Home

 

Searching all stock for "grapes":

Egypt > Luxor Nobles Tombs (13 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Sennufer Tomb Ceiling EG075670JHP Ancient Egyptian Luxor Noble Sennefer Tomb Painted Ceiling Flowers Colours, one of many beautifully decorated tombs amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11 and this photo is of the almost complete ceiling although the lighting is rather unbalanced for non-flash photography. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Mayor, Sennefer, tomb, painting, colourful, colorful, colours, colors, painted, ceiling, frieze, vines, grapes, artificial, light, digital
Sennefer Tomb Painting EG075667JHP Sennefer Tomb Painting Wall Boats Sailing Oarsmen Colours Luxor Egypt, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, Mayor, Sennefer, tomb, painting, colourful, colorful, colours, colors, painted, boats, sailing, oarsmen, water, frieze, vines, grapes, artificial, light, digital

Egypt > Valley of Kings Luxor (17 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213057jhp Egypt Egyptian Tomb KV19 Prince Mentuherkhepshef hieroglyphics entrance reliefs was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt; Luxor; West Bank; Thebes; Theban; Valley Kings; prince; tomb; KV19; Montu; Mentuherkhepshef; Montu-hir-Khopshef; upright; paintings; colourful; colorful; colours; colors; bright; white; plaster; ancient; Egyptian; archaeology; Egyptology; hieroglyphics; death; burial; mythology; afterlife; history; hieroglyphics; entrance; Gods; offering; fruit; flowers; wine; grapes; bread; DSLR; Fuji; S2; handheld; artificial; light; Photoshop; adjusted; corrections; Perspex; screens;
Valley Kings EG0213055jhp Egypt Luxor Valley Tomb Mentuherkhepshef Osiris Atef Crown painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Osiris, Atef, crown, beard, upright, painting, painted, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213054jhp Egyptian Tomb Prince Mentuherkhepshef painting closeup offering colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213053jhp Egypt Valley kings KV19 offering table closeup details painting colorful in the tomb of Prince Monu-hir- Khopshef, son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, closeup, details, painting, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213052jhp Egypt Luxor Tomb KV19 Mentuherkhepshef painting fruit wine grapes colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, closeup, detail, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213051jhp Egyptian Tomb Valley kings Offering table fruit food lotus flowers painted colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, Lotus, table, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213049jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Khonsu Solar Disk Crescent painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, solar, disk, crescent, sky, diety, form, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213048jhp Egypt Tomb Mentuherkhepshef painting offering food feast details colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, table, feast, Lotus, flower, fowl, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213047jhp Egypt Egyptian Tomb KV19 Montu-hir-Khopshef Sekhmet Sakhmat lioness painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, lioness, solar, disk, ureaus, red, dress, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213046jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Isis Goddess solar disk painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Isis, Goddess, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213045jhp Egypt Kings Valley Tomb Mentuherkhepshef painting fruit gifts table colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213044jhp Egyptian Tomb KV19 Prince Mentuherkhepshef Amun God painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Amun, God, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213043jhp Valley Kings Egyptian Tomb Prince Mentuherkhepshef Sekhmet painting solar ureaus colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, Goddess, lioness, solar, disk, ureaus, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213042jhp Egypt Tomb KV19 Prince Montu-hir-Khopshef offering table fruit painting colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213041jhp Luxor Valley Kings Egyptian Tomb Mentuherkhepshef Khonsu falcon God painting colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, Horus, Solar, Disk, Crescent, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213040jhp Egypt Egyptian Tomb Prince Mentuherkhepshef offering scene colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213039jhp Egypt Valley Kings Tomb KV19 Prince Mentuherkhepshef painting offering colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, wine, pouring, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens

Click below to purchase all images shown (you can fine-tune on next page):