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Aurora over Scotland (61 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Deeside au93432ajhp Aurora Borealis Scottish winter December 1993 rays red display Deeside Aberdeenshire taken on the evening of 7th December, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The display started early but very low grade around 22.45 with faint light towards North in between clouds. I had received a call on answerphone from a friend Gordon Brodie suggesting he had seen something and after returning from a lecture I spotted faint flashes and rays around 21.30hrs. Rang John MacNicol around 22.25 although still probably a frost haze. At 22.45 faint light in clouds although again could be frost haze, it was -5C but around 23.25 some rays started to appear. This photo was taken at 23.40hrs UT as the display strengthened but it died down around 00.05hrs on the morning of the 8th. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, December, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star
Aurora The Neuk au7133ajhp Scottish Aurora Lights Deeside Aberdeenshire thin rays winter January 1990 on 23rd and first of the new decade taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT and this was gthe last photo i took that evening. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7132ajhp Scotland Aurora Crathes Aberdeenshire thin rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7129ajhp Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7124ajhp Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au7117ajhp Scottish January 1990 Aurora Borealis display Neuk Crathes Banchory ray winter 23rd taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September. The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au718ajhp Scotland Aurora Borealis display Neuk Crathes strong red rays Plough winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au712ajhp Scottish Aurora Borealis Neuk Deeside Ursa Major stars Banchory rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Neuk au711ajhp Scottish Aurora Borealis beginning arc rays Plough Ursa Major stars rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61714jhp Scottish Northern Lights Cairn O’Mount rays red winter clouds December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed slightly shorter than the 20 seconds I later settled on and hence slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61713jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61041jhp Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610415jhp Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Glen Dye au610410jhp Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au61355jhp Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Eslie Greater au613514jhp Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au61709jhp Scotland Aurora Borealis lights Cairn O’Mount rays red yellow green winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61708jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter active 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61706jhp Scotland Aurora Borealis quiet display Cairn O’Mount arc winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61705jhp Scotland Aurora Borealis display Cairn O’Mount rays red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61704jhp Scotland Northern Lights early stage display winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61703jhp Scottish low grade Aurora Borealis display Cairn O’Mount arc active winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617023jhp Scotland Aurora Borealis dying phase Northern sky faint rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617020jhp Scotland Aurora Borealis rays bundle colours ray purple yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au61701jhp Scotland Aurora Borealis arc north Cairn O’Mount winter December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT on the 11th December. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617018jhp Scotrish Aurora Borealis northwards night sky bright multiple rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617017jhp British Aurora Borealis Cairn O’Mount Ursa Major bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, Plough, constellation, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617016jhp Scotland British Aurora Borealis Plough stars Cairn O’Mount rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617015jhp Scotland Aurora Borealis active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617013jhp Scotland Aurora Borealis active phase colourful bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617012jhp Scottisah Northern Lights active phase Cairn O’Mount rays stars yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Cairn O Mount au617011jhp Scottish Aberdeenshire Aurora Borealis colours active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Glen Dye au61058jhp Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61054jhp Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610536jhp Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610535jhp Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610533jhp Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610531jhp Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61052jhp Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610527jhp Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610526jhp Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610525jhp Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610524jhp Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610523jhp Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610521jhp Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610520jhp Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61051jhp Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610517jhp Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617120jhp Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617119jhp Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617118jhp Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617117jhp Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617115jhp Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617114jhp Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617113jhp Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Cairn O Mount au617111jhp Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au61065jhp Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610615jhp Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610613jhp Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610612jhp Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured
Aurora Glen Dye au610611jhp Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here. I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Scotland > Aberdeen City (68 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay
Aberdeen Johnston Colours 1919416jhp Johnston Gardens Aberdeen City Scotland winter November colours red leaves Japanese Maple small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, stone, pond, bridge, footbridge, path, walks, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, autumn, Japanese, Maple, shrub, tree, leaves, mature, trees, vibrant, colorful, colourful, colours, colors, winter, November, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Aberdeen Johnston Colours 1919413jhp Johnston Gardens Aberdeen City Scottish winter colours red Japanese Maple small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, stone, pond, bridge, footbridge, path, walks, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, autumn, Japanese, Maple, shrub, tree, leaves, mature, trees, vibrant, colorful, colourful, colours, colors, winter, November, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8
Aberdeen Johnston Gdns bnm3424jhp Johnston Gardens Aberdeen summer memorial stone tree framed sunshine small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3423jhp Johnston Gardens Aberdeen City Scotland azaleas flowers blue sky summer small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3422jhp Johnston Gardens Aberdeen City Scottish summer azaleas white flowers colourful small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3421jhp Johnston Gardens Aberdeen City Scotland Memorial azaleas summer seat sunny small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3420jhp Johnston Gardens Aberdeen City Scottish June Memorial polished granite helicopter crash 2009 in small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3419jhp Johnston Gardens Aberdeen City Scotland summer bench memory peaceful sunny area in small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3418jhp Johnston Gardens Aberdeen City Scottish summer pink azaleas bright sunshine display in small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3417jhp Johnston Gardens Aberdeen westend Scottish June azaleas colourful flowers pink in small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3414jhp Johnston Gardens Aberdeen City Scottish summer bridge pond rhododendrons colourful small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3413jhp Johnston Gardens West Aberdeen Scotland summer sunshine flowering shrubs pond small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns bnm3412jhp Johnston Gardens Aberdeen City Scottish summer backlit sunny pond rhododendrons colours in small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, June, 2016, digital, photograph, DSLR, Nikon, D700
Aberdeen Johnston Gdns xcv9192jhp Johnston Garden park June flowers sunshine Aberdeen City Scottish summer small public gardens to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, lake, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, 2015, June, D700, Nikon, camera, digital, photograph
Aberdeen Johnston Gdns xcv9191jhp Johnston Garden June bridge pond flowers Aberdeen City Scottish summer small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, lake, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, 2015, June, D700, Nikon, camera, digital, photograph
Aberdeen Johnston Gdns xcv9190jhp Johnston Gardens grass green sunny Aberdeen Scotland summer small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, lake, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, 2015, June, D700, Nikon, camera, digital, photograph
Aberdeen Johnston Gdns xcv9189jhp Johnston Gardens ferns shrubs pond Aberdeen City Scotland summer small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, lake, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, 2015, June, D700, Nikon, camera, digital, photograph
Aberdeen Johnston Gdns xcv9188jhp Johnston Gardens Aberdeen Scottish summer sunny vibrant small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, lake, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, 2015, June, D700, Nikon, camera, digital, photograph
Aberdeen Johnston Gdns xcv9187jhp Johnston Gardens sunshine lake Aberdeen City Scottish summer small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, lake, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors, 2015, June, D700, Nikon, camera, digital, photograph
Johnston Gardens asd5826jhp Johnston Garden panorama Aberdeen City Scottish sunshine spring park flowers to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors
Johnston Gardens asd5825jhp Johnston Gardens walks bridge Aberdeen City Scottish spring public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors
Johnston Gardens asd5824jhp Johnston Garden Aberdeen City Scotland spring path bridge flowers public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors
Johnston Gardens asd5823jhp Johnston Garden Aberdeen Scottish spring narcissus backlit yellow flowers sun garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, narcissus, narcissii, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors
Johnston Gardens asd5822jhp Johnston Gardens Aberdeen City Scottish spring small wooden bridge path park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors
Johnston Gardens asd5820jhp Johnston Gardens Aberdeen City Scotland spring daffodils water stream rcokery to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors, burn, stream, rockery, daffodills
Johnston Gardens asd5818jhp Johnston Gardens Aberdeen City Scottish spring small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, spring, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Garden xvv3152jhp Johnston Gardens Aberdeen City Scotland autumn colours trees public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, seat, rest, green, autumn, vibrant, colorful, colourful, colours, colors, gold, yellow, leaves, trees
Aberdeen Johnston Garden xvv2927jhp Johnston Gardens Aberdeen City Scottish autumn lily golden rayed to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, lily, golden, rayed, pink, red, spotted, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4115jhp Johnston Gardens Aberdeen City Scotland pink red azalea flowers public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, walks, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4113jhp Johnston Gardens Aberdeen Scottish summer azaleas pond public garden trees to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4112jhp Johnston Gardens Aberdeen pond Scotland summer rhododendrons red to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4111jhp Johnston Gardens Aberdeen City Scottish summer bridge pond azaleas garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4103jhp Johnston Gardens Aberdeen summer small public trees flowers shrubs garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, paths, walks, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4100jhp Johnston Gardens Aberdeen Scotland summer bridge azaleas trees paths flowers to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, paths, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4099jhp Johnston Gardens Aberdeen westend azaleas flowes colours paths park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilet, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4098jhp Johnston Gardens Aberdeen Scottish summer azaleas pink flowers bridge trees garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilets, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, paths, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Johnston Gardens Aberdeen wtn4094jhp Johnston Gardens Aberdeen City Scottish summer rhododendrons colourful garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, toilet, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, paths, walks, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Smith Facade wtn1141jhp Union Street cemetery St Nicholas Churchyard facade screen granite Aberdeen one of the classic examples of granite workmanship in the City this one borders the main east west Union Street and screens off the cemetery and gravestones of St Nicholas Kirk in the centre of the city. The facade was constructed in 1819 by John Smith and was in keeping with the overall style of granite construction throughout much of the City. Keywords: Scotland, Scottish, Aberdeenshire, North, East, Grampian, Aberdeen, City, Union Street, St Nicholas Church, cemetery, facade, screen, columns, landscape, Correction, Wynd, granite, silver, architecture, style, classic, underpass
Aberdeen Castlegate Skyline wtn1171jhp Aberdeen Citadel Castlegate turrets tower Mercat Cross unicorn market pedestrian area with the Salvation Army Citadel Tower in traditional silver grey granite in this market square at the eastern end of Aberdeen's Union Street, the main road that runs westwards to its junctions with Holburn and Albyn Streets and the beautifully carved stone Mercat Cross in the foreground. The Mercat Cross one of the finest examples in Scotland dates from 1686 and was designed by John Montgomery of Old Rayne. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Grampian, Castlegate, Mercat, Cross, Citadel, tower, skyline, market, square, Union, Street, history, granite, silver, architecture, style, classic, blue, sky, sunny' sunshine, spring, centre, Trinity
Autumn Johnston Gardens UP724632jhp Johnston Gardens Aberdeen Scotland japanese maples red trees autumn sunshine to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Britain in Bloom, red, yellow, green, autumn, Japanese, maples, foliage, vibrant, colorful, colourful, colours, colors, leaves, sunny, sunshine, highlights
Autumn Johnston Gardens UP724631jhp Johnston Gardens Aberdeen Scottish autumn red maples small public garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, Britain in Bloom, red, yellow, green, autumn, Japanese, maples, trees, foliage, vibrant, colorful, colourful, colours, colors, duck, mallard, leaves, water, brown, reflection
Autumn Johnston Gardens UP724629jhp Johnston Gardens Aberdeen City Scotland autumn colours beech trees bridge to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, Britain in Bloom, red, yellow, green, autumn, beech, trees, golden, brown, foliage, leaves, vibrant, colorful, colourful, colours, colors, reflection
Autumn Johnston Gardens UP724626jhp Johnston Gardens Aberdeen Scottish autumn duckpond mallard duck water leaves to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, Britain in Bloom, yellow, green, autumn, beech, foliage, vibrant, colorful, colourful, colours, colors, duck, mallard, leaves, water, brown, reflection
Aberdeen Johnston Gardens UP411220jhp Johnston Gardens cream azaleas flowers sunshine Aberdeen City park Scotland summer small public garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411219jhp Johnston Gardens Aberdeen Scottish summer bridge rhododendrons cream small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, footbridge, blue, railings, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411217jhp Johnston Gardens Aberdeen City Scottish summer red rhododendrons green leaves in a small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, Britain in Bloom, flowers, rhododendrons, red, green, leaves, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411216jhp Johnston Gardens many colours rhododendrons flowers Aberdeen centre public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411209jhp Johnston Gardens blue flowers azaleas Aberdeen City Scotland summer small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, Britain in Bloom, flowers, azaleas, blue, pink, Japanese, maple, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411207jhp Johnston Gardens Aberdeen rockery Japanese maples trees summer public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Japanese, maples, young, rockery, Britain in Bloom, flowers, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411206jhp Johnston Gardens pink azalea path footbridge Aberdeen City Scotland sunny garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, Britain in Bloom, flowers, azaleas, wooden, footbridge, paths, pink, green, summer, vibrant, colorful, colourful, colours, colors, sunshine, sunny
Aberdeen Johnston Gardens UP401198jhp Johnston Gardens footbridge pink flowers trees sunny Aberdeen park Scottish summer in small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road. Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, pond, bridge, footbridge, blue, railings, Britain in Bloom, flowers, rhododendrons, azaleas, pink, red, cream, green, summer, vibrant, colorful, colourful, colours, colors
Johnston West End xvv3158jhp Johnston Gardens Aberdeen City West End public park Maples trees showing some autumn colours with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, upright, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, leaves, Japanese, maple, purple, red, beech, foliage, seasons
Johnston Purple Maples xvv3155jhp Johnston Gardens Aberdeen Scottish park Japanese Maples purple trees autumn at the west end of Aberdeen City showing some autumn colours with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, landscape, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, Japanese, maples, purple, leaves, foliage, seasons
Johnston Gardens Colour xvv3148jhp Johnston Gardens Park Roadside View Aberdeen Scotland autumn photograph west end of Aberdeen City showing some autumn colours with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, landscape, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, leaves, maples, Japanese, foliage, seasons
Johnston Gardens Autumn xvv3150jhp Aberdeen City Johnston Gardens Park Autumn Colours Road Fence Trees at the west end of Aberdeen City showing some autumn colours with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, landscape, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, leaves, red, Japanese, maples, foliage, seasons
Johnston Gardens Aberdeen xvv3149jhp Johnston Gardens Park Aberdeen Aberdeenshire Autumn Colourful Maples Ferns at the west end of the City showing some autumn colours with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, upright, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, red, Japanese, maples, leaves, foliage, seasons
Johnston Autumn Leaves xvv3163jhp Johnston Gardens Park Aberdeen City photo Aberdeenshire Scotland autumn colours with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, landscape, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, leaves, foliage, seasons
Johnston Autumn Gold xvv3165jhp Johnston Gardens park Aberdeen Golden leaves Scottish autumn colours photograph with vibrant Japanese maple or golden leaves of young aspen like trees. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, landscape, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, leaves, foliage, seasons
Johnston Autumn Colour xvv3157jhp Johnston Gardens Aberdeen City autumn photo colours Japanese maple mixes with other colours and tree foliage here at the western end of this small park. Keywords: Scotland, Scottish, Aberdeen, City, Aberdeenshire, North East, landscape, Johnston, gardens, park, parks, municipal, public, bequeathed, trees, colours, colors, autumn, golden, leaves, foliage, seasons
Aberdeen Johnston Gardens UP411215JHP Johnston Gardens Aberdeen Scottish City Small Garden Park Trees Flowers to the west of of the City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP411214JHP Aberdeen Scotland Johnston Gardens Public Garden Summer Flowers Trees to the west of of the City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens UP401199JHP Johnston Gardens Aberdeen City Scotland Rhododendrons Bridge Trees Summer photo to the west of the City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, restaurant, pond, bridge, Britain in Bloom, flowers, azaleas, seat, rest, roses, pink, red, yellow, green, summer, vibrant, colorful, colourful, colours, colors
Aberdeen Johnston Gardens Snow TO3176365JHP Johnston Gardens Aberdeen City Scotland Public Park Snow Bridge Winter delightful small garden towards the west of Aberdeen City and being higher than much of the main centre often benefits with scenic snow on the rare occasions the city gets a fall Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, snow, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, pond, bridge, winter, white, trees, colorful, colourful, colours, colors
Aberdeen Johnston Gardens Snow TO3176364JHP Aberdeen Scotland Johnston Gardens Winter Snow Scene Covered Trees Bridge delightful small public garden towards the west of Aberdeen City and being higher than much of the main centre often benefits with scenic snow on the rare occasions the city gets a fall Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, snow, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, pond, bridge, winter, white, trees, colorful, colourful, colours, colors
Aberdeen Johnston Gardens Snow TO3176362JHP Johnston Gardens Scottish Winter Scene Aberdeen Snow Covered Shrubs photo in this delightful small public garden towards the west of Aberdeen City and being higher than much of the main centre often benefits with scenic snow on the rare occasions the city gets a fall Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, snow, upright, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, pond, bridge, winter, white, trees, colorful, colourful, colours, colors
Aberdeen Johnston Gardens Snow TO3176361JHP Aberdeen Scotland Johnston Gardens Snow Covered Shrubs Trees Park Photograph in this delightful small public garden towards the west of Aberdeen City and being higher than much of the main centre often benefits with scenic snow on the rare occasions the city gets a fall Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, snow, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, pond, bridge, winter, white, trees, colorful, colourful, colours, colors
Aberdeen Johnston Gardens Snow TO3176355JHP Johnston Gardens Xmas Tree Snow Covered Winter Scene Aberdeen City in this delightful small public garden towards the west of Aberdeen City and being higher than much of the main centre often benefits with scenic snow on the rare occasions the city gets a fall Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, snow, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston Gardens, pond, bridge, winter, white, trees, colorful, colourful, colours, colors
Aberdeen Busy Union Street SO287037JHP Union Street Street Aberdeen City Scotland Bus Shopping Pedestrians Cars scene looking eastwards along Aberdeen's main shopping thoroughfare with the John Smith architectural screen in front of St Nicholas' Churchyard and beyond the bus the tower of the Town House Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, landscape, granite, silver, Town House, architecture, style, classic, Union Street, Belmont, St Nicholas Kirk, architectural, screen, columns, bus, buses, cars, shopping, centre, harbour, railway, station

Scotland > Aberdeenshire Coast (8 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.
Johnshaven Harbour zxc3262jhp Johnshaven Harbour summer sunny blue sky Mearns coast boats creels lobster at anchor in this small sheltered port on the Mearns which still is an active fishing port, especially for lobsters, has excellent access to coastal walks, a well presented public park and accommodation for visitors. Keywords: Scotland, Scottish, Grampian, North, Sea, East, Aberdeenshire, Inverbervie, Kincardineshire, Johnshaven, Mearns, summer, sunshine, blue, sky, sunny, morning, landscape, village, houses, harbour, boats, fishing, yachts, anchored, wall, water, reflections, lobster, creels, nets
Johnshaven Harbour zxc3260jhp Johnshaven Harbour summer Aberdeenshire coast south Inverbervie boats at anchor in this small sheltered port on the Mearns which still is an active fishing port, especially for lobsters, has excellent access to coastal walks, a well presented public park and accommodation for visitors. Keywords: Scotland, Scottish, Grampian, North, Sea, East, Aberdeenshire, Inverbervie, Kincardineshire, Johnshaven, Mearns, summer, sunshine, blue, sky, sunny, morning, landscape, upright, village, houses, harbour, boats, fishing, yachts, anchored, wall, water, reflections, creels, nets
Johnshaven Harbour zxc3259jhp Johnshaven Harbour summer Aberdeenshire coast south creels boats ropes sun at anchor in this small sheltered port on the Mearns which still is an active fishing port, especially for lobsters, has excellent access to coastal walks, a well presented public park and accommodation for visitors. Keywords: Scotland, Scottish, Grampian, North, Sea, East, Aberdeenshire, Inverbervie, Kincardineshire, Johnshaven, Mearns, summer, sunshine, blue, sky, sunny, morning, landscape, village, houses, harbour, boats, fishing, yachts, anchored, wall, water, reflections, creels, nets
Johnshaven Harbour zxc3257jhp Johnshaven Harbour summer Aberdeenshire Scottish coast Mearns creels seawall boats at anchor in this small sheltered port on the Mearns which still is an active fishing port, especially for lobsters, has excellent access to coastal walks, a well presented public park and accommodation for visitors. Keywords: Scotland, Scottish, Grampian, North, Sea, East, Aberdeenshire, Inverbervie, Kincardineshire, Johnshaven, Mearns, summer, sunshine, blue, sky, sunny, morning, landscape, village, houses, harbour, boats, fishing, yachts, anchored, wall, water, reflections, creels, nets
Johnshaven Harbour zxc3255jhp Johnshaven Harbour summer Scotland Aberdeenshire colourful boats village sunshine houses at anchor in this small sheltered port on the Mearns which still is an active fishing port, especially for lobsters, has excellent access to coastal walks, a well presented public park and accommodation for visitors. Keywords: Scotland, Scottish, Grampian, North, Sea, East, Aberdeenshire, Inverbervie, Kincardineshire, Johnshaven, Mearns, summer, sunshine, blue, sky, sunny, morning, landscape, village, houses, harbour, boats, fishing, yachts, anchored, wall, water, reflections, creels, nets
Johnshaven Spring Beach TO177001JHP Johnshaven south beach Aberdeenshire Mearns village coast south of Stonehaven lobster fishing is the modern speciality of this small sheltered port on the east coast by the North Sea with excellent well accessed costal walks. Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Johnshaven, Mearns, landscape, beach, daffodils, shingle, coast, walks, village, coastal, trail, spring
Johnshaven Harbour TO17702JHP Johnshaven Harbour Aberdeenshire Mearns village coast south of Stonehaven lobster fishing is the modern speciality of this small sheltered port on the east coast by the North Sea with excellent well accessed costal walks. Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Johnshaven, Mearns, landscape, coast, walks, village, harbour, boats, coastal, trail, spring
Boy John Catterline UP673980JHP Boy John Boat Beached Catterline Harbour Aberdeenshire Beach Scottish Summer coast south of Stonehaven at this small sheltered port on the Mearns with a nearby lighthouse and famous for its seafood restaurant. Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeenshire, Kincardineshire, Catterline, Mearns, landscape, coast, cove, beach, rocks, cliffs, headland, village, harbour, boats, boat, Boy John, beached

Scotland > Deeside Towns and Villages (4 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.
Crathie Kirk bnm8754jhp Crathie Church Balmoral Deeside summer larches sunny Scottish Aberdeenshire strong light located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, August, 2017, digital, DSLR, Nikon, D700
Crathie Kirk bnm8753jhp Crathie Kirk Royal Deeside summer clouds sunshine Scottish August Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, upright, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, August, 2017, digital, DSLR, Nikon, D700
Crathie Kirk bnm8752jhp Crathie Kirk Balmoral Deeside summer sunshine larch trees Scotland Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, August, 2017, digital, DSLR, Nikon, D700
Crathie Kirk bnm8750jhp Crathie Kirk Church Balmoral Royal Deeside summer sunshine visitors sitting Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, August, 2017, digital, DSLR, Nikon, D700

Scotland > Historic Properties (46 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;
Balnacraig-Viaduct-Torphins-6159jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6158jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, rubble, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, topside, top, hardcore
Balnacraig-Viaduct-Torphins-6156jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, rough, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6155jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside, Beltie, Burn
Balnacraig-Viaduct-Torphins-6154jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside
Balnacraig-Viaduct-Torphins-6153jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6152jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, topside, hardcore, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-6151jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, road, Beltie, Burn, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61515jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61514jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, Beltie, Burn, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-61512jhp-8April89 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, westwards, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-5159jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-5158jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51514jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, roadside, view, dogrose
Balnacraig-Viaduct-Torphins-51513jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, ivy, creepers, eastwards
Balnacraig-Viaduct-Torphins-51512jhp-22June88 Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, block, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51511jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, overgrown, ivy, top, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Balnacraig-Viaduct-Torphins-51510jhp-22June88 Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway. Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988. Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph
Braemar-Castle-qax8460jhp Braemar Castle fort autumn rainbow wintry larch trees Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. The sign in the foreground is a message of hope that the Corona Virus pandemic will be beaten. The photo was taken by luck on 21st November, 2020 at around 11.20UT. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, fort, fortress, musket, loops, historic, history, heritage, larch, colours, colors, preserved, pine, trees, colourful, colorful, autumn, winter, storm, rainbow, arc, luck, roadside, sign, 21st, November, 2020, Nikon, DSLR, D700, camera, digital, photograph.
Findlater Castle vbn1271jhp Findlater Castle Ruin stonework walls standing Jim Henderson Photograph closeup is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1270jhp Findlater Castle fort Ruin Aberdeenshire cliff view clifftop buildings perched Scotland autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1269jhp Findlater Castle Ruins structure Aberdeenshire Coast Scotland clifftop autumn October is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1265jhp Findlater Castle Ruins wall stones cliff Scottish Coast clifftop autumn photo is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1264jhp Findlater Castle Ruin Moray Firth waves plumes rocks drama North coast Scotland autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1263jhp Findlater Castle Ruin rocks crashing waves dramatic clifftop perched Scotland autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1261jhp Findlater Aberdeenshire Coast Portsoy clifftop Scotland autumn rocks waves photo by a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1260jhp Findlater Castle Ruin Aberdeenshire Coast Cullen clifftop perched Scotland gorse autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, upright, westwards, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1256jhp Findlater Castle Ruin Aberdeenshire Coast cliffs waves rocks panorama Scottish autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1252jhp Findlater Castle Ruins Aberdeenshire Coast cliff top Scotland autumn buff sea is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1251jhp Findlater Castle Ruin Aberdeenshire Coast Portsoy cliffs grass perched Scottish autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, upright, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Findlater Castle vbn1250jhp Findlater Castle Ruin Aberdeenshire Coast Portsoy clifftop perched Scotland autumn is a ruined castle whose current ruins were probably erected before 1411 by Sir John Sinclair of Findlater before his death at the Battle of Harlaw near Inverurie. Built in the style of his castle Roslyn, it was taken over by Ogilvie of Deskford during the reign of James 11 and its fortifications strengthened. Subsequently handed to Sir John Gordon but was abandoned in 1600 and fell in ruin by 1638 never to be repaired again. It is located on a steep buff below rugged and almost inaccessible cliffs just north west of Sandend near Portsoy on the northern coast of Aberdeenshire facing the Moray Firth. There was an original fortress on the site dating back to before 1246 when records indicate that it was to be fortified during the reign of King Alexander 111 to fend off attacks by the Vikings although it was subsequently captured by them. The Ogilvie’s had lost interest in Findlater Castle after they decided to build Cullen House a somewhat different elegant mansion close to Cullen. Once there was a wooden bridge giving access to the castle after a steep descent down the cliffs. Little now remains of the building and it is now in a dangerous state of repair and although accessible should be taken with great care. Remains of some walls which include two floors with vaulted rooms possibly the kitchen and a dungeon can be easily seen from the clifftop as in this photograph. There is a signed carpark as you leave Portsoy and pass Sandend. From the carpark at the rear of farm buildings you pass a doocot on the left but continue on straight down towards the cliffs along a grass cut path and you will see the castle below you where there are seats and an information board. The name it is suggested might derive from the Norse Fyn is white and leitr for cliff, giving Fynleitr or Fynletyr whereas another suggestion is from the Gaelic with fionn for white and leitir for cliff both relating to the nature of the cliffs around this area exhibiting high deposits of quartz. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Moray, Firth, Portsoy, Sandend, Banff, Cullen, Findlater, Castle, ruined, north, east, sea, landscape, blue, sky, waves, crashing, dramatic, clouds, spectacular, eerie, spooky, coast, coastal, steep, narrow, paths, grassy, inaccessible, dangerous, cliffs, rocks, lichen, grass, headland, vaults, windows, walls, stonework, weathered, erosion, 2015, October, autumn, Nikon, D700, digital, DSLR, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky
Crathie Church zxc5885jhp Crathie Church Balmoral Royal Deeside winter larches entrance golden sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2014, digital, DSLR, Nikon, D700
Crathie Church zxc5884jhp Crathie Kirk Scotland Balmoral Deeside winter larches shadows sun Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, upright, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2014, digital, DSLR, Nikon, D700
Crathie Church zxc5883jhp Crathie Kirk Church Balmoral Deeside winter larches shadows sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2014, digital, DSLR, Nikon, D700
Crathie Church zxc5882jhp Crathie Kirk Church Balmoral Royal Deeside winter larches colours sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2014, digital, DSLR, Nikon, D700
Poldullie Brig Strathdon wyy6123jhp Poldullie Bridge River Don Upper Donside Strathdon Aberdeenshire Scotland summer historic 1715 construction by John Forbes of Invereran which withstood the 1829 flood and crosses the River Don at the Pooldhulie Pot, a small narrow curve or crook in the river. No longer used for public access to opposite bank but still an attractive single arch of 70 foot height illustrating the building skills of earlier times. It is situated between the Lonach Gathering park, near Candacraig and Bellabeg with its historic Motte and the entrances to Lost and Glenbuchat in the heart of Upper Donside. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Highlands, Strathdon, Bellabeg, Candacraig, Roughpark, Lonach, Gathering, rural, landscape, summer, bridge, River, Don, Poldullie, Pooldhulie, Pot, crook, curve, bed, narrow, turnpike, renovated, larch, trees, water, sunshine, sunny, granite, stone, grass, green, farm, farms, farming, agriculture, hill, rugged, hard
Marnoch Cemetery TO4350619JHP Marnoch Kirkton Cemetery Stone Carved Marble Innes Inscription Vault Photo located by the River Deveron south of Banff in Aberdeenshire in North East Scotland. The church and the area where originally called Aberchirder and the congregation were the catalyst for the Disruption of 1834, a major schism in the Scottish Church of the time. Only a gable of the old church remains in the kirkyard and although an active cemetery it does have some interesting historically important ruined tombs and mausoleums including an excellent example of a watchtower dating from 1831, built during the time of body snatching for medical research rife throughout Scotland. Keywords: Scotland, Grampian, Scottish, Aberdeenshire, Marnoch, cemetery, upright, River, Deveron, tombstone, mausoleum, carving, carved, marble, John Innes, inscription, vault, symbols, symbolism
Braemar Castle TO4290268JHP Braemar Castle Royal Deeside Military Fort River Dee Roadside Community Owned built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, shadows, military, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290267JHP Braemar Castle Winter Sunshine Pine Tree Shadows Deeside Aberdeenshire Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, winter, shadows, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290264JHP Braemar Castle Fort Autumn Larch Colours Sunshine Photo Royal Deeside Scotland built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290263JHP Braemar Castle Scottish Military Fortress Deeside Scotland Autumn Larch Pine Golden Colours built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle TO4290261JHP Braemar Castle Fortress Military Battlements Scottish History Community Ownership Aberdeenshire built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, winter, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful
Braemar Castle Scotland VS0970JHP Braemar Castle Military Fort Fortress Highlands Royal Deeside Aberdeenshire Photo view taken of the star-shaped battlements and musket loops situated at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0968JHP Braemar Castle Star-shaped Battlements Musket Loops Scottish Military Fort at the western end of Royal Deeside by the River Dee and now in community ownership. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0960JHP Braemar Castle Roadside View Woodland Larch Trees Summer Shadows Photograph now in community ownership, at the western end of Royal Deeside in Aberdeenshire just at the entrance to the village of Braemar on the road to Perth from Royal Deeside. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, upright, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition
Braemar Castle Scotland VS0959JHP Braemar Castle Stock Library Photo Scottish Historical Military Fortress Deeside now in community ownership, at the western end of Roayl Deeside in Aberdeenshire. Built in 1628 by John Earl of Mar it was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle will be Open again from 3rd May 2008; interior at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, forty five rebellion, General Wade, Creag Choinnich, Invercauld, historic, history, heritage, larch, colours, colors, golden, blue, sky, sunny, preserved, pine, trees, nature, colourful, colorful visitors, exhibition

Scotland > Morayshire (10 files)

The photographs in this gallery are located in Morayshire and include ancient sites, historic buildings and properties, churches, cathedrals, towns, the countryside and the coast.
Glenlivet Distillery qwe8449jhp Glenlivet distillery bay willowherb Glen Livet Scotland summer photograph view taken near near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown. The Glenlivet Distillery is famous for its single malt whiskey. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, willowherb, bay, weed, purple, flowers, summer, road, view, Gallowhill
Glenlivet Distillery qwe8447jhp Glenlivet distillery Morayshire Scotland summer visitor centre whiskey single malt near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown.. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, visitors, centre, whiskey, single, malt, landscape, summer
Glenlivet Distillery qwe8441jhp Glenlivet distillery Morayshire Scotland summer view Shenval road whiskey heather and near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown.. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, road, view, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, upright, summer, road, view
Glenlivet Distillery qwe8439jhp Glenlivet distillery Morayshire Scotland summer view Blairfindy castle heather hill whiskey production single malt located near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown.. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, summer, road, view
Glenlivet Distillery qwe8436jhp Glenlivet distillery Moray Speyside Scottish summer whiskey Shenval road view production of single malt near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown.. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, summer, road, view, Gallowhill
Glenlivet & Distillery qwe8466jhp Glenlivet village distillery Morayshire Scotland summer Gallowhill view whiskey Glen Livet where production of single malt takes place near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, summer, road, view, Gallowhill
Glenlivet & Blairfindy Castle qwe8452jhp Glenlivet Blairfindy Castle ruin fort towerhouse Moray Scottish Glen Livet summer a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, a part of the Speyside Way with good views to Ben Rinnes near Dufftown and located near the famous single malt whiskey Glenlivet Distillery. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, L-plan, fortified, towerhouse, Gordon, Huntly, family, residential, stones, stonebuilt, landscape, summer, road, Gallowhill
Glenlivet & Ben Rinnes qwe8471jhp Glen Livet Ben Rinnes rural countryside Speyside Way distillery Moray Scotland summer view from Gallowhill near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown.. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, summer, road, view, Gallowhill
Glenlivet & Ben Rinnes qwe8460jhp Glenlivet distillery Ben Rinnes Speyside Glen Livet view Moray Scottish summer photo view of this whiskey production single malt unit near Blairfindy castle a crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown.. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, summer, road, view, Gallowhill
Glenlivet & Ben Rinnes qwe8457jhp Glenlivet distillery Morayshire Scotland summer view Ben Rinnes Blairfindy castle taken by this crumbling ruin dating to 1564, residential fortified L-plan towerhouse built by John Gordon of the Huntly family in Glen Livet overlooking the river of the same name, apart of the Speyside Way with good views to Ben Rinnes near Dufftown. It is adjacent to the Glenlivet Distillery famous for its single malt whiskey. Keywords: Scotland, Scottish, Moray, Morayshire, Glenlivet, Speyside, Ben, Rinnes, River, Avon, Livet, Glen, Shenval, Auchbreck, distillery, whiskey, single, malt, Blairfindy, castle, ruin, heather, hills, landscape, summer, road, view, Gallowhill

Scotland > Rivers, Glens & Lochs (9 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.
Crathie Kirk up757632jhp Crathie Kirk Church Balmoral Deeside winter larches rustic colours sunshine Scottish Aberdeenshire from the roadside located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, November, 2007, Fuji, S5Pro
Crathie Kirk to4320435jhp Crathie Kirk Church floodlit night dark winter larches Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, night, dark, floodlights, floodlit, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, November, 2006, Fuji, S3Pro
Crathie Kirk to4290312jhp Crathie Kirk Churchl Deeside winter larches bright autumn colours sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, autumn, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, November, 2006, digital, DSLR, Fuji, S3Pro
Crathie Kirk to4290309jhp Crathie Kirk Church Balmoral Deeside afternoon sunshine winter larches colours sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, autumn, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, November, 2006, digital, DSLR, Fuji, S3Pro
Crathie Kirk to4290301jhp Crathie Kirk Church entrance gates Deeside afternoon sunshine winter larches Scotland Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, winter, larches, December, rust, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, November, 2006, digital, DSLR, Fuji, S3Pro
Crathie Kirk to3417604jhp Crathie Kirk Church roadside Deeside spring daffodils larch trees colours sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, spring, May, daffodils, flowers, yellow, sunshine, sunny, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2006, Fuji, S3Pro
Crathie Kirk to3417593jhp Crathie Kirk Church Deeside spring morning daffodils larch trees colours sunshine Scottish Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, spring, May, daffodils, flowers, yellow, sunshine, sunny, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2006, Fuji, S3Pro
Crathie Kirk to3417589jhp Crathie Kirk Church May Scotland spring morning daffodils colours sunshine closeup backlit Aberdeenshire located across from the main entrance to Balmoral Castle where it crosses from the North to the South Deeside Road. The Church is on the opposite side of the main road from the public carpark and Tourist Information centre and castle shop, perched on top of a small hill and looks across to its walled cemetery in which there is the burial site of John Brown of Queen Victoria fame. Crathie Church is famous as the Sunday worshipping Church for HM The Queen and various members of the Royal family during their annual holiday at Balmoral Castle and was the Church used by The Princess Royal for her second marriage. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Ballater, Braemar, Balmoral, Crathie, Kirk, spring, May, daffodils, flowers, yellow, sunshine, sunny, coloured, colours, colourful, landscape, Cruciform, church, A Marshall Mackenzie, replaced, 1804, church, shrine, ecclesiastical, worship, Royal, Family, Anglican, communion, table, marble, hexagonal, pulpit, granites, variety, Iona, marble, canopied, recesses, busts, Queen, Victoria, King, George V, VI, ancestors, 2006, Fuji, S3Pro
Braemar Castle Autumn T04290261jhp Braemar Castle fort autumn roadside larch trees bronze Royal Deeside Scottish was built in 1628 by John Earl of Mar was basically a pitched roof over the main tower and some turrets. Later in the 18th century the battlements and unusual star-shaped defensive curtain wall were added. It was forfeited to the crown after the 1715 rebellion and were later sold to the Farquharson’s of Invercauld and rented back to the Crown as a Hanoverian garrison post until 1831. It has a barrel vaulted ceilings, an iron yett, an open wrought iron metal grid, covering an underground dungeon with its bottle neck entrance. Since then it has been a private property until recently by Invercauld Estate and is now run as a tourist attraction by a local community trust after refurbishment with exhibitions reflecting its, and the local area history. As a private property now in the control of a local charity then these photographs should only be used for tourist/scenic/editorial purposes. The Castle is accessible for exterior viewing all year round with easy parking at nearby carpark but the interiors during summer months at weekends from 11-4 or by prior appointment. Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River, Dee, Braemar, community owned, Castle, autumn, landscape, military, soldiers, star-shaped, curtain, defensive, wall, musket, loops, historic, history, heritage, larch, colours, colors, golden, preserved, pine, trees, colourful, colorful

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