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Aurora over Scotland (36 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora The Neuk au7422ajhp Scotland Aurora Borealis display Neuk rays red winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.42hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using Kodak 5020 EES 35mm slide film rated at 1600asa and exposed around the 20 seconds I later settled on. I was using one or two cameras at the time, sometimes swopping the lens from one to the other camera but I later resorted to one film, Fuji,as I found that changing a lens without always checking the focus and apertures could prove 'fatal'-out of focus ort underexposed and easy to do in the excitment of the moment when the display went active. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Kodak, 5020 EES, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora & Aircraft au7410ajhp Scottish Aurora Borealis Neuk rays red winter aircraft lights clouds January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 24th of January around 21.30hrsUT of another passing commercial aircraft leaving Aberdeen is one of the early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using Kodak 400asa 5020 EES 35mm slide film rated at 1600asa, push processed, and exposed around the 20 seconds I later settled on. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Kodak, 5020 EES, 400asa, pushed, developed, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Egypt > Infra Red Photographs (171 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Egyptian Giza InfR EG020836jhp Giza Egypt Sphinx Chephren Pyramid infra red Temple B&W film view on the public approach to this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020835jhp Egypt Giza Sphinx face front infra red temple view pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, faceon, front, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020833jhp Egyptian Giza Sphinx Temple face front infra red pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020832jhp Egypt Cairo Giza Sphinx Temple face oblique infra red pyramid cropped view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020830jhp Egypt Sphinx Temple face oblique infra red Jim Henderson Photograph view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020827jhp Egypt Giza Sphinx face head profile closeup infra red low causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020826jhp Giza Egypt Sphinx head face Khafre Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, head, closeup, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020825jhp Giza Egyptian Sphinx enclosure man scale figure Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020824jhp Egypt Sphinx enclosure worker scale figure Pyramid infra red causeway B&W view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020822jhp Giza Egypt Sphinx Khafre Khufu causeway Pyramids infra red low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, pyramids, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020821jhp Egyptian Sphinx Chephren Cheops Pyramids infra red low causeway enclosure view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020820jhp Egyptian Sphinx Cheops Pyramid enclosure infra red low causeway low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020819jhp Giza Egyptian Sphinx panorama Pyramid Great infra red causeway Cairo view this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, camel, mounted, policeman, lion, paws, stele, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020817jhp Giza Egyptian Sphinx Great Pyramid infra red view causeway camel police mounted to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020816jhp Egypt Sphinx Khufu Pyramid infra red camel police mounted causeway view to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020815jhp Egypt Sphinx Khufu Cheops Pyramid infra red B&W film causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020814jhp Egyptian Sphinx Khufu Cheops Pyramid Cairo infra red causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020829jhp Valley Temple Interior serdab statue places Khafre infra red B&W film looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020828jhp Valley Temple Interior Giza Khafre Religion Limestone Blocks infra red looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020813jhp Khafre Chephren Egypt Giza Cairo Causeway Pyramid infra red B&W photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020811jhp Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone infra red film at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020810jhp Valley Temple Egypt Giza causeway gateway alabaster floor infra red pyramid looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020437jhp Khufu Cheops Great Pyramid Egypt limestone blocks infra red B&W film photo of the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This view from some remaining smooth limestone finishing of a nearby mastaba was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khufu, Cheops, blocks, erosion, finished, smooth, wall, mastaba, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020436jhp Khafre Pyramid Egypt Seshemnefer tomb statue infra red sunburst film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020435jhp Khufu Great Pyramid Egyptian Seshem-Nefer statue seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020434jhp Cheops Great Pyramid Egypt Seshemnufer portico seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020433jhp Giza Egyptian Sphinx Khafre Khufu Pyramids infra red people tourists view causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020432jhp Giza Egypt Sphinx |Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, cropped, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020431jhp Giza Egyptian Sphinx side face Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020430jhp Giza Egypt Sphinx sideon body Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, sideon, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020429jhp Giza Egyptian pyramids modern Muslim infra red Khafre tombstones Great pyramid B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020428jhp Giza Cairo Egypt modern Muslim Arabic cemetery infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020427jhp Giza Egyptian modern Muslim Arabic graves infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020426jhp Giza Egyptian modern Muslim infra red Pyramid Khafre tombstones B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020425jhp Giza Egypt Central Field tombs limestone blocks erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020424jhp Giza Egyptian Great Pyramid limestone pillars erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020423jhp Giza Egypt Khufu Pyramid limestone pillars eroded eerie infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020422jhp Giza Egypt Khafre Pyramid limestone mastaba tomb infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020421jhp Giza Egypt Khafre Great Pyramids tomb blocks infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020420jhp Khafre Pyramids Cheops Egyptian tombs clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020419jhp Chephren Pyramids Khufu Egypt Giza Great largest infra red B&W film photo of the second largest of the Giza site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramids, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020418jhp Khafre Pyramid Egyptian horse rider scale Giza infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020417jhp Chephren Pyramid Egypt top apex Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, apex, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020416jhp Chephren Pyramid Egypt Giza side Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020415jhp Khafre Pyramid Egyptian Giza blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, construction, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020414jhp Khafre Pyramid Egyptian tomb limestone blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020413jhp Egyptian Cairo Giza Pyramid Khafre Great Khufu infra red film with Cairo in the far distance and by the road to the favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020412jhp Egypt Cairo Giza Pyramid Khafre Great Southern aspect road infra red film with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG020411jhp Egypt Cairo Giza Pyramid Menkaure South road infra red film Queens with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure which is featured in this photograph along with the three Queen’s satellite pyramids. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02089jhp Egypt Valley Temple Sphinx Giza Limestone causeway entrance B&W infra red film photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02088jhp Valley Temple Interior Giza Khafre Limestone Granite Blocks infra red photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02087jhp Valley Temple Interior Giza Chephren Limestone Granite Blocks infra red photo looking towards the rear of the room at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02086jhp Cairo Valley Temple Chephren inside Limestone Blocks infra red photo looking towards the rear of the room as you enter the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02085jhp Giza Egypt Cairo Sphinx Khafre Chephren Pyramid infra red B&W first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Giza InfR EG02083jhp Giza Egyptian Sphinx Khafre Chephren Pyramid infra red first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02049jhp Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02048jhp Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02047jhp Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02046jhp Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02045jhp Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02044jhp Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02043jhp Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG02042jhp Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Egyptian Plants InfR EG020410jhp Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips. The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021231jhp Egyptian River Nile Cruising deck railings lifebelts water B&W infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021230jhp Egyptian Cruise River Nile Cruising deckchairs loungers riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat leaving Esna Lock offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, loungers, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021229jhp Egypt River Nile Cruiseboat Romance berth riverbank infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, Romance, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021228jhp Egyptian River Nile Cruiseboat Romance Esna berth infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, Romance, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021216jhp Egypt River Nile Cruise Esna lock passing through infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021215jhp Egypt River Nile Esna boatmen rowing trader infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021214jhp Egyptian Nile Esna boatmen rowing water trader infra red film ghosts on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02128jhp Egypt River Nile Cruise rocky riverbank infra red film ghostly trees on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02127jhp Egyptian River Nile Cruising deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, lamps, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02126jhp Egypt River Nile Cruising riverbank houses trees infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, houses, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02125jhp Egyptian River Nile Cruise hot deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02124jhp Egypt River Nile minaret palm trees riverbank infra red film B&W on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, minaret, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG02123jhp Egypt River Nile Cruise deck railings deckchairs lamps water infra red film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021211jhp Egypt River Nile Cruise hills desert trees water infra red shore film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Nile Cruise InfR EG021210jhp Egypt River Nile Cruising riverbank infra red film ghostly palm trees water hills on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna by Nile InfR EG021218jhp Egypt Esna Nile town waterfront cruise berth houses infra red is a well known berthing area on the River Nile waiting for access to the locks and if time allows there is a beautiful Ptolemaic temple deep in a hollow under the modern town building line worth visiting. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, promenade, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021227jhp Egyptian Esna Temple smiting enemies infra red Khnum Isis outer carvings north wall on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, battle, scene, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021226jhp Egypt Esna Temple north wall infra red Khnum Isis outer carvings on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021225jhp Egypt Esna Temple Nile town modern houses exterior B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021224jhp Egyptian Esna Temple town modern appartment flats B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021223jhp Egypt Esna Temple Nile town hypostyle hall infra red exterior walls west north of this small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021222jhp Egyptian Esna Temple hypostyle hall north west walls infra red B&W is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998. Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, outside, walls, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021221jhp Egypt Esna Temple outer wall infra red film hypostyle hall side is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021220jhp Egypt Esna Temple Ptolemaic hypostyle hall infra red film floral capitals curtain screens is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Esna Temple InfR EG021219jhp Egypt Esna Temple hypostyle hall curtain screens infra red Gods offering scene is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998 Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October
Philae InfR EG982425jhp Philae Egypt Aswan visit tourist market souk goods infra red B&W near the jetty for boarding motorboats for the visit to the relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982424jhp Philae tourist shop stall trinkets infra red ghostlike light Aswan island trip at the jetty for a visit to this relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982423jhp Philae Temple Agilkia Aswan island infra red boat view water rocks was relocated from the site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, panorama, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982422jhp Philae Temple island rocks boulders plants infra red ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982419jhp Philae Agilkia island boulders plants infra red B&W Aswan motorboat trip was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982418jhp Philae visit island boulders plants infra red B&W boat water Aswan Agilkia island was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982413jhp Philae Temple Ancient Egyptian Nilometer infra red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, nilometer, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Nile Cruise InfR EG982427jhp Egypt Egyptian River Nile Cruiseboat deck plants people infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. On checking this photo was badly overexposed so accounts for the very strong grain structure. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Philae InfR EG98249jhp Philae Temple Trajan Kiosk Pharaohs bed infra red backlit Egypt columns carvings Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98247jhp Philae Temple Ancient Egypt first pylon gate ptolemy infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemy, gate, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98246jhp Philae Egypt first pylon gate ptolemy infra red Jim Henderson photo was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982417jhp Philae Temple Kiosk Nectanebo columns Hathor face carvings B&W infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Kiosk, Nectanebo, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982416jhp Philae Temple Ancient Egypt second pylon infra red film carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982415jhp Philae Temple Egyptian Isis Horus second pylon infra red film Ptolemy carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, record, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982414jhp Philae Isis second pylon granite record Ptolemy infra red donation carving Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982412jhp Philae Temple Trajan Kiosk infra red floral capitals Egyptian columns carvings Pharaohs bed Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982411jhp Philae Temple wall carving relief offering Egyptian Isis infra red Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG982410jhp Philae Temple interior infra red film ghosts people ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98245jhp Philae Temple Egypt Second Pylon Mammisi birth house infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98244jhp Philae Temple First Pylon Lion Ancient Egypt Isis Gate Aswan B&W Infra Red island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98243jhp Philae Temple courtyard Egypt pylon colonnade Infra Red B&W film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Philae InfR EG98241jhp Philae Temple courtyard Ancient Egyptian Isis pylon columns Infra Red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs
Nile Cruise InfR EG982428jhp Egypt River Nile Sonester cruise deck plants tourists infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, Sonester, Sun, Goddess, daily, life, upright, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Hotel InfR EG981122jhp Egypt Luxor St George Hotel River Nile modern design infra red looking over the shimmering River Nile on a sunny autumn afternoon on the riverside of this very modern luxurious building. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, St George, Hotel, riverside, riverbank, holiday, cruise, palm, trees, water, shimmering, sunshine, blue, sky, hazy, West, bank, Theban, hills, waterfront, promenade, esplanade, modern, architecture, stylised, Nile, Boat, poolside, style, stylish, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, autumn, upright
Medinet Habu InfR EG983713jhp Medinet Habu Temple Mortuary Ramasses pylon exterior infra red film B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983712jhp Medinet Habu Temple Egypt Infra Red B&W Hypostyle statue carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983711jhp Medinet Habu Temple Mortuary Egyptian second court painted infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Medinet Habu InfR EG983710jhp Medinet Habu Temple Ramesses Egypt first court statue king infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, engaged, statue, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981121jhp Luxor Temple Egyptian infra red B&W colonnade processional pylon rear photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues on the far side of the pylon that greet the visitor arriving at the Temple. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981120jhp Luxor Temple Egypt obelisk side carvings cartouche infra red film in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981119jhp Luxor Temple Egypt seated statues Ramses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981118jhp Luxor Temple Egypt pylon obelisk statues carvings infra red B&W ghostly in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Luxor Temple InfR EG981117jhp Luxor Temple Egyptian seated statues Ramesses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982437jhp Kom Ombo Temple Egyptian hypostyle hall ghostly Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982436jhp Kom Ombo Ptolemy offering Temple River Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982435jhp Kom Ombo Columns carving Temple Egyptian Infra Red B&W ghostly pharoah effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982434jhp Kom Ombo Ptolemy custodian Temple Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982433jhp Kom Ombo Ptolemaic Temple Sobek God Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982431jhp Kom Ombo Offering scene column carved Temple Egypt Infra Red ghost B&W film effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982430jhp Kom Ombo Ptolemaic panorama hypostyle columns Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Kom Ombo InfR EG982429jhp Kom Ombo Ptolemaic Nile Temple Egypt hypostyle hall Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983735jhp Egypt Hatshepsut Thutmosis Granite Obelisks Karnak Temple infra red film is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983734jhp Egyptian Hatshepsut Thutmosis Granite Obelisk Karnak infra red B&W film upwards is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983733jhp Karnak Temple Egyptian Inner Sanctuary infra red B&W Jim Henderson photo near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983732jhp Karnak Temple Egypt Obelisk Sanctuary central court B&W infra red ghost near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983731jhp Karnak Temple Egypt pharoah Amun carving B&W infra red ghostly near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983730jhp Karnak Temple Egyptian statue headless inra red ghostlike B&W film Sanctuary central court festival hall Thutmose near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983729jhp Karnak Temple Egyptian Obelisk festival hall Thutmose Infra Red eerie B&W near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983726jhp Karnak Temple Egypt carved blocks restoration ghostly infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983725jhp Karnak Temple storage carving restoration hieroglyphics infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983724jhp Hypostyle Hall Karnak Egyptian Temple doorway infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983723jhp Exterior Temple Ramasses Karnak Egyptian infra red B&W ghost dawn sun palm trees, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, exterior, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983722jhp Temple Ramesses Karnak Egypt infra red film ghostly eerie dawn light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983720jhp Karnak Temple Egypt Taharqa Kiosk infra red film B&W sphinx dawn greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983719jhp Hypostyle Hall Karnak Egypt Temple columns roof infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983718jhp Ancient Egyptian Obelisks Karnak Temple palm tree infra red ghostly dawn light is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from the north area which was mainly an opne air area of various blocks. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Karnak InfR EG983717jhp Karnak Temple Egypt Taharqa Kiosk infra red sphinx dawn sunbeams greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98379jhp Edfu Temple Pylon High View Egypt B&W Infra Red High unique rare unusual viewpoint which is no longer possible owing to recent alterations to this site by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, pylon, high, view, hypostyle hall, Ptolemy, naos, sanctuary, Ptolemaic, landscape, upright, cruise, cruiseboat, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98377jhp Edfu Temple Egypt Horus Statue Infra Red B&W film hawk granite icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98376jhp Edfu Temple Horus Statue Infra Red film Egyptian Falcon icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98375jhp Edfu Temple Pylon Egypt carved column broken Inra Red film ghostly impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98374jhp Edfu Temple Pylon Ancient Egyptian Mammisi Horus Ptolemaic B&W film Infra Red impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98373jhp Edfu Temple Pylon Egypt Mammisi south B&W film Infra Red capital floral impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Edfu Temple InfR EG98372jhp Edfu Temple Pylon Egypt Mammisi B&W film Infra Red capital floral southern view impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Souk InfR EG982426jhp Aswan Souk Bazaar Egypt Egyptians people infra red film shopping near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, holiday, bazaar, souk, suk, shops, trading, selling, upright, landscape, bargaining, haggle, leather, goods, shapes, patterns, exotic, smells, donkeys, Egyptians, locals, native, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, fruit, cotton, baksheesh, blacksmith, sunset, tourism, cruise, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, cataracts, motorboat, excursion, feluccas, sailing, boats, caleche, Elephantine, Triad, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Aswan Feluccas InfR EG981123jhp Aswan Cataract Hotel Old River Nile Waterfront Egypt feluccas infra red trip sailing on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Aswan, City, River, Nile, Cataract, hotel, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Colossi Memnon EG983716jhp Colossi Memnon infra red film B&W ghostly night seated statues Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Colossi Memnon EG983715jhp Colossi Memnon West Bank Nile Luxor infra red eerie night ruined seated statues of Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG98119jhp Dendarah Dendera temple Qena Nile Egypt entrance gate infra red propylon in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG981116jhp Dendarah Dendara temple Egyptian roof pillared hall infra red front B&W film in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendera InfR EG981113jhp Dendera temple Qena Egyptian sacred lake palm trees infra red film outer wall in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This photo is taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG98118jhp Dendera temple Egypt mammisi birth house screen carving beautiful infra red film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendarah, Dendera, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG98117jhp Dendarah temple Egyptian mammisi birth house screen carving infra red B&W film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981114jhp Dendera temple Egyptian Iseum trees infra red film outer wall rear Isis in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This photo is taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981112jhp Dendarah Dendera temple Qena Nile Egypt birth house sanatorium approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981111jhp Dendarah temple Nile Egypt coptic church sanatorium infra red film approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Dendara InfR EG981110jhp Dendera temple Egypt sphinx gate infra red propylon Trajan Domitian B&W entrance to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98116jhp Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98115jhp Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98114jhp Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98113jhp Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98112jhp Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (7 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.
Karnak Temple SS984630jhp Karnak Temple Egypt Sanctuary central court dawn hypostyle slab altar near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984627jhp Karnak Temple Egyptian Obelisk dawn sunrise central court pillared room towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984626jhp Karnak Temple Egypt Obelisk dawn sunrise central court towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984625jhp Karnak Temple Egyptian Obelisk dawn sunrise central court pillared room towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984615jhp Carved block Khonsu ankhs Temple dawn sunrise Karnak Egyptian golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of a carved block near the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, block, carved, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984613jhp Exterior wall reliefs Temple Ramses dawn sunrise Karnak Luxor Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light
Karnak Temple SS984611jhp Outer wall reliefs Temple Ramasses dawn sunrise Karnak Egypt golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs. Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Egypt > Luxor Museum (21 files)

Luxor Yamu-Nedjeh EG962096JHP Egypt Museum Luxor Egyptian Library Photos Yamu Nedjeh Herald Granite was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is of Tuthmosis 111 First Herald an official of great status and trust who was allowed to have this carved block in his own tomb at Qurna and it is now in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, granite, block, statue, Herald, Yamu-Nedjeh, Tuthmosis, Qurna, tomb, 84, history, archaeology, Egyptology, exhibit
Luxor Tuthmosis 111 EG9620917JHP Museum Luxor Tuthmosis Pharaoh Painted Face Atef Crown Exhibit Photo was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, limestone, landscape, Tuthmosis, Pharaoh, painted, relief, Atef, crown, colours, colouful, history, archaeology, Egyptology, exhibit
Luxor Tut Boats EG9620910JHP Egypt Museum Luxor Photo Tutankhamen Tut Model Sailing Boats Barks was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is one of a few from the Tomb of King Tutankamun discovered by Howard Carter in the Valley of the Kings and shows model funerary barks intended to transport his soul from his tomb to Abydos and an important exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, display, landscape, King, Tut, Tutankhamen, Tutankhamun, model, two, barks, saling, barque, wooden, soul, Thebes, Abydos, history, archaeology, Egyptology, exhibit
Luxor Tut Arrows EG9620912JHP Egypt Museum Luxor King Tutankhamun Arrows Six Archery Tomb Display was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit includes hunting and military weapons, these six were taken from 278 found in the Valley of the Kings Tomb dating to around 1336BC and are in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, display, landscape, Tut, Tutankhamun, Tutankhamen, arrows, hunting, blunt, tip, military, bone, bronze, history, archaeology, Egyptology, exhibit
Luxor Sobek Stele EG962098JHP Egyptian Museum Luxor Stele Stela Sobek Ima Tree Pia Worship Priest was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit was found at Dahamsha at the Sawahel Armant Canal in 1967 and includes the Priest Pia and his son, wife and mother offering to the Crocodile God Sobek and it is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, stele, stela, limestone, Sobek, Crocdile, God, Offering, Priest, Pia, Son, Iy-hebnef, wide, Tinet-nebu, Mother, Iya, history, archaeology, Egyptology, exhibit
Luxor Pharaoh Tuthmosis 111 EG9620916JHP Egypt Museum Luxor Library Photos Egyptian King Pharaoh Thuthmosis Statue was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit of green graywacke was found in the Cachette at Karnak north of Pylon V11 in 1904, ranking as one of the masterpieces of ancient Egyptian craftsmanship and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, statue, Thutmosis, green, graywacke, beautiful, detail, carving, headcloth, kilt, skirt, history, archaeology, Egyptology, exhibit
Luxor Kamose Stele EG962095JHP Egypt Museum Luxor Inside Exhibit Stele Stela Kamose Photo was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit extols the victory of King Kamose over the Hyksos at Avaris found in Amun Temple at Karnak dating from 1555BC and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, stele, stela, limestone, King, Kamose, Amun, Temple, Karnak, Hyksos, Apophis, Avaris, Delta, battle, victory, record, history, archaeology, Egyptology, exhibit
Luxor Horus Stele EG9620915JHP Egypt Museum Luxor Exhibit Stele Stela Painted Hathor Horus Photograph was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, stele, stela, painted, colourful, Hathor, Horus, hieroglyphs, history, archaeology, Egyptology, exhibit
Luxor Hatshepsut Obelisks EG962093JHP Egypt Museum Luxor Exhibit Carved Block Hatshepsut Obelisks Karnak Amun was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit shows the Queen on the left and Amun on the right with two standing obelisks at Karnak one of which still stands and is similiar to blocks now in the reconstructed Chaple Rouge while this one is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, brown, quartzite, carved, block, slab, Hatshepsut, obelisks, Karnak, hierogylphs, cartouche, landscape, history, archaeology, Egyptology, exhibit
Luxor Gold of Honour Bearer EG962097JHP Museum Luxor Exhibit Photograph Honor Carving Egyptian Man Statue Beads was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit dates from around 1400 BC recording the yellow beaded necklace symbolising a recognition of valor by a courtier or soldier and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, sandstone, painted, carving, man, gold, honour, necklace, yellow, beads, valor, courtier, soldier, history, archaeology, Egyptology, exhibit
Luxor Carved Fish EG9620914JHP Egypt Museum Luxor Inside Exhibit Photo Slab Fish Christian Motif was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit of sandstone an example of early Christian Coptic Art maybe 6th Century AD is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, fish, animals, carving, slab, limestone, stela, grave, decoration, Christian, imagery, Genesis, Coptic, sandstone, history, archaeology, Egyptology, exhibit
Luxor Carved Akhenaten EG9620911JHP Egypt Museum Luxor Library Photos Pharaoh Akhenaten Amenhotep Face Style was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, Akhenaten, Amenhotep 1V, face, carved, double, crown, ureaus, iconic, style, history, archaeology, Egyptology, exhibit
Luxor Amun Statue EG962090JHP Egypt Museum Luxor Inside Exhibit Amun Statue Tutankhamun Isis Knot was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit was found in the Karnak Cachette and celebrates the Young Kings return to the Theban Gods fold after the destruction of Amarna and his father Akhenaten is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, Amun, Karnak, Tutankhamun, Tutankhamen, Isis, Knot, Blood, amulet, limestone, statue, upright, history, archaeology, Egyptology, exhibit
Luxor Amenhotep 111 EG962091JHP Egypt Museum Luxor Inside Exhibit Amenhotep Head Granite Qurna Photo was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit the remains of a large red granite statue of the King is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, Qurna, Funerary, temple, statue, colossal, upright, red, granite, carved, head, Amenhotep, King, Pharaoh, history, archaeology, Egyptology, exhibit
Luxor Amenhotep & Sobek EG962094JHP Egypt Museum Luxor Inside Exhibit Photograph King Amenhotep Sobek Calcite was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit was found in a water filled shaft at Dahamsha and has been reused by Ramses 11 with his added inscriptions and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Dahamsha, Sawahal, Canal, Museum, Interior, Statues, calcite, upright, Amenhotep 111, Sobek, crocodile, Ramses, reused, God, history, archaeology, Egyptology, exhibit
Luxor Cachette Statues EG9620918JHP Egypt Egyptian Museum Luxor Cachette Horemheb Atum Seated Statues Photo were photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statues, landscape, history, archaeology, Egyptology, exhibits, Horemheb, Pharaoh, seated, basalt, Atum, carved, figures, God
Luxor Cachette EG9620919JHP Egypt Egyptian Museum Luxor Cache Cachette Interior Photograph Exhibits was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statues, landscape, history, archaeology, Egyptology, exhibits, Amenhotep, Amenophis, Atum, Mut, quartzite, alabaster, carved, figures, Gods, Goddess
Luxor Amenhotep Standing EG9620920JHP Egyptian Museum Luxor Library Photos Cache Red Quartzite Statue Amenhotep was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, landscape, history, archaeology, Egyptology, exhibit, Pharaoh, Amenhotep, Amenophis, standing, complete, red, quartzite, carved
Luxor Amenhotep Face EG9620925JHP Egypt Museum Luxor Cachette Interior Amenhotep Face Profile Quartzite Photograph was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, upright, history, archaeology, Egyptology, exhibits, Amenhotep, Amenophis, red, quartzite, carved, head, face, profile, uraeus, beard
Luxor Amenhotep Body EG9620926JHP Egyptian Amenhotep Pharaoh Statue Red Quartzite Museum Luxor Cache Standing was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, upright, standing, history, archaeology, Egyptology, exhibit, Pharaoh, Amenhotep, Amenophis, red, quartzite, carved
Luxor Amenhotep Base EG9620927JHP Egypt Museum Luxor Cache Amenhotep Statue Base Hieroglyphs Photo Exhibit was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions. Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, base, hieroglyphs, cartouche, upright, history, archaeology, Egyptology, exhibits, Amenhotep, Amenophis, quartzite, carved

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