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Aurora over Scotland (21 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Aurora Deeside ab9332jhp Aurora Borealis Scottish clouds faint ray March 1993 display Deeside Aberdeenshire taken on the evening of 17th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 22.00UT on the 17th and developed into a low grade display peaking around 00.35hrs on the 18th but mainly flashes and some faint rays. This photo was taken at 23.30hrs showing a strong arc glow and maybe very faint ray between gaps in the clouds. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star
Pulsing Aurora au941017jhp Aurora Borealis Scotland Northern Lights pulsing flashing Cassiopeia March 1994 Aberdeenshire taken on the 10th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 00.25hrsUT but it never developed in an active display although it followed a better period from this previous evening starting around 20.55hrs seven nights in a row of displays which finished on the 11th March during one of the most active phases of the 90’s Solar Cycle. On the evening of the 9th and morning of the 10th there was a lot of flashes, like distant lightning, pulsing or patches of diffuse round light sources rather than the usual arc or rays. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long
Aurora Deeside au93432ajhp Aurora Borealis Scottish winter December 1993 rays red display Deeside Aberdeenshire taken on the evening of 7th December, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The display started early but very low grade around 22.45 with faint light towards North in between clouds. I had received a call on answerphone from a friend Gordon Brodie suggesting he had seen something and after returning from a lecture I spotted faint flashes and rays around 21.30hrs. Rang John MacNicol around 22.25 although still probably a frost haze. At 22.45 faint light in clouds although again could be frost haze, it was -5C but around 23.25 some rays started to appear. This photo was taken at 23.40hrs UT as the display strengthened but it died down around 00.05hrs on the morning of the 8th. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, December, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star
Aurora The Ley au71819ajhp Scotland Aurora Borealis Ley tree dying down red rays winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 23.20hrs UT as it started to die down and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen pushed the development 2 stops. They were exposed around the 15 seconds sligthly less than the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7169jhp British Northern Lights telephone poles red yellow colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February photographed around 21.40hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7168jhp Scottish aircraft strobe lights Aurora Borealis red colour Deeside February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.50hrs UT as it started to come active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. The line of dots are the landing lights from commercila aircraft on approach to landing at Aberdeen Airport and in those days no flights could land after 10.00pm. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7167jhp Scottish Aberdeenshire Aurora Borealis rays many arc more active February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.45hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7165jhp Scotland Aurora Borealis early arc active stage telephone pole Deeside winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.45hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7164jhp Scottish Aurora Borealis early beginning ray arc active building tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.42hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au7163jhp British Aurora Borealis early stage ray arc active Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.40hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71630jhp Scotland Aberdeenshire Aurora Borealis display dying colours red sky tree winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.35hrs UT with this current phase dying down. There was some more subdued activity on the morning of the 21st February around 01.45hrs but my slides hardly record anything. This was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71626jhp Scottish Deeside Aurora display quiet dying colours Banchory winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.30hrs UT with this current phase dying down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71616jhp Scottish Aurora display pole multiple red rays colours strong arc winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.07hrs UT with this current phase beginning to die down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71615jhp Scotland Aurora pole multiple red rays colourful winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.05hrs UT with this current phase beginning to die down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71613jhp Scotland Merry Dancers Aurora pole mulitple rays folding arc colourful winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken around 22.00hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71612jhp Scotland Northern Lights pole mulitple rays folding arc colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken approx 21.57hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71611jhp Scotland Northern Lights pole red rays over exposed star trails colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken at 21.57hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71610jhp Scottish Northern Lights pole red rays high colours Banchory winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken around 21.55hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71534jhp Scotland Aurora display arc aircraft lights landing Aberdeen winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.16hrs UT with the stobe landing lights of an aircraft making its approach to Aberdeen Airport as the second this exposure shows the lights disappearing at the bottom right eastwards and at this time no flights were allowed after 22.00hrs. It was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, aicraft, plane, aeroplane, approach, landing, strobe, flashes, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora The Ley au71533jhp Scottish Northern Aurora double active arc aircraft lights Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.15hrs UT with the stobe landing lights of an aircraft making its approach to Aberdeen Airport and at this time no flights were allowed after 22.00hrs. It was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality. These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, aicraft, plane, aeroplane, approach, landing, strobe, flashes, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured
Aurora Corona Aircraft Lights AB3811JHP Aurora Corona Zenith Rays Bursting Aircraft Flying Strobe Lights Deeside into activity over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this occurred around 16.00 hours on 20th November 2003 and with a passing aircraft strobe lights captured as well Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Craigton, Leyton farm, Aurora Borealis, Corona, zenith, aircraft, strobes, flashing, Arc, Rays, Northern Lights, Merry Dancers, upright, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, forest

Egypt > Cairo City (2 files)

Photos relating to the City itself and River Nile activities. The Museum and Giza Pyramids are in separate galleries.
Cairo Egyptian Museum EG072608jhp Egyptian Museum entrance Cairo Egypt trees palms seats exhibits Mariette founder is the prime antiquities collection in Cairo and of ancient Egypt in the world. These photos were taken through the roadside railings as cameras were banned then and that probably applies today as well. Unlike the British Museum in London where photography is allowed and even flash can be used, the Egyptian Museum and many others throughout the country have a total ban on photography and the reason being probably more to do with managing the huge crowds than one would hope is not to do with selfishness or the usual damaged caused by flash syndrome, a total red herring if ever there was one. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, Maspero, landscape, collection, huge, comprehensive, discovery, excavations, ancient, antiquity, antiquities, archaeology, architecture, iconic, exhibits, pond, feature, entrance, sphinx, seats, photography, ban, no cameras, flagpoles, capital, city
Cairo Egyptian Museum EG072607jhp Egyptian Museum entrance Cairo trees palms seats design style Mariette founder is the prime antiquities collection in Cairo and of ancient Egypt in the world. These photos were taken through the roadside railings as cameras were banned then and that probably applies today as well. Unlike the British Museum in London where photography is allowed and even flash can be used, the Egyptian Museum and many others throughout the country have a total ban on photography and the reason being probably more to do with managing the huge crowds than one would hope is not to do with selfishness or the usual damaged caused by flash syndrome, a total red herring if ever there was one. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, Maspero, upright, collection, huge, comprehensive, discovery, excavations, ancient, antiquity, antiquities, archaeology, architecture, iconic, exhibits, pond, feature, entrance, sphinx, seats, photography, ban, no cameras, flagpoles, capital, city

Egypt > Edfu Temple (1 file)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.
Edfu Temple Naos Shrine EG052183JHP Egyptian Edfu Temple Sanctuary Granite Naos Nectanebo 11 Interior Flash Photo in the inner most shrine at this large and almost intact monument located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, temple, preserved, Nectanebo, oldest, pillared, decorated, hieroglyphs, scarab, solar, disc, sanctuary, granite, naos, shrine, Ptolemaic, upright

Egypt > Egyptian Museum Cairo (64 files)

Royalty Free photos of exhibits from the Cairo Egyptian Museum taken before current bans with slide film in available light not to studio quality
Model Boat EG012624JHP Egyptian Museum Exhibit wooden model boats photo interior burial goods illustrating one of many grave goods in the form of model boats in this case to assist the deceased in the Afterlife here in the first floor of the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, wood, burial, grave, good, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Lancers EG012621JHP Egypt Cairo Museum Exhibit Egyptian Lancers Tomb Assyut Prince Mesehti inside photograph and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed; the shileds should be a background white. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, landscape, Tomb, Prince, Mesehti, Assyut, Lancers, troop, shields, spears, burial, grave, goods, ancient, antiquity, antiquities, exhibit
Boy King Lotus EG1179JHP Egyptian Cairo Museum young Pharaoh Tutankhamun head lotus flower photo was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Boy King Lotus EG11710JHP Egyptian Museum young Pharaoh Tutankhamun boys head lotus flower painted was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Water Clock EG11830JHP Egypt Cairo Museum Exhibit Amenhotep Water Clock astronomical design with main constellations inscribed in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Karnak, water, clock, Amenhotep, constellations, jupiter, orion, saturn, venus, collection, upright, ancient, antiquity, antiquities, exhibit
Tut on Leopard EG11702JHP Egyptian Museum statue King Tutankhamun Tut gold gilt photo standing leopard in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, leopard, standing, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut War Chariot EG11722JHP Egyptian Cairo Museum golden ceremonial chariot cabinet photograph Tut Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, chariot, ceremonial, display, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Unguent Lion EG11714JHP Egyptian Museum Interior alabaster unguent vase lion burial good Tutankhamun Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, unguent, alabaster, vase, lion, ankh, tongue, coloured, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut The Warrior EG01261JHP Egypt Museum Cairo displays lifelike figures King Tutankhamun warrior pose in his Tomb at Luxor in various poses and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pharaoh, warrior, crowns, red, flat, lower, white, bulbous, upper, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Soldier Guard EG012616JHP Egyptian Cairo Museum standing statue Ka Tut Tutankhamun interior photo from his Luxor Tomb and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Ka, warrior, guard, kilt, skirt, shendyt, nemes, uraeus, serpent, club, stick, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit
Tut Small Shrine EG11706JHP Egyptian Museum Exhibit small gilded gold wooden shrine King Tut royal figurine is thought to have been stolen in antiquity from the Tomb of Tutankhamun and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, empty, small, golden, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Shrine Isis EG11720JHP Egypt Museum Isis Goddess protecting golden canopic shrine Tutankhamun tomb now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Isis, goddess, canopic, shrine, golden, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Shawabti Figures EG11806JHP Egyptian Cairo Museum Exhibit shawabti figures Tomb Luxor Tutankhamun King Tut burial and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, usbati, shawabty, shawabti, figures, faience, displays, Tut, collectionc, landscape, ancient, antiquity, antiquities, exhibit
Tut Nut Plaque EG11736JHP Egyptian Museum display pectoral Godess Nut Anubis shrine good, should be very gold looking and was shrine in the Tomb of Tutankhamun and is in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectorla, gold, Nut, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Gilded Coffin Face EG11801JHP Egypt Cairo Museum golden gilded sarcophagus face mummy coffin Tut in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, gilded, coffin, sarcophagus, face, uraeus, eyes, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Ointment Vase EG11713JHP Egyptian Cairo Museum Exhibit alabaster Tut ointment vase Tomb Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, alabaster, ointment, vase, Tut, collection, catouche, upright, ancient, antiquity, antiquities, exhibit
Tut Model Barge EG11715JHP Egyptian Museum Cairo Egypt Exhibit miniature boats Tomb Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, inlaid, decorated, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Miniature Coffins EG11730JHP Egyptian Museum Cairo Interior Exhibit Tutankhamun Burial four minature sarcophaguses for storage in the canopic jars and replicated the second sarcophagus of Tutaumkhamun in the burial chmaber. Now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, sarcophagus, small, detailed, beautiful, replicas, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Jewellery EG11735JHP Egypt Cairo Museum King Tut Exhibit Gold scarab jewellery necklace in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectoral, winged, scarab, gold, lapis lazuli, carnelian, glass, paste, uraeus, solar, disc, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Golden Throne EG012615JHP Egyptian Museum Exhibit Tutankhamun Tut Golden Throne Display Interior Photograph of one of the most beautiful objects ever found in Egypt, the Throne from the Tomb of Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, throne, gold leaf, Pharaoh, Ankhesenamun, wife, inlaid, silver, glass, paste, colours, colors, Aten, Amun, cartoches, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Serpent EG11704JHP Egyptian Museum Exhibit cobra Ureaus Gilded Gold Hood Tutankhamun Exhibition in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, gilded, cobra, serpent, hood, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Lioness EG11703JHP Egyptian Cairo Museum Tutankhamun Exhibition seated gold Sekhmet lioness goddess from his Luxor Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, golden, Goddess, lioness, Sekhmet, sakhmet, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Golden Lioness EG01262JHP Egypt Cairo Museum Exhibition Tut Tutankhamun Sakhmet gilded seated lioness goddess from the Tutankhamun tomb collection in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Sekhmet, Sakhmet, lioness, goddess, seated, gold, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Shield EG01263JHP Egyptian Cairo Museum Exhibit votive shields Tomb Tutankhamun Tut annexe in Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, votive, shield, gilded, wood, ceremonial, throne, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Mask EG11726JHP Egypt Cairo Museum Tutankhamun Exhibition famous golden death funerary mask taken in 1994 in more natural conditions than today in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Gold Mask EG01268JHP Egyptian Cairo Museum Exhibit Tutankhamun Tut gold funerary mask photographed in 2001 under new enclosed artificial light conditions in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit, artificial, light
Tut Gold Mask Back EG11729JHP Egypt Cairo Museum Exhibit Tutankhamun back funerary mask hieroglyphs photographed taken under natural lighting in 1994 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, rear, back, tail, damaged, broken, hieroglyphs, magic, spells, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Gilded Shrine EG11719JHP Egyptian Museum Exhibit Tut canopic vase Golden shrine stucco uraeus freize from Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, canopic, wood, stucco, uraeus, serpents, frieze, goddesses, Isis, throne, Selket, scorpion, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Fan Holder EG11723JHP Egypt Museum Cairo Tut Exhibit ostrich feather fan holder photo made of wood with gold leaf from the tomb of Tutankhamun. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ostrich, feather, holder, fan, wood, gold, leaf, chariot, horses, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut Cow Bed EG11716JHP Egyptian Museum Exhibit beds Tomb Tutankhamun burial goods cow head in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, bed, gilded, cows, head, solar, disc, upright, ancient, antiquity, antiquities, exhibit
Tut Ceremonial Seat EG11708JHP Egyptian Museum Exhibit folding stool backrest ceremonial chair Tomb Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Ceremonial Seat EG012613JHP Egyptian Museum Cairo Tut Exhibit folding stool photograph with additional backrest from the Tomb of Tutakhamun and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Canopic Container EG11718JHP Egyptian Museum Exhibit alabaster shrine Tutankhamun canopic jars internal organs found in his tomb at luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, container, alabaster, shrine, Tut, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Burial Chamber EG117EJHP Egyptian Museum Tut Exhibit Burial Chamber Shrine outer Tutankhamun tomb at Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, burial, chamber, outer, djed, tit, symbols, decoration, gilded, gold, leaf, wood, oak, Tut, collection, square, ancient, antiquity, antiquities, exhibit
Tut Anubis Statue EG11701JHP Anubis God Dog Black Gilt Statue Egyptian Museum Cairo Tutankhamun Exhibit in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, collection, landscape, prone, black, gold, ancient, antiquity, antiquities, exhibit
Tut Anubis Exhibit EG01265JHP Egyptian Museum Exhibit Anubis statue display prone God Dog black gold in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, statue, black, gold, collection, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Vase EG012612JHP Egyptian Museum Exhibit alabaster vase floral collar smooth shapely Tutankahum discovery in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, vase, coloured, colored, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Container EG11712JHP Egyptian Museum Cairo Exhibit alabaster perfume container Tutankhamun burial chamber in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, perfume, container, sema, union, cartouches, hieroglyphs, union, plants, knots, upright, ancient, antiquity, antiquities, exhibit
Tut Alabaster Boat EG11711JHP Egypt Cairo Museum Tut Exhibition display inside alabaster basin boat found in Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, alabaster, basin boat, decorated, gold, jewels, ivory, lotus, flowers, papyrus, ancient, antiquity, antiquities, exhibit
Tut 2nd Shrine Detail EG012610JHP Egyptian Museum Exhibit second shrine Tutankhamun tomb interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, shrine, gold, second, detail, cobra, uraeus, gold, collection, square, ancient, antiquity, antiquities, exhibit
Tut 2nd Coffin EG11727JHP Egyptian Museum Exhibit face mask second gilded sarcophagus Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, second, 2nd, coffin, lid, face, flail, lapis, lazuli, nemes, headress, uraeus, sarcophagus, beard, collection, landscape, ancient, antiquity, antiquities, exhibit
Tut 2nd Coffin Base EG11728JHP Egyptian Museum Tut Exhibit base inlaid gold detail second gilded sarcophagus Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, gilded, sarcophagus, base, patterns, hierogylphs, gold, glass, paste, ancient, antiquity, antiquities, exhibit
Stelae Cabinet EG011212JHP Egyptian Museum Exhibits typical cabinets relics painted stele interior photo tucked away on the first floor full of fascinating relics such as these colourful stelae. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, stele, stelae, caninet, displays, collection, painted, colours, colors, carvings, necklaces, landscape, ancient, antiquity, antiquities, exhibit
Squatting Scribe EG11822JHP Egyptian Museum Cairo Exhibit iconic nameless Saqqara scribe thoughtful pose with cane pen and papyrus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, scribe, iconic, pose, seated, squatting, pen, papyrus, nameless, collection, landscape, painted, limestone, Saqqara, ancient, antiquity, antiquities, exhibit
Sheshonq 1 Falcon Mummy EG11805JHP Egyptian Museum Exhibit pasteboard coffin Sheshong 1 Tanis falcon Horus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Sheshonq, Tanis, cartonnage, coffin, Horus, falcon, first, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Queen Merit-Amun Bust EG11811JHP Egypt Cairo Museum Exhibit bust Queen Merit-Amun Ramasseum Rameses 11 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Merit-Amun, Queen, bust, painted, headdress, uraeus, sun disks, wig, necklace, menat, limestone, Rameses, collection, upright, ancient, antiquity, antiquities, exhibit
Pyramidion Amenemhat EG11812JHP Egyptian Museum Cairo hall basalt polished pyramidion Pharaoh Amenemhat 111 from the top of his mudbrick pyramid at Hawara dating from around 1800 DC. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, hall, collection, pyramidion, carved, hieroglypgs, eye, wings, solar, disk, cartouche, basalt, Amenemhat, pyramid, top, landscape, ancient, antiquity, antiquities, exhibit
Pharaoh Menkaure EG11820JHP Egyptian Cairo Museum alabaster statue Pharaoh Menkaure ground floor photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, ground, floor, alabaster, statue, Menkaure, pharaoh, upright, ancient, antiquity, antiquities, exhibit
Palermo Stone EG11826JHP Egyptian Museum Exhibit fragment Palermo Stone Kings List flood dates such as the largest piece of the basalt historical stele is in that musuem in Italy and is tantalising source is earliest Egyptian history. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, first, floor, collection, Palermo, stone, fragment, kings, list, upright, earliest, history, ancient, antiquity, antiquities, exhibit
Narmer Tablet EG11832JHP Egyptian Museum Cairo Narmer Tablet carved earliest Egypt dating Dynasty 0 around 3000BC in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, Narmer, Palette, Tablet, entwined, cats, necks, vanished, unification, upright, ancient, antiquity, antiquities, exhibit
Narmer Tablet EG11831JHP Egyptian Cairo Museum Narmer Tablet Pharaoh Smiting Enemy interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, narmer, Tablet, schist, Palette, king, warrior, conqueror, prisoner, war, club, victory, collection, upright, ancient, antiquity, antiquities, exhibit
King Doser EG11836JHP Egyptian Museum Exhibit statue King Doser missing eyes serdab Saqqara and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, King, Doser, Djoser, Saqqara, serdab, eyes, missing, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Faience Bowl EG012620JHP Egypt Cairo Museum Exhibit pottery faience bowl painted patterns in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, collection, faience, bowl, landscape, ancient, antiquity, antiquities, exhibit
Faience Bowl EG012619JHP Egyptian Museum Cairo pottery faience bowl blue fish motif painted in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, faience, bowl, pottery, blue, flow, fish, decotated, painted, colours, colors, collection, landscape, ancient, antiquity, antiquities, exhibit
Diorite Khafre EG11824JHP Egyptian Museum Cairo Exhibit Pharaoh Khafre ground floor inside photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, diorite, Khafre, seated, statue, pharaoh, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit
Coffin Interior Detail EG011210aJHP Egyptian Museum coffin interior treasury scribe illustrate elaborate colourful craftsmanship from the ancient Egyptians. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, scribe, priest, leopard, skin, Amun-Ra, food, offering, fruit, lotus, flowers, wife, sarcophagus, interior, painted, colours, colors, collection, square, ancient, antiquity, antiquities, exhibit
Cairo Museum Entrance EG596aJHP Egypt Museum Cairo Entrance door gardens pond lilies seats photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, pond, lilies, flags, collection, upright, ancient, antiquity, antiquities, exhibit
Cairo Egyptian Museum EG072608JHP Egyptian Museum Cairo gardens seats exhibits entrance palm trees maindoor in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collection, landscape, ancient, antiquity, antiquities, exhibits
Cairo Egyptian Museum EG072607JHP Egyptian Museum Cairo seats exhibits palm trees gardens entrance in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collections, upright, ancient, antiquity, antiquities, exhibits
Archaic Ostraca EG11834JHP Egyptian Museum Exhibit archaic ostraca painted bull baboon prehistory dating back earliest times in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, archaic, ostraca, bull, baboon, painting, collection, landscape, ancient, antiquity, antiquities, exhibit
Amarna Nefertiti Head EG11818JHP Egyptian Museum Exhibit unfinished sculpture Queen Nefertiti bust sculpture granite in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit
Amarna Nefertiti Head EG11817JHP Egyptian Cairo Museum unfinished sculptured head Queen Nerfertiti Amarna photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit
Amarna Aten Relief EG11815JHP Egyptian Museum Exhibit doorjam Amarna Aten God Pharaoh Akhenaten Nerfertiti in the rays of the Sun God, the Aten.Iin the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Aten, relief, doorjam, Akhenaten, Nerfertiti, carving, painted, cartouches, colours, colors, hieroglyphs, upright, ancient, antiquity, antiquities, exhibit
Akhenaten Statue EG11816JHP Egyptian Museum Exhibit limestone iconic shaped statue Pharaoh Akhenaten Amarna in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour. Keywords: Egypt, Cairo, Egyptian, Museum, Akhenaten, pharaoh, statue, limestone, shape, collection, landscape, upright, ancient, antiquity, antiquities, exhibit

Egypt > Giza Pyramids & Sphinx (36 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.
Giza Tomb Sign EG050955jhp Neferbauptah Tomb Giza notice sign board information entrance Egyptian cemetery, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, notice, board, information, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Giza Tomb Entrance EG050914jhp Tomb Chapel interior pillars carved Akhetmehu Khenementi carvings tombs Giza in this mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, Akhetmehu, Khenementi, royalty, nobles, officials, offerings, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, pillars, interior, rooms, hieroglyphs
Tomb Carving Neferbauptah EG050964jhp Neferbauptah Tomb Giza painted colours freize hieroglyphs carving ceiling Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050961jhp Neferbauptah Tomb Giza painted seated offering food colours ancient Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, offering, food, fruit, scene, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050960jhp Neferbauptah Tomb Giza Wall agricultural cattle Scene Interior carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050959jhp Neferbauptah Tomb Giza carving donkey loads carrying ancient Egyptian interior, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, carved: relief, agricultural, scene, donkey, carrying, loads, back, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Tomb Carving Neferbauptah EG050957jhp Neferbauptah Tomb Giza Wall offering gifts list carved stone Scene carving Egypt, who was Iymery’s son and a government official who held the title Steward of the Great estate like his father, and one of many private mastabas from the middle to late Dynasty V that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is difficult as flash and tripods are not usually allowed and interior lighting can be poor and gives inaccurate colour balances. This photo was taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, noble, official, tomb, mastaba, mortuary, chapel, Great, Steward, Estate, Neferbauptah, son, Iymery, interior, painted, reliefs, agricultural, scene, cattle, bovine, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Painted Carving Iymery EG050952jhp Iymery Steward Scribe offering scenes fruit food boxes carved colours Cairo Egypt Giza Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050951jhp Iymery ancient egyptian tomb painting procession food fruit carrying cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, procession, carrying, head, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050950jhp Iymery mortuary chapel wall relief cattle herding egrets Cairo Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, egrets, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050948jhp Iymery chapel tomb wall paintings cattle herd Giza Egyptian mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050947jhp Iymery doorway painted carving cattle boat water she pool Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boat, pool, she, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050946jhp Iymery mortuary wall painting boats fishing oar hemu beating water cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, fishing, beating, water, oar, hemu, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050945jhp Iymery ancient Egyptian burial wall reliefs boats fishing diving hunting Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, fishing, diving, swimming, beating, water, sticks, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050944jhp Iymery Steward chapel wall scene cattle bovines goats herding Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, herding, cattle, bovines, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050943jhp Iymery Steward Tomb Painting Cattle herding wall colours bovines Giza Egyptian Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050940jhp Iymery Tomb wall reliefs coloured graffiti Greek painted desceration Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, graffiti, Greek script, letters, desecration, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050939jhp Iymery Steward door jam painted carvings Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, door, doorway, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050938jhp Iymery Steward procession figures painted wall chapel Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, chapel, mortuary, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050934jhp Iymery Steward Scribe wall relief painted carved bovine cattle Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, bovine, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050933jhp Iymery Mastaba wall paintings reliefs carving daily life scenes Giza Egypt in the Western cemetery where he left this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, daily, life, wine, making, pouring, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050932jhp Iymery Tomb doorway painted reliefs Giza Egypt Western cemetery mastaba carvings left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, doorway, doorjam, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050929jhp Iymery Steward Scribe Tomb door wine making painted relief Cairo Egypt Western cemetery mastaba carvings left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Painted Carving Iymery EG050927jhp Iymery Steward Great Estate Scribe Archives Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marches, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Giza Tomb Sign EG050926jhp Iymery Giza Egypt Western cemetery mortuary chapel sign information board at the entrance to this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, landscape, Mastaba, Western, cemetery, information, sign, marker, royalty, nobles, officials, steward, scribe, archives, Iymery, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Carved Statue Iymery EG050953jhp Iymery Steward serdab figure man carved statue stone alcove Giza Egypt Western cemetery mastaba carvings painted wall reliefs left in this colourful mortuary chapel situated in the Western cemetery between the Great Pyramid and that of Khafre and open to the public and a welcome diversion from the crowds that surround the nearby Pyramid of Khufu. These photographs are a mixture of natural light time-exposures and some using the rare opportunity to light with flash, given the go-ahead by the custodian. They were taken in JPEG’s whereas today I would always use RAW files and having the advantage of a tripod I would always use natural or even mixed light where possible thus avoiding flash hot spots; flash incidentally does not cause damage to the paintings despite many such claims and restrictions. Keywords: Egypt, Cairo, ancient, Egyptian, Giza, upright, Mastaba, Western, cemetery, royalty, nobles, officials, steward, scribe, archives, Iymery, serdab, statue, stone, carving, figure, man, paintings, painted, paint, colours, red, white, green, fruit, offerings, animals, herd, cattle, goats, antelope, boats, marshes, hunting, carvings, painted, reliefs, daily, life, burial, tombs, Egyptology, archaeology, ceremonial, afterlife, religion, beliefs, death, warren, ruin, erosion, desolate, eerie, death, erosion, soft, limestone
Khufu Sarcophagus EG951057JHP Kings Chamber Great Pyramid Interior Pharaoh Sarcophagus Granite Stone Flash Photo, the possible final resting place of the Pharaoh Khufu who had the largest pyramid built around 2500BC. The lidless sarcophagus in this photo is made in red Aswan granite as are the blocks making the tomblike chamber. Photographed in 1995 when restrictions were less strict but oh for a digital camera Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, interior, royal, tomb, burial, chamber, sarcophagus, red, granite, lidless, 1995, Fuji 645, Bronica, upright, ancient, Egyptology, archaeology, transparency, scanned, flash
Khufu Sarcophagus EG9510213JHP Kings Chamber Sarcophagus Figure Scale Inside Great Pyramid Photo Flash, the possible final resting place of the Pharaoh Khufu who had the largest pyramid built around 2500BC. The lidless sarcophagus in this photo is made in red Aswan granite as are the blocks making the tomblike chamber. Photographed in 1995 when restrictions were less strict but oh for a digital camera; no model release is required for this photo. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, interior, royal, tomb, burial, chamber, sarcophagus, red, lidless, granite, 1995, Fuji 645, Bronica, landscape, ancient, Egyptology, archaeology, transparency, scanned, flash
Khufu Queens Chamber EG951054JHP Queen Chamber Great Pyramid Khufu Giza Ventilation Shafts Ba Passage was constructed of limestone and there is no evidence that any burial took place in it. This photo shows one of the so-called ventilation shafts which in recent years have been the centre of exploration using small robotic cameras finding the shaft ended with a small gate. Photographed in 1995 when restrictions were less strict but oh for a digital camera. No model release is required for the use of this photo. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, interior, royal, tomb, burial, Queens, chamber, corbelling, limestone, ventilation, shafts, robot, 1995, Fuji 645, Bronica, upright, ancient, Egyptology, archaeology, transparency, scanned, flash
Khufu Queens Chamber EG951029JHP Queens Chamber Middle Corballed Roof Stone Granite Blocks inside the Great Pyramid of Khufu at Giza was constructed of limestone and there is no evidence that any burial took place in it. This photo shows corbelled wall and it also is known for the so-called ventilation shafts which in recent years have been the centre of exploration using small robotic cameras finding the shaft ended with a small gate. Photographed in 1995 when restrictions were less strict but oh for a digital camera. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, interior, royal, tomb, burial, Queens, chamber, corbelling, limestone, ventilation, shafts, 1995, Fuji 645, Bronica, upright, ancient, Egyptology, archaeology, transparency, scanned, flash
Khufu Queens Chamber EG9510212JHP Queens Chamber Inside Roof Ceiling Granite Blocks Great Pyramid Khufu Giza was constructed of limestone and there is no evidence that any burial took place in it. This photo shows the limestone roof blocks and corbelled side and it is also known for the so-called ventilation shafts which in recent years have been the centre of exploration using small robotic cameras finding the shaft ended with a small gate. Photographed in 1995 when restrictions were less strict but oh for a digital camera. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, interior, royal, tomb, burial, Queens, chamber, corbelling, limestone, roof, blocks, 1995, Fuji 645, Bronica, landscape, ancient, Egyptology, archaeology, transparency, scanned, flash
Khufu Portcullis EG9510510JHP Egypt Giza Great Pyramid Interior Gallery Portcullis Granite Grooving at top ofthe Horizontal passageway or antechamber inside the Great Pyramid denying access to the Kings Chamber, the possible final resting place of the Pharaoh Khufu who had the largest pyramid built around 2500BC. Photographed in 1995 when restrictions were less strict but oh for a digital camera. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, grand, gallery, interior, royal, tomb, burial, chamber, horizontal, antechamber, portcullis, granite, 1995, Fuji 645, Bronica, landscape, ancient, Egyptology, archaeology, transparency, scanned, flash
Khufu Kings Chamber EG951058JHP Khufu Kings Chamber Great Pyramid Gaiza Egypt Interior Construction Granite Blocks, the possible final resting place of the Pharaoh who had the largest pyramid built around 2500BC, the Great Pyramid at Giza. Photographed in 1995 when restrictions were less strict but oh for a digital camera. The huge granite blocks that make up this tomb are reckoned to weigh around 200 tons each and each fit snuggly enough that not even a knife can be inserted between them. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, interior, royal, tomb, burial, chamber, sarcophagus, granite, 1995, Fuji 645, Bronica, landscape, ancient, Egyptology, archaeology, transparency, scanned, flash
Grand Gallery Giza EG9510518JHP Grand Gallery Passageway Great Pyramid Egypt Gizah Interior Steps People created out of corbelled granite blocks acts as a stress reliever from the huge weight pressure of the building above and an awesome access to the Kings Chamber, the possible final resting place of the Pharaoh Khufu who had the largest pyramid built around 2500BC. Photographed in 1995 when restrictions were less strict but oh for a digital camera. Keywords: Egyptian, Giza, Great Pyramid, Cheops, Khufu, pharaoh, grand, gallery, interior, royal, tomb, granite, 1995, Fuji 645, Bronica, upright, ancient, Egyptology, archaeology, transparency, scanned, flash
Neferbauptah Giza Tomb Painting EG050963JHP Neferbauptah Tomb Giza Wall Painting Hieroglyphs Offering Scene Interior Photo, probably a government official, in the many mastabas that make up the Western Cemetery near the Great Pyramid of Khufu at Giza with an interior painted wall relief in the tomb. Interior photography is diificult as flash and tripods are not allowed and interior lighting can be poor and gives inaccurate colour balances Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, landscape, nobles, officials, tombs, mastabas, Neferbauptah, interiors, painted, reliefs, fish, boats, sailing, rowing, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial
Neferbauptah Giza Tomb Carving EG050958JHP Neferbauptah Giza Egyptian Tomb Inside Wall Stone Carving Mastaba Seated Staff in the Western Cemetery adjacent to the Great Pyramid of Khufu at Giza near Cairo. Difficult to photograph as flash and tripods not alloed and interior lighting very poor. Keywords: Egypt, Egyptian, Giza, West, Western, Cemetery, digital, interior, upright, nobles, officials, tombs, mastabas, Neferbauptah, interiors, offering, seated, figure, carved, wall, relief, burial, chamber, funeral, ceremonial, afterlife, religion, beliefs, death, burial

Egypt > Luxor Deir el Medinah (33 files)

The pictures in this gallery are of the worker's village on the west bank of the River Nile at Luxor and the Ptolemaic Temple, the Great Pit and small chapels of Hathor and Amun
Ptolemaic Temple Interior EG051855JHP Deir al-Madinah el-Medina Egypt Luxor Ptolemaic Hathor Temple Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, floral, capitals, entrance, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051843JHP Deir al-Madinah el-Medina Hathor Temple Egypt Luxor Interior Stairs Walls Carvings is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, stairwell, stairway, roof, blocked, decorations, hieroglyphs, window, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051842JHP Deir al-Madinah el-Medina Egyptian Temple Inside Walls Reliefs Painted Photo is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, interior, doorway, decorated, wall, reliefs, colours, colors, painted, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051838JHP Deir al-Madinah el-Medina Luxor Egypt West Bank Temple Hathor Columns Photograph Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, face, Ptolemaic, Ptolemy, column, roon, chapel, floral, capitals, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Interior EG051837JHP Deir al-Madinah Ptolemaic Hathor Face Temple Sanctuary Interior Photo Luxor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, face, Ptolemaic, portico, chapel, floral, capitals, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Hieroglyphs EG051870JHP Deir el-Medina Temple Colourful Frieze Hieroglyphs Cobra Ankh Stars Painted Reliefs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, door, jam, lintel, ceiling, underneath, hieroglyphs, colours, colors, ankh, senet, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051850JHP Deir al-Madinah Workers Temple Interior Relief Osiris Seated Atef Crown Baboon is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, God, Osiris, baboon, wall, relief, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051849JHP Deir al-Madinah Temple Reliefs Thoth Maat Anubis Children Carving Interior Wall is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abdâ el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, Thoth, Maat, Anubis, Horus, children, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051847JHP Deir el-Medina Luxor Egyptian Temple Reliefs Inside Maat Hathor Ptolemy Carving is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Imhotep, Maat, wall relief, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051845JHP Deir al-Madinah el-Medina Interior Photo Maat Hathor Isis Horus Luxor Egypt Temple is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Horus, Hathor, Maat, wall, relief, poor, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051844JHP Deir el-Medina Interior Photograph Pantheon Egyptian Gods Wall Relief Carving Painted is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, Gods, wall, relief, Amun, Isis, Horus, hieroglyphs, solar, disc, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Gods EG051839JHP Deir al-Madinah Workers Temple Amun Hathor Wall Painted Colours Carving Luxor is located on the West Bank of the River Nile and lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abdâ el-Qurna, hill, Temple, Hathor, Amun, Ptolemaic, wall, panel, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Entrance EG051836JHP Ancient Egypt Deir al-Madinah el-Medina Temple Columns Capitals Floral Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, columned, hall, entrance, floral, capitals, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple EG051878JHP Deir al-Madinah Workers Village Street Temple Hathor Mudbrick Luxor Egypt Photo is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, street, house, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding, panorama
Ptolemaic Temple EG051874JHP Deir al-Madinah Ptolemaic Temple Inside Enclosure Theban Hills Village Stonebuilt is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, rear, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple EG051873JHP Deir el-Medina Luxor Egypt Ptolemaic Temple Stone Enclosure Small Building is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, rear, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Temple Deir el-Medina EG051877JHP Deir al-Madinah Temple Village Mudbrick Enclosure Walls Pan Bedding Construction Shape is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, enclosure, pan bedding
Ptolemaic Temple Barque EG051851JHP Deir el-Medina Temple Interior Ancient Egyptian Solar Barque Henu Sokar Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, barque, solar, henu, sokar, wall, relief, interior, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Painted Detail EG051859JHP Deir al-Madinah Egypt Temple Interior Painted Frieze Fragment Blue Red Carved is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, lintel, painted, detail, restoration, hieroglyphs, sanctuaries, small, spiritual, quiet, uncrowded
Ptolemaic Egyptian Gods EG051852JHP Deir al-Madinah Temple Wall Interior Hathor Osiris Ptolemy Photo Artificial Light Poor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, Gods, Osiris, Hathor, poor, quality, sanctuaries, small, spiritual, quiet, uncrowded
Pharaoh & Gods EG051875JHP Deir el-Medina Egyptian Temple Exterior Relief Ptolemy Hathor Arsinoe Wife Photo is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, exterior, relief, rear, wall, Gods, Hathor, Pharaoh, Ptolemy 1V, wife, Arsinoe, hieroglyphs, cartouche, small, spiritual, quiet, uncrowded
Goddess Hathor EG051866JHP Deir al-Madinah Temple Interior Luxor Egypt Hathor Goddess Face Column Painted is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, interior, face, colours, colors, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Temple Interior EG051867JHP Deir el-Medina Egyptian Workers Temple Hathor Sanctuary Face Cow Columns Colours is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, chapel, curtain, hieroglyphs, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Royal Carving EG051876JHP Deir al-Madinah Black Granite Seated Statue Temple Luxor Egypt Ptolemy Outside is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, seated, statue, broken, granite, small, spiritual, quiet, uncrowded
Egyptian Ptolemaic Temple EG051835JHP Deir al-Madinah Ptolemaic Temple Egypt Front Entrance Door Lintel Enclosed Wall is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, inside, entrance, door, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Stonework EG051860JHP Deir el-Medina Temple Interior Capital Floral Painted Frieze Colours Ceiling Stars is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, floral, capital, painted, lintel, striped, stars, ceiling, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Relief EG051862JHP Deir al-Madinah Ptolemaic Temple Pantheon Gods Wall Relief Colours Paint Inside is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, wall, hierogyyphs, Gods, Nephtys, Horus, Hathor, Osiris, Montu, Ptah, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Lintel EG051865JHP Deir al-Madinah Winged Lintel Uraeus Temple Painted Colours Blue White Photo Interior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, lintel, painted, winged, uraeus, snake, blue, colours, colors, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Cornice EG051863JHP Deir el-Medina Temple Interior Frieze Painted Carved Blue Red Colours Egypt Luxor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, lintel, painted, red, blue, striped, recessed, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Painted Ceiling EG051856JHP Deir al-Madinah el-Medina Workers Temple Ceiling Stars Winged Colours Paint is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, ceiling, painted, colours, colors, wings, stars, sanctuaries, small, spiritual, quiet, uncrowded
Egyptian Gods Anubis & Min EG051854JHP Deir al-Madinah Ptolemaic Temple Interior Photo Min Anubis Gods Ptolemy Egypt Luxor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, Gods, Min, Anubis, solar, disc, offering, sanctuaries, small, spiritual, quiet, uncrowded
Deir el-Medina Temple EG051834JHP Deir al-Madinah Temple Mudbrick Enclosure Wall Pan Bedding Shaped Contours Exterior is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, landscape, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, bricks, enclosure, wall, pan bedding, sanctuaries, small, spiritual, quiet, uncrowded
Deir el-Medina Temple EG051833JHP Deir el-Medina Temple Outside Photo Mudbrick Wall Pan Bedding Contoured Built Enclosure is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets and to the north a Ptolemaic Temple and other chapels. The temple is inside a mudbrick enclosure wall with good example of pan bedding and its large walls are obvious when looking over the village from the entrance. The small Temple to Hathor has some beautiful decorations, is a peaceful and spiritual place as usually free of crowds, is pleasingly compact compared to the overwhelming temples nearby and has managed to survive almost intact from Ptolemaic times. Some of the interior photos are border line for quality as the light was poor and tripods, and of course, flash are not allowed. Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, upright, West Bank, history, antiquity, ancient, archaeology, Egyptology, al-Madinah, el-Medina, village, workers, Qurnet Murai, Sheikh-Abd’el-Qurna, hill, Temple, Hathor, Ptolemaic, Ptolemy, portico, mud-brick, bricks, enclosure, pan bedding, sanctuaries, small

Egypt > Luxor Nobles Tombs (28 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Sennufer Tomb Ceiling EG075670JHP Ancient Egyptian Luxor Noble Sennefer Tomb Painted Ceiling Flowers Colours, one of many beautifully decorated tombs amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Sennefer [Tomb 96] was Major of the Southern City in Dynasty XV111 during the reign of Amenhotep 11 and this photo is of the almost complete ceiling although the lighting is rather unbalanced for non-flash photography. The area has been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Keywords: Egypt, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Mayor, Sennefer, tomb, painting, colourful, colorful, colours, colors, painted, ceiling, frieze, vines, grapes, artificial, light, digital

Egypt > North of Cairo (3 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt
Alexandria Catacombs eg961404jhp Egypt Alexandria tomb carved man snake pschent bearded walls Kom al-Shawqafah catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, mound, shards, pottery, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, carved, carving, snake, bearded, pschent, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, upright
Alexandria Catacombs eg9614011jhp Egypt Alexandria Kom al-Shawqaiah catacombs passageway carved Sobek cloak guard Roman Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours. Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, al-Shawqafah, mound, shards, pottery, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, carved, carving, anubis, sobek, military, costume, cloak, rock, cut, bearded, pschent, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, upright
Tanis Nilometer Structure EG077190JHP Tanis Nilometer Interior photograph Structure stone blocks Ancient Egyptian Delta Site in Northern Egypt once thought to be the capital created by Ramses but was the capital of the 24th Nome of Lower Egypt and important in the late Egyptian period. Note this photo has slight camera shake and will need extra sharpening - no tripod or flash allowed. Has Ramesside Temple of Amun with other temples from reigns of Osorkon, Sheshonq and Ptolemy but of special interest are the Royal Tombs where that of Psusennes in particular was intact and gave up one of the richest burial good collections, apart from Tutankhamun, with its famous silver coffin, now in the Cairo Museum. A visit to Tanis is usually by private means but can be incorporated with a day trip through the Delta visiting Heliopolis and Tell Basta but does involve considerable motoring. Keywords: Egypt, Egyptian, Tanis, San al-Hagar, Djane, Delta, history, ancient, upright, antiquity, archaeology, Egyptology, Nilometer, interior, structure, built, blocks, stones, shape, round, well, Nilometers, Nile, measure, watertable, levels, floods, inundation

Egypt > Outlying Pyramids (25 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara
Senwosret Pyramid Lisht eg01299jhp Egypt el-Lisht Pyramid Senusret collapsed mound mastaba desert sand casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01298jhp Egyptian Lisht Pyramid Sesostris collapsed limestone blocks casing intact construction Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg01297jhp Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01296jhp Egypt el-Lisht Pyramid Senwosret museum painted farm scenes wheat flails Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, flash, Metz, working, fields, farm, workers, flailing, wheat, threshing
Senwosret Pyramid Lisht eg01295jhp Egypt el-Lisht Pyramid Senusret painted releif workers farmers animals limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape farm, workers, animals, deer, cattle
Senwosret Pyramid Lisht eg01294jhp Egypt el-Lisht Pyramid Senusret museum coloured farm scenes limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg01293jhp Egypt el-Lisht Pyramid Senusret museum exhibit cartouche carving Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area of whihc this was one-I think it is a cartouche but cannot read it. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, cartocuhe, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012912jhp Egyptian Lisht Pyramid Senwosret collapsed grantie remnants limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright, frgamnets, scarce, remains
Senwosret Pyramid Lisht eg012911jhp Egypt el-Lisht Pyramid Senusret granite fragments limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012910jhp Egypt Pyramid Senusret worked limestone block masonry techniques cutting Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, masonry, stonework, holes, splitting, techniques, skills
Senwosret Pyramid Lisht eg012736jhp Egypt Lisht Pyramid Senwosret enclosure wall double limestone blocks Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012736Ejhp Egypt el-Lisht Pyramid Senusret building limestone blocks eroded surviving casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012735jhp Egypt el-Lisht Pyramid Senusret tomb shaft royal burial enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, shft, hole, deep
Senwosret Pyramid Lisht eg012734jhp Egypt Lisht Pyramids Senusret mastabas limestone blocks eroded Amenemhet desert sand Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012733jhp Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks wall enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Senwosret Pyramid Lisht eg012732jhp Egyptian el-Lisht Pyramid Sewosret construction collapsed mound limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012731jhp Egypt Lisht Pyramid Senusret causeway granite slab mortuary temple walls Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, slab
Senwosret Pyramid Lisht eg012730jhp Egypt el-Lisht Pyramid Senusret stonework masonry dovetails joints limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, stonework, dovetails, joints, carving, masonry, building, architecture
Senwosret Pyramid Lisht eg012729jhp Egyptian el-Lisht Pyramid Senusret limestone blocks enclosure wall tombs mastaba Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright
Senwosret Pyramid Lisht eg012728jhp Egypt Lisht Pyramid Senusret collapsed mound limestone enclosure wall casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh. Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape
Red Pyramid Dashur eg0079jhp Egypt Red North Pyramid Snefru Dahshur corbelled roof chamber interior limestone Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format
Red Pyramid Dashur eg0074jhp Egypt Red North Pyramid Sneferu interior passageway cramped claustrophic crawling Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, landscape, format
Red Pyramid Dashur eg00713jhp Egypt Red North Pyramid Sneferu exterior corner height robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format
Red Pyramid Dashur eg00712jhp Egypt Red North Pyramid Sneferu exterior limestone blocks eroded Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side. Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format
Meidum Chamber eg94141jhp Meidum Sneferu pyramid burial chamber corbelled roof Egypt Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza. Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, metz, flash

Egypt > Philae Temple Aswan (40 files)

Photographs in this gallery are of Philae Temple dedicated to the Goddess Isis, a relocated site on an island in the flooded River Nile at Aswan including the Light and Sound Show night photos
Philae Light Show EG961647jhp Philae Light Show Aswan Egypt outer wall carvings lights night Gods offering in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited but this area on the outer wall after leaving the second pylon was slightly easier as the lights stayed on longer. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, outer, wall, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan
Aswan Philae in Moonlight EG02931jhp Philae Temple Light Show Aswan Egypt night moonlight water reflections in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited after arriving at the Temple by boat and in this case under moonlight. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, upright, moonlight, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR, reflections
Aswan Philae Light Show EG02952jhp Philae Temple Light Show Pylons Aswan Egypt Trajan Kiosk night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Roman, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02950jhp Philae Temple Light Sound Show Aswan Egypt colours two pylons in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02949jhp Philae Temple Lumiere Son First Pylon Aswan Egypt colours lights night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, pylon, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02948jhp Philae Temple Light Sound Aswan Egypt coloured pylon pink night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, upright, first, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, pink, red, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02946jhp Philae Light Show Aswan Egypt Trajan Kiosk color lit night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening as illustrated in this photo is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, Trajan, Kiosk, columns, floral, capitals, Roman, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02944jhp Philae Light Show Aswan Egypt second pylon stele lights night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02940jhp Philae Temple Light Show Aswan colonnade reliefs colours light night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited as in this photo. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, blue, wall, reliefs, carvings, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02937jhp Philae Temple Light Show Aswan colonnades pylon colours lights night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02936jhp Philae Temple Light Sound Show first pylon Aswan Egypt colours night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, upright, first, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnade, 2002, Fuji, S2, DSLR
Aswan Philae Light Show EG02933jhp Philae Light Show Aswan Egyptian red orange colours Pylon courtyard in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, first, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, red, orange, yellow, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 2002, Fuji, S2, DSLR
Philae Light Show EG052906JHP Ancient Philae Temple Modern Light Show Trajan Kiosk Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, upright, Trajan, kiosk, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052905JHP Philae Temple Trajan Kiosk Sound Light Show Aswan Egypt Night-time Photo in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, upright, Trajan, kiosk, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052904JHP Philae Temple Pylon Night Dark Sound Son Lumiere Light Show Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, upright, pylons, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052903JHP Ancient Philae Temple Light Show Pylons Exterior Night Dark Coloured Colourful Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylons, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052902JHP Ancient Philae Egyptian Temple Blue Light Trajan Kiosk Pylons Show Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylons, colonnade, court, entrance, Trajan, kiosk, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052901JHP Philae Temple Pylons Carved Etched Light Night Dark Show Aswan Photo in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylons, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052900JHP Philae Roman Trajan Kiosk Blue White Columns Capitals Light Show Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, Trajan, Kiosk, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052899JHP Trajan Kiosk Philae Temple Light Sound Son Lumiere Show Egyptian Agilkia Island Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, Trajan, kiosk, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, yellow, purple, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052897JHP Philae Temple Pylons Kiosk Vista Dark Night-time Light Show Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, Philae, temple, sound, show, landscape, pylons, Trajan, kiosk, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052896JHP Philae Temple Light Show Panorama Kiosk Pylons Sanctuary Nile Island Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, Philae, temple, pylons, Trajan, kiosk, sound, show, upright, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052895JHP Philae Temple Pylons Blue Light Sound Show Egypt River Nile Island Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, pylons, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052894JHP Philae Temple Trajan Kiosk Blue Light Show Vista Aswan Island Agilkia in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, pylons, Trajan, kisok, light, sound, show, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052893JHP Ancient Egyptian Philae Temple Exterior Walls Light Show Highlight Carvings at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, sound, show, exterior, wall, outside, landscape, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052892JHP Philae Temple Highlight Carvings Outer Walls Sound Light Show Aswan Egypt in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, exterior, Gods, erased, damaged, hieroglyphs, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052891JHP Philae Egyptian Temple Light Show Interior Sanctuary Columns Spiritual Photo at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, upright, hypostyle, hall, columns, sanctuary, interior, altar, Son, Lumiere, spectacular, fantasy, dramatic, night, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052890JHP Philae Temple Light Show Second Pylon Stele Carvings Etched Night at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, upright, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052889JHP Philae Temple Light Show Ptolemy Pylon Face Carvings Etched Shadows Stele at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, upright, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052888JHP Philae Temple Light Show Stele Pylon Carvings Horus Ptolemy Night-time at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, landscape, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052884JHP Philae Temple Light Show at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, upright, second, pylon, Ptolemy, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052883JHP Philae Temple Light Show Pylon Stone Outcrop Stele Isis Ptolemy at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Horus, temple, light, sound, show, landscape, second, pylon, stele, Ptolemy, Philometer, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052882JHP Philae Temple Egypt Light Show First Courtyard Pylon East Colonnade Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, pylon, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, red, yellow, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052881JHP Philae Temple Son Lumiere Vista Approach Colonnade East Western Pylon at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, Isis, light, sound, show, landscape, colonnades, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052880JHP Philae Temple Light Show Aswan Island Egypt Pylon First Courtyard Night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, landscape, first, pylon, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052878JHP Egyptian Philae Temple Light Show First Pylon Night Shadows Etched Carvings at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, light, Philae, temple, Ptolemy, Isis, sound, show, pylon, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052877JHP Philae Temple Light Show Panorama Entrance West East Colonnade Pylon Night at Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, pylon, landscape, colonnade, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, red, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052875JHP Philae Temple Egypt Light Sound Show East Colonnade Pylon First Aswan Night in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, Temple, light, sound, show, pylon, landscape, colonnade, eastern, temples, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052874JHP Philae Temple Sound Light Show East Colonnade Litup Highlighted Columns Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, Philae, temple, island, light, sound, show, landscape, colonnade, eastern, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, colours, colors, colourful, colorful, spiritual, surreal
Philae Light Show EG052873JHP Philae Temple Blue Light Show First Courtyard Colonnades Dark Night-time Aswan in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. Keywords: Egypt, Egyptian, Aswan, River Nile, Agilkia Island, island, Philae, temple, light, sound, show, pylon, landscape, colonnades, court, entrance, Son, Lumiere, spectacular, fantasy, dramatic, night, dark, stars, blue, colours, colors, colourful, colorful, spiritual, surreal

Egypt > Saqqara & Memphis (14 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.
Saqqara Persian Shaft eg951159jhp Egypt Saqqara Persian shaft tomb Padiaset colourful painted hieroglyphics texts stars pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright
Saqqara Persian Shaft eg951158jhp Egypt Saqqara Persian shaft burial tomb Psamtek wall curved hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Amhose 11, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951157jhp Egypt Saqqarah Persian Psamtik shaft tomb sarcophagus anthropoid carved stone base one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, Ahmose, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, anthropoid, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951156jhp Egypt Saqqara Persian period shaft tomb Paydees arched ceiling hieroglyphics stars coloured texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951155jhp Egypt Saqqara Pediese painted ceiling stars hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951154jhp Egypt Saqqarah Persian shaft tomb Psamtik hieroglyphics texts carvings Book Dead funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951153jhp Egyptian Saqqara Psamtek tomb wall carvings hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951152jhp Egypt Saqqara Persian period shaft en wall tomb Psametik hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg951151jhp Egypt Saqqara Persian shaft tomb Psamtik hieroglyphics buriel texts Book Dead one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psametik, chief, physician, Zannehib, Djenhebu, admiral, Pediese, Paydees, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter
Saqqara Persian Shaft eg9511510jhp Egyptian Saqqara Persian period shaft tomb Pediese end wall passageway hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed. Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright
Saqqara Museum Coffin Face 6841EG07JHP Saqqara Museum Exhibit Golden Mummy Mask Burial Gold Egyptian Inside this new museum by the modern ticket office at entrance to the Saqqara necropolis south of Cairo. This is the covering for a mummy and in the style of many such Late Period mummified coverings with gold plating or polychrome cartonnage giving it surprising richness. It is difficult to avoid reflections in the glass especially as access to take photographs is restricted, tripods and flash is banned and I understand that since I visited there has been an overall photography ban applied. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, landscape, digital, recent, history, antiquity, Egyptology, archaeology, museum, coffin, golden, gold-plate, polychrome, cartonnage, late period, ancient, history
Saqqara Museum 6802EG07JHP Saqqara Museum Egypyt Tomb Burial Goods Khennu Coffin Wooden Boat exhibit in this new museum by the modern ticket office at entrance to the Saqqara necropolis south of Cairo. This is the wooden coffin of Khennu, Chancellor to the Gods, from the Middle Kingdom and the small figure of his son Ipiemsafipi stands right of centre along with with other exhibits of funerary goods such as the wooden boat and carved figures all part of the team to assist the departed in the afterlife. It is difficult to avoid reflections in the glass especially as access to take photographs is restricted, tripods and flash is banned and I understand that since I visited there has been an overall photography ban applied. Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, entrance, ticket, office, modern, landscape, digital, history, antiquity, Egyptology, archaeology, museum, exhibit, expedition, coffin, Khennu, Middle Kingdom, offcial, chancellor, scribe, son, Ipiemsafipi, carved, figure, funerary, goods, carving, wooden, boat, death, afterlife, helpers
Saqqara Two Brothers Tomb 6881EG07JHP Ancient Egyptian Saqqarah Tomb Two Brothers Gay Close Painted Relief recently found under the causeway as this photo illustrates from the Pyramid of Unas to his Valley Temple down the escarpment and adjacent to the entrance to the necropolis at Saqqara. An £LE20 extra at the ticket office on arrival at the main entry point for the Step Pyramid complex. It was worth the effort as the custodian who took me to this interesting recently discovered tomb and was also very knowledgeable about the whole site. Saqqara has a new ticket office and excellent modern museum which did allow non-flash photography. Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, pyramid, causeway, new, tomb, two, brothers, affectionate, paintings, colorful, colours, colors, digital, recent, history, antiquity, Egyptology, archaeology
Saqqara Two Brothers Tomb 6880EG07JHP Tomb Two Brothers Recently Under Unas Causeway Saqqara Egypt Excavation as this photo illustrates from the Pyramid of Unas to his Valley Temple down the escarpment and adjacent to the entrance to the necropolis at Saqqara. An £LE20 extra at the ticket office on arrival at the main entry point for the Step Pyramid complex. It was worth the effort as the custodian who took me to this interesting recently discovered tomb and was also very knowledgeable about the whole site. Saqqara has a new ticket office and excellent modern museum which did allow non-flash photography. Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, Bedrashein, necropolis, Unas, pyramid, causeway, new, tomb, two, brothers, affectionate, paintings, colorful, colours, colors, digital, recent, history, antiquity, Egyptology, archaeology

Egypt > Valley of Kings Luxor (36 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213077jhp Egypt Valley Kings Thutmosis Tomb KV43 star ceiling interior antechamber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases and this was a very difficult one to take becuase of the huge differences in light levels from the floor lighting to the ceiling and regettably was not taken in RAW file which would have offered more control in post production. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213076jhp Egypt Luxor Thutmosis 1V Tomb KV43 steep interior passage steps in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, steps, passage, passageway, steep, bare
Valley Kings EG0213075jhp Egypt Valley Kings Thutmose Tomb KV43 Osiris was septer ankh hedjet; crown; in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche
Valley Kings EG0213074jhp Egypt Valley Kings Luxor Tuthmosis Tomb Hathor Goddess ankh dress pink different in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different
Valley Kings EG0213073jhp Egyptian Valley Kings Thutmosis Tomb KV43 Hathor ankh dress different patterns in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, red, diamonds, patterns, ureaus, different
Valley Kings EG0213072jhp Egypt Valley Kings Luxor Thutmose Tomb painting Hathor eye makeup wedjat in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different, eye
Valley Kings EG0213071jhp Egypt Valley Kings Thutmosis Tomb KV43 Maya restoration hieratic text in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya; the section shown was the least effected by reflections on the perspex screen. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213069jhp Egypt Valley Kings Thutmose Tomb KV43 sarcophagus screen bare room in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213068jhp Egyptian Valley Luxor Thutmosis Tomb burial chamber sarcophagus Nephthys covered in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213067jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 Nephthys sarcophagus Ka arms in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213066jhp Egyptian Valley Kings Thutmosis head sarcophagus Nephthys hieroglyphics protection in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213065jhp Egyptian Valley Kings Tuthmosis Tomb sarcophagus cartouche granite red in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, birth, name, Thutmosis, Thutmose, 1V, Menkheperure, throne, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, red, grainte, cartouche, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213064jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 burial chamber interior in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213063jhp Egypt Valley Kings Thutmose 1V Tomb KV43 steep passageway inside in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213062jhp Egyptian Valley Kings Luxor Thutmosis Tomb passageway interior bare sloping floored in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213061jhp Egypt Valley Kings Thutmosis 1V Tomb KV43 Anubis painting colourful in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213060jhp Egypt Valley Kings Luxor Thutmose Pharaoh Tomb Osiris Anubis in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, hieroglyphs, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213059jhp Egypt Valley Kings Luxor Thutmosis Tomb Hathor ankh cartouche solar disk in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213058jhp Egypt Valley Kings Luxor Thutmosis 1V Tomb KV43 Osiris painting antechmaber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213057jhp Egypt Egyptian Tomb KV19 Prince Mentuherkhepshef hieroglyphics entrance reliefs was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt; Luxor; West Bank; Thebes; Theban; Valley Kings; prince; tomb; KV19; Montu; Mentuherkhepshef; Montu-hir-Khopshef; upright; paintings; colourful; colorful; colours; colors; bright; white; plaster; ancient; Egyptian; archaeology; Egyptology; hieroglyphics; death; burial; mythology; afterlife; history; hieroglyphics; entrance; Gods; offering; fruit; flowers; wine; grapes; bread; DSLR; Fuji; S2; handheld; artificial; light; Photoshop; adjusted; corrections; Perspex; screens;
Valley Kings EG0213055jhp Egypt Luxor Valley Tomb Mentuherkhepshef Osiris Atef Crown painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Osiris, Atef, crown, beard, upright, painting, painted, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213054jhp Egyptian Tomb Prince Mentuherkhepshef painting closeup offering colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213053jhp Egypt Valley kings KV19 offering table closeup details painting colorful in the tomb of Prince Monu-hir- Khopshef, son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, closeup, details, painting, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213052jhp Egypt Luxor Tomb KV19 Mentuherkhepshef painting fruit wine grapes colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, closeup, detail, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213051jhp Egyptian Tomb Valley kings Offering table fruit food lotus flowers painted colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, Lotus, table, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213049jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Khonsu Solar Disk Crescent painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, solar, disk, crescent, sky, diety, form, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213048jhp Egypt Tomb Mentuherkhepshef painting offering food feast details colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, table, feast, Lotus, flower, fowl, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213047jhp Egypt Egyptian Tomb KV19 Montu-hir-Khopshef Sekhmet Sakhmat lioness painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, lioness, solar, disk, ureaus, red, dress, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213046jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Isis Goddess solar disk painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Isis, Goddess, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213045jhp Egypt Kings Valley Tomb Mentuherkhepshef painting fruit gifts table colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213044jhp Egyptian Tomb KV19 Prince Mentuherkhepshef Amun God painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Amun, God, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213043jhp Valley Kings Egyptian Tomb Prince Mentuherkhepshef Sekhmet painting solar ureaus colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, Goddess, lioness, solar, disk, ureaus, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213042jhp Egypt Tomb KV19 Prince Montu-hir-Khopshef offering table fruit painting colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213041jhp Luxor Valley Kings Egyptian Tomb Mentuherkhepshef Khonsu falcon God painting colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, Horus, Solar, Disk, Crescent, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213040jhp Egypt Egyptian Tomb Prince Mentuherkhepshef offering scene colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213039jhp Egypt Valley Kings Tomb KV19 Prince Mentuherkhepshef painting offering colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, wine, pouring, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens

Scotland > Clouds, Sunsets, Dawns and Weather (1 file)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Noctilucent Clouds TO3988177JHP Noctilucent Clouds NLC Gorse Stone Foreground Scotland Photograph Blue Night Sky rare summer events usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours can occasionally be seen. Beautiful and eerie, the spidery network of ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few a year and need a clear cloudless night best to see them. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, landscape, Noctilucent, clouds, NLC, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, patterns, eerie, gorse, boulder, flash

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