egypt > Fayoum & Desert (10 files)

Pictures in this gallery cover the Fayoum area, Lake Qarun, Karanis, Qasr al-Saghah and Soknopaiou Nesos
Karanis nr Southern Temple 6438EG07JHP Karanis Kom Aushim City Fayoum Egypt Ptolemaic Roman Mudbrick Erosion in the north eastern edge of the oasis area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has been replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples as this photos shows as we approach the Southern Temple to the right Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, walk, approach, mudbrick, wall, South temple, outer, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis nr Southern Temple 6437EG07JHP Karanis Kom Aushim Egyptian Desert City Ruins Mudbrick Sand Skeleton on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has been replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples as this photos shows as we approach the Southern Temple to the right Keywords: Egypt, Egyptian, Egyptology, landscape, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, walking, approach, South temple, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Temple Roof 6453EG07JHP Karanis Kom Aushim Egypt Southern Temple Roof View Desert Photograph Vista was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state with the southern one being dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. This view from the roof of the southern temple gives an idea of the extent of the city with mudbrick remains dotted across the distant landscape . Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, view, roof, viewpoint, mudbrick, ruins, extensive, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Temple Burial 6448EG07JHP Karanis Kom Aushim Southern Egyptian Temple Coffin Crypt Interior Photo was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one in which this photo shows a crypt in which to hold a coffin is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, landscape, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, burial, coffin, crypt, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6456EG07JHP Karanis Kom Aushim Egypt Southern Temple Gateway Entrance Granite was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one, the entrance gates shown in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, entrance, gate, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6455EG07JHP Egypt Karanis Kom Aushim Temple Entrance South Gate Paving Stones was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one, the entrance gates shown in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, entrance, gates, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, stairs, gleaming, shining, surreal, desert, sand
Karanis Southern Temple 6445EG07JHP Karanis Kom Aushim Southern Temple Base Stones Gate Egyptian Construction was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one whose front approach is illustrated in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, entrance, gate, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6443EG07JHP Karanis Kom Aushim Egyptian Southern Temple Foundation Building Structure was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one, the side of which is shown in this photo, is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6442EG07JHP Karanis Kom Aushim Southern Temple Foundation Base Stone Structure Photo was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one of which the side is shown in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand
Karanis Southern Temple 6441EG07JHP Karanis Kom Aushim Southern Temple Name Board Information Egypt was a city on the north eastern edge of the area known as Fayoum and dates from Ptolemaic times through to 500AD. Two Roman dated temples survive in reasonable state and the southern one illustrated in this photo is dedicated to the crocodile Gods of Pnepheros and Petesuchos. Many finds have been made especially of life in a residential area with houses scattered throughout the site and there is also a fine Roman bathhouse. A small museum now closed has ben replaced with an open air area with a selection of artefacts adjacent to the main walk to the temples. Keywords: Egypt, Egyptian, Egyptology, upright, Karanis, Kom Aushim, el-Fayoum, Faiyum, Fayyum, Nero, Claudius, Vespasiun, Roman Emperors, South temple, information, board, outer, wall, construction, foundations, gods, crocodile, dedicated, local, Pnepheros, Petesouchus, desert, sand

Egypt > Infra Red Photographs (1 file)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Aswan Souk InfR EG982426jhp Aswan Souk Bazaar Egypt Egyptians people infra red film shopping near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, holiday, bazaar, souk, suk, shops, trading, selling, upright, landscape, bargaining, haggle, leather, goods, shapes, patterns, exotic, smells, donkeys, Egyptians, locals, native, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, fruit, cotton, baksheesh, blacksmith, sunset, tourism, cruise, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, cataracts, motorboat, excursion, feluccas, sailing, boats, caleche, Elephantine, Triad, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (14 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak temple Ptah EG0214006jhp Temple Ptah Sanctuary Centre columns Karnak Egyptian decorated Thutmosis entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite statues of Ptah, which is byond the altar stone and through the door in front and Sekhmet which is in the righthand sanctuary. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, sanctuary, altar, columns, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lion, god, six, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak temple Ptah EG0214004jhp Temple Chapel Ptah headless state Karnak Egyptian vestibule Triad Memphis which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are the broken granite states of Ptah which is illustrated in this photo and Sekhmet in the righthand sanctuary. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, headless, seated, statue, sanctuary, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak temple Ptah EG0214003jhp Temple Ptah Karnak Egypt Sekhmet Statue standing black granite lion which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet in this photo. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, black, granite, statue, standing, sanctuary, Nerfertum, Nerfertem, Memphite, triad, lion, god, six, gates, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Cartouche EG0214018jhp Temple Karnak Egypt upturned block cartouche Sety Seti Sethos Ptah temple area which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple and this photograph was taken of a block lying in the area and I think it is probably of Sety 1. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, area, landscape, upturned, cartouche, Seti, Sety, Sethos, 1, carving, sandstone, history, archaeology, Egyptology, God, hieroglyphics, hieroglyphs
Karnak Montu Temple EG0214012jhp Temple Ptah Museum Storage Area Karnak Egypt statue priest Amenhotep 111 cartouche which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. This storage shed, a mini museum with two standing statues is near the delightful small temple pf Ptah on the walk along the enclosure wall to Montu Temple. Avery seldom frequented area so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, gates, entrance, upright, history, archaeology, Egyptology, Amenhotep, 111, construction, restoration, additions, statues, granite, decorated, priest, statue, standing, kilt, skirt, staff, shed, museum, Gods, hieroglyphics, sandstone
Karnak Montu Temple EG0214011jhp Temple Ptah Museum Storage Area Karnak Egypt statue priest leopard kilt which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. This storage shed, a mini museum with two standing statues is near the delightful small temple pf Ptah on the walk along the enclosure wall to Montu Temple. Avery seldom frequented area so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast which has happened to me twice now at this temple. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, gates, custodians, entrance, galabea, turban, landscape, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, priest, statue, standing, painted, shed, museum, Gods, hieroglyphics, sandstone
Karnak Montu Temple EG0214009jhp Temple Montu precinct propylon Karnak Egypt gate Amenhotep Ptolemy which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. Accessed near the delightful small Temple pf Ptah on the North Enclosure of Karnak and as very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and it was the only time I have been offered the chance to see this site and was not allowed to explore it. The Ptolemlaic Propylon is visible behind the palm tree on the left and the older main temple of Amenhotep 11 is on the right. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Montu, Month, Falcon, God, war, Amenhotep, 111, Amenophis, Ramesses 1V, Stele, Tutankhamun, Ptolemaic, Ptolemy 111, 1V, propylon, Bab el-Abd, Horemheb, entrance, landscape, history, archaeology, Egyptology, construction, restoration, additions, granite, sandstone, blocks, stored, palm, trees, sandstorm, sand, overcast
Karnak Temple Ptah EG053559jhp Temple Ptah Karnak ancient Egypt sanctuary Sekhmet lion statue Thutmosis which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, construction, restoration, additions, statue, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053558jhp Temple Ptah Karnak Egyptian Thutmosis sanctuary statue granite interior ancient which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, vestibule, sanctuaries
Karnak Temple Ptah EG053557jhp Temple Ptah Karnak Egypt gate solar disc door Thutmosis texts entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053556jhp Temple Ptah Karnak Egypt gates decorated Ptolemaic cartouche hieroglyphs entrance which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, No 3, Ptolemy, Neos Dionysos, X111, entrance, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053555jhp Temple Ptah Karnak ancient Egyptian gates Ptolemaic Thutmosis entrance hieroglyphs which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, entrance, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries
Karnak Temple Ptah EG053554jhp Temple Ptah Karnak Egypt gate six decorated Ptolemaic Gods custodians which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Khonsu, Mut, Ma'at, Ptolemy V11, six, gates, custodians, entrance, galabea, turban, landscape, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemaic, construction, restoration, additions, decorated, Gods, hieroglyphics, sandstone
Karnak Temple Ptah EG053553jhp Temple Ptah Karnak Egypt gates decorated Ptolemaic entrance custodians palm tree which is located inside the north enclosure wall of the Karnak Complex at Luxor on the East Bank of the River Nile. It is a delightful small temple and very seldom frequented so always quiet although an extra ‘entry’ fee maybe required to keep the local custodians happy. Constructed by Thutmosis 111 during his reign 1500-1450BC it shows continuous repair and additions through until the Ptolemaic period while inside the small sanctuaries are broken granite states of Ptah and Sekhmet. On the day I visited we had very poor light conditions caused by an encroaching sand storm and it was very overcast and my batteries also ran out just as I was doing the interior photographs and tut tut, no spares. Keywords: Egypt, Egyptian, Luxor, River, Nile, east, Bank, Thebes, Waset, Ipetisut, Karnak, Temple, Ptah, Sekhmet, Nerfertum, Nerfertem, Memphite, triad, lioness, god, six, gates, custodians, entrance, galabea, turban, upright, history, archaeology, Egyptology, Thutmosis, Thutmose, Ptolemy, Ptolemaic, construction, restoration, additions, statues, granite, decorated, Gods, hieroglyphics, sandstone, vestibule, sanctuaries

Egypt > Kom Ombo Temple (22 files)

Pictures in this gallery are of Kom Ombo Temple located by The River Nile North Of Aswan
Kom Ombo EG20435jhp Kom Ombo Temple Nile Egypt rare high view Jim Henderson Photo of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20434jhp Kom Ombo Temple River Nile Egypt rare high view upstream vista of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20433jhp Kom Ombo Temple Nile Egyptian rare high view downstream overview of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204331jhp Kom Ombo museum blocks Egyptian hieroglyphs beautiful iconic symbols carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, Horus, falcon, God, snakes, bread, symbols, grammar, folded, cloth, three, sprays, means, last, oryx, animal, horns, staff, language, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204330jhp Kom Ombo museum blocks Egypt hieroglyphics many symbols sharp carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, upright, owl, village, crossraods, cross, symbol, circle, three, sprays, legs, means, last, scared, cow, disk, horns, head, infuriated, bull, rage, water, ripple, flowering, reed, legs, backward, ankh, D'jed, eye, basket, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204329jhp Kom Ombo Ancient Egypt hieroglyphics deep cut owl seated woman of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204328jhp Kom Ombo Ancient Egyptian hieroglyphs deep cut sharp symbols seated God of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, seated, God, star, ankh, legs, walking, backwards, turnback, retreat, reversed, grammar, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204327jhp Kom Ombo Temple Egyptian hieroglyphics carvings clear symbols owl woman seated of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204324jhp Kom Ombo Temple Egyptian hieroglyphs carved block symbols reed sedge D'jed of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, carvings, language, ibis, Thoth, God, pillar, bundle, noble, seated, revered, mouth, wicker, work, basket, wick, twisted, flax, milk, jug, net, lung, windpipe, grammar, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204323jhp Kom Ombo Temple Egypt hieroglyphs carvings blocks Wadjet Nekhet snake vulture of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, Wadjet, snake, Goddess, Nekhbet, vulture, Two, Ladies, Proectors, Lands history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204322jhp Kom Ombo Ptolemy Temple Egypt wall bas relief carvings detail rear hypostyle hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204321jhp Kom Ombo Temple Egypt cleaning restoring umbrella conservation painted reliefs of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204320jhp Kom Ombo Ptolemaic Temple River Nile Egyptian hypostle hall wall columns carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20437jhp Kom Ombo Ptolemaic Temple River Nile Egypt hieroglyphs column carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204319jhp Kom Ombo sunny Temple Nile Egypt carved column large capitals floral hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204318jhp Kom Ombo morning Temple Nile Egypt columns large capitals floral hall carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204317jhp Kom Ombo interior Temple Nile Egypt columned hypostyle hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204316jhp Kom Ombo ruined Temple Nile Egypt columned hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204315jhp Kom Ombo Temple Nile Egypt columns broken colours painted carvings pylon of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204313jhp Kom Ombo Temple Nile Egyptian columns broken restored painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204312jhp Kom Ombo Temple Nile Egyptian hieroglyphs Hathor Ptolemy Horus painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204310jhp Kom Ombo Temple River Nile Egypt hieroglyphs hall Sobek Horus carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Egypt > Lake Nasser (1 file)

This gallery will contain photos of the sites visited on cruises of Lake Nasser from Kasr Imbrim in the south, Amada, Derr Tomb, Pennuit, El Seboua, Dakka, Maharraka, Qertassi and Kalabsha near Aswan.
Dakka Temple Nasser EG051775JHP Egypt Ancient Egyptian Temple Lake Nasser Dakka Pylon Low Photo is located on the shores of Lake Nasser after relocation from its previous location 40km away downstream to avoid flooding after the creation of the High Dam in Aswan. The temple as seen with local custodians for scale was started by the Meroitic King Arkamani around 220BC from early remains and later added to by the Ptolemies and Emperor Augustus but was never completed. This site is usually a part of a Lake Nasser cruise and finishes the part of the cruise including with a longish hot desert walk from the first visit to el-Sebua before returning to the cruiseboat via Maharraka. Keywords: Egypt, Lake, Nasser, Egyptian, ancient, Dakka, Maharraka, Meroitic, King, Arkamani, Augustus, Roman, Ptolemaic, temple, pylon, court, gate, low, angle, view, exterior, relocated, landscape, cruise, visit, shores, desert, saved

Egypt > Luxor Nobles Tombs (10 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Tomb Rekhmire Exterior EG075687JHP Ancient Egyptian Luxor Rekhmire Tomb Entrance Exterior Qurna Door Rock Cut illustrating the interspersed nature of the Tombs of the Nobles with Old Qurna Village an area which is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd' el-Qurna, tomb, Rekhmire, entrance, door, custodian, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Sennefer Guest House EG075712JHP Luxor West Bank Modern Qurna Sennefer Guesthouse Hotel Egyptian Vista along with Old Qurna houses is interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. The Hotel I understand from the owner is destined to stay - a pleasant stop for refreshment after the heat of walking to several tombs. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, hotel, resthouse, restaurant, guesthouse, cafe, drinks, modern art, murals, village, modernisation, removal, houses, clearances, relocation, preservation
Sennefer Guest House EG075709JHP Colourful Wall Murals Egypt Luxor Nile West Bank Sennefer Guesthouse along with Old Qurna houses is interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. The Hotel I understand from the owner is destined to stay - a pleasant stop for refreshment after the heat of walking to several tombs. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, hotel, resthouse, restaurant, guesthouse, cafe, drinks, modern art, murals, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna West Bank EG075682JHP Remnants Bulldozed Removed Houses Dwellings Luxor Egypt Old Qurna Village, looking northwards towards the River Nile, interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna Village View EG075681JHP Old Qurna Village Luxor Egypt Clearance Dismantled Relocated Panorama Photo, looking eastwards towards the River Nile, interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna Village Changes EG075725JHP Old Qurna Village Tombs Nobles Houses Dismantled Modern Luxor Changes is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, modernisation, removal, houses, clearances, relocation, preservation
Qurna Village Changes EG075716JHP Egyptian Modern Clearances Luxor West Bank Old Qurna Village Mudbrick Houses interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, village, mudbricks, rubble, rubbish, modernisation, removal, houses, clearances, relocation, preservation
Old Qurna New Art EG075729JHP Modern Egyptian Art House Mural Old Qurna Village Luxor Modern Photo interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible and a feel is captured in this mural on the side of an arthouse. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, village, nostalgia, art, modern, mural, modernisation, removal, houses, clearances, relocation, preservation
Old Qurna House EG075728JHP Luxor Domestic Scene Donkey Disappearing Modern Old Qurna Village Mudbrick Houses cleared interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, village, donkey, modernisation, removal, houses, clearances, relocation, preservation
Old Qurna House EG075727JHP Old Qurna Village Luxor West Bank Nile Egypt Clearances Donkey Rubbish interspersed with the Tombs of the Nobles is undergoing a major modernisation programme with the houses being removed, occupants relocated and the entrances to the various tombs made more accessible. Obviously a programme without some pain and opposition especially from locals who have lived in the area and over the tombs for generations but part of the necessary management and control of these irreplaceable ancient sites and the artefacts contained therein. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, village, mudbricks, donkey, modernisation, removal, houses, clearances, relocation, preservation

Egypt > Luxor Temple (11 files)

Images in this gallery relate to the east bank of the Nile temple called Luxor Temple including night photos and the Avenue of Sphinxes
Luxor Painted Door Lintel EG074815jhp Luxor Temple ancient Egyptian roof support underneath Ramses painted peristyle court in this beautiful Temple located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, roof, support, door, lintel, underneath, painted, cartouche, throne, Usermaatre, name, birth, Ra-messes, Ramses, Ramasses, Ramesses, monumental, duck, ankh, loaf, te, sedge, bee, Upper, Lower, sun, ra
Luxor Temple Triple Shrine EG074772jhp Luxor Temple Egyptian Thutmose Triple Shrine Amun lintel hieroglyphics doorway located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Thutmosis, Thutmose, Peristyle, court, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Ramses, Ramasses, Ramesses, monumental
Luxor Temple Triple Shrine EG074771jhp Luxor Temple ancient Egypt Triple Shrine Peristyle Amun lintel hieroglyhps located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, upright, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, Thutmosis, Amun, entrance, door, jam, hieroglyphs, pylon, rear, Mut, Khonsu, Mosque, Abu'l Hagag, Ramses, Ramasses, Ramesses, monumental
Luxor Temple Triple Shrine EG074770jhp Luxor Temple ancient Egyptian Triple Shrine Thutmosis Khonsu Amun Mut way station behind the entrance pylon in this monument located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, Thutmosis, Amun, entrance, door, jam, hieroglyphs, pylon, rear, Mut, Khonsu, Mosque, Abu'l Hagag, Ramses, Ramasses, Ramesses, monumental
Luxor Temple & Mosque EG053587jhp Luxor Temple ancient Egyptian pylon mosque Abu 'l-Haggag Triple Shrine Obelisk located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Abu 'l-Haggag, Ramses, Ramasses, Ramesses, monumental
Luxor Temple & Mosque EG053586jhp Luxor Temple ancient Egypt pylon mosque granite Triple Shrine Obelisk located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Islamic, decoration, diamonds, patterned, window, Ramses, Ramasses, Ramesses, monumental
Luxor Temple & Mosque EG053561jhp Luxor Temple ancient Egypt columns mosque Abu 'l-Haggag Peristyle court located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Haggag, Ramses, Ramasses, Ramesses, monumental
Luxor Temple & Mosque EG053560jhp Luxor Temple ancient Egyptian columns papyrus bud mosque Abu 'l-Hagag located on east bank River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Islamic Mosque dedicated to a local saint Abu'l Haggag illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, upright, history, archaeology, ancient, Egyptology, hieroglyphics, columns, Triple, Shrine, Peristyle, court, columns, papyrus, bud, approach, entrance, Mosque, Crescent, Abu'l Hagag, Abu 'l-Haggag, Ramses, Ramasses, Ramesses, monumental
Luxor Temple Pylon 4702EG07JHP Ramses 11 Granite Statues Seated Pharaoh Pylon Temple Luxor Egypt at the main entrance into Luxor Temple with a view through the first pylon and showing the Crescent symbol of the Islamic Mosque to a local saint Abu'l Hagag which has been recently restored and an integral part of this ancient Egyptian site. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, upright, history, archaeology, ancient, Egyptology, hieroglyphics, granite, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Ramses, Ramasses, Ramesses, pharaoh, ruler, huge, monumental, statues, seated
Luxor Temple Pylon 4701EG07JHP Luxor Temple Egypt Pylon Seated Ramesses Statues Entrance Hieroglyphs located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Crescent symbol of an Islamic Mosque dedicated to a local saint Abu'l Hagag is just visible and illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, granite, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Ramses, Ramasses, Ramesses, pharaoh, ruler, huge, monumental, statues, seated
Luxor Temple Pylon 4700EG07JHP Luxor Temple Entrance Panorama Front Pylon Statues Obelisk Ramp Steps located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. The Crescent symbol of an Islamic Mosque dedicated to a local saint Abu'l Hagag is just visible and illustrates the religious reverence of this site over the centuries. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, upright, history, archaeology, ancient, Egyptology, hieroglyphics, granite, approach, entrance, pylon, Mosque, Crescent, Abu'l Hagag, Ramses, Ramasses, Ramesses, pharaoh, ruler, huge, monumental, statues, seated

Egypt > Minya, Amarna & Ashmunayn (1 file)

Photographs in this gallery cover the main sites of Amarna, its North Palace, Aten and Small Temple, Bani Hasan Rock cut chapels, Tuna el-Gebel with the Catacombs with baboon and ibis mummies, Stela of Akhenaten on the north boundary, Petosiris Tomb-Chapel, Chapels of Ptoemais and Isadora, Roman Water Wheel Well and Temple of Thoth and el Ashmunein with an Open Air Museum with huge granite statues of Baboons and nearby a Temple to Thoth with a later Christian Basilica all located along the River Nile between Cairo and Luxor accessed from the nearby university city of Minya
Minya Village Life 6360EG07JHP Minya Countryside Town Scene Donkey Houses Street Car People River Nile between Cairo and Luxor. Taken from the mini bus this small village on the outskirts of the city gives a flavour of passing everyday life with modern and ancient styles of transport and the colourfulness of an Egyptian street scene. Keywords: Egypt, Egyptian, Minya, village, landscape, street, houses, electric, lines, telephone lines, poles, life, donkeys, Egyptians, people, locals, cars, washing, railings, transport, trees, transport, mini-bus, journey, excursion

Egypt > North of Cairo (4 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Street Scene eg9613919jhp Egypt Alexandria city snapshot street scene clothes underwear market people shopping modern Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Street Scene eg9613918jhp Egypt Alexandria city random street colourful scenes market people shopping modern Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Street Scene eg9613916jhp Egypt Alexandria city street scene market colours stalls people talking shopping modern Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, market, stalls, carts, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8
Alexandria Street Scene eg9613730jhp Egypt Alexandria city back street scene people lorry modern houses apartments Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, houses, balconies, washing, hanging, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Egypt > Outlying Pyramids (45 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Senwosret Pyramid Lisht eg01299jhp Egypt el-Lisht Pyramid Senusret collapsed mound mastaba desert sand casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01298jhp Egyptian Lisht Pyramid Sesostris collapsed limestone blocks casing intact construction Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg01297jhp Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01296jhp Egypt el-Lisht Pyramid Senwosret museum painted farm scenes wheat flails Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, flash, Metz, working, fields, farm, workers, flailing, wheat, threshing
Senwosret Pyramid Lisht eg01295jhp Egypt el-Lisht Pyramid Senusret painted releif workers farmers animals limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape farm, workers, animals, deer, cattle
Senwosret Pyramid Lisht eg01294jhp Egypt el-Lisht Pyramid Senusret museum coloured farm scenes limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01293jhp Egypt el-Lisht Pyramid Senusret museum exhibit cartouche carving Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area of whihc this was one-I think it is a cartouche but cannot read it. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, cartocuhe, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012912jhp Egyptian Lisht Pyramid Senwosret collapsed grantie remnants limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright, frgamnets, scarce, remains
Senwosret Pyramid Lisht eg012911jhp Egypt el-Lisht Pyramid Senusret granite fragments limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012910jhp Egypt Pyramid Senusret worked limestone block masonry techniques cutting Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, masonry, stonework, holes, splitting, techniques, skills
Senwosret Pyramid Lisht eg012736jhp Egypt Lisht Pyramid Senwosret enclosure wall double limestone blocks Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012736Ejhp Egypt el-Lisht Pyramid Senusret building limestone blocks eroded surviving casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012735jhp Egypt el-Lisht Pyramid Senusret tomb shaft royal burial enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, shft, hole, deep
Senwosret Pyramid Lisht eg012734jhp Egypt Lisht Pyramids Senusret mastabas limestone blocks eroded Amenemhet desert sand Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012733jhp Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks wall enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012732jhp Egyptian el-Lisht Pyramid Sewosret construction collapsed mound limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012731jhp Egypt Lisht Pyramid Senusret causeway granite slab mortuary temple walls Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, slab
Senwosret Pyramid Lisht eg012730jhp Egypt el-Lisht Pyramid Senusret stonework masonry dovetails joints limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, stonework, dovetails, joints, carving, masonry, building, architecture
Senwosret Pyramid Lisht eg012729jhp Egyptian el-Lisht Pyramid Senusret limestone blocks enclosure wall tombs mastaba Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012728jhp Egypt Lisht Pyramid Senusret collapsed mound limestone enclosure wall casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
El Lisht Camel Train eg00727jhp Lisht village Egyptian life camels transporting palm fronds street scene was spotted driving through the village enroute to the two Lisht pyramids of Amenemhet and Senwsoret on the desert escarpment south of a trip from visiting the Dashur necropolis. Definitely need a great taxi driver who can navigate his way to these outlying sites, finding the local custodian and also managing not to get bogged down in the sand once away from the plantations. Keywords: Egypt, Egyptian, River, Nile, al-Lisht, el-Lisht, village, street, scene, camel, camels, train, historic, animals, beasts, carrying, transporting, palm, fronds, el-Fayoum, Faiyum, Fayyum, daily, life, natural, native, fuel, tanker, houses, flats, balcony, Libayni, canal, al-Mataniyyah, desert, escarpment, ancient, history, antiquity, holiday, travel, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Abu Ghurab & Guide EG02AA01jhp Egyptian Abu Ghurab Sun Temple local custodian guide plantation desert isolated location south of Giza, about 25km from Cairo and situated on the desert escarpment after travelling through rural roads and walking in agricultural land and then the sand. Originally thought to be a pyramid, called Riga but now known to be the Sun-Temple of Nyusere c2453-2422 built on an east-west access and although a very elaborate miniature pyramid complex is now very ruined and is thought to be the only one of six standing that were built in the area. Large alabaster bowls of considerable beauty remain from the slaughterhouse where animals would have been sacrificed for the Heb Sed and in similar stone, a huge four-sided Hetep Altar stone remains intact in front of the base of where a large Solar Obelisk would have stood. 2km away is the site of Abusir whose remaining pyramids can be seen across the desert to the south. Keywords: Egypt, Egyptian, Cairo, Giza, Abu Ghurab, Abu Ghurob, pyramid, Sun-Temple, Nyuserre, Niuserre, Riga, Solar, Obelisk, Benben, alabaster, altar, Hetep, four-sided, ruined, collapsed, God, Re, Heliopolis, River, Nile, Abu Sir, landscape, Egyptology, archaeology, ancient, soft, erosion, limestone, deity, horizon, causeway, buried, pharaoh, royal, tombs, blocks, purification, ceremonial, sacrifice, slaughterhouse, bulls, blood, bowls, channels, drainage, afterlife, travelling, celestial, religion, beliefs, death, burial, gigantic, history, desert, hazy, light, 2002, Fuji, S2, DSLR, digital, custodian, local, guide, plantation, agricultrual
Zawyet Pyramid EG051070jhp Zawiyet Pyramid Layer Egypt Khaba stone limestone foundation base eroded sand one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051068jhp Zawyet Pyramid Layer end side Egypt King Khaba builder stone limestone layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051067jhp Zawyet Pyramid Layer Cairo Giza Egypt Khaba stone limestone bricks accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051063jhp Zawyet Pyramid Layer Egyptian construction stones limestone sloping mortar accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, mortar, clay, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051062jhp Zawyet Pyramid Layer stonework technique stone bricks brickwork side layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, upright, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051061jhp Zawyet Pyramid Layer ancient Egypt stone limestone bricks building layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051058jhp Zawyet Pyramid Layer side face stone limestone bricks accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, upright, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051057jhp Zawyet Pyramid Layer Cairo Egyptian Khaba stones limestone layers east face side one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051054jhp Zawyet Pyramid Layer unfinished Egypt construction stone limestone bricks layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051053jhp Zawyet Pyramid Cairo view stone limestone bricks erosion weathered layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051048jhp Zawyet Pyramid Layer interior construction stone limestone bricks accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, upright, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051047jhp Zawyet Pyramid Layer Egypt Khaba stone limestone bricks accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051046jhp Zawyet Pyramid Layer Egyptian stone limestone sloping bricks accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051045jhp Zawyet Zawiyet Pyramid layers stone limestone bricks accretion construction one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, upright, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051044jhp Zawyet Pyramid Layer Egyptian Khaba shaft hole excavation sand desert one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, upright, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051043jhp Zawyet Pyramid Layer Egypt limestone hole shaft dig excavation looting one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid EG051042jhp Zawyet Pyramid Layer Cairo Giza Egyptian sloping entrance digging unfinished one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, upright, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid & Giza EG051050jhp Zawyet Pyramid Layer Giza Cairo View Egypt Khaba desert military base limestone bricks one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid & Giza EG051049jhp Zawyet Pyramid Cairo Giza view Khafre Khufu Menkaure Egypt Khaba stone limestone bricks accretion layers one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, Khufu, Khafre, Menkaure, pyramid, pyramids, view, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid & Cairo EG051052jhp Zawyet Pyramid Layer Cairo Egypt buildngs flats houses farming palm trees view from one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation, houses, apartments, buildings, farming
Zawyet Pyramid & Abusir EG051064jhp Zawyet Pyramid Layer Abusir View desert south Egypt Khaba stone limestone bricks one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, view, pyramids, Zawyet, Zawiyet, Aryan, pyramid, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Zawyet Pyramid & Abusir EG051051jhp Zawyet Pyramid Egyptian Abusir Saqqara Pyramids desert fertile palm trees one of two unfinished pyramids at Zawiyet el-Aryan of which this one is known as the Layer Pyramid and is attributed to King Khaba from Horus stone vases found nearby. The distinctive accretions of layers of inward sloping limestone bricks or shaped stones suggest an evolving the Step Pyramid construction started at Saqqara at Zawiyat al Aryan Zawiyet el Aryan dating from King Khaba in 2600BC so after the Step Pyramid. It is located north of Abu Ghurab and Abusir on the desert edge. It is situated near military bases and requires a local taxi driver to make the journey as not included on any but the most specialised Egyptological tours. Keywords: Egypt, Egyptian, Cairo, Giza, Abusir, Saqqara, Step, Zawyet, Zawiyet, Aryan, pyramid, pyramids, unfinished, layer, limestone, stones, bricks, accretion, construction, sloping, landscape, history, ancient, antiquity, Egyptology, archaeology, architecture, experimental, Saqqara, Step, Zoser, Imhotep, tomb, death, burial, shaft, steps, excavation, eternal, afterlife, pharaohs, masonry, sand, unfinished, desert, sand, military, bases, closed, area, restricted, foundation
Abu Ghurab Pyramid Causeway EG02AA16JHP Egyptian Abu Ghurab Pyramid Backdrop Modern Local Custodians Egyptians having a chat in the final approach from the causeway to the Sun Temple of Nyuserre at Abu Ghurab located south of Cairo. No model release is required for this if used for editorial or guidebook use. Keywords: Egypt, Egyptian, Abu Ghurab, Abu Ghurob, pyramid, Sun-Temple, Nyuserre, benben, causeway, custodians, Egyptians, locals, alabaster, altar, Hetep, four-sided, ruined, collapsed, landscape, Egyptology, archaeology, ancient, soft, erosion, limestone, deity, causeway, buried, pharaoh, royal, blocks, afterlife, celestial, religion, beliefs, death, burial, history, desert, hazy, light

Egypt > River Nile Cruise & Sites (1 file)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.
Nile Local Felucca EG052398JHP Egypt Egyptian River Nile Felucca Sailing Water Riverbank Cruise Photo the journey from Luxor to Aswan by cruiseboat offers a peaceful way to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, fields, wildlife, daily, life, sunshine, local, felucca, sailing, saliboat, boat, water, cruise, cruising, landscape

Egypt > Saqqara & Memphis (1 file)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara Necropolis EG051103jhp Saqqara Ancient Egypt Necropolis Step pyramid Userkaf local limestone 5th Dynasty complex on the north east corner of the oldest stone built monument in the world, built for King Djoser around 2500BC, although it is in very poor condition probably being robbed of it Turah limstone casing in Saite times. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, Userkaf, pyramid, Step, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, landscape, royal, tomb, Step Pyramid, monument, stone, first, funerary, 5th Dynasty, desert, sand, limestone, stones, bricks

Egypt > Seheil Island Rock Carvings (1 file)

Sehel Island, Seheil Island on the River Nile amongst the cataracts near Aswan has a real Nubian village walked through to reach the large quantity of rock carvings on the boulder strewn island many of which are included in these photographs
Seheil Nubian Guide EG052678JHP Sehel Island Egyptian Nubian Village local guide elderly man photograph with its genuine sense of colour and distinctive desert shapes for buildings that remain cool in the heat of southern Egypt on this island near Aswan amongst the River Nile cataracts. The main reason for this private excursion by motorboat was to visit the rock carvings which cover this boulder strewn part of the Nile recording many events throughout the ancient history of the Egyptian Empire spanning some 3000 years. No model release is required for using this photo. Keywords: Egypt, Aswan, River Nile, Seheil, Island, Sehel, Nubia, Nubian, village, guide, posed, oldman, friendly, upright, Egyptian, mudbrick, galabea, walking-stick, grass, farewell

Egypt > Victorian Albumen Prints (1 file)

A collection of copies of photographs of Egyptian sites taken in the 1870's by Victorian photographers Beato, Frith and Sebah and modern versions have been made as well.
Beato Karnak Hypostyle Hall 8381VQJHP Karnak Temple Hypostyle Hall Columns Egyptians Donkey Frith Photo Old Albumen located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the famous hypostyle hall looking towards the entrance pylon down the processional way with a local guide and donkeys to give a sense of scale. Photo Taken by the Victorian photographer Antonio Beato around 1870. Keywords: Egypt, Luxor, Thebes, River Nile, East Bank, Karnak Temple, entrance, upright, gate, hypostyle hall, columns, donkeys, local, guide, ancient, history, archaeology, ancient, Egyptian, Egyptology, Antonio Beato, Victorian, 1890, photographer, albumen, copy, print

Scotland > Aberdeen City (1 file)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Granite Building SO287026JHP Aberdeen City Scotland Building Crown Street Grey Granite Architecture Style office building from the late 1800's in Crown Street one of the many roads adjoining Union Street and chracteristic of the style that gives the city its accolade of the Silver City built originally from so much of this natural local stone Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, upright, sea, coast, oil, industry, granite, silver, grey, architecture, style, classic, office, 'Bon Accord', 'Crown Street', Union Street

Scotland > Aberdeenshire (1 file)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.
Lumsden Springtime asd5911jhp Lumsden daffodils yellow spring park war memorial Strathbogie Aberdeenshire Scotland a village on the A97 north of Kildrummy on the road to Huntly with a Sculpture Walk showing work of local artists from Workshop established in this community. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Strathbogie, Lumsden, sculptures, walk, workshop, landscape, spring, springtime, sunshine, sunny, daffodils, yellow, war, memorial, park, children, play, area, main, street, trees, roadside, kirk, church

Scotland > Aberdeenshire Coast (49 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
Cruden Bay Coast 191868jhp Cruden Bay estuary golf green village houses coast dunes October Aberdeenshire Scotland also has small harbour for local fishing boats on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula. Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, coast, coastal, autumn, beach, golf, links, green, flag, dunes, sand, rocks, water, grass, maritime, walks, October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5
Portsoy Harbour vr0440jhp Portsoy traditional Aberdeenshire coastal fishing village boat yacht harbour summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, wall, brickwork, stonework, landscape, summer, town, coast, boat, houses, small, festival, sailing, boats, yacht, fishing, buoy, DSLR, Nikon, D300, camera, Sigma, 18-200mm lens, July, 2008
Portsoy Sculpture bnm9983jhp Portsoy Harbour seawall sea dolphin sculpture Aberdeenshire coastal winter Scotland located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. This new addition was created by Artist Carn Stading and funds raised by a local restaurant owner and residents in the village saved it as a recent feature in recognition of the Moray Firth Bottlenosed Dolphins, a popular tourist attraction for many of these coastal resorts. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, harbour, entrance, seawall, dolphin, sculpture, artist, Carn Stading, rocks, sea, waves, foreshore, landscape, town, coast, winter, November, 2017, Nikon, D700, DSLR, digital
Portsoy Harbour xcv6668jhp Portsoy harbour creel wall Aberdeenshire Scottish coast Jim Henderson photo located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour xcv6675jhp Portsoy harbour traditional walls stone blocks March spring Aberdeenshire Scottish coastal village located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour xcv6673jhp Portsoy harbour traditional stonework berths Aberdeenshire Scotland coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall, March, 2015, DSLR, Nikon, D700.
Portsoy Harbour xcv6672jhp Portsoy harbour sea horizon entrance Scottish coastal village spring railings located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, entrance, railings, wall, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour xcv6671jhp Portsoy harbour traditional ramps lifebelt houses Scottish coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, upright, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour xcv6669jhp Portsoy harbour spring March 2015 Aberdeenshire Scotland coastal village located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour xcv6667jhp Portsoy harbour lifebelt Aberdeenshire Scottish coastal village spring March 2015 located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, upright, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall, Nikon, DSLR
Portsoy Harbour jkl8773jhp Portsoy harbour Aberdeenshire Scottish coast west Firth spring rocks sea located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl9043jhp Portsoy harbour walls stonework fishing boats Aberdeenshire Scotland village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl9039jhp Portsoy harbour waterfront walls traditional Aberdeenshire Scotland coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, bollard, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl9038jhp Portsoy harbour boats fishing Aberdeenshire Scottish coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, upright, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl9033jhp Portsoy harbour fishing boats anchored houses Scottish coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl8764jhp Portsoy harbour walls waterfront houses traditional Scottish coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl8763jhp Portsoy harbour lifebelt lobster pots traditional Aberdeenshire Scottish coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, lifebelts, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl8761jhp Portsoy harbour lobster pots Aberdeenshire Scotland coastal village spring lifebelt located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, upright, lifebelt, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl8759jhp Portsoy harbour lifebelts lobster pots traditional Aberdeenshire Scottish village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, lifebelts, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl8758jhp Portsoy harbour front marble traditional Aberdeenshire Scotland coastal village spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, marble, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour jkl8754jhp Portsoy harbour walls water traditional Aberdeenshire Scottish coastal bollard spring located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, bollard, landscape, spring, town, coast, boats, houses, small, tide, boats, fishing, lobster, pots, lifebuoy, wall
Portsoy Harbour wyy7013jhp Portsoy Harbour traditional Aberdeenshire red sails yacht boat summer sun located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, upright, summer, town, coast, boat, houses, small, festival, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, Isabella, Fortuna, arriving, yacht, red, sails
Portsoy Harbour wyy7011jhp Portsoy Harbour Aberdeenshire boat festival summer sponsors banners yacht red sails located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Press, Journal, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, Isabella, Fortuna, arriving, yacht, red, sails
Portsoy Harbour wyy7009jhp Portsoy Harbour Aberdeenshire coastal village boats red sail festival summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, sailing, boats, fishing, yacht, red, sail, Isabella, Fortuna, anchored
Portsoy Harbour wyy7008jhp Portsoy Harbour seawall sea sunny blue sky Aberdeenshire coastal boats festival summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, sailing, boats, fishing, yachts, white, red, sail, anchored
Portsoy Harbour wyy7007jhp Portsoy Harbour traditional Banffshire coastal village boats anchored wooden festival summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, upright, summer, town, coast, boat, houses, small, festival, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky
Portsoy Harbour wyy7006jhp Portsoy Harbour yachts coastal village small boats festival summer anchored located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Press, Journal, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, Isabella, Fortuna, arriving
Portsoy Harbour wyy7005jhp Portsoy Harbour Aberdeenshire village centre houses boat festival summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Press, Journal, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, Isabella, Fortuna, arriving
Portsoy Harbour wyy7004jhp Portsoy traditional Aberdeenshire coastal village small boats festival summer marquees located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Press, Journal, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, Isabella, Fortuna, arriving
Portsoy Harbour wyy7003jhp Portsoy Harbour arrival Isabella Fortuna coastal village boat festival sunshine summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Press, Journal, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, Isabella, Fortuna, arriving
Portsoy Harbour wyy6998jhp Portsoy Harbour Aberdeenshire village centre boat sunny annual festival summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, arriving
Portsoy Harbour wyy6997jhp Portsoy Harbour Aberdeenshire coast village boats anchored festival summer sun located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boat, houses, small, festival, marquees, tents, banners, advertising, sponsors, Press, Journal, Asset, Management, sailing, boats, fishing, wooden, anchored, ropes, water, sunny, blue, sky, arriving
Portsoy Harbour wyy6996jhp Portsoy Harbour traditional Aberdeenshire coastal village seawalls sea festival summer located by the Moray Firth and famous for local serpentine stone or marble and its annual small boat festival illustrated in this photo, the village lies between Banff and Cullen and is a popular stopover especially on summer weekends. It has a small caravan park in the next easterly bay to the harbour and with traditional 17th century period is an important part of the Coastal Trail and the history of the early fishing industry in the North east of Scotland. Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Banff, Buchan, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, harbour, landscape, summer, town, coast, boats, houses, small, festival, sailing, boats, fishing
Pennan fm Rockpool TO190023JHP Pennan Village Rockpools Moray Firth Spring Scottish Coastline Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Buchan, Pennan, green, grass, rockpools, waterfront, houses, spring, landscape, coast, coastal, cliffs
Pennan Waterfront TO190027JHP Pennan Village Front Boat Fishing Net Moray Firth Coastline Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Buchan, Pennan, green, front, street, boat, nets, landscape, coast, coastal, cliffs, headland
Pennan Tide Out TO190020JHP Pennan Seafront Houses Spring Rockpools Scotland Photo Moray Firth Aberdeenshire North Coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, rockpools, spring, landscape, coast, coastal, cliffs, headland
Pennan Slipway TO190031JHP Pennan Village Waterfront Beached Boat Cliffs Scottish Moray Firth Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, slipway, fishing, boat, repairs, spring, landscape, coast, coastal, cliffs
Pennan Rooftops TO190032JHP Pennan Village Rooftops Red Slates View Moray Firth Scottish Coastline Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, rooftops, spring, landscape, coast, coastal, cliffs, headland, bay, houses
Pennan Rock Pool TO190022JHP Pennan Village Rockpool Water Spring Reflections Houses Beach Low Angle Photo View Moray Firth coastline on Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles. Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Buchan, Pennan, rockpool, waterfront, houses, green, grass, gorse, spring, yellow, upright, coast, coastal, cliffs, headland
Portsoy Moray Firth VR0430JHP Scottish Sea Coastline Portsoy Moray Firth Summer View Cromarty Photograph from this delightful Aberdeenshire coastal village famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, Moray, Firth, Cromarty, outline, rocks, sea, waves, foreshore, landscape, summer, coast
Portsoy Houses VR0427JHP Portsoy Harbour Peaceful Aberdeenshire Coastal Village Water Stonework Reflections by Moray Firth famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, harbour, landscape, summer, village, coast, boats, houses
Portsoy Harbour VR0424JHP Portsoy Scottish Harbour Sailing Boats Summer Piers Stonework Aberdeenshire Photo Coastal village by Moray Firth famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, harbour, landscape, summer, village, coast, boats, piers, sailing, yacht
Portsoy Foreshore VR0432JHP Portsoy Moray Firth Scotland Rocky Coast Westwards Sea Waves Coastline at delightful Aberdeenshire coastal village famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, Moray, Firth, rocks, sea, waves, foreshore, height, landscape, summer, coast
Portsoy Eastwards VR0431JHP Portsoy Eastern Aspect Harbour Aberdeenshire Village Moray Firth Scotland Photograph famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, harbour, landscape, summer, village, coast, boat, houses, streets, eastwards
Portsoy Coastal Window VR0438JHP Portsoy Coast Westwards Ruin Window Framed Sea Moray Coast Scotland a delightful Aberdeenshire coastal village by Moray Firth viewed from a ruin on the foreshore near its traditional harbour and is famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, Moray Firth, rocks, sea, waves, foreshore, ruin, window, framing, landscape, summer, coast, westwards
Portsoy Coast West VR0429JHP Portsoy Moray Firth West Coast Ruin House Wall Sea Rocks Aberdeenshire Coastal Village famous for local serpentine stone or marble and annual small boat festival which lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, Moray Firth, rocks, sea, waves, foreshore, landscape, summer, coast, westwards
Portsoy Centre VR0433JHP Portsoy Harbour Village Streets Houses Pink Harling Aberdeenshire Photo Scotland by Moray Firth famous for local serpentine stone or marble and annual small boat festival and lies between Banff and Cullen. Keywords: Scotland, Grampian, Scottish, North, sea, Aberdeenshire, Portsoy, harbour, landscape, summer, village, centre, coast, boats, houses, painted, pink, harled
Pennan Moray Coast TO19022JH Pennan Village Rockpools Water Reflections Low Angle Photograph Spring Seafront beautiful and famous coastal on the Banff-Buchan coast of Aberdeenshire in North East Scotland made famous as part of the location for the film Local Hero in which a red telephone box featured and the local hotel. Keywords: North, East, Scotland, Morayshire, Grampian, Scottish, Aberdeenshire, Buchan, Banffshire, Pennan, landscape, cove, cliffs, village, coast, sea, harbour, houses, beach, rocks, westwards, headland, white, blue, sky, clouds, solitude, peaceful, bracing, walking, fishing, heritage trail, film, location, Local Hero
Crovie Moray Coast TO19038JH Crovie Fishing Hamlet Aberdeenshire Spring Gorse Cliffs Seafront Houses Photo of village tucked under the cliffs and overlooking the Moray Firth along the Banff-Buchan coast of North east Scotland in Aberdeenshire where it lies between Banff and Macduff and nearby Pennan famous as a location for the film Local Hero Keywords: North, East, Scotland, Morayshire, Grampian, Scottish, Aberdeenshire, Crovie, Buchan, Banffshire, Pennan, Gardenstown, landscape, cove, cliffs, village, coast, sea, harbour, houses, beach, rocks, yellow, gorse, westwards, headland, white, blue, sky, clouds, solitude, peaceful, bracing, walking, fishing, heritage trail

Scotland > Ancient Stones (12 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

Maidenstone East Face asd8367jhp Maiden Stone Cross-slab Scottish Pictish Christian symbol carved ancient east face relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Note the exif in this image shows 2012-it should be 2013. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Maidenstone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, landscape, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected, June, 2013, Nikon, D700, DSLR, camera, digital, photograph, upright
Maidenstone East Face asd8364jhp Maiden Stone Cross-slab east face roadside Aberdeenshire Scotland Pictish Christian symbol carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Note the exif in this image shows 2012-it should be 2013. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Maidenstone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, landscape, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected, June, 2013, Nikon, D700, DSLR, camera, digital, photograph
Maiden Stone vq9139jhp Maiden Stone Cross-slab Aberdeenshire Pictish Christian symbol west face carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Maidenstone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, landscape, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Carving jkl8787jhp Maiden Stone Cross-slab side edge carved interlace Donside Pictish Christian symbol carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, spring, edge, detail, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Carving jkl8785jhp Maiden Stone closeup mirror comb Pictish Christian Scottish symbol carved ancient relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, closeup, landscape, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Carving jkl8784jhp Maiden Stone beast granite carved Scotland Aberdeenshire Pictish Christian symbol ancient relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, close, detail, landscape, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, beast, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Carving jkl8783jhp Maiden Stone east face carvings details Pictish Christian symbol Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Carving jkl8781jhp Maiden Stone Cross-slab east face spring Scotland Pictish Christian symbol carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Bennachie jkl8779jhp Maiden Stone Cross-slab Bennachie summit spring Pictish Christian carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. During the winter and spring with the trees bare of foliage it is possible to see the summit of Bennachie. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Bennachie, summit, tap, mither, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, landscape, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Bennachie jkl8777jhp Maiden Stone carved stone spring Bennachie summit Scottish Aberdeenshire Pictish Christian relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. During winter and spring with trees bare of foliage it is possible to see the summit of Bennachie. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Bennachie, summit, tap, mither, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, upright, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Stone Bennachie jkl8774jhp Maiden Stone Bennachie spring Aberdeenshire Pictish Christian symbol carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. During the spring with the trees bare of foliage it is possible to see the summit of Bennachie. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Bennachie, summit, tap, mither, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, east, face, landscape, spring, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone Pitcaple VQ9139JHP Maiden Stone Ancient Picts Pictish Christian symbols carved Cross-slab Aberdeenshire Scotland stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbolism of pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, Stone, Pitcaple, Chapel Garioch, granite, pink, slab, Cross-slab, west, face, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, Pictish, Christian, symbols, upright, historic, history, heritage, carving

Scotland > Banff & Buchan (1 file)

Photographs of the Banff and Buchan area of Aberdeenshire in North East Scotland that do not fit into other specialist categories or particularly illustrate the nature of the area.
Macduff Station Brae qwe3199jhp Macduff fishing port Moray Firth Aberdeenshire Doune anchor station brae is adjacent to Banff and divided by the River Deveron but remains a busy fishing harbour supporting its own trawler fleet with fishmarket and its excellent facilities expanding for the watersport and pleasure sailing industry. The anchor which dominates this view of Macduff from Station Brae is held to be from an 18th Century sailing ship and dragged up in the nets of a local fishing trawler. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Macduff, sea, Moray, Firth, town, fishing, port, trawlers, boats, buildings, landscape, upright, harbour, anchor, viewpoint, station, brae

Scotland > Clouds, Sunsets, Dawns and Weather (3 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Summer Haar Creep xcv8832jhp Clouds haar morning summer sunshine Torphins white broom Aberdeenshire Scottish weather and although not perhaps calendar material are none the less great photography subjects. This is something that often plagues the North East Coast a sea mist locally called haar and which can ruin a lovely summer day especially very close to the coast. In this case it is appearing early on a June morning and is creeping over the Learney and Hill of Fare rather like a mist in some horror movie. Keywords: June, summer, Nikon, D700, DSLR, landscape, Craigmyle, hill, Fare, Torphins, morning, clouds, haar, unusual, shapes, weather, meteorological, countryside, cicely, flowers, dykes, rural, forest, fields, farmland, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, blue, white, grey, brown, beautiful, shapes, scale, size, height, highlights, sunshine, edges, broom, yellow
Summer Haar Creep xcv8831jhp Clouds haar June Morning Torphins white blue sky Aberdeenshire Scottish summer weather and although not perhaps calendar material are none the less great photography subjects. This is something that often plagues the North East Coast a sea mist locally called haar and which can ruin a lovely summer day especially very close to the coast. In this case it is appearing early on a June morning and is creeping over the Learney and Hill of Fare rather like a mist in some horror movie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Dee, Royal, Deeside, 2015, June, summer, Nikon, D700, DSLR, landscape, Craigmyle, hill, Fare, Torphins, morning, clouds, haar, unusual, shapes, weather, meteorological, countryside, rural, forest, fields, farmland, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, blue, white, grey, brown, beautiful, shapes, scale, size, height, highlights, sunshine, edges, broom, yellow
Summer Haar Creep xcv8829jhp Clouds haar June early Torphins white blue sky cicely Scotland summer weather and although not perhaps calendar material are none the less great photography subjects. This is something that often plagues the North East Coast a sea mist locally called haar and which can ruin a lovely summer day especially very close to the coast. In this case it is appearing early on a June morning and is creeping over the Learney and Hill of Fare rather like a mist in some horror movie. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Dee, Royal, Deeside, 2015, June, summer, Nikon, D700, DSLR, landscape, Craigmyle, hill, Fare, Torphins, morning, clouds, haar, unusual, shapes, weather, meteorological, countryside, cicely, flowers, dykes, rural, forest, fields, farmland, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, blue, white, grey, brown, beautiful, shapes, scale, size, height, highlights, sunshine, edges, broom, yellow

Scotland > Deeside Towns and Villages (17 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Deeside Spring bnm7065jhp Summer colour gean gorse blossom white yellow lower Craigton view Aberdeenshire Scotland Royal Deeside taken above Kincardine O'Neil this small village heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, spring, blossom, gean, wild cherry, gorse, forest, landscape, upright, War, Memorial, Neil, burn, drive, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2017, May, 6th
Deeside Spring bnm7064jhp Spring colours gean gorse lower Craigton view Aberdeenshire Scotland Royal Deeside taken above Kincardine O'Neil this small village heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, spring, blossom, gean, wild cherry, gorse, forest, landscape, War, Memorial, Neil, burn, drive, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2017, May, 6th
Deeside fm Craigton xcv8335jhp Kincardine O’Neil houses summer lower Craigton west Scotland Royal Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Deeside fm Craigton xcv8332jhp Kincardine O’Neil village track farm Craigton road Aberdeenshire Scottish Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, upright, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Deeside fm Craigton xcv8331jhp Kincardine O’Neil village summer fence posts Craigton view west Aberdeenshire Deeside Scotland heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Deeside fm Craigton xcv8329jhp Kincardine O’Neil village summer lower Craigton view Aberdeenshire Scotland Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Deeside fm Craigton xcv8328jhp Kincardine Deeside village summer lower Craigton westwards Aberdeenshire Scotland Royal Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Deeside fm Craigton xcv8327jhp Summer lower Craigton view Clachnaben gate trees Aberdeenshire Deeside rural above the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed in 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, Craigton, Hill, lower, summer, landscape, Neil, Burn, Drive, road, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo, 2015, June
Kincardine O Neil fgh1134jhp Kincardine O’Neil shrubs old kirk summer War Memorial Scotland Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1133jhp Kincardine O’Neil flowers old kirk summer War Memorial Deeside Scotland Royal heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1129jhp Kincardine O’Neil flowers summer War Memorial granite Aberdeenshire Scottish Royal Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, upright, War, Memorial, Neil, granite, stone, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1128jhp Kincardine O’Neil road flowers summer War Memorial Scotland Royal Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1127jhp Kincardine O’Neil summer War Memorial granite shrubs Aberdeenshire Scottish Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, granite, stone, carved, renovated, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1126jhp Kincardine O’Neil street flowers summer War Memorial Scotland village Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1125jhp Kincardine O’Neil burn ash tree flowers summer War Memorial Aberdeenshire Scotland Royal Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1123jhp Kincardine O’Neil high street flower display summer Aberdeenshire Scottish Royal Deeside heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, upright, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo
Kincardine O Neil fgh1120jhp Kincardine O’Neil street flowers old kirk summer War Deeside Road Aberdeenshire Scotland heralded as the oldest village on Deeside with a history dating back before Christian times, situated on the River Dee at a ferry crossing point and connected to the early development of Christianity credited with a church set up by St Erchard around 933AD. Probably the most traditional of the Deeside villages with little modern development to change its original character situated between the major towns of Banchory and Aboyne on the north Deeside Road. The War Memorial renovation was completed this year, 2013, and the flower displays lovingly tended by local volunteers. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Aboyne, River, Dee, Royal Deeside, Deeside, Kincardine, O'Neil, summer, landscape, War, Memorial, Neil, burn, drive, high, street, trees, ash, tree, floral, flowers, display, border, road, lower, village, shop, street, old, church, kirk, kirkyard, Christian, saint, Erchan, Erchard, oldest, market, hospice, medieval, history, religion, early, St, 933AD, ferry, Barthol, Fair, burgh, parish, 13th, Century, roofless, sun, sunshine, DSLR, Nikon, D700, digital, photo

Scotland > Forestry & Farming (open collection)

This gallery will have photography relating to the working areas of Aberdeenshire covering farming and forestry. Includes areas of forestry where there is public access for walks such as The Deeside Way and also photographs of forest harvesting, tree cutting, and stacked logs ready for transport to the local sawmills.

Scotland > Historic Properties (49 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Balnacraig-Viaduct-Torphins-6159jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6158jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, rubble, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, topside, top, hardcore
Balnacraig-Viaduct-Torphins-6156jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, rough, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6155jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside, Beltie, Burn
Balnacraig-Viaduct-Torphins-6154jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside
Balnacraig-Viaduct-Torphins-6153jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6152jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, topside, hardcore, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6151jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, road, Beltie, Burn, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61515jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61514jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, Beltie, Burn, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61512jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, westwards, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-5159jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-5158jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51514jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, roadside, view, dogrose
Balnacraig-Viaduct-Torphins-51513jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, ivy, creepers, eastwards
Balnacraig-Viaduct-Torphins-51512jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, block, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51511jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, overgrown, ivy, top, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51510jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Braemar-Castle-qax8460jhp Braemar Castle fort autumn rainbow wintry larch trees Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. The sign in the foreground is a message of hope that the Corona Virus pandemic will be beaten. The photo was taken by luck on 21st November, 2020 at around 11.20UT. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, fort, fortress, musket, loops, historic, history, heritage, larch, colours, colors, preserved, pine, trees, colourful, colorful, autumn, winter, storm, rainbow, arc, luck, roadside, sign, 21st, November, 2020, Nikon, DSLR, D700, camera, digital, photograph.
Maidenstone West Face asd5570jhp Maiden Stone Cross-slab west face Christian knot work detail carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, closeup, face, landscape, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, detail, detailed, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone West Face asd5568jhp Maiden Stone Cross-slab Aberdeenshire Christian symbol carved knot work Scotland ancient relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, face, upright, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone West Face asd5565jhp Maiden Stone Cross-slab Christian symbol carving knot-work ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, west, face, upright, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone East Face asd8366jhp Maiden Stone Cross-slab east face Aberdeenshire Pictish symbols carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, east, face, landscape, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Maidenstone East Face asd8362jhp Maiden Stone East face Cross-slab Aberdeenshire Pictish Christian symbol carved ancient Scottish relic stands by the roadside near Pitcaple and is easily accessible for the causal visit from a small lay-by carpark. It is thought to date from the 9th century AD with a mixture of Pictish and early Christian symbols carved on pink granite stone and is probably one of the last carved in Grampian. It is so-called after the daughter of a local landowner who died during her elopement. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Maiden, symbol, Stone, Pitcaple, Chapel, Garioch, Donside, Gordon, district, archaeology, archaeological, history, Picts, Pictish, early, Christian, granite, pink, slab, Cross-slab, east, face, upright, summer, ring-headed, cross, fish, monsters, spiral, interlace, knot-work, four, incised, symbols, historic, history, heritage, double-sided, comb, Z-rod, centaur, mirror, carving, name, legend, daughter, Balquhain, death, eloping, field, countryside, farming, rural, nature, colourful, colorful, peaceful, trees, woods, Historic, carpark, council, layby, public, access, fenced, winter, covered, protected
Glenbuchat View xvv1455jhp Glenbuchat Castle View Glen Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, view, rooftop, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Window xvv1474jhp Glenbuchat Castle Window View Glen Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, window, view, framed, summer, water, Buchat, landscape, ruin, shell
Glenbuchat Castle Tree xvv1492jhp Glenbuchat Castle Approach Tree Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, approach, tree, framed, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Frontdoor xvv1441jhp Glenbuchat Castle Entrance Front Door Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, summer, water, Buchat, landscape, front, door, entrance, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Front xvv1432jhp Glenbuchat Castle Facade Front Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, front, entrance, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Glenbuchat Castle Approach xvv1489jhp Glenbuchat Castle Approach Carpark Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, carpark, approach, summer, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Castle Roof View xvv1457jhp Glenbuchat Castle roof top view Glen Strathdon Donside Aberdeenshire Scotland mock military house built in 1590 overlooking the River Don at one entrance into Glenbuchat and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Castle, glen, summer, highview, roofto, water, Buchat, landscape, ruin, shell, Z-plan, corbelled, caphouse, crowsteps, angular, arches, ashlar
Braemar Castle TO4290268JHP Braemar Castle Royal Deeside Military Fort River Dee Roadside Community Owned built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, shadows, military, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290267JHP Braemar Castle Winter Sunshine Pine Tree Shadows Deeside Aberdeenshire Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, winter, shadows, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290264JHP Braemar Castle Fort Autumn Larch Colours Sunshine Photo Royal Deeside Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290263JHP Braemar Castle Scottish Military Fortress Deeside Scotland Autumn Larch Pine Golden Colours built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290261JHP Braemar Castle Fortress Military Battlements Scottish History Community Ownership Aberdeenshire built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Craigievar Beating Retreat 71931JHP Craigievar Castle Pipeband Bagpipes Kilts Drum-major Beating Retreat Scottish Aberdeenshire event on National Trust for Scotland property is situated about 6 miles south of Alford A980 and is open to the public from March to end of August although closed during 2008/9 for major renovation on the exterior it is open again as of 2010. Grounds are normally open all year round. This was an occasional event by a local pipeband beating retreat at the close of the season. Example of the best in Scottish Baronial architecture, dating from 1626, and is unspoiled since being relinquished to the NTS by the Forbes-Sempill family. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET. Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Mar, Craigievar Castle, fort, beating, retreat, pipeband, kilts, marching, slide, scanned, upright, NTS, National Trust, historic, history, Forbes, Sempill, tower, turrets, flag, flying, trees
Glenbuchat Castle Scotland VS2759JHP Glenbuchat Scottish Castle Approach Carpark Tree Trunks Foreground Framed Photo but is a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2751JHP Glenbuchat Castle Window Interior View Stone Walls Fort Fortified House from this mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, window, framed, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2750JHP Glenbuchat Castle Tower Scottish Mock Military House Corbels Turrets Photograph built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2746JHP Glenbuchat Castle Photo Scotland Facade Sunshine Stone Walls Tower Corbel in keeping with a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2740JHP Glenbuchat Castle Northerly Aspect Stock Photo Library Photograph Aberdeenshire suits a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS2739JHP Glenbuchat Castle Northerly Aspect Exterior Stone Walls Ruin Historic Scotland suits a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS1175JHP Glenbuchat Castle Approach Carpark Entrance Outline Hills Tree Branch Overhanging but is a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, upright, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Glenbuchat Castle Scotland VS1172JHP Glenbuchat Castle Carpark Entrance Aberdeenshire Scotland Ruin Rural Setting Photo is a mock military house built in 1590 and although of no great historical note has some fine examples of local masons workmanship with a feel of ‘solid grace and comfortable display’ and evidence of lavish interior expenditure with high quality interior ashlar work. As this is a Historic Scotland property the photograph should be used for editorial, scenic or tourist related use. The property is accessed off the A97 Ballater/Huntly road and is open all the year round and is an unmanned property at which no entrance fee is applicable. Continuing along this road in the direction of Huntly Kildrummy Castle is the next property visited. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Glenbuchat, Alford, Castle, glen, water, Buchat, river, burn, ravine, landscape, ruin, historic, preserved, shell, Z-plan, 1590, Gordon Carnegie, corbelled, caphouse, square, crowsteps, angular, arches, ashlar, French trompes, squinch, gun-loops, great, hall, laird, chamber, quarters, grace, defence
Braemar Castle Scotland VS0970JHP Braemar Castle Military Fort Fortress Highlands Royal Deeside Aberdeenshire Photo view taken of the star-shaped battlements and musket loops situated at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0968JHP Braemar Castle Star-shaped Battlements Musket Loops Scottish Military Fort at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0960JHP Braemar Castle Roadside View Woodland Larch Trees Summer Shadows Photograph now in community ownership, at the western end of Royal Deeside in Aberdeenshire just at the entrance to the village of Braemar on the road to Perth from Royal Deeside. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0959JHP Braemar Castle Stock Library Photo Scottish Historical Military Fortress Deeside now in community ownership, at the western end of Roayl Deeside in Aberdeenshire. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition

Scotland > Morayshire Coast (15 files)

Photographs covering the Morayshire coast from Cullen to Nairn, including the Bow Fiddle Rock, Portkockie, Buckie, Lossiemouth, Burghead and Findhorn.
Cullen Harbour vr0464jhp Cullen Harbour Wall Lighthouse Pier swimming people Bay Moray Firth coastline in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Cullen, Bay, landscape, sea, water, coast, beach, white, blue, sky, sunny, sunshine, warm, clouds, swimmers, paddling, sitting, people, holiday, summer, waves, harbour, lighthouse, breakwater, wall, Nikon, digital, DSLR, camera, D300, photograph, July, 2008
Cullen Cliff View vr0455jhp Cullen cliff walk summer path panorama Bay Moray Firth Cromarty distance coastline in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray Firth, Morayshire, Grampian, Cullen, Bay, Cromarty, outline, landscape, clifftop, walk, sea, water, coast, beach, white, blue, sky, sunny, sunshine, warm, clouds, holiday, summer, waves, Nikon, digital, DSLR, camera, D300, photograph, July, 2008
Cullen Beach bnm9976jhp Moray Coast Cullen seashore stacks monoliths sea winter waves rocks blue sky sunshine Scottish on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, winter, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, sky, clouds, sunny, sunshine, D700, Nikon, DSLR, digital, November, 2017, photograph
Cullen Beach bnm9975jhp Morayshire Coast Cullen Seashore beach sea waves rocks winter sunshine Scottish on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, winter, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, November, 2017, photograph
Cullen Beach bnm9974jhp Morayshire Coast Cullen beach sea waves crashing sunny winter light blue sky sunshine Scottish on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, winter, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, sky, clouds, sunny, sunshine, D700, Nikon, DSLR, digital, November, 2017, photograph
Cullen Beach vbn1303jhp Cullen beach sea waves harbour town houses autumn Scotland clouds blue sky on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1299jhp Moray Firth Coast Cullen Seashore autumn sea waves rock stack blue sky Scottish on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1290jhp Moray Coast Cullen Scotland autumn sea waves stack crow harbour blue sky sunshine on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, stack, crow, perched, harbour, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1289jhp Moray Coast Cullen sea waves rock pillar Jim Henderson photo harbour blue sky sunshine Scottish autumn on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1286jhp Morayshire Coast Cullen Seashore beach sea waves crashing rocks blue sky sunshine Scottish autumn on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1284jhp Scotland Morayshire Coast Cullen stacks sand autumn sea waves rocks blue sky sunshine on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1280jhp Moray Coast Cullen sea waves rock pillars blue sky Scottish autumn on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings.. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1279jhp Coastal Moray Cullen Seashore beach sea waves rock stack blue sky sunshine Scottish autumn on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, upright, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1278jhp Moray Coast Cullen beach headland sea waves rock sunny Scottish autumn on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph
Cullen Beach vbn1277jhp Morayshire Coast Cullen beach sea waves rocks rock stacks blue sky sunshine Scottish autumn on the Moray Firth in the North east of Scotland known for its lovely sandy beaches located between Banff and Nairn and first town in Morayshire travelling westwards through Aberdeenshire. The town is famous for it extended railway viaducts, a throw back to its heyday in Victorian times and also for Cullen Skink, a soup made with cream and smoked haddock. The rock stacks on its beach are known locally as the Three Kings. Keywords: Scotland, Scottish, Moray, Firth, Morayshire, Grampian, Cullen, town, autumn, viaduct, railway, arches, disused, landscape, sea, water, coast, beach, sandy, waves, harbour, rocks, pillars, monoliths, stacks, eroded, houses, stones, shingle, crashing, white, blue, D700, Nikon, DSLR, digital, October, 2015, photograph

Scotland > Other Scotland (1 file)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.
Lochailort Church 121195JHP Lochailort Church Fort William Mallaig railway line West coast Highland Scotland is famous for being used in the film Local hero supposedly next to the village of Pennan which is on the Moray Coast in Aberdeenshire. Keywords: Scotland, Scottish, Highland, highlands, west, coast, Mallaig, Lochailort, church, railway, landscape, white, film, location, Local Hero

Scotland > Rivers, Glens & Lochs (2 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Quarry The Green qwe7754jhp Summer Hill Fare granite quarry flooded pine trees Forest Aberdeenshire Scotland taken at the entrance to this huge hill area standing north of Banchory and extending from Echt in the east to Torphins in the west and part of Dunecht Estates on Royal Deeside to the west of Aberdeen in Aberdeenshire. Now disused and flooded this granite quarry produced pink stone which was used for many of the 20th century houes in Banchory and local area and is entered off the Raemoir Road via The Green farm. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Raemoir, Hill, Fare, landscape, Deeside, Royal, The Green, quarry, pink, granite, disused, flooded, countryside, rural, Nature, trees, bracken, forest, pine, summer, clouds, Estate
Braemar Castle Autumn T04290261jhp Braemar Castle fort autumn roadside larch trees bronze Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, autumn, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful

Scotland > Snow Scenes Deeside (1 file)

Snow scene photographs of Deeside in North East Scotland generally excluding Historic Properties which will include snow scenes with the castles etc.
Snowy Torphins TO17009JHP Torphins Village Scottish snow scene Aberdeenshire Scotland on Royal Deeside looking westwards towards the centre and the crossroads by the Post Office, Pharmacy and local supermarket by the Learney Arms Hotel. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Grampian, Torphins, village, winter, street, snow, sunshine, white, blue, winter, picturesque, landscape, trees, leaves, pavement, heaped, ploughed, road

Scotland > Snow Upper Aberdeenshire (3 files)

Photographs of snow scenes north of Deeside including Huntly, Huntly Castle, River Deveron, Alford, Strathdon, Donside and River Don, including Monymusk Bridge view to Bennachie, St Marys Church, Auchindoir, Cabrach, Rhynie, Lumsden Sculpture Park and Leith Hall
Lumsden Snow Park TO172031JHP Lumsden Outdoor Sculptures Snow Ponies Sunshine Photograph Strathdon Aberdeenshire Scotland a village on the A97 north of Kildrummy on the road to Huntly with a Sculpture Walk showing work of local artists from Workshop established in this community. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Lumsden, sculptures, workshop, landscape, winter, snow, red, granite, stone, trees, ponies
Lumsden Sculpture Walk TO172032JHP Scottish Winter Lumsden Outdoor Sculpture Red Granite Snow Sun Strathdon Aberdeenshire a village on the A97 north of Kildrummy on the road to Huntly with a Sculpture Walk showing work of local artists from Workshop established in this community. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Lumsden, sculptures, workshop, landscape, winter, snow, red, granite, polished, stone, trees, ponies
Lumsden Polished Sculpture TO172033JHP Lumsden Outdoor Sculpture Red Granite Winter Snow Sunshine Photo Aberdeenshire Scotland a village on the A97 north of Kildrummy on the road to Huntly with a Sculpture Walk showing work of local artists from Workshop established in this community. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Strathdon, Lumsden, sculptures, workshop, landscape, polished, winter, snow, red, granite, stone, trees, closeup

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