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Aurora over Scotland (508 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours

Deeside Aurora aucf14110jhp
Scotland Northern Lights display faded winter west north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.58.03hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display dispersed west and interrupted by cloud cover. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright

Deeside Aurora aucf14107jhp
Scottish Northern Lights arc rays fading colours winter Plough westwards Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.43.06hrsUT for 15secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing a display with dispersing folding arc and rays to west of North with The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14106jhp
Aurora Borealis Scottish arc folding rays colours winter west Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.42.02hrsUT for 17secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and rays to west of North with tail of The Plough on right edge. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright

Deeside Aurora aucf14105jhp
Aurora Borealis Scottish rays colours red Plough winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.51hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of strong oxygen red rays to due North-tail of The Plough on the right. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright

Deeside Aurora aucf14104jhp
Aurora Borealis Scotland arc multiple strong rays colours winter north Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.40.09hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing an active display with bright arc and set of developing rays to due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14103jhp
Aurora Borealis Scotland green arc rays faint November 2003 north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.33.31hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc and first signs of rays developing slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14102jhp
Aurora Borealis Scottish dispersed green arc Plough winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.32hrsUT for 16secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display with bright arc patches prior to rays forming slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, arc, yellow, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14101jhp
Aurora Borealis Display Scotland dispersed arc winter north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen in the evening of 22nd November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th which with hindsight it was the biggest I have since on Deeside to date, 2018. This set of digital photos were taken from 21.30.12hrsUT for 18secs and these cf141 digital photos were taken at 1600ISO. The 8 photos in this cf141 sequence were taken in the space of about 20mins and followed the cf140 sequence taken in the early hours of the 21st. This photo showing early stages of a display slightly west of due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14007jhp
Aurora Display Scotland Lights rays winter north Plough Stars Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.02.15hrsUT for 18secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing colourful rays to due North with The Plough or Ursa Major on the right side. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14006jhp
Aurora Borealis Scotland rays moving faint clouds north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.01.41hrsUT for 14secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright

Deeside Aurora aucf14005jhp
Aurora Display Scottish Northern Lights rays waning north Deeside Aberdeenshire photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.44hrsUT for 12secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing fading rays on due North. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright

Deeside Aurora aucf14004jhp
Aurora Display Scottish colourful rays north street lights Torphins Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 03.00.09hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14003jhp
Aurora Borealis Scotland colourful strong rays trees north Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.34hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas in the red and green oxygen rays. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera, upright

Deeside Aurora aucf14002jhp
Aurora Borealis Scotland colours centre purple rays trees westwards Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.59.01hrsUT for 15secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins this photo showing a hint of purple from nitrogen gas molecules. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Deeside Aurora aucf14001jhp
Aurora Borealis Scottish colours centre red rays treetops west Aberdeenshire Deeside photographed near Kincardine O'Neil on Royal Deeside west of Aberdeen and started in the early morning 21st November 2003, 25 miles west of Aberdeen. This followed a major storm on the 20th and with hindsight it was the biggest I have since on Deeside to date, 2018. This digital photo was taken at 02.58.25hrsUT for 17secs and these cf140 digital photos were taken at 1600ISO. The 7 photos in this cf140 sequence were taken in the space of 5mins. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 second mark at 1600ISO which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, green, red, rays, trees, silhouetted, average, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Pleiades, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, morning, digital, camera

Aurora over Stone Circle SO0213981jhp
Scotland Aurora Borealis Orion Pleiades Corona green zenith celestial wings from Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south the last of the digital photos was taken at 00.18.10hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213980jhp
Scotland flanker monolith Aurora Borealis Orion Pleiades Corona green zenith wings Tomnaverie Bronze Age stone circle site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.17.20hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213979jhp
Scotland flanker Stones Aurora Borealis south Pleiades Corona green zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.16.23hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213978jhp
Scottish flanker above Aurora Borealis south Orion Pleiades Corona zenith wings Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.15.11hrsUT for 17secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213977jhp
Scottish Stone Circle Aurora Borealis south Orion Pleiades Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 00.14.32hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213975jhp
Scotland Stone Circle Aurora Borealis above flanker red colours rays North Tarland Tomnaverie Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.47hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213974jhp
Scotland Stone Circle Aurora Borealis Corona red colours rays Plough North Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north in the direction of Tarland was taken at 00.12.18hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213973jhp
Scotttish Stone Circle Aurora Borealis Corona arms colours rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Morven was taken at 00.00.36hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213970jhp
Deeside Stone Circle Aurora Borealis Corona dome rays Tarland Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the north west in the direction of Tarland was taken at 23.58.42hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213967jhp
Scotland Stone Circle Aurora Borealis Corona rays recumbent Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.56.31hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213959jhp
Scottish Stone Circle Aurora Borealis Corona red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.27.22hrsUT for 20secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213956jhp
Scotland Aurora Borealis corona building red green rays dome stone Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.25.12hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213955jhp
Scottish Aurora Borealis corona building red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.24.10hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213954jhp
Scottish Aurora Borealis sweeping red green rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.23.29hrsUT for 14secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213952jhp
Scotland Stone Circle Aurora Borealis sweeping red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.21.36hrsUT for 19secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213951jhp
Scottish Stone Circle Aurora Borealis sweeping arms Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.20.58hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213949jhp
Scottish Stone Circle Aurora Northern Lights Corona Orion Stars red rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.19.04hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213947jhp
Scottish Stone Circle Aurora Borealis Corona Orion Stars rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.15.05hrsUT for 16secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213946jhp
Scotland Stone Circle Aurora Borealis Corona activity rays Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.13.18hrsUT for 15secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213943jhp
British Stone Circle Aurora Borealis Corona dome zenith Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.44hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213942jhp
Scottish Stone Circle Aurora Borealis Corona dome Pleiades Tomnaverie flanker Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo of a new surge in the display and strong development of a coronal zenith to the south was taken at 23.08.14hrsUT for 10secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213941jhp
Stone Circle Aurora Borealis Corona Orion flanker red ray Tarland Deeside winter Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.57.10hrsUT for 13secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213940jhp
Scottish Stone Circle RSC Aurora Borealis Corona west red ray Tarland Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.56.13hrsUT for 12secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera, upright

Aurora over Stone Circle SO0213939jhp
Stone Circle Aurora Borealis Corona Orion red ray Tomnaverie Deeside Scotland recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.55.46hrsUT for 11secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora over Stone Circle SO0213937jhp
Scottish Stone Circle Aurora Borealis Corona Orion red ray Deeside Scotland Tomnaverie recumbent and flankers of the Bronze Age site near Tarland on Royal Deeside in Aberdeenshire Scotland to the west of Aberdeen. Unusually this evening of ongoing activity started around 16.00 hours as a major storm on 20th November 2003. This digital photo was taken at 22.34.58hrsUT for 8secs and these cf139 digital photos were taken at 800ISO, I think I felt the power of the display justified a stop down from my usual 1600ISO setting hoping perhaps for better noise control but this early exposure is on the short side. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 culminating for me at Tomnaverie Recumbent Stone Circle near Tarland until after midnight, busy evening and in a sense the most spiritual experience I had photographing Aurora displays. I imagine those in the Bronze Age, without light pollution issues, would have often seen them as well. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display and then went from there to Tomnaverie. The evenings’ displays were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, Aberdeenshire, Royal, Deeside, Aurora, Borealis, Corona, 2003, November, winter, east, west, south, north, Tarland, Tomnaverie, Recumbent, Stone, Circle, flankers, Bronze, Age, zenith, crown, centre, dome, Arc, Rays, wings, sweeping, arms, Northern, Lights, Merry, Dancers, stars, constellations, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, landscape, upright, photos, photographs, sunspots, solar, cycle, maximum, minimum, flares, CME, electrons, photons, storms, energy, sun, oxygen, gas, Van, Ellen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, peaceful, quiet, religious, magical, mystical, spiritual, moon, columns, whirls, celestial, clouds, nature, cold, frosty, dark, night, sky, nights, night-time, seconds, time, exposure, tripod, cable, release, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137034jhp
Aurora Borealis Scotland Corona crown red purple nitrogen rays treetops west Aberdeenshire Deeside last digital photograph taken over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.15.02hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137033jhp
Aurora Borealis Scottish Corona crown red wings sweeping rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.13.56hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137032jhp
Aurora Borealis Scottish colours east car headlights arms Corona red Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.56hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137031jhp
Aurora Borealis Scottish colours Corona centre crown red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.12.12hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137030jhp
Aurora Borealis Scottish colourful Corona zenith red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.11.32hrsUT for 17secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137029jhp
Aurora Borealis Scotland colours Corona red rays treetops west Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.10.48hrsUT for 16secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137027jhp
Aurora Borealis red rays Scotland Torphins colours eastwards car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.09.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, telephone pole, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137026jhp
Aurora Borealis Scottish winter Torphins colours east car street lights Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.08.42hrsUT for 11secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137025jhp
Aurora Borealis Scotland Northern Lights November Corona red green rays colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.07.58hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137023jhp
Aurora Borealis Scotland Corona red wings centre colours west pine tree silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.50hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137022jhp
Aurora Borealis Scottish winter east car headlights red rays colours Aberdeenshire Deeside photographed from Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.06.10hrsUT for 12secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Torphins, Glassel, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137021jhp
Aurora Borealis Scottish winter November Corona zenith red wings centre colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.05.25hrsUT for 15secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137020jhp
Aurora Borealis Scottish winter display Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.54hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137019jhp
Aurora Borealis Scotland Corona zenith green red wings powerful colourful west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.04.12hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137018jhp
Aurora Borealis Scottish Corona zenith red wings centre power colours west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.03.46hrsUT for 8secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137016jhp
Aurora Borealis Scottish Corona centre green pink wings west above trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137015jhp
Aurora Borealis Scottish Corona zenith green arms west trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.02.16hrsUT for 13secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137014jhp
Aurora Borealis Scotland Corona zenith green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.01.28hrsUT for 14secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf137013jhp
Aurora Borealis Scottish Corona display red green rays forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 18.00.52hrsUT for 18secs and these cf137 digital photos were taken at 800ISO, possibly realising with this new card that the previous 100ISO was far to low. The 19 photos in this cf137 sequence were taken in the space of 15 mins as photos were being taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf13610jhp
Aurora Borealis Scotland Corona red wings forest trees silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.46.34hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO.. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf13609jhp
Aurora Borealis Scottish Corona display red wings forest silhouette Aberdeenshire Deeside photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This digital photo was taken at 17.45.56hrsUT for 19secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 it set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Red Corona aucf13601jhp
Aurora Borealis Corona Deeside display red wings west Aberdeenshire Scotland photographed over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this started around 16.00 hours as a major storm on 20th November 2003, 25 miles west of Aberdeen. In hindsight this was to be one of the last major storms I witnessed on Deeside to date, 2018 and it continued all evening with a sequence of later photos taken over the Tomnaverie Recumbent Stone Circle near Tarland from 22.00 hrs until after midnight. I had to leave Crooktree at 18.30 to teach at Aboyne where my photography students got dragged out to witness the continuing display. This first digital photo was taken at 17.33.02hrsUT for 24secs and these cf136 digital photos were taken at 100ISO, which was probably a mistake, but later in the cf137 photos it was set at 800ISO possibly as I felt the power justified going for a finer noise level to my usual 1600ISO. The faint CCD bars suggest even with the long exposure this photo was underexposed. Photos were taken with both digital and slide film and the first slide film photos started at around 17.40hrsUT. The magnetometer on site showed vigorous activity from 15.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, wings, forest, trees, silhouetted, powerful, colours, colourful, descending, winter, Ord, Fundlie, Kincardine, O’Neil, Torphins, car, headlights, lights, commuters, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, November, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, south, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 15mm Fisheye, early, afternoon, digital, camera

Aurora Corona Forming aucf13119jhp
Aurora Borealis Scottish strong Corona zenith shape green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.25.32hrsUT for 13secs, showing green and red oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards the colour chnage indicating the strength of the display increasing. This was a short exposure 13 as against 20 secs and very faint CCd structure lines are visible and indication of an under exposure. This was the last of the digital photos taken. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25.32 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13116jhp
Aurora Borealis Scottish Corona zenith centre shape green rays over cottage Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.23.31hrsUT for 20secs, showing green oxygen rays forming the classic corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13114jhp
Aurora Borealis Scotland Corona zenith forming green rays overhead Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.22.01hrsUT for 23secs, showing green oxygen rays forming the corona zenith or crown above the cottage roof looking southwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13113jhp
Aurora Borealis Scotland green rays shapes weird ghostlike south Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.20.56hrsUT for 25secs, showing green oxygen rays and shapes above the cottage roof looking southwards and forming weird shapes. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13112jhp
Aurora Borealis Scotland green rays clouds eastwards car lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.19.57hrsUT for 21secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, car lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13110jhp
Aurora Borealis Scottish green rays clouds east Torphins lights Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.16.29hrsUT for 19secs, showing green oxygen rays sweeping down from the east visible through gaps in the clouds and with the street lights of Torphins and car headlights on the main road from Banchory. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13109jhp
Aurora Borealis Scottish corona huge green rays west wings Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.03.27hrsUT for 16secs, showing green oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13108jhp
Aurora Borealis Northern Lights Scottish corona green red rays west fan Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.53hrsUT for 20secs, showing green and red oxygen rays sweeping down from the west a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, west, fan, sweeping, suspended, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13106jhp
Aurora Borealis Northern Lights Scotland corona green red rays sweeping east Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.02.11hrsUT for 18secs, showing green and red oxygen rays sweeping down from the east a precursor of another corona strength display with the rays appearing suspended in the celestial heights with no sign of an arc. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13105jhp
Aurora Borealis Scottish coronal glow south green red Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 23.01.36hrsUT for 17secs, showing green and red oxygen background glow a precursor of another corona strength display looking southwards which was an indication of the strength of the display. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, cornal, glow, background, strong, southwards, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13102jhp
Aurora Borealis Scotland Pleiades East green red rays rooftop Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This digital photo was taken at 22.59.03hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Corona Forming aucf13101jhp
Aurora Borealis Scottish Cassiopeia Pleiades East green red rays Deeside Aberdeenshire photos taken on the evening of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This first digital photo was taken at 22.58.22hrsUT for 20secs, showing green and red oxygen rays and the start of another corona strength display looking eastwards. The cf131 digital sequence, starting at 22.58.22, shows the continuing activity following on from the very active night of the 29th/30th with another Corona to be viewed through until the last frame at 23.25 which was frustrated by complete cloud cover and rain. Photos were taken with both digital and slide film and the first slide film started at around 21.50hrsUT on the evening of the 30th when the extensive cloud cover cleared. The magnetometer on site showed vigorous activity from 21.30hrs. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12838jhp
Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This last photo was taken at 02.28.39hrsUT for 23secs, showing strong red oxygen background light looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays at the end of this digital sequence and when cloud cover stopped further viewing. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12837jhp
Aurora Borealis Scottish green red rays North Plough clouds increasing Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.27.34hrsUT for 24secs, showing green and red oxygen rays looking North with increasing cloud cover starting to blank out the Aurora display. The Plough is above gap between the two tree tops. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12836jhp
Aurora Borealis Scotland green red rays North Torphins lights Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.26.26hrsUT for 22secs, showing green and red oxygen rays looking North eastwards past with the street lights of nearby Torphins village in the lower right and The Plough slightly above. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, street, lights, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12835jhp
Aurora Borealis Scottish green red rays North Plough Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.25.29hrsUT for 20secs, showing green and red oxygen rays looking Northwards past The Plough, Big Dipper or Ursa Major stars dead centre of the frame. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12834jhp
Aurora Borealis Scottish Corona zenith green rays west Pleiades birch Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.24.39hrsUT for 24secs, showing green zenith arms and strong background red oxygen forming another coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12833jhp
Aurora Borealis Scottish Corona zenith green centre Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.23.58hrsUT for 20secs, showing green zenith or crown and some red oxygen backdrop looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12832jhp
Aurora Borealis Scotland Corona zenith green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.22.56hrsUT for 20secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12831jhp
Aurora Borealis Corona westwards green red rays clouds Scotland Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.21.59hrsUT for 23secs, showing green and strong red oxygen sweeping rays as a corona fades looking westwards. What is not recorded in this still image is the degree of movement with the swirling arms of the rays as the display continue. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12829jhp
Aurora British Corona arms westwards green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.18.29hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a coronal zenith or crown looking south westwards with Cassiopeia visible towards thye top centre. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12828jhp
Aurora Scottish Coronal wings overhead green red rays clouds Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.17.50hrsUT for 20secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking westwards with Cassiopeia visible towards top of the frame. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12825jhp
Aurora Scotland Corona centre overhead tree green rays clouds west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof, silver, birch

Aurora Cloudy Display aucf12824jhp
Aurora Borealis Scotland Corona crown tree green red rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.14.50hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12819jhp
Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 02.10.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in top of the tree. What is not recorded in this still image is the degree of movement around the centre with the swirling arms of the rays as the display continues to form. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12818jhp
Aurora Borealis Scottish Corona zenith green red sweeping rays west Pleiades Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.55.02hrsUT for 24secs, showing green and strong red oxygen sweeping rays of a forming coronal zenith or crown looking south westwards with Pleiades visible in the lower quadrant. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12816jhp
Aurora Borealis Scotland lights green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.53.37hrsUT for 24secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12814jhp
Aurora Borealis Scotland green red sweeping large rays west Cassiopeia Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.51.45hrsUT for 27secs, showing green and strong red oxygen sweeping rays looking westwards with Cassiopeia on its side in upper centre. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12813jhp
Aurora Borealis Scottish green red sweeping large rays east cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.49hrsUT for 23secs, showing green and strong red oxygen sweeping rays looking eastwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12812jhp
Aurora Northern Lights British Scotland green red rays Orion South clouds cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.50.05hrsUT for 25secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, uprights, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12811jhp
Aurora Northern Lights Scotland green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.49.13hrsUT for 21secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12810jhp
Aurora Borealis Scottish green red rays Orion South stars cottage roof Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.48.14hrsUT for 29secs, showing green and some red oxygen rays looking southwards marked by Orion in its winter position to the north and a very rare position in which to see Aurora displays. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera, cottage, roof

Aurora Cloudy Display aucf12809jhp
Aurora Borealis Scotland green red oxygen rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.47.30hrsUT for 23secs, showing green and some red oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12808jhp
Aurora Borealis Scottish red green rays Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.46.44hrsUT for 27secs showing mainly green and red oxygen rays in the early stages of a developing Corona looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12807jhp
Aurora Borealis Scottish display rays Plough North stars clouds Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.55hrsUT for 23secs showing mainly green oxygen rays looking northwards marked by Ursa Major or The Plough in its winter position to the north. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12806jhp
Aurora Borealis Scotland red green rays cloud gap stars west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.45.05hrsUT for 25secs showing mainly green oxygen rays through gaps in the cloud cover. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12804jhp
Aurora Borealis Scottish forest red green rays cloudy west Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.42.06hrsUT for 23secs showing mainly green oxygen rays looking westwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12801jhp
Aurora Borealis Scottish green rays clouds Plough North Deeside Aberdeenshire photos taken on the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the south. This photo was taken at 01.39.28hrsUT for 23secs showing mainly green oxygen rays with a suggestion of red looking northwards. The cf128 digital sequence, starting at 01.39.28 of the continuing activity continued well into the morning of the 30th October when clouds cleared again, perseverance pays, allowing a third major Corona to be viewed through until the last frame at 02.28.39 which in the course of displays I have seen was unusual to continue as long as this. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT on the evening of the 29th towards the west visible through gaps in the extensive cloud cover and further slide film preceded this digital sequence from 00.56 to 01.04 hrs UT on scanned slides AB036series. This digital photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my first digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, Orion, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12723jhp
Aurora Scotland Deeside Corona display green red rays zenith clouds colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.49.26hrsUT for 25secs showing green and red oxygen rays at the centre or zenith of the corona looking directly upwards over Royal Deeside with some increasing cloud and strong wind. The cf127 session of which this is the last frame, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12722jhp
Aurora Northern Lights Scotland deeside Corona green red rays zenith centre colour Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.42hrsUT for 22secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside with some swiftly passing cloud. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12721jhp
Aurora Northern Lights Scottish Corona green red rays zenith crown colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.48.01hrsUT for 15secs showing green and red oxygen rays dropping like a huge wings from the centre or zenith of the corona looking directly upwards over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12720jhp
Aurora Borealis Scotland Corona green red rays huge fan colourful westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.25.38hrsUT for 28secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to west of north over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12719jhp
Aurora Borealis Scotland Corona display rays fan westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.24.34hrsUT for 24secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking to the west over Royal Deeside. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12718jhp
Aurora Borealis Scottish Corona display rays fan clouds Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.23.22hrsUT for 23secs showing green and red oxygen rays dropping like a huge fan from the start of a corona looking upwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12713jhp
Aurora Borealis Scotland red green oxygen rays clouds west gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.07.23hrsUT for 22secs showing mainly green red oxygen rays through the clouds looking westwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12712jhp
Aurora Borealis Scotland green red Northern Lights rays clouds northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.06.33hrsUT for 21 secs showing mainly green oxygen arc light with green and red oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12710jhp
Aurora Borealis Scotland strong green red rays clouds openings bright stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03.38hrsUT for 38 secs showing mainly green oxygen arc light with strong green oxygen gas rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12709jhp
Aurora Borealis Scotland display strong green rays clouds openings stars northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.03hrsUT for 20secs showing mainly green oxygen arc light with strong rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12705jhp
Aurora Borealis Scottish display faint rays clouds cover gaps northwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 00.00.6hrsUT for 22secs showing mainly green oxygen arc light with very faint rays appearing through gaps in the clouds looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12702jhp
Aurora Borealis Scotland display clouds covered gaps north Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.58.09hrsUT for 19secs showing yellow green oxygen gas backlighting extensive cloud cover to the North. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Cloudy Display aucf12701jhp
Aurora Borealis Scottish display rays clouds covered gaps Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 into the morning of the 30th at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 23.56.52hrsUT for 20secs showing yellow green oxygen faint ray visible through a cloud gap looking northwards. The cf127 session, the second digital set taken after an hour of cloud cover and rain the first photos show the impact of cloud blocking out even a major Aurora display. The display continued throughout the evening into the morning of the 30th October when clear skies allowed a second major Corona to be viewed on the last frame at 00.49.26. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 15mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, clouds, extensive, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12618jhp
Aurora Borealis Scotland Corona green rays clouds westwards Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.30.43hrsUT for 17secs showing mainly green oxygen rays descending from the corona through increasing cloud cover looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12615jhp
Aurora Borealis Scottish autumn Corona Coronal display green red rays zenith fanlike overhead Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.28.40hrsUT for 20 secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12614jhp
Aurora Borealis Scottish autumn Corona green rays zenith fanlike descending Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.27.45hrsUT for 16secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13 mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12613jhp
Aurora Borealis Scottish autumnal Corona green rays spread fan huge Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.26.50hrsUT for 14secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12612jhp
Aurora Borealis Scotland Corona green rays spread fan celestial Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.25.04hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona fanning downwards like monster wings but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12608jhp
Aurora Borealis Scottish Corona green rays westwards colourful arc Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.44hrsUT for 25secs showing mainly green oxygen rays descending from the corona and ascending from the strong active arc on the right looking westwards. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12607jhp
Aurora Borealis Scotland Corona zenith crown green rays spread Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.23.07hrsUT for 12secs showing mainly green oxygen rays from the centre of the Corona viewed directly overhead but sadly not showing the subtle movements continuously going on. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12606jhp
Aurora Borealis Scottish Corona zenith centre above green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.22.17hrsUT for 22secs showing mainly green oxygen rays from the centre of the Corona directly overhead. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12605jhp
Aurora Northern Lights arc streaming active green rays vivid Plough colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.21.19hrsUT for 26secs showing mainly green oxygen rays from a very active arc with streaming towards the north marked by The Plough dead centre. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12604jhp
Aurora Borealis October arc streaming active green rays colours north Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.20.39hrsUT for 21secs showing mainly green oxygen rays from a very active arc with streaming towards the north. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12603jhp
Aurora Borealis autumn Scotland corona zenith crown centre Cassiopeia red green rays colourful Deeside Aberdeenshire photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.45hrsUT for 18secs showing red and green rays surounding a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12602jhp
Aurora Borealis autumn corona zenith red green rays Pleiades colourful Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.18.11hrsUT for 16secs showing red and green rays descending from a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora Corona Display aucf12601jhp
Aurora Borealis Scottish autumn corona zenith rays colours Deeside Aberdeenshire Scotland photos taken on the evening of the 29th October, 2003 at Crooktree, 25 miles west of Aberdeen looking from the east to the west. This photo was taken at 22.17.37hrsUT for 16secs showing red and green rays descending at the start of a Corona crown or zenith over Crooktree roof towards the east. The cf126, the first digital set taken, was 13 frames over 13mins, illustrating how busy you can be when a full display is ongoing, photographing from east to west and directly overhead. The display continued throughout the evening into the morning of the 30th October. Photos were taken with both digital and slide film and the first slide film started at around 20.15hrs UT towards the west visible through gaps in the extensive cloud cover. This photo was taken with a Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and the noise factor was superior to the grain created pushing 400asa slide film to 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, corona, zenith, crown, green, red, rays, descending, autumn, Torphins, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, Pleiades, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, east, west, cottage, chimney, trees, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora and Cloud aucf11103jhp
Aurora Borealis Scotland autumn October clouds red ray northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.29.10hrsUT for 18secs showing strong red ray activity from a very low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just hidden behind the increasing cloud cover. I took 4 frames over 30 mins, so cloud cover stopped me photographing more of the display using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora and Cloud aucf11102jhp
Aurora Borealis Scottish Ursa Major October clouds faint rays northwards Deeside Aberdeenshire Scotland two photos taken on the evening of the 15th October, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.05.37hrsUT for 17secs showing faint suggestion of ray activity with the yellow green oxygen gas in low grade arc and the constellation Ursa Major, The Plough or Big Dipper is just discernible behind the increasing cloud cover. I took 4 frames over 30 mins, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. There was a full moon that night sitting off to the east of this north facing display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Active Aurora Display aucf11704jhp
Aurora Borealis Scottish October autumn fading rays west Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.58.52hrsUT for 20secs showing fading red and ray activity from a fragmented green arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Active Aurora Display aucf11703jhp
Aurora Borealis Scottish October autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 22.56.03hrsUT for 19secs showing strong red and green ray activity from a fragmented arc towards the west. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Active Aurora Display aucf11702jhp
Aurora Borealis Scottish Northern Lights autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to the north. This photo was taken at 22.55.19hrsUT for 20secs showing strong red and green ray activity from a fragmented arc and the constellation Ursa Major, The Plough or Big Dipper. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Active Aurora Display aucf11701jhp
Aurora Borealis Scotland autumn active rays colourful Deeside Aberdeenshire Scotland four photos taken on the evening of the 21st October, 2003 at Crooktree, 25 miles west of Aberdeen looking to west of north in the direction of Kincardine O’Neil. This photo was taken at 22.54.41hrsUT for 19secs showing strong red and green ray activity from a fragmented arc and the tail of the constellation Ursa Major, The Plough or Big Dipper on the right of frame. I took 4 frames over 4mins, before the display faded away using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings taken during 2003 when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October and again I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9565jhp
Aurora Northern Lights Plough nitrogen faint rays fading display Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.13.32hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9563jhp
Aurora Northern Lights Big Dipper purple nitrogen faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.09.46hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a waning arc as the display fades and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9561jhp
Aurora Borealis Scottish Plough August nitrogen ray eastwards Deeside Torphins lights Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42.46hrsUT for 19secs showing faint purple nitrogen ray activity over Torphins lights with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9557jhp
Aurora Borealis Scotland August purple nitrogen faint rays fragmented arc northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.37hrsUT for 19secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9553jhp
Aurora Northern Lights Scottish summer purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.03hrsUT for 16secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9552jhp
Aurora Borealis Scottish Ursa Major August purple nitrogen faint rays northwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.29.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9550jhp
Aurora Borealis Scottish Northern Lights summer purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 27.43hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9549jhp
Aurora Borealis Scottish Big Dipper August purple nitrogen rays northwwards Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.26.59hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9547jhp
Aurora Borealis Scotland East summer Torphins moon purple nitrogen ray Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24.41hrsUT for 17secs showing single nitrogen ray activity with the yellow green oxygen gas in a breaking arc loking eastwards over the lights of Torphins with a full moon to the right of the frame. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9546jhp
Aurora Borealis Scottish Plough summer yellow green arc North faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.41hrsUT for 17secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Scottish Summer Aurora aucf9545jhp
Aurora Borealis Scotland Plough summer August 2003 green arc faint rays Deeside Aberdeenshire Scotland taken on the morning of the 22nd August, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.04hrsUT for 20secs showing faint multiple ray activity with the yellow green oxygen gas in a breaking arc and the constellation Ursa Major, The Plough or Big Dipper. I took 20 frames between 00.19hrs and 01.13.32hrsUT, using my Fujifilm Finepix Digital S2Pro camera, at maximum ISO of 1600 using a Sigma 16mm f2.8 fisheye lens, giving a fairly undistorted wide angle image, wide open aperture with most exposures manually near the 20 seconds mark which experience suggested was around the best exposure for the low light Aurora displays. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards and for this display, sandwiched between 27th July and 28th October, I took no slide film. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa. These photos show that Aurora displays can be viewed during summer months in North East Scotland and even with full moonlight.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, August, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, moon, moonlight, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fujifilm, Finepix, S2Pro, Sigma, 16mm Fisheye, earliest, digital, camera

Aurora First Digital auSM3916jhp
Aurora Borealis Scottish red North waning winter March 2003 Deeside Aberdeenshire Scotland taken on the morning of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.35hrsUT showing a waning display behind treetop aligned North and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest

Aurora First Digital auSM3915jhp
Aurora display Scotland clouds cover decreasing winter March 2003 Deeside Aberdeenshire Scotland taken on the morning of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.34hrsUT showing a waning display behind increasing cloud cover and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 23 secs with a 19mm focal length.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest

Aurora First Digital auSM3913jhp
Aurora Borealis Scotland clouds active rays arc winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.30hrsUT showing strong patches of green arc with some strong ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 16 secs with a 19mm focal length.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest

Aurora First Digital auSM3912jhp
Aurora display Cassiopeia Scottish cloud moving rays winter green arc March 2003 Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.30.12hrsUT showing strong patches of green arc with some strong ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 16 secs with a 19mm focal length.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest

Aurora First Digital auSM3903jhp
Aurora Borealis Scotland cloud moving rays winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.24hrsUT showing strong patches of green arc and a hint of some ray activity developing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest

Aurora First Digital auSM3907jhp
Aurora Borealis Scotland cloud moving red north winter March 2003 Cassiopeia Deeside Aberdeenshire Scotland taken on the evening of the 30th March 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.27hrsUT showing strong patches of green arc and a hint of some red ray activity developing over a tree top on a north bearing and was taken at the end of the second evening’s activity after I stopped using slide film around 23.40hrs UT. This photo was taken with a Fuji Finepix S2 digital camera, the first time I used a digital camera for Aurora photography and a major departure from the years of using 35mm slide film. It was set at an ISO of 1600 to match the same sensitivity used for slide film, push developing 400asa Fuji to 1600asa with exposures set around the 20 second mark and lens aperture of f2.8 and the quality results i.e. noise factor was better than a corresponding grain pattern with pushed slide film. This particular photo was exposed for 11 secs with a 19mm focal length.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2003, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, Fuji, Finepix, S2Pro, DSLR, digital, camera, earliest

Aurora Summer auSO7612jhp
Aurora Northern Lights Scotland summer July north green arc purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.46hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.46hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7611jhp
Aurora Borealis Scottish Cassiopeia eastwards summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7610jhp
Aurora Borealis Scotland purple nitrogen rays green arc oxygen early morning Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.33hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 22 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7609jhp
Aurora Borealis Scotland Northern Lights Plough summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.22hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide for open for 23 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7608jhp
Aurora Borealis Scotland Plough stars summer rare purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.310hrsUT on 27th July showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 20 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7607jhp
Aurora Borealis Scottish Northern Lights summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7606jhp
Aurora Borealis Scotland Plough summer purple nitrogen rays green arc Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.29hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 18 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7604jhp
Aurora Borealis Scottish Plough Big Dipper summer purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.28hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 15 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7603jhp
Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.27hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 13 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, Cassiopeia, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Aurora Summer auSO7602jhp
Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.26hrsUT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo at a 1600asa rating using a Fuji Finepix S2 with standard 24mm f2.8 lens wide open for 8 secs with many exposures manually between 10 & 20 seconds because of the summer light levels. These were some of my earliest digital recordings when the quality of digital cameras had at last matched 35mm slide film standards. At 1600 ISO the noise factor was not a problem and the general look of the images were better than the corresponding slide film with 400asa stock pushed two stops to give an equivalent sensitivity level of 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, DSLR, Fuji, Finepix, S2, earliest, digital, camera

Deeside Aurora au93327jhp
Aurora Borealis Scottish display March 1993 spring Cassiopeia purple Deeside Aberdeenshire taken on the evening of 24th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage over a gean tree which is aligned to magnetic North. The faint display started just after 21.20UT with some further ray activity until 21.30 when cloud blocked any further display; some auroral glow which continued into the early morning of the 25th but no further activity observed. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, spring, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, Cassiopeia, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au721112ajhp
Scotland Auroral Glow airglow Neuk Crathes Banchory Deeside spring 1990 night sky taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the morning of 9th October at 00.35hrs UT was observed as a regular occurrence on nights preceding active Aurora displays and the Auroral Glow was described in Neil Bone’s The Aurora: Sun-Earth Interactions p112 as against airglow see p147. This was in the days of no Internet predictive sites like Spaceweather.com and the only way I could see displays was to sit on every clear night and watch the skies. This noticeably brighter night sky, rather like twilight that should not have been there at midnight in October encouraged me to make sure of being on site the following evening, in this case at 21.47hrs UT on the 9th when the glow was visible. Activity started around 22.15 with faint beams visible. I have already added other photos taken using Fuji RSP-416 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Auroral Glow, airglow, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa Major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, blue, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, winter, 9th, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Deeside Aurora au03436Ejhp
Northern Lights Aurora British summer 2003 nitrogen purple rays Plough Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrs UT showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly to left split by rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST ending the film. This photo was scanned from a 35mm colour slide film, Fuji RHP 11 400ASA film stock processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP11, exposed, time, long, Nikon, FG20, DSLR, Fuji S2, digital

Deeside Aurora au03416jhp
Aurora Borealis Scotland Plough summer July 2003 purple nitrogen rays Deeside Aberdeenshire Scotland taken on the morning of the 27th July, 2003 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.10hrBST showing strong multiple ray activity and the constellation Ursa Major, The Plough or Big Dipper clearly between two left hand rays. I took 22 frames in 15 mins, including some Digital Fuji S2 images at maximum ISO of 1600 and the display ended around 00.40hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RHP 11 400ASA film stock processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually between 10 & 20 seconds because of the summer light levels.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, summer, Torphins, Arc, rays, Northern Lights, Merry Dancers, Plough, Ursa Major, Big Dipper, 2003, July, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP11, exposed, time, long, Nikon, FG20, DSLR, Fuji S2, digital

Deeside Aurora au02736jhp
Aurora Borealis Scottish display Cassiopeia rays winter February 2002 Aberdeenshire taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. The film numbering of 2001 was that the previous Aurora display covered was in November 2001 with this February display being the first recorded in 2002. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-434, exposed, time, long, Nikon, FG20

Deeside Aurora au0210jhp
Aurora Borealis Scotland Cassiopeia rays winter February 2002 Deeside Aberdeenshire Scotland taken on the morning of the 6th February, 2002 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.42hrsUT showing strong patches with ray activity and the constellation Cassiopeia clearly visible top lefthand area, with activity stopping soon after this photo, the display having started with a low grade arc around midnight. This photo was scanned from a 35mm colour slide film, Fuji RHP11 400asa film processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures manually around 20 seconds because of the lower light levels.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 2002, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RHP 11, 400asa, exposed, time, long, Nikon, FG20

Deeside Aurora au99611jhp
Aurora Borealis Scottish Cassiopeia rays moonlight spring March 1999 Deeside Aberdeenshire Scotland taken on the morning of the 1st March, 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.19.45hrsUT having shown an arc and then much ray activity from 22.50hrs UT on the 28th February finishing at around 01.25hrs on 1st March. The next activity visible and recorded was not until the 8-9th September. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FG20, 28mm f2.8 lens wide open with many exposures on Auto at around 2 seconds because of the moonlight, light levels.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1996, February, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-426, exposed, time, long, Nikon, FG20

Deeside Aurora au99134jhp
Aurora Borealis British streaming rays cloud January 1999 Deeside Aberdeenshire Scotland taken on the evening of the 13th January, 1996 at Crooktree, 25 miles west of Aberdeen looking to west of north. This photo was taken at 18.19hrsUT having shown an arc from 17.50 the evening with active rays but not all from the arc until around 00.30hrsUT on the morning of the 14th. The next activity was at 20.35hrs UT on the evening of the 23rd January and finished around 23.05 with a faint arc. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, 1996, January, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-426, exposed, time, long

Comet Hyakutake au9679jhp
Comet Hyakutake April Aurora display 1996 spring Deeside Aberdeenshire Scotland taken on the evening of the 17th April 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.00 BSThrs between Kincardine O’Neil and Torphins on Deeside with Cassiopeia sitting in the centre a spring marker for the northern sky. The Comet is to the left with its tail by and to the centre the distinct purple hue of a nitrogen gas Aurora display above a cloud bank. I started photographing the Comet on the 24th and finished 17th April when I was able to include this Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Aurora Borealis, Aurora, Borealis, display, Torphins, Arc, Northern Lights, Merry Dancers, Cassiopeia, Plough, Ursa Major, Big Dipper, 1996, April, spring, landscape, photos, photographs, tail, green, bluish, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, nitrogen, purple, blue, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 28mm

Comet Hyakutake au9667jhp
Comet Hyakutake April Aurora display 1996 spring Deeside Aberdeenshire Scotland taken on the evening of the 14th April 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.55BSThrs between Kincardine O’Neil and Torphins on Deeside with Cassiopeia sitting off to the right quarter a spring marker for the northern sky. The Comet is to the left of bottom centre with its tail by the first twig and to the right above is the distinct purple hue of a nitrogen gas Aurora display. I started photographing the Comet on the 24th and finished 17th April when I was able to include two Aurora displays. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Aurora Borealis, Aurora, Borealis, display, Torphins, Arc, Northern Lights, Merry Dancers, Cassiopeia, Plough, Ursa Major, Big Dipper, 1996, April, spring, landscape, photos, photographs, tail, green, bluish, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, nitrogen, purple, blue, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 28mm

Comet Hyakutake au96133jhp
Comet Hyakutake March 1996 tail colours long Plough Scottish Deeside Aberdeenshire Scotland taken on the evening of the 25th March 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.50hrsUT between Kincardine O’Neil and Torphins on Deeside with part of The Plough Constellation visible a spring marker for the northern sky. I started photographing the Comet on the 24th and finished 17th April when I was able to include an Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 50mm f1.8 lens wide open at around 10 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Plough, Ursa Major, Big Dipper, 1996, March, spring, landscape, photos, photographs, tail, green, ion, ice, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 50mm

Comet Hyakutake au96116jhp
Comet Hyakutake March 1996 night sky spring Deeside Aberdeenshire Scotland taken on the evening of the 24th March 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 22.00hrsUT between Kincardine O’Neil and Torphins on Deeside with part of The Plough Constellation visible a spring marker for the northern sky. I started photographing the Comet on the 24th and finished 17th April when I was able to include an Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 50mm f1.8 lens wide open at around 10 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Plough, Ursa Major, Big Dipper, 1996, March, spring, landscape, photos, photographs, tail, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 50mm

Deeside Aurora au9595ajhp
Aurora Borealis pulsating green patches north pulsing October 1995 Scottish Aberdeenshire Deeside taken on the evening of the 18th October, 1995 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 22.15hrsUT with strong pulsating patches of light. The activity continued until the early hours of the morning of the 19th and was the last Aurora display recorded by me until April 1996 when I was photographing Comet Hyakutake. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, upright

Deeside Aurora au9591jhp
Aurora Borealis bands streaming pulsing October 1995 Aberdeenshire Scotland taken on the evening of the 18th October, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 22.00hrsUT with strong pulsating bands of light coming from the west over Kincardine O’Neil direction. The activity continued until the early hours of the morning of the 19th and was the last Aurora display recorded by me until April 1996 when I was photographing Comet Hyakutake. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long

Deeside Aurora au95919jhp
Aurora display lights green rays north autumn Plough 1995 Scotland Aberdeenshire Deeside taken on the morning of the 19th October, 1995 at Crooktree, 25 miles west of Aberdeen looking to north with the Plough Constellation in its classis autumnal position. This photo was taken at 00.30hrsUT with several weak rays. The activity continued until the early hours of the morning of the 19th, finishing around 01.00hrs UT and was the last Aurora display recorded by me until April 1996 when I was photographing Comet Hyakutake. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long

Deeside Aurora au9589jhp
Aurora Borealis purple rays tree nitrogen autumn west 1995 Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 21.40hrsUT with active rays visible after a rain shower and clearing clouds which continued with rays until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, 1995, September, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long

Deeside Aurora au9588jhp
Aurora Borealis purple rays tree nitrogen September 1995 Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 21.30hrsUT with active rays visible after a rain shower and clearing clouds which continued with rays until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa Major, 1995, September, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long

Deeside Aurora au95813jhp
Aurora display arc green windy Plough 1995 Deeside September Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to North. This photo was taken at 22.20hrsUT with a generalised green arc which was waxing and waning after the active phase was over until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Ursa, Major, Big Dipper, 1995, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long

Deeside Aurora au95810jhp
Northern Lights purple rays nitrogen autumn west 1995 Deeside Aberdeenshire Scotland taken on the morning of the 27th September, 1995 at Crooktree, 25 miles west of Aberdeen looking to west. This photo was taken at 21.43hrsUT with active rays visible after a rain shower and clearing clouds which continued with rays until around 22.45hrsUT when the display waned. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Plough, Big Dipper, 1995, September, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long

Deeside Aurora au95435jhp
Aurora Borealis rays curtains Cassiopeia green Scottish spring March 1995 Aberdeenshire Deeside taken on the morning of the 12th March, 1995 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 01.30hrsUT having shown hints of an arc throughout the evening with activity starting at 00.55 with a ray which continued with rays until around 00.15hrsUT on the morning of the 13th March. There were very faint rays the following night around mid-night. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1995, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-409, exposed, time, long

Deeside Aurora au95423jhp
Aurora Borealis British arc green strong March 1995 Aberdeenshire Scotland taken on the morning of the 12th March, 1995 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 00.40hrsUT having shown hints of an arc throughout the evening with activity starting at 00.55 with a ray which continued with rays until around 00.15hrsUT on the morning of the 13th March. There were very faint rays the following night around mid-night. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1995, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-409, exposed, time, long

Deeside Aurora au9462ajhp
Aurora Borealis Scottish March 1994 display ray arc stars Aberdeenshire taken on the evening of 5th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to the north, this particular photo taken at 22.20hrs. This was the start of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle although it was on the evening of the 7th that the best display occurred. This photo was scanned from a 35mm colour slide film, Fuji RSP/RSP-402 pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, Cassiopeia, display, winter, spring, Torphins, Arc, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP, RSP-402, 35mm, exposed, time, long

Deeside Aurora au94336Ejhp
Northern Lights Scotland winter February 1994 strong display colourful rays pink stars Deeside Aberdeenshire taken on the morning of 8th February, 1994 at Crooktree, 25 miles west of Aberdeen looking north from the cottage to left of a gean tree which is aligned to magnetic North. The display started early but very low grade around 19.55 with patches towards North but then went active again around midnight. This photo was taken in the middle of the display activity at 00.30hrs UT on the 8th February and the display continued photographable activity until 00.10. The photo was scanned from a 35mm colour slide film, Fuji RSP rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1994, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au94323ajhp
Aurora Borealis Scotland winter cloudy 1994 active display streaming Deeside Aberdeenshire taken on the evening of 7th February, 1994 at Crooktree, 25 miles west of Aberdeen looking north from the cottage to left of a gean tree which is aligned to magnetic North with lights of neighbouring farm and cottages at bottom right. The display started earlier but very low grade around 21.30 with faint light towards North in between clouds. This was a further night of a series of displays that started on the 5th February around 22.30 hrs UT and finished on the 8th February at 01.10hrs. This photo was taken at the end of this earlier and visible display activity at 21.55hrs UT on the 7th February which perked up again around 23.50hrs after the clouds had cleared and continued into the early hours of the 8th. The photo was scanned from a 35mm colour slide film, Fuji RSP rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1994, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au94233jhp
Aurora Scottish winter 1994 display colours strong arc west green Deeside Aberdeenshire taken on the evening of 6th February, 1994 at Crooktree, 25 miles west of Aberdeen looking westwards from the cottage. The display started early but very low grade but strong glow around 19.40 on the 6th February with strong light towards West and North. This was the culmination of a display that started on the 5th February around 22.30 hrs UT with an Auroral or Airglow and continued into the morning of the 6th Feb. This photo was taken in the middle of the display activity at 20.17hrs UT on the 6th February and it continued into the eraly morning of the 7th Feb. The photo was scanned from a 35mm colour slide film, Fuji RSP rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1994, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au94223ajhp
Aurora Scotland February 1994 display colours bright rays red green Deeside Aberdeenshire taken on the early morning of 6th February, 1994 at Crooktree, 25 miles west of Aberdeen looking north from the cottage to right of a gean tree which is aligned to magnetic North with lights of Torphins at bottom right. The display started early but very low grade but strong glow around 22.30 on the 5th February with faint light towards North. This was the culmination of a display that started on the 5th February around 22.30 hrs UT with an Auroral or Airglow and developed ray activity from 23.10hrs and continued into the mroning of the 6th Feb. This photo was taken towards the end of the display activity at 00.30hrs UT on the 6th February. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1994, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, upright

Deeside Aurora au94135jhp
Aurora Borealis Scottish February 1994 display rays red pink Aberdeenshire taken on the evening of 5th February, 1994 at Crooktree, 25 miles west of Aberdeen looking north from the cottage to right of a gean tree which is aligned to magnetic North. The display started early but very low grade around 22.30 with strong glow towards North in between clouds. This was the culmination of a display that started on the 5th February around 22.30 hrs UT with an Auroral or Airglow and developed ray activity from 23.10hrs. This photo was takenmid way into the display activity at 00.00hrs UT on the 5th/6th February. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1994, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, upright

Deeside Aurora au9348ajhp
Aurora Borealis Scotland ray Plough clouds 1993 autumn display Deeside Aberdeenshire taken on the evening of 20th September, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 21.40hrs BST with a few occasional beams but extensive cloud interference until 23.35. This photo was taken at 21.52hrs with suggestion of strong ray on the left amonsgt the clouds on the low horizon but nice position of the Plough like a question mark on its side and clearly fulfilling the Big Dipper description more common in the USA and a useful autumn marker for UK Aurora displays. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, The Plough, Big Dipper, Ursa, Major, Rays, Northern Lights, Merry Dancers, 1993, September, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, yellow, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au9347ajhp
Aurora Borealis Scotland arc active rays clouds display Deeside Aberdeenshire taken on the evening of 20th September, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 21.40hrs BST with a few occasional beams but extensive cloud interference until 23.35. This photo was taken at 21.50hrs with stronger rays on the low horizon but nice position of the Plough above like a question mark on its side and clearly fulfilling the Big Dipper description more common in the USA and a useful autumn marker for UK Aurora displays. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, The Plough, Big Dipper, Ursa, Major, Rays, Northern Lights, Merry Dancers, 1993, September, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, yellow, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au9343ajhp
Aurora Borealis Scottish Ursa Major Plough clouds display Deeside Aberdeenshire taken on the evening of 20th September, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 21.40hrs BST with a few occasional beams but extensive cloud interference until 23.35. This photo was taken at 21.40hrs with suggestion of rays on the low horizon but nice position of the Plough like a question mark on its side and clearly fulfilling the Big Dipper description more common in the USA and a useful autumn marker for UK Aurora displays. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, The Plough, Big Dipper, Ursa, Major, Rays, Northern Lights, Merry Dancers, 1993, September, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, yellow, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au93415ajhp
Aurora Borealis activity Scotland Ursa Major clouds cover 1993 autumn display Deeside Aberdeenshire taken on the evening of 20th September, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 21.40hrs BST with a few occasional beams but extensive cloud interference until 23.35. This photo was taken at 23.35hrs with suggestion of strong ray on the left amonsgt the clouds on the low horizon but nice position of the Plough like a question mark on its side and clearly fulfilling the Big Dipper description more common in the USA and a useful autumn marker for UK Aurora displays. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, The Plough, Big Dipper, Ursa, Major, Rays, Northern Lights, Merry Dancers, 1993, September, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, yellow, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Deeside Aurora au911436ajhp
Aurora Borealis Scotland October 1991 Proton burst corona zenith rays treetops pink red green Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, pink, green, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest

Deeside Aurora au911435jhp
Aurora Borealis Scotland display Proton corona zenith vortex pink red green Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, pink, green, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest

Deeside Aurora au911434ajhp
Aurora Borealis Scottish display Proton corona zenith explosion red Inchmarlo Deeside Aberdeenshire taken in the early morning around 00.45hrs BST on 2nd October 1991 at Inchmarlo near Banchory, 18 miles west of Aberdeen looking to the north. An active display and this photo was one of three taken on a journey back from delivering prints for the Deeside Piper in Banchory. This session was a continuation of activity during the evening/night of the 1st October which had started around 21.00hrs BST. I had spotted activity over Torphins and the Hill of Fare on the way to Banchory via Sluie where I saw rays above the forest. Returning from Banchory I saw a strong single beam or ray going straight up over Inchmarlo so pulled off the road at the rough layby just by the speed zone west of Inchmarlo beyond the Craiglash Road. Suddenly this large coronal zenith appeared, swirling around the vortex and lasted long enough for me to take the last three exposures left on the film and then it faded as quickly as it appeared. It has been suggested as being a proton burst which would relate to the single large beam that preceded it. Later activity was photographed after I returned to Crooktree around 01.00hrs BST. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Banchory, Inchmarlo, North, red, Corona, vortex, zenith, Proton, burst, Rays, Northern Lights, Merry Dancers, 1991, October, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long, forest

Aurora Deeside ab941212ajhp
Aurora Borealis British arc active purple rays April 1994 Aberdeenshire taken on the evening of the 5th April, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 23.25hrsUT having started showing activity from 23.15 and this was that final phase of a five minute burst of activity which continued with faint rays until around 00.15hrsUT on the morning of the 6th April. This was one from possibly 7 nights in a row although on the night of the 6th April the cloud cover was so thick that no Aurora could be seen. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, April, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside ab941133jhp
Aurora Borealis Scottish Northern Lights green active rays clouds April 1994 Aberdeenshire taken on the morning of the 4th April, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 00.15hrsUT having started showing activity from then until 00.30 but view of further activity was obscured by cloud. This was one from possibly 7 nights in a row although on the 6th April the cloud cover was so thick that no Aurora could be seen. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, April, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside ab941114jhp
Aurora Borealis Scotland arc green active Cassiopeia April 1994 Aberdeenshire taken on the 2nd April, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 23.30hrsUT having started showing activity from with a large arc at 22.25 then waning and restarting around 23.25. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, April, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside ab9332jhp
Aurora Borealis Scottish clouds faint ray March 1993 display Deeside Aberdeenshire taken on the evening of 17th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 22.00UT on the 17th and developed into a low grade display peaking around 00.35hrs on the 18th but mainly flashes and some faint rays. This photo was taken at 23.30hrs showing a strong arc glow and maybe very faint ray between gaps in the clouds. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Aurora Deeside ab93133jhp
Scottish British February 1993 Aurora display arc active Cassiopeia green house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.25hrs well into a second surge of activity which started around 00.05hrsUT with a faint ray to the extreme right and some very faint ones breaking off a strenthening arc towards the left or west. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, upright, Cassiopeia

Aurora Deeside ab93132jhp
Scotland February 1993 Aurora display Northern Lights arc active Cassiopeia green house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.25hrs well into a second surge of activity which started around 00.05hrsUT with a faint ray to the extreme right and some very faint ones breaking off a strenthening arc towards the left or west. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, Cassiopeia

Aurora Deeside ab93130jhp
Scottish winter February 1993 display Northern Lights arc Torphins lights green house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.20hrs into a second surge of activity which started around 00.05hrsUTwith a moving ray showing the wide band from a long exposure. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Aurora Deeside ab93121jhp
Aurora Borealis Scottish winter February 1993 display ray red Northern Lights house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.12hrs into a second surge of activity which started around 00.05hrsUTwith a moving ray showing the wide band from a long exposure. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, upright

Aurora Deeside ab93120jhp
Aurora Borealis Scotland winter February 1993 display ray moving house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.10hrs into a second surge of activity which started around 00.05hrsUTwith a moving ray showing the wide band from a long exposure. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Aurora Deeside ab93119jhp
Aurora Borealis winter February 1993 display faint arc house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.05hrs into a second surge of activity which started around 00.05hrsUT. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Aurora Deeside ab93113jhp
Aurora Borealis Scottish winter January 1993 display faint rays cottage Deeside Aberdeenshire taken on the evening of 31st January, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 21.30hrs in the first surge of activity which started around 21.00hrsUT with a hint of faint rays. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Aurora Deeside ab93112jhp
Aurora Borealis winter January 1993 display start house chimney pot Deeside Aberdeenshire taken on the evening of 31st January, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 21.15hrs in the first surge of activity which started around 21.00hrsUT. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Pulsing Aurora au941017jhp
Aurora Borealis Scotland Northern Lights pulsing flashing Cassiopeia March 1994 Aberdeenshire taken on the 10th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to north. This photo taken at 00.25hrsUT but it never developed in an active display although it followed a better period from this previous evening starting around 20.55hrs seven nights in a row of displays which finished on the 11th March during one of the most active phases of the 90’s Solar Cycle. On the evening of the 9th and morning of the 10th there was a lot of flashes, like distant lightning, pulsing or patches of diffuse round light sources rather than the usual arc or rays. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, pulsing, patches, Northern Lights, Merry Dancers, Cassiopeia, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Filtered Aurora au93231jhp
Aurora Borealis Scotland experiment no filter red yellow display Deeside Aberdeenshire taken on the morning of 15th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 22.15UT and developed into a low grade display peaking around 23.30hrs. This photo was taken at 00.26hrs using a green filter although if compared with the next slide there is nothing obvious and it confirmed that I was best not using any sort of filter at all, even a UV. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Filtered Aurora au93230jhp
Aurora Borealis Scottish experiment green filter used display Deeside Aberdeenshire taken on the morning of 15th March, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The very faint display started just after 22.15UT and developed into a low grade display peaking around 23.30hrs. This photo was taken at 00.25hrs using a green filter although if compared with the next slide there is nothing obvious and it confirmed that I was best not using any sort of filter at all, even a UV. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, March, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Faint Aurora au9469ajhp
Aurora Borealis Scotland winter display faint ray cloud Cassiopeia Deeside Aberdeenshire taken on the early morning of 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to the north, this particular photo taken at 00.35hrs. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle although it was on the evening of the 7th that the best display occurred. This photo was scanned from a 35mm colour slide film, Fuji RSP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, Cassiopeia, winter, spring, Torphins, Arc, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Faint Aurora au9467jhp
Aurora Borealis Scottish winter display faint ray cloud Deeside Aberdeenshire taken on the early morning of 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking to the north, this particular photo taken at 00.20hrs. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle although it was on the evening of the 7th that the best display occurred. This photo was scanned from a 35mm colour slide film, Fuji RSP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, Cassiopeia, winter, spring, Torphins, Arc, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora Deeside au94222jhp
Aurora Borealis Scotland winter February 1994 display colourful rays red green Deeside Aberdeenshire taken on the evening of 6th February, 1994 at Crooktree, 25 miles west of Aberdeen looking north from the cottage to right of a gean tree which is aligned to magnetic North with lights of Torphins at bottom right. The display started early but very low grade around 22.45 with faint light towards North in between clouds. This was the culmination of a display that started on the 5th February around 22.30 hrs UT with an Auroral or Airglow and developed ray activity from 23.10hrs. This photo was taken at the end of the display activity at 00.35hrs UT on the 6th February. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1994, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, upright

Aurora Deeside au93432ajhp
Aurora Borealis Scottish winter December 1993 rays red display Deeside Aberdeenshire taken on the evening of 7th December, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage to left of a gean tree which is aligned to magnetic North. The display started early but very low grade around 22.45 with faint light towards North in between clouds. I had received a call on answerphone from a friend Gordon Brodie suggesting he had seen something and after returning from a lecture I spotted faint flashes and rays around 21.30hrs. Rang John MacNicol around 22.25 although still probably a frost haze. At 22.45 faint light in clouds although again could be frost haze, it was -5C but around 23.25 some rays started to appear. This photo was taken at 23.40hrs UT as the display strengthened but it died down around 00.05hrs on the morning of the 8th. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, December, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star

Aurora Deeside au93121jhp
Aurora Borealis winter February 1993 display ray house chimney pot Deeside Aberdeenshire taken on the morning of 1st February, 1993 at Crooktree, 25 miles west of Aberdeen looking mainly north over the cottage just to right of a gean tree which is aligned to magnetic North. The display started after 21.00hrsUT on the 31st January and developed into a low grade display continuing with mainly single rays until 01.00hrs UT. This photo was taken at 00.12hrs into a second surge of activity which started around 00.05hrsUT. The photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1993, January, February, landscape, photos, photographs, experiment, green, filter, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, upright

Aurora Deeside au921117jhp
Aurora Borealis Scotland May nitrogen pink moonlight rays North Deeside Aberdeenshire taken on the morning of 11th May, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage over a gean tree which is aligned to magnetic North. The display started just after midnight on the morning of the 11th May in clear frosty conditions with background moonlight against a strong arc, some pulsating or patching before rays appeared. This photo was taken at 00.25hrs BST and was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 30 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, May, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, purple, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, moonlight

Aurora Deeside au921116jhp
Aurora Borealis Scottish spring display blue moonlight arc patching Deeside Aberdeenshire taken on the morning of 11th May, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage over a gean tree which is aligned to magnetic North. The display started just after midnight on the morning of the 11th May in clear frosty conditions with background moonlight against a strong arc, some pulsating or patching before rays appeared. This photo was taken at 00.25hrs BST and was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 30 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, May, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, moonlight

Aurora Deeside au920636jhp
Aurora Borealis display Scotland February 1992 display red rays trees green Deeside Aberdeenshire taken on the 24th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage over a gean tree which is aligned to magnetic North. The display started with a strong arc around 20.30 until I closed down around 1am on the morning of the 25th. This photo was taken at 23.57hrs UT and was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, south, upright

Aurora Deeside au920629jhp
Aurora Borealis Scotland winter display red rays North green Deeside Aberdeenshire taken on the 24th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage over a gean tree which is aligned to magnetic North. The display started with a strong arc around 20.30 until I closed down around 1am on the morning of the 25th. This photo was taken at 23.28hrs UT and was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, south, upright

Aurora Deeside au920628jhp
Aurora Borealis Scottish winter display red rays green Deeside Aberdeenshire taken on the 24th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly north from the cottage over a gean tree which is aligned to magnetic North. The display started with a strong arc around 20.30 until I closed down around 1am on the morning of the 25th. This photo was taken at 23.27hrs UT and was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, gean, trees, North, Pole, Star, south, upright

Aurora Corona au9289jhp
Aurora Borealis Scottish winter display Corona red west Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Orion, south, electricity, pole, upright

Aurora Corona au92825jhp
Aurora Borealis Scottish Corona zenith red pink west Pleiades Aberdeenshire Scotland taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Pleiades, Cassiopeia, Orion, south, electricity, pole

Aurora Corona au92816jhp
Aurora Borealis Corona zenith crown red pink south Orion Deeside Scotland taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright

Aurora Corona au92815jhp
Aurora Borealis British winter Corona red pink south Orion Deeside Scotland taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright

Aurora Corona au92813jhp
Aurora Borealis Scottish February 1992 Corona red west pink rays Cassiopeia Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright

Aurora Corona au92812jhp
Aurora Borealis Scotland winter Corona red west pink rays Cassiopeia Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Cassiopeia, Orion, south, electricity, pole, upright

Aurora Corona au92810jhp
Aurora Borealis Scotland winter Corona red west trees Deeside Aberdeenshire taken on the 26th February, 1992 at Crooktree, 25 miles west of Aberdeen looking mainly west to north except for the last two which were looking south with Orion the main star constellation. The display was a major storm almost from the start, visible around 19.15hrs pm although this sequence of photos were from a new film started at 19.40 until at 20.45 it clouded over completely. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 24mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, Arran, trees, west, Orion, south, electricity, pole

Aurora Deeside au911513ajhp
Northern Lights Plough Scotland Aurora Deeside red green rays colourful Aberdeenshire taken in the early evening just after 21.00hrs BST on 8th October 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An active display and this photo was one of several taken between 9 and 9.15pm before the display died down. It did start again later around 11.30pm but was a very poor arc and limited activity just after midnight on the 9th. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, North, Arc, folded, curtains, red, purple, yellow, green, Rays, Northern Lights, Merry Dancers, 1991, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside au911511ajhp
Aurora Borealis Scottish autumn display red green purple rays colours Deeside Aberdeenshire taken in the early evening just after 21.00hrs BST on 8th October 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An active display and this photo was one of several taken between 9 and 9.15pm before the display died down. It did start again later around 11.30pm but was a very poor arc and limited activity just after midnight on the 9th. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, North, Arc, folded, curtains, red, purple, yellow, green, Rays, Northern Lights, Merry Dancers, 1991, October, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside au911510ajhp
Aurora Borealis Scotland North 1991 display red green purple rays colours Deeside Aberdeenshire taken in the early evening just after 21.00hrs BST on 8th October 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An active display and this photo was one of several taken between 9 and 9.15pm before the display died down. It did start again later around 11.30pm but was a very poor arc and limited activity just after midnight on the 9th. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, North, Arc, folded, curtains, red, purple, yellow, green, Rays, Northern Lights, Merry Dancers, 1991, October, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside au911019jhp
Northern Lights Aberdeenshire autumn display strong arc red yellow streaming bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside au911018jhp
Aurora Borealis 1991 Scottish September display folding arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Deeside au911017jhp
Aurora Borealis 1991 Scotland autumn display strong arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long

Aurora Fisheye au92039jhp
Aurora Borealis Scotland display half Corona fisheye eastwards zenith Plough stars above chimney Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au92038jhp
Aurora Borealis Scottish winter display Corona fisheye Torphins lights Plough Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920333jhp
Scotland Deeside Aurora Corona red crown zenith centre celestial 24mm lens wide angle Deeside Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920331jhp
Scottish Aurora Corona red large sweeping rays 24mm lens wide angle Deeside Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920330jhp
Northern Lights Scottish Aurora Corona above red large rays Dipper Deeside Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920329jhp
Northern Lights Scotland full Corona above red streaming rays Ursa Major Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920325jhp
Northern Lights Scotland full Corona above red green rays Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920312jhp
Aurora display Scotland lights half Corona westwards red green rays Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Aurora Fisheye au920310jhp
Aurora display Scotland display half Corona fisheye above zenith Plough top stars above chimney Aberdeenshire taken on the 2nd February, 1992 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east where the street lights of Torphins are visible in the lower part of some uprights. The display was a major storm almost from the start, visible around 11pm and I used my ‘cheap’ fisheye lens, a door security viewer attached to the sunhood on my 28mm by a machined cap. Not of course ideal quality but gives a sense of the scale of the display and especially if viewed seeing the smallness of The Plough. This sequence is later in the display starting around 11.30 when the display grew in strength and the colour red for higher level oxygen came to the fore. An earlier sequence with more green dominance has yet to be scanned. This photo was scanned from a 35mm colour slide film, Fuji RSP 11 rated at 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, fisheye, 360, Torphins, corona, crown, huge, scale, Rays, Northern Lights, Merry Dancers, 1992, February, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RSP11, 1600asa, exposed, time, long, door, security, viewer, eyepiece, cap, sunhood

Urban Aurora au74015jhp
Scotland Aurora display rays folding arc waning Deeside rooftops shed Aberdeenshire taken over Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au74014jhp
Scottish Aurora display rays folding arc horseshoe Cassiopeia clouds Deeside rooftops moonlight taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au74013ajhp
Scottish Northern Lights Aurora rays folding arc horseshoe Cassiopeia rooftops moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au74012jhp
Scotland Deeside Aurora Borealis rays folding arc horseshoe rooftops moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7410jhp
Scotland Aberdeenshire Aurora Borealis rays arc two houses bathroom lights funny folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7409jhp
Scottish Aurora Borealis blue nitrogen two houses bathroom lights funny folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7408ajhp
Scottish Aurora Borealis blue nitrogen rays urban houses bathroom light folding arc horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7405ajhp
Scotland British Aurora Northern Lights blue nitrogen rays urban Banchory folding arc town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7404jhp
Scottish Aurora display blue nitrogen rays small changes folding arc Banchory urban town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7403jhp
Scottish Aurora Borealis blue nitrogen rays folding arc Banchory urban town houses horseshoe moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Urban Aurora au7402ajhp
Scotland Aurora Borealis rays folding arc Banchory urban town houses horseshoe blue nitrogen moonlight Deeside taken in Banchory itself and was active between 1.30 and 2am on the 11th April, 1990. This display was an hour or so after an earlier display which I photographed at The Neuk between 10.40 and 11.30pm on the 10th. This display developed from pulsating patches of light which I noticed from my house on Station Road next to the East Church Manse around 1 to 1.15am BST and which developed into a full blown arc with very strong rays. What cannot be recorded is the amount of movement of the rays especially when tracking right to left but here creates the curtain like effect with the arc folding to create a horseshoe shape. In the photos the blue colour is of lower level nitrogen gas excitation and with a hint of purple towards the end of the display as against the more common occurrence of red and green oxygen gas. Some of the colour is muted as there was a full moon, the light of which is evident in the brightness of the houses as well as the colour from tungsten lamps from street lights. Of humorous interest is the appearance on bathroom lights while I was photographing in two adjacent houses and neither of the occupants knew a display was underway when I enquired afterwards.
I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, town, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pulsating, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, blue, pink, colourful, colorful, coloured, colored, colours, colors, moon, moonlight, tungsten, houses, sheds, urban, street, bathroom, lights, clouds, nature, dark, nights, night-time, 1990, April, 11th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au816ajhp
Scotland Aurora Borealis Rays red oxygen strong colours Christmas Day 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 24th December at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, December, 25th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au722816jhp
Scottish Aurora display Neuk Arc Rays pink moonlight Plough October 1990 Aberdeenshire taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 29th October at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, purple, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 29th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au722815jhp
Scotland Aurora Borealis Neuk Arc Rays pink moonlight Plough autumn 1990 Aberdeenshire taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 29th October at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, pink, purple, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 29th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au721126ajhp
Scotland Northern Lights Neuk Rays red Plough Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 9th Octoberr at 22.15 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, Octoberr, 9th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au723636ajhp
Scottish Aurora Northern Lights larch tree rays red Deeside November 1990 taken on the Harestone Road near the Banchory entrance. Taken on the 28 November at 00.33hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, winter, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, November, 28th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au723622jhp
Scotland Northern Lights larch tree rays red stars Deeside winter 1990 taken on the Harestone Road near the Banchory entrance. Taken on the 28 November at 00.21hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, November, 28th, winter, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora & Larch au721133ajhp
Scottish Aurora display larch branches Rays red purple Deeside autumn 1990 taken on the Harestone Road near the Banchory end of the road by one of two large larch trees. Taken on the 9th Octoberr at 23.00 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, October, 9th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720434ajhp
Scottish Aurora Borealis display weak Arc Ray Plough Banchory autumn 1990 taken on the Harestone Road. Taken on the 21st September at 02.41 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar brighter display on the 14th of the month and in both displays the Plough Constellation was very prominent.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 21st, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720433ajhp
Scotland Aurora Borealis weak Arc Ray red Plough Deeside autumn 1990 taken on the Harestone Road. Taken on the 21st September at 02.40 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar brighter display on the 14th of the month and in both displays the Plough Constellation was very prominent.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 21st, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720334ajhp
Scottish Northern Lights dying display red faint rays Plough Banchory 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.25 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720317ajhp
Scotland Northern Lights Active Arc red oxygen rays Plough constellation 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.07 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720316ajhp
British Aurora Borealis Active Arc red oxygen rays Plough Crathes September 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.06 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720315ajhp
Scottish Aurora Borealis Neuk Active Arc rays Plough Bid Dipper Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.05 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au720314ajhp
Scotland Aurora Borealis Neuk Arc Plough Stars Ursa Major Deeside autumn 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 14th September at 01.00 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. A fairly typical arc and active rays display showing the red of high level oxygen I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left seen in several of these photos. This display was followed by a similar display on the 21st of the month.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa major, Big Dipper, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, September, 14th, slide, film, Fuji, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7756jhp
Scottish Aurora Borealis arc morning nitrogen purple rays May telephone poles 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.48hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7753jhp
Scotland Aurora new Borealis display arc morning nitrogen purple rays May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77526jhp
British Aurora lights display Crathes Goddess dawn bright folding arc rays morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77525jhp
Scottish Aurora display Banchory Goddess dawn bright folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77524jhp
Scotland Aurora Borealis Deeside Goddess dawn light folding arc summer morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 03.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77521jhp
Dawn approach active lights display arc red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.56hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77520jhp
Dawn approaching Aurora lights display red purple nitrogen rays Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.57hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77519jhp
Aurora Borealis British active display arc red purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77518jhp
Aurora Borealis Deeside folded arc purple nitrogen rays poles Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77516jhp
Aurora Borealis Deeside arc purple rays Ley poles silhouette Scotland May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.53hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77515jhp
Aurora Borealis Deeside Banchory new arc purple large ray tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.52hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77514jhp
Aurora Borealis Aberdeenshire new arc purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77513jhp
Scottish Northern Lights very active purple red rays tree siluoette May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.51hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77511jhp
British Northern Lights arc active purple red rays tree stars Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au77510jhp
British Aurora Borealis arc active nitrogen purple red rays tree silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 775 was on my return around 02.40hrs at the Ley Tree using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these later stage photos around half midnight a further very powerful arc developed requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as an occasional focus point. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display giving the very pink hue as against red oxygen or purple nitrogen gas colours. It was also rather beautiful to see this happening as the increasing dawn light overwhelmed the Aurora display as Aurora was after all the Goddess of the Dawn.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, Goddess, dawn, early, morning, sunrise, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RSP, RSP-416, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7649ajhp
British Northern Lights moon large red pink oxygen rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.09hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7645ajhp
Scotland Northern Lights Harestone Road large red rays Aberdeenshire 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.06hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76432ajhp
Scotland Aurora Borealis red oxygen rays larch branches silhouette Deeside display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.26hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76431ajhp
British Aurora Borealis rays larch branches silhouette Scottish display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.25hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7642ajhp
Scotland Aurora Borealis Harestone Road moon red rays Deeside spring 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.05hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76427ajhp
Scotland Aurora Borealis moving blurred red pink rays Banchory Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.23hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76426ajhp
Scottish Aurora Borealis strong display red pink rays Jim Henderson Photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.22hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76425ajhp
Scottish Aurora Borealis increasing display red pink rays spring summer 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.21hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76413ajhp
Scottish Aurora Borealis moon setting patches faint rays Deeside May 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 02.13hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76412ajhp
Aurora Borealis British rich pink rays beautiful larch tree branches silhouette 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76411ajhp
Aurora Borealis Scotland large pink highup rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76410ajhp
Scottish Northern Lights large pink candy floss rays Deeside larch tree 1990 taken on the Harestone Road before The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking and although I had seen some reddish hue was not expecting to see this vibrant pink. Taken on the early morning of the 1st May at 02.10hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 30 mins when I am sure I missed some stunning moments; a mistake not to be repeated and this sequence, 764 was on my return around 02.00hrs on the Harestone Road near Banchory using Fuji RSP 35mm slide film rated at 1600asa as against RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76335jhp
Scotland Northern Lights Tree folding curving arc rays bright colours display 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.49hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76334jhp
Scottish Northern Lights Tree folding arc rays strong active display Banchory 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.47hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76331jhp
Scotland Aurora Borealis Ley Tree folding arc strong active display Deeside 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76323jhp
Scottish Aurora tree active rays red yellow silhouette Jim Henderson photo 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.41hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76322jhp
British Northern Lights tree arc rays pink yellow spring silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76319jhp
British Aurora Borealis moon arc rays yellow spring telephone pole silhouette 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76318jhp
Scottish Aurora Borealis folding arc rays yellow Aberdeenshire spring telephone pole 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76313jhp
Scotland Aurora Borealis Ley Tree Deeside arc rays red pink spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.31hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In these early stage photos around half midnight a very powerful arc developed and started folding with rays breaking upwards and also downwards, requiring moving between the right of the Ley tree and just to the left of it with the telephone pole as focus. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora with Moon au76227jhp
British Aurora Borealis Ley moonlight moon Aberdeenside May spring morning 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. This is an excellent example that Aurora displays can be seen durting moonlight conditions. Taken on the early morning of the 1st May at 00.10 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au76224ajhp
Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 23.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7624ajhp
Scotland Aurora Borealis Ley tree faint red rays Deeside Banchory spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th April at 22.50hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This evening was followed a day later by a very active morning on the 1st May which started after midnight and lasted until after dawn. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 27th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76236ajhp
Scottish Aurora Borealis telephone pole active rays stage display lights spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.20hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au76228ajhp
Scotland Aurora Borealis telephone pole early stage display Deeside spring 1990 taken on the Harestone Road mostly by The Ley farm entrance tree where there was a useful lorry pull in on a sharp corner so made for safe parking. Taken on the early morning of the 1st May at 00.11hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and or RHP 400asa film developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were generally exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens, at maximum aperture, so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas. In the latter stages of this display the increasing dawn light around 3.00am started to overwhelm the Aurora display. During the photographing of this display I ran out of film, 3 rolls, so had to return home for fresh stocks-a gap of about 20 mins when I am sure I missed some stunning moments; a mistake not to be repeated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Folding, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moon, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, larch, tree, branches, telephone, pole, dark, nights, night-time, forest, 1990, May, 1st, slide, film, Fuji, RHP, RSP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au83636jhp
British spring Aurora Corona Crathes Castle zenith crown overhead shape pastel colours turrets located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.10hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83635jhp
Scotland Aurora Corona Crathes Castle ghost ghostlike shape pastel colours turrets located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.05hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83634jhp
Scotland Northern Lights midnight Corona Castle sheets pastel colours turrets located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 25th March 1991 at 00.00hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 25th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83631jhp
Scottish Northern Lights Corona Castle sheets pastel colours Jim Henderson photo located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83629jhp
Scottish Aurora Borealis Corona Castle sheets light pastel pink green colours located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.47hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83628jhp
British Aurora Borealis Corona Castle arms wings rays pastel pink green colours located at this National Trust for Scotland property at Crathes near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.46hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83627jhp
Northern Lights Scottish Corona Crathes Castle arms scale cascade pastel located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83624jhp
Scotland Northern Lights Corona Crathes Castle turret Deeside rays pastel located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.40hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83620jhp
Scottish Aurora Borealis Corona zenith centre Crathes Castle spring pastel colours overhead this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.32hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au83619jhp
Scotland Aurora Borealis Corona zenith Crathes Castle Deeside spring pastel colours located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 24th March 1991 at 23.30hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. The photos taken in this March sequence shows the huge scale of a Corona zenith completely overhead with a pastel mix of green and red rays from high level oxygen falling from directly overhead and dropping to the apparent ground level set against the useful scale of the castle.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Aurora, Borealis, Arc, Rays, Corona, zenith, arms, wings, overhead, huge, celestial, scale, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, pastel, colourful, colorful, coloured, colored, colours, colors, light, pollution, celestial, nature, dark, nights, night-time, forest, 1991, spring, winter, March, 24th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 24mm, f2.8, Sigma, scanned, scan, captured

Aurora Crathes Castle au721136ajhp
Scottish autumn Northern Lights Crathes Castle Plough red glow faint beams 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.49 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This one was a short period of a strong red glow of high level oxygen and some beams were discernaible on the slides. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au721135ajhp
British Northern Lights Crathes Castle Deeside oxygen red glow faint beams 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.48 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au721134jhp
British Aurora Borealis Crathes Castle golden cock autumn oxygen red weathervane reflection moonlight located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.46 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au721134ajhp
Scotland Aurora Borealis Crathes Castle strong glow rays October oxygen red 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.47hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au721133ajhp
Scottish Aurora Borealis Crathes Castle Deeside oxygen gas strong red Plough located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.50 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au721132ajhp
Scotland Aurora Borealis Crathes Castle Deeside autumn oxygen red 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 9th October at 23.45 hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, autumn, October, 9th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au718331jhp
Scotland Aurora Borealis Neuk haystack clouds light pollution summer nitrogen purple 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.11 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, pollution, orange, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au718326jhp
Scotland Aurora Borealis Deeside summer nitrogen purple rays clouds 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.07 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au718323jhp
Scottish Northern Lights Neuk Deeside summer nitrogen purple rays clouds stars 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.04 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au718321jhp
British Aurora Borealis Neuk haystack clouds lights summer nitrogen purple rays 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 20th August at 02.01 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au71838jhp
Scotland Aurora Borealis Crathes Castle grounds Deeside summer nitrogen purple rays stars 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.05 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, NTS, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au71835jhp
Scottish Aurora Borealis Crathes Castle nitrogen purple silhouette rays August display 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.00hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au71834jhp
British Aurora Borealis Crathes Castle nitrogen purple early rays August display 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 00.58 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Crathes Castle au718313jhp
Scotland Aurora Borealis Crathes Castle summer nitrogen purple waning faint 1990 located at this National Trust for Scotland property near Banchory, west of Aberdeen. Taken on the 20th August at 01.15hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops however this particular film was Fuji P1600 which for a short time was their fastest slide film. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In these photos there is the purple of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and probably also a function of the lighter light levels given these were taken in August.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Castle, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, silhouette, clouds, light, pollution, celestial, clouds, nature, dark, nights, night-time, forest, 1990, summer, August, 20th, slide, film, Fuji, P1600, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Corona ab0055jhp
Aurora Corona Red Oxygen Zenith explosion rays Spring Aberdeenshire Scotland taken at 23.25 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release

Aurora Corona ab00512jhp
Aurora Borealis Corona green red wings shape sweeping Scottish British UK Deeside eastwards Aberdeenshire taken at 00.35 hours UT on the 7th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, upright, portrait, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release

Aurora Corona ab00418jhp
Aurora Borealis Corona Rays Plough Oxygen Gas British eastwards Aberdeenshire taken at 22.47 hoursm UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, upright, portrait, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release

Aurora Corona ab00414jhp
Aurora Borealis Corona zenith shape eerie abstract Oxygen Gas Scottish Deeside eastwards Aberdeenshire taken at 23.49 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release

Aurora Corona ab00413jhp
Aurora Borealis Corona zenith shape changing wings abstract Scotland UK Deeside eastwards Aberdeenshire taken at 23.48 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release

Aurora Corona ab0028jhp
Aurora Corona Red Green Oxygen Zenith flower Spring Aberdeenshire Scottish taken at 20.10 hours UT on the 6th April, 2000 over Deeside some 25 miles west of Aberdeen. This event is the most major scale of display visible for as the display starts to develop and increase in power it passes southwards creating a moving zenith overhead giving the impression of looking underneath a huge crown often with multiple colours. The shape at the zenith from which rays drop to all the horizons in a 360 degree sweep can create weird shapes which are changing rapidly around the central vortex. This level of display is rare in the UK because the power levels need to be huge and are caused mainly by a CME, Coronal Mass Ejection from the Sun’s surface with the eruption aimed directly at the Earth. It is unusual for the more common Solar Wind generated displays to reach the UK let along push as far south as the Channel although sometimes they can be combined with a direct CME hit and cause large and colourful events.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Ord Fundlie, Crooktree, cottage, electric, power, lines, Torphins, Kincardine, O’Neil, April, spring, Aurora Borealis, Corona, zenith, crown, Arc, Rays, Northern Lights, Merry Dancers, landscape, format, photo, photos, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Plough, Ursa, Major, Orion, Pleiades, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, film, scan, 35mm, Fuji, 400asa, rated, 1600asa, Nikon, FM2, Sigma, 15mm, lens, ultra-wide, fisheye, time, exposure, tripod, cable, release

Aurora The Neuk au7517ajhp
Scottish Aurora display Cassiopeia Deeside red purple rays stars spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.37 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7516ajhp
Scotland Aurora Borealis Crathes hayrake Deeside red rays stars spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.35 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75136ajhp
Scotland Aurora Borealis high rays purple nitrogen gas April spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.45hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75136Ejhp
Scotland Deeside Aurora Borealis rays purple nitrogen red oxygen gas April spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken near the end of the display on the 18th April around 01.55hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75135ajhp
Scotland Aurora hayrake rays Aberdeenshire Jim Henderson photo spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.40hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75134ajhp
Scottish Aurora Cassiopeia hayrake wheel silhouette rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.38hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75133ajhp
Scottish Northern Lights hayrake wheel silhouette stars several rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.37 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the space of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75131ajhp
Scottish Northern Lights Cassiopeia stars several rays Aberdeenshire spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.36 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75128ajhp
Scotland Northern Lights Banchory Cassiopeia red purple nitrogen Deeside spring 1990 taken on the Harestone Road just east of Banchory from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.36 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75127ajhp
Scotland Aurora Borealis Crathes Cassiopeia red purple nitrogen Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.35 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas and this is one of several taken over the psace of 5-7 minutes illustrating the ever changing nature of an active display.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75119ajhp
British Aurora Borealis clouds red purple colours rays April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.25 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75116ajhp
Scottish Aurora Northern Lights clouds red purple rays strong arc April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.17 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75114ajhp
Scottish Aurora new display clouds Deeside red purple rays arc April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.12 hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RHP 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In some of the photos there is a hint of purple evidence of nitrogen gas being excited as against the more common occurrence of red and green oxygen gas.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RHP, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71129ajhp
British Aurora Borealis February winter rays red Deeside west Hill Fare 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 01.15hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71128ajhp
Scotland Aurora Borealis eastwards February winter red large rays active 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 01.05hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71125ajhp
Scottish Aurora Borealis Neuk February winter rays streaming active movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 16th February, this one around 00.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7514ajhp
Scottish Aurora lights red strong rays Cassiopeia pink yellow Deeside April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.03hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7513ajhp
Scotland Aurora Borealis red strong rays Cassiopeia stars Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 00.01hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au75120ajhp
Scottish Aurora Borealis arc red strong rays Cassiopeia stars north April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 18th April at 01.29hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 18th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7393jhp
Scotland Aurora Borealis Neuk hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.25hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au73918ajhp
Deeside Scotland Aurora Hill Fare rays pink fields Cassiopeia moonlight April spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 23.00hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, farmland, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au73914ajhp
Deeside Scotland Northern Lights rays pink hayrake Cassiopeia dyke moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.37hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au73913ajhp
Aberdeenshire Northern Lights rays pink hayrake Cassiopeia stars moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.35hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au73912ajhp
British Aurora display rays red hayrake Cassiopeia stars moonlight spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.32hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au73911ajhp
Scottish Aurora display rays red hayrake Cassiopeia moonlight Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 10th April at 22.30hrs BST is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left. In this case there was full moonlight behind me so hence the very obvious record of the landscape and the hayrake. It also gives a colour hue although some of the red is still visible.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, moonlight, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, April, 10th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72926ajhp
Scotland Aurora Borealis Neuk hayrake Cassiopeia stars Deeside spring 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken on the 27th March at 23.55hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72830Ejhp
Scottish Aurora Borealis Neuk March spring ray cloud hayrake dramatic 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 26nd March, this one at 01.45hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, clouds, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 26th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72630hp
Deeside Scotland Aurora Borealis red rays green yellow purple March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.12hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and the bright patch at the base is the start of some streaming activity. Also note the faint mauve colour on the extreme right evidence of nitrogen gas as well as the standard oxygen colours of red and green. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, nitrogen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72629jhp
Scotland deeside Aurora Borealis Neuk March spring rays many strong colors 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.11hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs which from experience I had settled on as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72628hp
Aberdeenshire Aurora Borealis Cassiopeia red rays green yellow March 1990 spring taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.10hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Cassiopeia, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72627jhp
British Aurora Borealis Deeside rays moving streaming moving movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.01hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, active, activity, bright, patches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72626jhp
Scotland Aurora Borealis Neuk spring rays moving streaming activity movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 01.hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc and thre bright patch at the base is the start of some streaming activity. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, streaming, flaming, moving, movement, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au72625jhp
Scottish Aurora Borealis Neuk March strong ray moving streaming active movement 1990 taken on the Harestone Road from the small pull off at The Neuk Farm which the local farmer used as an area to dump his old hayrake and a few bales of straw. Taken after midnight on the 22nd March, this one at 00.59hrs UT is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken using Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen for 1600asa-pushed 2 stops. They were exposed around 20secs and the ray is thus thicker than it is in reality as it is moving from right to left along the base arc. I found this exposure time as about the best combination of film, exposure time and with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more colour saturated although slightly more visual than would be seen with the human eye. What cannot be recorded is the amount of movement of the rays especially when tracking right to left and also when streaming or flaring occurs with very bright patches starting at the base of the ray and moving rapidly upwards.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, hayrake, farm, entrance, layby, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, movement, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 21st, 22nd, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71819ajhp
Scotland Aurora Borealis Ley tree dying down red rays winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 23.20hrs UT as it started to die down and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RSP11 35mm slide film rated at 1600asa and developed in this case at my local Lab in Aberdeen pushed the development 2 stops. They were exposed around the 15 seconds sligthly less than the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Potarch au72912ajhp
Northern Lights Scotland Cassiopeia headlights Deeside purple rays nitrogen spring March 1990 taken on the road from Feughside Inn to Potarch by the Shooting Greens and the lights at the bottom are car headlights on the North Deeside Road near the Potarch Bridge looking northwards over Suie. This display on the 27th March at 21.30hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around 20 seconds as about the best combination with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Feughside, Feugh, water, Strachan, Finzean, Potarch, Shooting, Greens, road, River, Dee, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, Cassiopeia, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 27th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Potarch au72910ajhp
Scottish Aurora Borealis Potarch road Deeside purple rays nitrogen spring March 1990 taken on the road from Feughside Inn to Potarch by the Shooting Greens and the lights at the bottom are car headlights on the North Deeside Road near the Potarch Bridge looking northwards over Suie. This display on the 27th March at 21.30hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around 20 seconds as about the best combination with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Feughside, Feugh, water, Strachan, Finzean, Potarch, Shooting, Greens, road, River, Dee, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, headlights, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 27th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Finzean au7294ajhp
Scottish Aurora Borealis Finzean road Feughside Deeside purple rays nitrogen winter March 1990 taken on the road from Finzean which is to the west of Banchory on Feughside, following the course of the Water of Feugh on the long straight before Feughside Inn and the turn off to Potarch by the Shooting Greens. This display on the 27th March at 21.15hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around 20 seconds as about the best combination with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Feughside, Feugh, water, Strachan, Finzean, Potarch, Shooting, Greens, road, River, Dee, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, March, 27th, slide, film, Fuji, RSP 11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7169jhp
British Northern Lights telephone poles red yellow colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February photographed around 21.40hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7168jhp
Scottish aircraft strobe lights Aurora Borealis red colour Deeside February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.50hrs UT as it started to come active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. The line of dots are the landing lights from commercila aircraft on approach to landing at Aberdeen Airport and in those days no flights could land after 10.00pm. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7167jhp
Scottish Aberdeenshire Aurora Borealis rays many arc more active February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.45hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7165jhp
Scotland Aurora Borealis early arc active stage telephone pole Deeside winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.45hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7164jhp
Scottish Aurora Borealis early beginning ray arc active building tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.42hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7163jhp
British Aurora Borealis early stage ray arc active Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February this one around 21.40hrs UT as it started to ceome active and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71630jhp
Scotland Aberdeenshire Aurora Borealis display dying colours red sky tree winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.35hrs UT with this current phase dying down. There was some more subdued activity on the morning of the 21st February around 01.45hrs but my slides hardly record anything. This was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71626jhp
Scottish Deeside Aurora display quiet dying colours Banchory winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.30hrs UT with this current phase dying down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71616jhp
Scottish Aurora display pole multiple red rays colours strong arc winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.07hrs UT with this current phase beginning to die down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71615jhp
Scotland Aurora pole multiple red rays colourful winter display 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.05hrs UT with this current phase beginning to die down and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71613jhp
Scotland Merry Dancers Aurora pole mulitple rays folding arc colourful winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken around 22.00hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71612jhp
Scotland Northern Lights pole mulitple rays folding arc colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken approx 21.57hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71611jhp
Scotland Northern Lights pole red rays over exposed star trails colours winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken at 21.57hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71610jhp
Scottish Northern Lights pole red rays high colours Banchory winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February taken around 21.55hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. I have already added other photos taken during this same display but using Fuji RSP11 film stock so it was a busy night but activity waxes and wanes so there are bursts of active bright displays followed by very subdued periods with little activity, maybe some flashes or a general colour hue in the sky. I took this photo of the Aurora display using the Fuji RHP 35mm slide film rated at 400asa and developed in this case at my local Lab in Aberdeen for 800asa. They were exposed around the 15-20 seconds around the 20secs I later settled on as about the best combined with a 28mm or 24mm f2.8 wide angle lens so these are much brighter and more saturated. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RHP, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7189ajhp
Scottish Aurora Borealis display rays red silhouette Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.00hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7187ajhp
Aberdeenshire Aurora Borealis telephone pole Banchory red yellow winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.00hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7186ajhp
Scottish Aurora car headlights light polution red rays night Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February activity waning around 21.48hrs UT with several red rays and the problem with passing traffic happily very infrequent is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7185ajhp
British Aurora Northern Lights multiple red rays winter Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February activity waning around 21.46hrs UT with several red rays and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7184ajhp
Scotland Merry Dancers multiple rays arc bending winter Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting increased activity around 21.44hrs UT with several rays breaking of a folding arc and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7183ajhp
Scotland Aurora Borealis telephone pole arc curtains curved Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting increased activity around 21.42hrs UT with several rays breaking of a folding arc and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, curved, curtains, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7182ajhp
Scottish Deeside Aurora Borealis telephone pole activity increasing Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February starting around 21.40hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71826ajhp
Aurora Borealis telephone poles dying quiet red glow winter Crathes February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February finishing around 23.20hrs UT, the last frame taken on this film and the display now lacking any activity or discernible rays and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, westwards, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71815ajhp
Scottish Aurora car headlights light polution red rays night Deeside 1990 February taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February around 22.30hrs UT with red and the problem with passing traffic happily very infrequent is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71813ajhp
Scotland Deeside Aurora Borealis red yellow colours Jim Henderson photo winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.22hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality as this appears.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71811ajhp
Scotland Aurora Borealis waning stars red silhouette tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February of which this is the 20th February after 22.20hrs UT hrs and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 15-20 seconds around the 20 I later settled on. Several of the photos show a subdued quality akin to the human eye and bare probably a more accurate representation of what is seen in reality as this appears.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7159jhp
British Aurora Borealis The Neuk tree early poor low light winter February 1990 taken on the Harestone Road at my pull off on the Neuk farm. This photo was from one of three films taken on the 16th-20th of February, this one on the 17th after 21.15hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 17th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7154jhp
Deeside Aurora Borealis Neuk plane aircraft lights winter February Scotland 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February, this was only one I took around 19.45hrs UT on the 16th suggesting some activity which never happened and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71517jhp
British Scottish Aurora Proton beam ray unique strange red light winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. This is porbably one of the most unusual events I photographed as the only sign of a display was this isolated beam of light, red to the eye, a hovering there for several minutes before disappearing without anyother activity. Susequently I have seen this type of structure described as a proton ray or beam rather than the normal electron charged rays of the more classical Aurora displays. I happened to speak to Andy Bradford who saw the same thing at Kincardine O'Neil, several miles to the west around the same time, 20.50hrs UT on the 19th February which ruled out one theory I had of a security light or helicopter pad landing light from Raemoir Hotel. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, proton, beam, column, light, unusual, rare, unique, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 19th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71511jhp
Scotland Deeside Aurora lights dark low grade light winter February 1990 taken on the Harestone Road at my pull off on the Neuk farm. This photo was from one of three films taken on the 16th-20th of February, this one on the 17th after 21.15hrs UT which did not last long and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Neuk, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 17th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71510jhp
Scottish Aurora display Neuk poor low grade light winter February 1990 taken on the Harestone Road at my pull off on the Neuk farm. This photo was from one of three films taken on the 16th-20th of February, this one on the 17th after 21.15hrs UT and is one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, Neuk, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 17th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71534jhp
Scotland Aurora display arc aircraft lights landing Aberdeen winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.16hrs UT with the stobe landing lights of an aircraft making its approach to Aberdeen Airport as the second this exposure shows the lights disappearing at the bottom right eastwards and at this time no flights were allowed after 22.00hrs. It was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, aicraft, plane, aeroplane, approach, landing, strobe, flashes, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71533jhp
Scottish Northern Aurora double active arc aircraft lights Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.15hrs UT with the stobe landing lights of an aircraft making its approach to Aberdeen Airport and at this time no flights were allowed after 22.00hrs. It was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, aicraft, plane, aeroplane, approach, landing, strobe, flashes, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71532jhp
Scottish Northern Lights double active arc start display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.10hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71530jhp
Scottish Aurora Borealis early double active arc display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.05hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71526jhp
Scottish Aurora Borealis low light poor arc display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one of the 20th around 21.00hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 16th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71521jhp
Scotland Aurora Borealis early evening display Ley tree winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo was from one of three films taken on the 16th-20th of February and is the opening one opf the 20th around 19.45hrs UT and was one of the many displays in early 1990, a decade which proved to be an extremely productive one for Aurora displays and photography. There was activity on the nights of the 16th, 17th, 19th and 20th and I found during the 90’s there were often displays several nights in a row as later photos will illustrate whereas after 2006 most displays seem only to last one night and often several months apart so a very different Solar Cycle I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated as and developed in this case at my local Lab in Aberdeen at 1600asa, and exposed around the 10 seconds rather than the 20 I later settled on. Several of the photos show a generally poor level of activity and low light levels, not helped by the faster exposure time although to the human eye they bare probably a more accurate representation of what is seen in reality.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Ley, farm, entrance, layby, tree, telephone, poles, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 20th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au765ajhp
Scotland Deeside Aurora Borealis active moving ray red winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.30hrsUT and is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on. The movement of the ray along the Arc from right to left is captured as a very broad band becuase of the time exposure. The rays are usually thin about an 1/8th of this band width but move very quickly. red is from the oxygen in the upper atmosphere.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7621jhp
British Northern Lights Aurora display Crathes Cassiopeia rays arc winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.20hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on. This was a new arc developing after a burst of activity, single ray around 01.00UT but a fresh start of rays can be made out at the extreme right.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7613ajhp
Scotland Northern Lights display Crathes arc early stage winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.20hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on. This was a new arc developing after a burst of activity, single ray around 01.00UT but a fresh start of rays can be made out at the extreme right.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7422ajhp
Scotland Aurora Borealis display Neuk rays red winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.42hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using Kodak 5020 EES 35mm slide film rated at 1600asa and exposed around the 20 seconds I later settled on. I was using one or two cameras at the time, sometimes swopping the lens from one to the other camera but I later resorted to one film, Fuji,as I found that changing a lens without always checking the focus and apertures could prove 'fatal'-out of focus ort underexposed and easy to do in the excitment of the moment when the display went active.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Kodak, 5020 EES, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7313jhp
Scotland Aurora Borealis winter early Jim Henderson Photo eastwards January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 24th of January around 23.00hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7233ajhp
Aberdeenshire Scotland Aurora Borealis east north rays red active winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.45hrsUT of is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7225jhp
Scottish British Aurora Borealis display rays red cloud bands winter January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 25th of January around 01.40hrsUT of is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71134ajhp
Scotland Deeside Pleiades strong red rays east winter February 1990 Aberdeenshire taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.30hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Pleiades, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71124ajhp
Scottish Deeside Cassiopeia high red green rays winter February 1990 Aberdeenshire taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.15hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71122ajhp
Scottish high red purple green rays winter February 1990 Aberdeenshire taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.10hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71120ajhp
British Crathes high red purple nitrogen green rays winter February 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.05hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71119ajhp
British Deeside Aurora Borealis red purple nitrogen green rays Cassiopeia winter February 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.02hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, mauve, purple, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71118ajhp
Scottish Deeside Aurora Borealis active green many rays Cassiopeia winter February 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.02hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au71117ajhp
Scotland Aberdeenshire Aurora Borealis green arc rays Cassiopeia winter February 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 15th February around 23.00hrsUT is one from early 1990 displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 800asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Cassiopeia, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7133ajhp
Scottish Aurora Lights Deeside Aberdeenshire thin rays winter January 1990 on 23rd and first of the new decade taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT and this was gthe last photo i took that evening. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7132ajhp
Scotland Aurora Crathes Aberdeenshire thin rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7129ajhp
Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. This second selection of three photos were taken after 23.00 as in this case with this arc starting a second period of activity which finished around 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7124ajhp
Scotland Northern Lights display Neuk Crathes Deeside rays winter January 23rd 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au7117ajhp
Scottish January 1990 Aurora Borealis display Neuk Crathes Banchory ray winter 23rd taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the first of 1990 which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. As there was moonlight then there is some additional overexposure element along with less saturation in the colours.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September.

The large dark feature to the bottom right is a hay bale. The first selection of photos was taken after 22.30 as in this case, the later ones after a second period of activity nearer 23.30UT. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night were spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 23rd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au7119ajhp
Scotland Aurora Borealis tree folded arc reflections yellow bending winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo taken on the 15th of February around 21.35hrsUT is one from early 1990, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa, in this case rated at 800asa, and exposed around the 20 seconds I later settled on. This was an experiment to see if this very strong folding arc would reflect in my van engine bonnet which it did not and focusing on the bonnet threw the Aurora strongly out of focus as at f2.8 there was no Depth of Field to play with.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, folded, Arc, Rays, Northern, Lights, Merry Dancers, landscape, focus, soft, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, February, 15th, slide, film, Fuji, RSP11, 1600asa, 800asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Ley au71136SAjhp
British Aurora Borealis telephone poles arc green yellow active winter February 1990 taken on the Harestone Road by The Ley tree to the west of Banchory taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and this tree at the entrance gave a very striking foreground. This photo taken on the 16th of February around 01.50hrsUT is one from early 1990, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa, in this case rated at 800asa, and exposed around the 20 seconds I later settled on.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Harestone Rd au7723ajhp
Scottish Aurora Lights larch branches rays red stars winter Deeside January 1990 taken on the Harestone Road to the west of Banchory and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 29th of January around 01.00hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. A larch tree and its branches give a foreground frame to this photo and it looking roughly West of North.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, larch, branches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Harestone Rd au7715ajhp
British Northern Lights Harestone larch branches ray red winter January 1990 taken on the Harestone Road to the west of Banchory and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 29th of January around 00.20hrsUT is one from early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. A larch tree and its branches give a foreground frame to this photo and it looking roughly West of North.
These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, larch, branches, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora & Aircraft au7410ajhp
Scottish Aurora Borealis Neuk rays red winter aircraft lights clouds January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 24th of January around 21.30hrsUT of another passing commercial aircraft leaving Aberdeen is one of the early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using Kodak 400asa 5020 EES 35mm slide film rated at 1600asa, push processed, and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Kodak, 5020 EES, 400asa, pushed, developed, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora & Aircraft au7215jhp
Scotland Aurora Borealis display Neuk rays red winter aircraft lights strobes January 1990 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. Other photos were taken at a corner layby opposite the entrance to the Ley Farm which I tended to use more as it was more convenient and a tree at the entrance gave a very striking foreground. This photo taken on the 24th of January around 21.20hrsUT of a passing commercial aircraft leaving Aberdeen is one of the early 1990, four nights before the end of the month, displays which proved to be an extremely productive decade for Aurora displays and photography. I took this photo of the Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on.

These locations became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, as easily accessible from Banchory and with a clear light pollution free view to the North which meant that any clear night was spent watching the Northern skies for the tell-tale signs of a possible display, usually proceeded by an area of obvious brightness on the evening before the main display. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1990, January, 24th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au718ajhp
Scotland Aurora Borealis display Neuk Crathes strong red rays Plough winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au712ajhp
Scottish Aurora Borealis Neuk Deeside Ursa Major stars Banchory rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora The Neuk au711ajhp
Scottish Aurora Borealis beginning arc rays Plough Ursa Major stars rays red winter December 27th 1989 taken on the Harestone Road to the west of Banchory at a small inset into a field by The Neuk farm. I cleared it with the farmer that I could park there and it gave me a clear view to the Hill of Fare to the North of Banchory. This photo is one of the early ones, I think the fifth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and exposed around the 20 seconds I later settled on. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark feature to the bottom right is a hay bale. I have no record of the time of this display but probably before mid-night and I only took 8 frames. This location and the nearby layby at The Ley farm entrance with it’s beautiful tree, became my usual choices for most of the Aurora displays I photographed when living in Banchory throughout the early 90’s, easily accessible from Banchory and with a clear light pollution free view to the North. It also gave easy access to Crathes Castle which featured a couple of times as different foreground to Aurora displays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Banchory, Crathes, Harestone, road, Neuk, farm, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 27th, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61714jhp
Scottish Northern Lights Cairn O’Mount rays red winter clouds December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed slightly shorter than the 20 seconds I later settled on and hence slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61713jhp
Scotland Aurora Borealis display Cairn O’Mount rays red winter December 22nd 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the fourth display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road but it must have been a short lived event as I only took four exposures.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, 22nd, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Glen Dye au61041jhp
Scotland Aurora Borealis underexposed grainy rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an underexposed example while bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured

Aurora Glen Dye au610415jhp
Scottish Aurora display Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example with an exposure near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured

Aurora Glen Dye au610410jhp
Scotland Aurora Borealis Glen Dye rays red 645 medium format autumn 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji RHP 400asa 6.4.5cm format film and it became visible just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I photographed using Fuji RHP 400asa medium format transparency film of which this photo is an example and bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, slide, transparency, film, Fuji, RHP, 400asa, pushed, development, 1600asa, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured

Aurora Eslie Greater au61355jhp
Scotland Aurora Borealis Deeside Eslie Stone Circle display Agfa film October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured

Aurora Eslie Greater au613514jhp
Scottish Northern Lights Esslie Stone Circle Greater Agfa 645 transparency October 1989 taken from the Recumbent Stone Circle called Esslie the Greater at Eslie to the SE of Banchory overlooking Feughside and Scolty Hill. This photo is from my second Aurora display I photographed using Agfa 1000 RS 6.4.5cm format film stock using my Bronica ETRS, from memory the fastest 120 film available at the time. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

This photograph using Agfa medium format transparency film of which this photo is an example was the one and only time I used it and I suspect it was underexposed as I would not have used my usual bracketing exposures near the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. In this case I used the 40mm f4 Zenzanon on my Bronica ETRS a slower lens to my usual f2.8 35mm primes. Push processing the 35mm 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure as in this case. As I shot my general landscape work using Fuji film, usually Velvia or RAP, I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons and because of this I stopped using medium format stock almost straight away. This photo has no great technical merit as far as an Aurora record goes except as an example of the 645 format, Agfa film and appears to be the only record I had of this second observed display on the 21st October – I have a note that I missed a display on the 20th.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Eslie, Banchory, Feughside, Esslie, Recumbent, Stone, Circle, Bronze, Age, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, October, medium, format, slide, transparency, film, Agfa, 1000 RS, 645mm, time, exposure, Bronica, ETRS, wide, angle, lens, Zenzanon, 40mm, f4, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au61709jhp
Scotland Aurora Borealis lights Cairn O’Mount rays red yellow green winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61708jhp
Scotland Aurora Borealis display Cairn O’Mount rays red winter active 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61706jhp
Scotland Aurora Borealis quiet display Cairn O’Mount arc winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61705jhp
Scotland Aurora Borealis display Cairn O’Mount rays red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61704jhp
Scotland Northern Lights early stage display winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61703jhp
Scottish low grade Aurora Borealis display Cairn O’Mount arc active winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617023jhp
Scotland Aurora Borealis dying phase Northern sky faint rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617020jhp
Scotland Aurora Borealis rays bundle colours ray purple yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au61701jhp
Scotland Aurora Borealis arc north Cairn O’Mount winter December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT on the 11th December. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617018jhp
Scotrish Aurora Borealis northwards night sky bright multiple rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617017jhp
British Aurora Borealis Cairn O’Mount Ursa Major bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, Plough, constellation, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617016jhp
Scotland British Aurora Borealis Plough stars Cairn O’Mount rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617015jhp
Scotland Aurora Borealis active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617013jhp
Scotland Aurora Borealis active phase colourful bright rays yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617012jhp
Scottisah Northern Lights active phase Cairn O’Mount rays stars yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Cairn O Mount au617011jhp
Scottish Aberdeenshire Aurora Borealis colours active phase Cairn O’Mount bright ray yellow red winter 11th December 1989 taken on the north face of the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the early ones, I think the third display, I took of an Aurora display using the Fuji RSP 11 35mm slide film rated by Fuji at 1600asa and possibly exposed shorter than the 20 seconds I later settled on and hence the darker and slightly stronger grain effect but actually far more accurate in terms of the human eye perception of a display. It was active around 22.30 to about 23.45 GMT/UT. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about my first display of the 23 September and probably about the one captured here. The large dark post is one of the snow poles that line the side of the Cairn road.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, December, slide, film, Fuji, RSP11, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, f2.8, scanned, scan, captured

Aurora Glen Dye au61058jhp
Scottish Aurora Borealis display ray single Plough Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au61054jhp
Scottish Aurora Borealis display Glen Dye faint multiple rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610536jhp
Scotland Aurora Borealis rays red clouds moving shapes Aberdeenshire autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the end of my first film, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610535jhp
Scotland Aurora Borealis Glen Dye strong rays red clouds patterns autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610533jhp
Scottish Aurora Borealis Northern Lights display rays red clouds stars autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610531jhp
Scotland photo Aurora Borealis display rays pink clouds windy shapes autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au61052jhp
Scotland Aurora Borealis display Glen Dye overexposed rays trailing stars red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610527jhp
Scotland Aurora Borealis night sky strong multiple rays red Arc autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610526jhp
Scotland Northern Lights Glen Dye many strong bright rays red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610525jhp
Scottish active Aurora Borealis Glen Dye rays large red clouds autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610524jhp
Scotland Merry Dancers display rays red stars several Aurora autumn September 26th & 27th 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610523jhp
Scotland Aurora Borealis Glen Dye rays red long exposure clouds 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610521jhp
Scotland Northern Lights Clachnaben hill rays mulitple red autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610520jhp
Scotland Aurora Borealis display rays red clouds Jim Henderson Photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film, the first film I tried out, and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au61051jhp
Scotland Aurora Borealis display Glen Dye rays clouds first photo autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo was the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible and some rays visible through the gaps. This was probably an underexposure, maybe 10 seconds or so. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610517jhp
Aberdeenshire Aurora Borealis display Glen Dye faint rays clouds gaps autumn 26th & 27th September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display using the Fuji 400asa slide film and came just after midnight when clouds cleared and made the stars and night sky visible although the large brown patches are moving cloud. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I photographed using Fuji RHP 400asa, used in this photo, and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than 20 seconds incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the 400asa slide film at the lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. I found that the pushed 400asa stock was finer grained than the RSP11 which was rated at 1600asa-it was later dropped by Fuji when Provia was introduced. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617120jhp
Scotland Aurora Borealis maximum bright strong display winter hills Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617119jhp
Scotland Aurora Borealis Boxing Day December rays bright Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617118jhp
Scottish Aurora Borealis display Boxing Day west rays Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, multiple, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617117jhp
Scotland Aurora Borealis moving ray red headlights Boxing Day Aberdeenshire December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617115jhp
Scotland Northern Lights multiple rays arc red yellow display 1989 Boxing Day December Cairn O’Mount taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617114jhp
Scotland Aurora Borealis several rays moving arc hill starting display Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617113jhp
Scottish Aurora Borealis early stage arc active Cairn O'Mount rays display Boxing Day December 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Cairn O Mount au617111jhp
Scotland Aurora Borealis arc start display Aberdeenshire Jim Henderson Photograph Boxing Day December Cairn O’Mount 1989 taken from just below the Cairn O’Mount on its North face and which looks northwards towards Deeside. This photo is from the fourth Aurora Display I photographed after my first one in September and the arc started to develop from 22.00 hrs UT onwards. I felt that the summit of the Cairn would be a good vantage point and offer uncluttered views northwards. It was a good light pollution free viewpoint but apart from an occasional passing car, headlights a headache during an exposure, I soon realised that it was along way to go and of course further south of and way from any displays. In some of the photos there are two small lights on the horizon which I reckoned were from a farm on the Hill of Fare several miles to the north. The single dark pole is a snow pole and on the side of the nearby hillside are snow fences. This display was a classic in terms of an Arc, waxing and waning until it reached a point of no return when single and then multiple burst upwards from the arc as well as moving quite rapidly from right to left; East to West. Generally the colour was a pale whitish/yellow colour with a hint of red in some of the rays.

The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the first display I saw. Later tips helped until I started to park at a favourite viewpoint every clear night over the forthcoming years, the days before the Internet, and just watch the night sky.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet and aware that exposures much longer than that incurred the affect of star trail so instead of sharp dots for stars they became lines. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au61065jhp
Scotland Aurora Borealis display Clachnaben hill torr Glen Dye autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610615jhp
Scottish Aurora Borealis Glen Dye red purple gas September 1989 slide film taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610613jhp
Scotland Aurora Borealis red display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610612jhp
Scottish Aurora Borealis display Plough stars Glen Dye Aberdeenshire first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora Glen Dye au610611jhp
Scotland Northern Lights Ursa Major red rays display Glen Dye earliest first autumn September 1989 taken from Heatheryhaugh just above steep climb out of Glen Dye on the road to the Cairn O’Mount and which looks across to Clachnaben, the notable hill with a tor rocky outcrop which makes it visible from much of Deeside when looking south. This photo is one of the first I took of an Aurora display and came just after midnight when clouds cleared and made the stars and night sky visible. The project to photograph an Aurora came after a missed opportunity earlier in the year in March with what became known as the Big Aurora, a full Corona over Deeside. I had got the idea of trying to photograph a display following on from my success in 1986 of capturing Halley’s Comet thanks to the support of the Astronomy Ian Shepherd at the Edinburgh Observatory. I had heard about the Big Aurora but had missed the display buried away in my darkroom processing B&W photos for the local newspaper. Ian suggested I contact John MacNicol, President of the Aberdeen Astronomy Society and he eventually tipped me off about the display captured here.

I took Fuji RHP 400asa and RSP 11, rated at 1600ASA, the fastest available at the time in 35mm slide film of which this photo is an example and I tried both as well as bracketing exposures around the 20 second mark based on my experiences with photographing the Comet. Instead of a telephoto lens as per the Comet, for Aurora I used my widest lens, a Nikkor 28mm with a f2.8 widest aperture. Push processing the slide film at the Fuji lab by two stops to the equivalent of 1600asa I found that an exposure around 20 second eventually gave the best results for best colour saturation and exposure and giving the maximum control of grain without it appearing washed out from underexposure. This basic arrangement eventually worked best when I moved to a DSLR Fuji S2 in 2003 with an ISO of 1600 giving comparable results to the ASA equivalent and the noise factor was akin to the grain of slide film. As I shot my general landscape work using Fuji I stayed with it for the Aurora although Kodak film was acceptable in quality and results. I felt that the Fuji film handled the reds and greens better anyway and these are in practice the primary colours of Aurora displays when oxygen is excited by the incoming electrons.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal, Deeside, Glen, Dye, Cairn, O’Mount, road, Heatheryhaugh, Clachnaben, Aurora, Borealis, Arc, Rays, Northern, Lights, Merry Dancers, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van, Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest, 1989, September, December, Boxing, Day, slide, film, Fuji, RHP, RSP11, 400asa, 1600asa, 35mm, time, exposure, Nikon, FM2, wide, angle, lens, 28mm, 24mm, f2.8, scanned, scan, earliest, first, captured

Aurora August Summer Display AB98913JHP
Aurora Borealis summer August Scotland Deeside nitrogen purple rays Plough gas taken around midnight BST in North East Scotland on the 26th August 1998 just before midnight this Aurora display proves that even with the height of summer light nights displays are visible and the Aurora is not just a winter event that happens on frosty nights. The strong purple colour is indicative of nitrogen gas excitation as well as the lighter light levels of summetime night sky. Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 28mm Nikkor f2.8 lens with an exposure around 15-20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Arc, Rays, Northern Lights, Merry Dancers, summer, August, landscape, 2004, SLR, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, time-exposure, slide, film

Aurora Spring Rays ab0326jhp
Aurora Borealis Rays arc spring Deeside Scotland red rays Cassiopeia photo taken on the 30th March, 2003 around 22.30hrs looking northwards towards Cassiopeia a good marker for the northern spring night sky here located some 25 miles west of Aberdeen. This photo was taken on the evening I first used a DSLR, a Fuji S2 and a comparative image from that source is SM39013. This photo is taken using Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 24mm Nikkor f2.8 lens with an exposure around 15-20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Cassiopeia, Arc, Rays, Northern Lights, Merry Dancers, 2003, spring, SLR, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, film, slide, scanned, Fuji

Aurora Folding Arc AB9076334JHP
Aurora Borealis Folding Arc rays Crathes Deeside Scotland Northern Lights taken near midnight on the 1st May, 1990 at the Ley near Crathes just to the east of banchory on Royal Deeside some 18 miles west of Aberdeen. After an very busy night of displays this renewed arc became active and started to bend and snake with rays climbing from it and giving the illusion of large floating curtains. The colour was mainly from nitrogen giving the mauve hue and the display continued until dawn light around 3.00am started to drown it out. Fuji slide film pushed processed to 1600asa and taken with a Nikon FM2 body and 28mm Nikkor f2.8 lens with an exposure around 15-20 seconds.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, Arc, folding, Rays, Northern Lights, Merry Dancers, landscape, photo, photograph, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest

Aurora First Fuji S2 sm39013jhp
Aurora Borealis Rays arc spring Aberdeenshire Scottish red rays Cassiopeia photo taken on the 30th March, 2003 around 22.30hrs looking northwards towards Cassiopeia a good marker for the northern spring night sky here located some 25 miles west of Aberdeen. This photo was taken on the evening I first used this DSLR, a Fuji S2 and a comparative image from that source using slide film is ab0336jhp. The 15mm Sigma f2.8 lens with an exposure of 16 seconds at 1600ISO but because the lens focal length is reduced becuase of the CCD it was equivalent to 19mm.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Cassiopeia, Arc, Rays, Northern Lights, Merry Dancers, 2003, spring, DSLR, Fuji, S2, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time

Aurora 7Mar94 ab9477jhp
Aurora Scotland winter display green rays arc Merry Dancers Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east with the Plough or Usra Major lying side on at the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, The Plough, Ursa Major, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab9476jhp
Aurora Borealis display green rays folded arc Aberdeenshire Scotland north stars taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east with the tail of The Plough dropping down at the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, northwards, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab9474jhp
Aurora Northern Lights Scottish Cassiopeia green rays folded arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east in this photo with Cassiopeia Constellation in the centre of the night sky. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, Cassiopeia, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab9473jhp
Aurora Borealis Scottish winter display green rays yellow meteor arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with the Constellation of Cassiopeia in the centre. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. In this photo there is also evidence of a small meteor streak to the top of the right hand rays.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, Cassiopeia, meteor, shooting star, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94636jhp
Aurora Borealis Scotland north Cassiopeia green rays folded arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east with Cassiopeia lying towards the left side of the photo. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. The Star Constellation Cassiopeia is an ideal spring marker for the northern sky and likely area for Aurora displays- the autumn winter star marker is The Plough or Ursa Major.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Cassiopeia, Merry Dancers, 1994, March, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94635jhp
Aurora Borealis Scottish winter display green rays folded arc curtains Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94634jhp
Aurora Borealis Scotland evening display green rays folded arc curtains Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north and slightly towards the east. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94633jhp
Aurora Borealis Scottish winter display green rays purple arc westwards Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north here towards the West over a stand of Arran trees. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, nitrogen, purple, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94631jhp
Aurora Borealis Scotland Deeside westwards tree winter display green nitrogen gas rays arc Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with Cassiopeia lying to the right top. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT. This photo was used as the cover image for The Aurora, a book published by me in 1997, now sadly out of print but still avaiable on the second hand market.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94630jhp
Aurora Borealis Scottish winter display green rays breaking arc Cassiopeia Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with the Constellation Cassiopeia lying to the top right a good spring marker. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, Cassiopeia, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94629jhp
Aurora Borealis Scotland Aberdeenshire westwards winter display green rays arc taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north with Cassiopeia sitting to the right hand side. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, westwards, trees, silhouette, display, winter, spring, Torphins, Arc, folded, curtains, green, Rays, Cassiopeia, Northern Lights, Merry Dancers, 1994, March, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, nitrogen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora 7Mar94 ab94617jhp
Aurora Borealis Scottish winter display green double arc Deeside Aberdeenshire taken on the 7th March, 1994 at Crooktree, 25 miles west of Aberdeen looking from west to north, these Arran trees being in a westerly direction towards Craigton Hill and Kincardine O'Neil. This was the best of seven nights in a row of displays during one of the most active phases of the 90’s Solar Cycle. This photo was scanned from a 35mm colour slide film, Fuji RDP pushed processed for a 1600asa rating using a Nikon FM2, 28mm f2.8 lens wide open at around 20 seconds. What was unusual about this display was the very distinct folding of the arc giving a distinct curtain effect from the many moving rays, the green colours being from low altitude oxygen ionisation around 20.00hrs GMT.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, winter, spring, Torphins, double, Arc, folded, curtains, green, Rays, Northern Lights, Merry Dancers, 1994, March, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, slide, scanned, Fuji, RDP, exposed, time, long

Aurora Corona over forest AB3831JHP
Aurora Corona Colourful Spectacular Scots Winter Zenith Rays Wings Photo developing over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this occurred around 16.00 hours on 20th November 2003; photo scanned off 35mm slide film.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, Arc, Rays, Northern Lights, Merry Dancers, landscape, photo, photograph, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest

Aurora Corona over forest AB3829JHP
Aurora Borealis Corona Double Zenith Wings Fanning Forest Top Trees Silhouetted developing over Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this occurred around 16.00 hours on 20th November 2003; photo scanned off 35mm slide film rated at 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, Arc, Rays, Northern Lights, Merry Dancers, upright, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, cassiopeia, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, forest

Aurora Corona over Forest AB3809JHP
Aurora Borealis Corona Coloured Wings Treetop Southern Deeside Winter Evening bursting into activity over the pines and larches of Ord Fundlie forest near Kincardine O'Neil on Royal Deeside west of Aberdeen and unusually this occurred around 16.00 hours on 20th November 2003. This is scanned off a 35mm slide using Fuji 400asa film, pushed to 1600asa with an exposure of 20 seconds at f2.8 on 24mm lens.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, crown, fan, Arc, Rays, Northern Lights, Merry Dancers, upright, photo, photograph, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, whirls, celestial, clouds, nature, dark, nights, night-time, forest

Aurora Corona & Clouds AB03525JHP
Scottish Aurora Borealis Rays Red Corona Cloud Gap Stars Autumn Night Sky activity breaking through fairly dense cloud cover at 22.22hrs UT on the 29th October, 2003 above Deeside near Torphins 25 miles west of Aberdeen in North East Scotland. This is scanned from Fuji 35mm 400asa film rated at 1600asa.
Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Corona, zenith, Arc, Rays, Northern Lights, Merry Dancers, landscape, photo, photographs, slide, scanned, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, green, yellow, pink, colourful, colorful, coloured, colored, colours, colors, moon, whirls, celestial, clouds, nature, dark, nights, night-time, tree

Egypt > Abydos & Dendara (11 files)

Images of two important sites north of Luxor near the River Nile but usually visted as an extra tour either by road or a day cruise.

Dendara Temple EG962148jhp
Dendara temple Qena Nile Egypt entrance Coptic Basilica ruins approach to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan

Dendara Temple EG962147jhp
Dendara temple Nile Egyptian ancient Nectanebo Coptic Basilica ruins sunny approach to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan

Dendara Temple EG9621413jhp
Dendara temple Egypt entrance hypostyle hall outer reliefs sistraform Hathor faces to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, basilica, Coptic, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Ptolemy, Cleopatra, Roman, Tiberius, Nectanebo 1, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan

Dendera Temple EG007129jhp
Dendera temple Egypt Tiberian Hall ceiling carvings painted Hathor damaged faces in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo is of the elaborate ceiling and columns of the Tiberian columned hall which first faces the visitor entering the temple proper. The tops of the columns have Hathor faces vandalised in antiquity, probably when it was filled with sand and seen as pagan for the earlier Christians who often used these temples as churches and were thus easily able to obliterate the faces. What is very wonderful even today is the elaborate nature of the decorations not only on the ceilings but also covering in exquisite details all the sides of the columns and the surrounding walls. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa

Dendera Temple EG007125jhp
Dendara Dendarah temple Nile Egypt hieroglyphs wall carving spotlight sun in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. Walking around the many darkly lit passages and rooms there are occasional gems like this where a hole in the ceiling or wall lets a spotlight of sunshine highlight just one part of the elaborately carved and decorated walls.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa

Dendera Temple EG007123jhp
Dendara temple Qena Nile Egypt roof sacred lake chapel kiosk in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the roof view of one of the two rooms on the roof of the hypostyle hall which were mortuary suites for Osiris. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa

Dendera Temple EG007122jhp
Dendara Dendera temple Qena Nile Egypt roof sacred lake mudbrick walls desert taken from this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.This photo shows the view from the roof of the temple looking south westwards over the Sacred Lake, now filled with palm trees and beyond the mudbrick enclosure or boundary wall. The water here was used for rituals carried out during the Feast of Osiris and nearby is the well from which the water was drawn. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa

Dendera Temple EG007118jhp
Dendera Dendarah temple Egyptian wall Cleopatra Caesarion carvings outer wall in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion as are shown in this photo taken of the outside wall at the south western corner near the Iseum and the Sacred Lake. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan, Fuji, Velvia, 50asa

Dendara Mammisi EG21213jhp
Dendara temple Qena Nile Egypt mammisi birth house screen carving beautiful and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
Keywords: Egypt, Egyptian, Dendara, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Late, period, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, 1996, 645, slide, film, transparency, Bronica, ETRSi, scanned, scan

Dendara Hathor Columns eg007316jhp
Dendara Temple carved Hathor reliefs New Year Chapel ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is a small Chapel for celebrating the New Year is reached from the Second Vestible and is partly open air.
Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, New, Year, Chapel, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, coulmns, reliefs, carving, decoration, colour, negative, film, scanned

Dendara Hathor Column eg007317jhp
Dendara Temple carved Hathor reliefs New Year Chapel ancient Egypt, north of Luxor survives as one of the finest examples of the Late Period and the main buildings visited today date from fourth century BC in to the Roman period. It has a notable rare representation of the famous Cleopatra, some beautiful carvings and is relatively unscathed by the ravages of time, desecration and being dismantled for building materials. This photo is a small Chapel for celebrating the New Year is reached from the Second Vestible and is partly open air.
Keywords: Egypt, Egyptian, Dendara, Dendera, Temple, upright, New, Year, Chapel, ceiling, Nut, sky, night, history, archaeology, ancient, Egyptology, goddess, Ba, Hathor, coulmns, reliefs, carving, decoration, colour, negative, film, scanned

Egypt > Aswan in general (106 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.

Aswan Nubian Village EG949123jhp
Aswan Nubian village houses Nile felucca Waterfront Egypt ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, Nubian, village, houses, colourful, painted, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, Oberoi, Hotel, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, scan, scanned

Aswan Nile Cruise EG949334jhp
Aswan Egypt cruiseboat deck swimming pool RA11 Eastmar Promenade Nile in southern Egypt with an array of restaurants, berths for cruiseboats and ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery.

This view is taken from the main top deck of the Eastmar RA11 which was the Egyptian end of the Kuoni package tours which at that time had a berth near the city centre. It was my first trip to Egypt in September 1994 and we had left Edfu after spending nearly a whole morning berthed after the temple trip because of gale force winds and rain storms and the journey south to Kom Ombo was decidedly uncomfortable at times. Arriving in Aswan to blue skies and glorious sunshine was a huge relief and sitting by the pool swept all those grey feelings away.
Keywords: Egypt, Egyptian, Aswan, River Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, sailing, boats, cruiseboats, motorboats, street, gardens, park, landscape, cruiseboat, RA11, swimming, pool, deckchairs, beds, towels, tourists, package, tour, Eastmar, boat, 1994, 35mm, slide, film, Fuji, RDP, Nikon, FM2, manual, scan, scanned

Aswan Nile EG005210jhp
Aswan Egypt Municipal Gardens Promenade River Nile Oberoi Hotel panorama northwards in southern Egypt with an array of restaurants, berths for cruiseboats and ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery.
Keywords: Egypt, Egyptian, Aswan, River Nile, waterfront, riverside, gardens, municipal, promenade, esplanade, berths, restaurants, ferry, felucca, sailing, boats, cruiseboats, motorboats, street, gardens, park, landscape, cruiseboat, package, tour, 2000, 35mm, slide, film, Fuji, Velvia, Nikon, FM2, manual, scan, scanned

Aswan Aga Khan EG949027jhp
Egyptian Aswan river Nile Aga Khan Mausoleum start steps elegant beautiful and a visit is often a part of a trip to visit an exhibition Nubian Village passed by boats travelling to the cataract islands such as Seheil or on the traditional afternoon sail offered in most tour packages and one route for those visiting the Monastery of St Simeon. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat. The Mausoleum is for the Third Aga Khan who died in 1957 built by his widow his Begum or former wife and is in solid marble. The current Aga Kahn, his grandson Karim, is the leader of the Shi i Sect of Ismaili Muslims. The Tomb is occasionally open but usually a visit entails a climb by steps and apart from a close view of this beautiful building offers wonderful view over Aswan and the River Nile.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, Nubia, Nubian, sand, dunes, cataracts, water, riverside, riverbank, landscape, palm, trees, travel, tourists, tourism, cruise, desert, divine, wife, embracer, Islamic, Saint, venerated, prominent, hilltop, Begum, widow, Fatimids, Shii, sect, Ismaili, Muslims, Mausoleum, tomb, Aga, Khan, third, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, scan, scanned

Aswan Felucca EG9616933jhp
Aswan Felucca sailing trip beads Nubian trinkets selling tourists Egypt as part of the regular package tour excursion from a cruiseboat passing the promenade with an array of restaurants, berths for cruiseboats and ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery.
Keywords: Egypt, Egyptian, Aswan, River Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, sailing, boats, cruiseboats, motorboats, street, gardens, park, landscape, upright, tourists, women, beads, necklaces, Nubian, selling, gifts, 1996, slide, film, 35mm, Nikon, FM2, Fuji, RDP, scanned, scan

Aswan Elephantine EG004832jhp
Elephantine Island Aswan Egyptian script Satet Senusret temple hieroglyphs insert visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004831jhp
Elephantine Egyptian restoration temple building Satet Satis Sesostris Senusret visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004830jhp
Elephantine Island Aswan Egypt temple painted reliefs cartouche Gods outlines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004829jhp
Elephantine Island Aswan Egyptian restoration Satis temple pillar Hathor face visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004828jhp
Elephantine Aswan Egypt restoration Satet temple God Amun Min ithyphallic visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004827jhp
Elephantine Island Aswan Egypt restoration temple Satis Satet coloured reliefs lines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004826jhp
Elephantine Egyptian Satis painted relief carving lotus wine jars duck offering visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004825jhp
Elephantine Island Aswan Egypt restoration temple painted relief Anukis Anuket visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004824jhp
Elephantine Island Aswan Egypt Satis Tuthmosis embrace restored temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Tuthmosis 111, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004823jhp
Elephantine Island Aswan Egypt restoration temple coloured relief Amun pharaoh khepresh visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Amun, Tuthmosis 111, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004822jhp
Elephantine Island Aswan Egypt painted relief feet partial restoration Satis temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004821jhp
Elephantine Island Aswan Egyptian restoration temple buildings coloured blocks visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004820jhp
Elephantine Island Aswan Egypt restoration temple Satet Senusret Satis restored visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Senusret, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004819jhp
Elephantine Island Aswan Egypt restoration Satis Sesostris Senusret temple column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Senusret, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004818jhp
Elephantine Island Aswan Egypt granite carved plinth Gods pharaoh offering scene visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005025jhp
Elephantine Island Aswan Egypt River Nile fellucca Old Cataract Hotel sailing past visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, tourists, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005024jhp
Elephantine Island Aswan Egypt River Nile Nilometer boulders huge riverbank visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005023jhp
Elephantine Island Aswan Egypt Nilometer boulders carvings cartouche Nile water visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005022jhp
Elephantine River Nile Nilometer riverside Aswan Egyptian water boulders brick wall visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005021jhp
Elephantine Island Aswan Egypt garden museum seated statue nomarch peaceful visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005020jhp
Elephantine Island Aswan Egypt museum open air garden seated statue visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005019jhp
Elephantine Island Aswan Egypt garden museum trees flowers amphora Roman jar visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005018jhp
Elephantine Island Aswan Egypt Nilometer steps measuring water Nile floods visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005016jhp
Aswan Egypt Nilometer steps River Nile Old Cataract Hotel stone walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005015jhp
Elephantine Aswan Nilometer Cataract Hotel steps stone Nile river water Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004836jhp
Elephantine Island Aswan Egyptian buildings mudbrick walls streets room houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004836Ejhp
Elephantine Island Aswan Egyptian shrines cult Heqa-ib Heka-ib deified governor Abu restoration Egypt visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004835jhp
Elephantine Aswan Egypt restored room column bases buildings mudbrick Abu visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004834jhp
Elephantine Aswan Egypt late dynasty houses mudbrick tiers walls rooms visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG004833jhp
Elephantine Island Aswan Egyptian column palm buildings mudbrick walls village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00509jhp
Elephantine Island Aswan Egyptian excavations temple Alexander Gate Cataract Hotel visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00508jhp
Elephantine Island Aswan Egypt restoration village buildings mudbrick Nile upstream view visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upstream, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, New, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00507jhp
Elephantine Island Aswan Nile River upstream Egypt buildings mudbrick walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00506jhp
Elephantine Island Aswan Egyptian buildings mudbrick Mausoleum desert Late Period remains visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00505jhp
Elephantine Island Aswan Egypt restored partially mudbrick houses Mausoleum Nile river visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, panorama, landscape, Mausoleum, Aga, Khan, Desert, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00504jhp
Elephantine Island Aswan Egyptian restoration temple buildings mudbrick modern city outline visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00503jhp
Elephantine Island Aswan Egypt overview restored houses buildings mudbrick village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG00502jhp
Elephantine Island Aswan Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005014jhp
Elephantine Island Aswan Egypt restoration Alexander gate gateway column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005013jhp
Elephantine Island Aswan EgyptAlexander gatway carved papyrus column base visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005012jhp
Elephantine Island Aswan Egypt naos Nectanebo granite temple debris blocks scattered on this site visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, granite, naos, Pepi 11, Nectanebo 11, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005011jhp
Elephantine Island Aswan Egypt Nile downstream Oberoi buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

Aswan Elephantine EG005010jhp
Elephantine Island Aswan Egypt Nile New Cataract Hotel buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest.
Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water

$Aswan Quarry EG949313ajhp Aswan granite quarry levels layers hole marks Ptolemaic Roman period Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1994, slide, film, 35mm, format, Fuji, RDP, daylight, scanned, scan, Nikon, FM2, manual$

Aswan High Dam EG9617219jhp
Aswan Russian monument inside tourists Russia crown concrete Egypt motifs construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, cement, concrete, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual

Aswan High Dam EG9617218jhp
Aswan Russian monument Dam Nile crown zenith upwards inside Lake Nasser Egypt construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, cement, concrete, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual

Aswan High Dam EG9617217jhp
Aswan Russian monument High Dam Nile crown concrete Egypt flowers construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In this photo is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built in co-operation with the People of Egypt. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, crown, architecture, design, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, landscape, rocks, boulders, granite, flowers, flora, visitors, tourists, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1996, slide, film, scanned, scan, Fuji RD, Nikon, FM2, manual

$Aswan Quarry EG00459jhp Unfinished Obelisk Granite huge side view long to top Quarry Aswan ancient Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00458jhp Unfinished Obelisk Granite channel base pounding Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00457jhp Abandoned Obelisk Granite side trench Quarry insitu background Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00456jhp Unfinished Obelisk Granite huge side channel gully long view Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00455jhp Granite huge Quarry workings techniques holes metal working Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, metal, copper, iron, chisel, marks, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00454jhp Granite huge Quarry workings techniques chisel marks remains pink Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00453jhp Granite pink red Quarry chisel cuts workings techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG00452jhp Granite closeup quarry Ptolemaic Roman techniques slots line fracture technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG004515jhp Granite pink grey Quarry workings panorama later techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG004514jhp Granite huge Quarry metal teeth late workings remains technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG004513jhp Granite Quarry general overview old workings levels removed Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG004512jhp Unfinished Obelisk Granite huge split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG004511jhp Unfinished Obelisk Granite huge top view broken fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG9617232jhp Unfinished Obelisk Granite huge top view centre fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG9617231jhp Unfinished Obelisk Granite central over view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG9617230jhp Unfinished Obelisk Granite channel pounded trench Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual$

$Aswan Quarry EG02155ajhp Unfinished Ramses Colossus Granite abandoned hill top Tlaina Quarry Aswan Southern Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan$

$Aswan Quarry EG02154ajhp Unfinished Colossus Granite abandoned head face Ramses Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan$

$Aswan Quarry EG02153ajhp Unfinished Colossus Granite base feet abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan$

$Aswan Quarry EG02152ajhp Unfinished Colossus Granite rear Egyptians locals abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan$

$Aswan Quarry EG02151ajhp Unfinished Colossus Granite abandoned fractured rear Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed. The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan$

Aswan Sunset EG961637jhp
Egypt Aswan Sunset Nile Qubbet el-Hawwa Dome red purple fellucca silhouette on the West Bank of the River Nile viewed from the berth of cruseboat on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. This may need extra sharpening as taken on a tripod and was a time exposure but there would have been some movement from the boat on the water or engine vibrations.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, landscape, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, corniche, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan

$Aswan Quarry EG94423jhp Unfinished Obelisk Granite huge abandoned fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan$

High Dam Aswan EG94421jhp
Aswan High Dam River Nile Lake Nasser Egypt construction huge project from 1960 to 1969 ultimately led to the relocation of many Egyptian temples from Abu Simbel to Philae. In the distance is the crown like monument built by the Russian workmen in celebration of the completion of the project which they built. The High Dam is often visited during a trip to the Unfinished Obelisk in a local quarry as a break from many other after the Philae island excursion with many trips offered on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, High, Dam, British, Russian, monument, Lake, Nasser, reservoir, second, largest, Africa, waterfront, riverside, upright, landscape, rocks, boulders, granite, electricity, hydro, Nilometer, island, museum, temples, ancient, predynastic, strategic, 1994, slide, film, 645, transparency, scanned, scan, Bronica, ETRSi

Corniche Aswan EG961681jhp
Aswan Corniche River Nile Waterfront Egypt berths feluccas ferry cruiseboat view for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, landscape, rocks, boulders, granite, Coptic, Cathedral, Oberoi, Hotel, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, 1996, scanned, scan, 645, slide, film, transparency, Bronica, ETRSi

Aswan Waterfront EG94432jhp
Aswan Promenade River Nile Waterfront Egypt feluccas RA11 bow berth for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. The bow of the RA11, an Eastmar operated cruiseboat lifted up to allow it to tuck in closer in the restricted space.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, Oberoi, Hotel, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, scanned, scan, slide, 645, transparency, film, Bronica, ERTSi, 1994, Eastmar, RA11, cruiseboat

Aswan River Nile EG052716jhp
Egypt Egyptian Aswan river Nile riverbank old new cataract hotels seen as part of a trip to visit to the cataract islands such as Seheil and on the return a chance to see the upper reaches of the Nile and its cataracts between Aswan City proper and the British Dam. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, East, Bank, Nubia, Nubian, feluccas, motorboat, cataract, old, new, hotel, famous, Death, Christie, book, film, setting, water, riverside, riverbank, steps, gardens, veranda, balconies, luxury, 2005, landscape, palm, holiday, travel, tourists, tourism, cruise, vegetation, trees, modern, style

Aswan River Nile EG052715jhp
Egypt Egyptian Aswan river Nile riverbank Old cataract Hotel feluccas landing seen as part of a trip to visit to the cataract islands such as Seheil and on the return a chance to see the upper reaches of the Nile and its cataracts between Aswan City proper and the British Dam. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, East, Bank, Nubia, Nubian, feluccas, motorboat, cataract, old, hotel, famous, Death, Christie, book, film, setting, water, riverside, riverbank, steps, gardens, veranda, balconies, luxury, 2005, upright, palm, holiday, travel, tourists, tourism, cruise, vegetation, trees, modern, style

Aswan River Nile EG052714jhp
Egyptian Old Cataract Hotel boat guests Aswan river Nile riverview passed as part of a trip to visit to the cataract islands such as Seheil and on the return a chance to see the upper reaches of the Nile and its cataracts between Aswan City proper and the British Dam. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, East, Bank, Nubia, Nubian, feluccas, motorboat, cataract, old, hotel, famous, Death, Christie, book, film, setting, water, riverside, riverbank, steps, gardens, veranda, balconies, luxury, 2005, landscape, palm, holiday, travel, tourists, tourism, cruise, vegetation, trees, modern, style

Aswan River Nile EG052713jhp
Egypt Aswan river Nile Hotel old Cataract feluccas sailing riverside view part of a trip to visit to the cataract islands such as Seheil and on the return a chance to see the upper reaches of the Nile and its cataracts between Aswan City proper and the British Dam. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, East, Bank, Nubia, Nubian, feluccas, motorboat, cataract, old, hotel, famous, Death, Christie, book, film, setting, water, riverside, riverbank, steps, gardens, veranda, balconies, luxury, 2005, landscape, palm, holiday, travel, tourists, tourism, cruise, vegetation, trees, modern, style

Aswan River Nile EG052712jhp
Egypt Egyptian Aswan Nile water motorboat trip hotel cataract old part of a trip to visit to the cataract islands such as Seheil and on the return a chance to see the upper reaches of the Nile and its cataracts between Aswan City proper and the British Dam. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, East, Bank, Nubia, Nubian, feluccas, motorboat, passengers, full, passing, cataract, old, hotel, famous, Death, Christie, book, film, setting, water, riverside, riverbank, steps, gardens, veranda, balconies, luxury, 2005, landscape, palm, holiday, travel, tourists, tourism, cruise, vegetation, trees, modern, style

Aswan River Nile EG052706jhp
Egypt Aswan river Nile riverside hotels old new cataract rocks part of a trip to visit to the cataract islands such as Seheil and on the return a chance to see the upper reaches of the Nile and its cataracts between Aswan City proper and the British Dam. What is also important is the close awareness of the inhospitable nature of the cataracts, now benign because of the impact of the two dams across the river, but imagining these huge rocks in a Nile inundation and one could understand the barrier that it created for those travellers trying to head further south by boat.
Keywords: Egypt, Egyptian, ancient, Aswan, city, River, Nile, East, Bank, Nubia, Nubian, feluccas, motorboat, cataract, old, new, hotel, famous, Death, Christie, book, film, setting, water, riverside, riverbank, steps, gardens, veranda, balconies, luxury, 2005, landscape, palm, holiday, travel, tourists, tourism, cruise, vegetation, trees, modern, style

Aswan River Nile EG052854jhp
Aswan River Nile Egyptian cataract motorboats race close tourists water trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colourful, speeding, exhilerating, fun, motorboats, upright, wash, rocks, boulders, granite, islands

Aswan River Nile EG052853jhp
Aswan River Nile Egypt cataract motorboats passengers camerman people tourists trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colourful, speeding, exhilerating, fun, motorboats, landscape, rocks, boulders, granite, islands

Aswan River Nile EG052852jhp
Aswan River Nile Egyptian cataract motorboats boulders race tourists trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colours, colors, colourful, speeding, exhilerating, fun, motorboats, landscape, rocks, boulders, granite, islands

Aswan River Nile EG052851jhp
Aswan River Nile Egyptian motorboats visitors passengers camerman roof perched trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colourful, speeding, exhilerating, fun, motorboats, camerman, roof, perched, landscape, rocks, boulders, granite, islands

Aswan River Nile EG052850jhp
Aswan River Nile Egypt cataract motorboats boulders passengers race trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colourful, speeding, exhilerating, fun, motorboats, landscape, rocks, boulders, granite, islands

Aswan River Nile EG052849jhp
Aswan River Nile Egypt cataract motorboat boulders boat trip for on the river to the Nubian Village in this case and it is rather exhilerating race through the rock strewn cataracts by motorboat but can also be a more sedate felucca sail from the hotels or cruiseboat to Elephantine Island and Museum, Kitchener Botanical Gardens, the Nubian Village, Cataracts or the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the Aswan promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, Nubian, Village, boat, trip, tourists, passengers, colourful, speeding, exhilerating, fun, motorboats, landscape, rocks, boulders, granite, islands

Aswan Rubbish Collection EG052740jhp
Aswan Promenade River Nile Cruiseboat berths rubbish collection motorboat Egyptians pass along the berthed cruiseboats collecting plastic bags from this area ideal for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, rubbish, collection, Egyptians, men, workers, uniforms, dungarees, plastic, bags, boxes, garbage, recyling, conservation, cruiseboat, motorboat, municipal, landscape

Aswan Nile Cruiseboats EG052745jhp
Aswan River Nile Waterfront Egypt berthed Romance Beauty cruiseboats and nearby ferry points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, boats, cruiseboats, landscape, northern, end, Romance, Beauty, red, white, livery

Aswan Hotel Oberoi EG052732jhp
Aswan Elephantine Island River Nile Egyptian Hotel Oberoi Tower ferry landing point for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, restaurant, ferry, felucca, motorboat, upright, Oberoi, Hotel, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic

Aswan Coptic Cathedral EG052729jhp
Aswan Promenade Nile water waterfront Egypt Coptic Cathedral motorboat sailing for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, water, waterfront, riverside, promenade, esplanade, berths, ferry, felucca, feluccas, boats, sails, furled, sailing, motorboat, street, upright, Coptic, Cathedral, towers, dome, Cross, blue, sky, sunshine, trees

Aswan Coptic Cathedral EG052728jhp
Aswan Promenade River Nile Coptic Cathedral Egypt feluccas ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, ferry, felucca, feluccas, boats, motorboats, street, landscape, Coptic, Cathedral, towers, dome, Cross, blue, sky, sunshine

Aswan Coptic Cathedral EG052724jhp
Aswan Coptic Cathedral towers River Nile Waterfront Egypt felucca sailing passengers ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, ferry, felucca, saling, people, passengers, feluccas, boats, motorboats, street, landscape, Coptic, Cathedral, towers, dome, Cross, blue, sky, sunshine

Aswan Coptic Cathedral EG052723jhp
Aswan Coptic Cathedral River Nile Waterfront Egyptian feluccas bows anchored for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, ferry, felucca, feluccas, boats, furled, sails, motorboats, street, upright, Coptic, Cathedral, towers, dome, Cross, blue, sky, sunshine, trees

Aswan Oberoi & Felucca EG052730jhp
Aswan River Nile Elephantine Island Oberoi Hotel Egypt felucca sailing landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, landscape, rocks, boulders, granite, Oberoi, Hotel, square, tower, Nilometer, cartouches, Elephantine, island, ancient, predynastic, strategic, Nubian, village, houses

Aswan Nilometer EG052719jhp
Aswan River Nile boulders cartouches Psamtik Neferibre Egyptian Nubia Elephantine as seen from the river trips to hotels, Elephantine Island, the Nilometer and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. The cartouches on this huge granite boulders near the Nilometer are of Psamtik 11 record his military expeditions into Nubia in 592BC and graffiti from some of his mercanary soldiers has been found on the Abu Simbel Statues.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, motorboat, landscape, rocks, boulders, granite, carvings, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, cartouches, Psamtik, Psammetichus, Neferibre, Nubia, military, foray

Aswan Nilometer EG052718jhp
Aswan River Nile Nilometer cartouche Psamtik Egypt Nubia Elephantine as seen from the river trips to hotels, Elephantine Island, the Nilometer and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. The cartouches on this huge granite boulders near the Nilometer are of Psamtik 11 record his military expeditions into Nubia in 592BC and graffiti from some of his mercanary soldiers has been found on the Abu Simbel Statues.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, motorboat, landscape, rocks, boulders, granite, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, cartouche, Psamtik, Psammetichus, Nubia, military, foray

Aswan Municipal Gardens EG052722jhp
Aswan River Nile Waterfront Egypt Municipal Gardens Cataract hotels boulders seen from a motorboat trip on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens which are above these boulders in this photo, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile seen to the right.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, landscape, rocks, boulders, granite, old, new, Cataract, Hotels, east, bank

Aswan Municipal Gardens EG052721jhp
Aswan City Nile Boat trip Egyptian Municipal Gardens Cataract hotels boulders seen from a motorboat trip on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens which are above these boulders in this photo, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile seen to the right.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, landscape, rocks, boulders, granite, old, new, Cataract, Hotels, east, bank

Aswan Feluccas Berthed EG052726jhp
Aswan Promenade River Nile Egypt berthed feluccas ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, promenade, esplanade, berths, restaurant, ferry, landing, departing, felucca, feluccas, sailing, boats, motorboats, street, landscape, east, bank, flowers, oleander

Aswan Elephantine Museum EG052720jhp
Aswan River Nile Elephantine Island Museum felucca ferry landing points fone of the trips on the river to hotels, Elephantine Island and Museum seen in this photo, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, ferry, felucca, feluccas, sailing, boats, motorboat, street, municipal, gardens, park, landscape, rocks, boulders, granite, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic

Aswan Elephantine Ferry EG052725jhp
Aswan River Nile Waterfront Egypt Elephantine Island feluccas ferry motorboat for trips on the river to hotels, Elephantine Island, Nilometer and Museum seen in the background of this photo, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, waterfront, riverside, berths, ferry, felucca, feluccas, sailing, boats, motorboats, landscape, rocks, boulders, granite, Nilometer, Elephantine, island, Nilometer, museum, temples, ancient, predynastic, strategic

Aswan Cataract Hotel Entrance EG053045JHP
Aswan Cataract Hotel entrance main road rear view photograph with its connection to the Death on the Nile film is at the start of the promenade after the municipal park by River Nile in southern Egypt with an array of restaurants, berths for cruiseboats and ferry landing points for trips on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery.
Keywords: Egypt, Egyptian, Aswan, River Nile, Cataract Hotel, hotel, entrance, road, flowers, shrubs, oleander, palm trees, driveway, waterfront, riverside, promenade, street, gardens, park, landscape

Egypt > Cairo City (1 file)

Photos relating to the City itself and River Nile activities. The Museum and Giza Pyramids are in separate galleries.

River Nile Cairo EG951106jhp
Egypt Cairo River Nile Hilton Hotel view evening sunset colours clouds taken from the 22nd floor of the hotel during a visit in 1995.
Keywords: Egypt, Egyptian, River, Nile, Cairo, holiday, evening, sunset, water, cruiseboat, sailing, night, riverside, city, buildings, lights, landscape, tourism, colours, colors, colourful, colorful, hotel, floor, high, viewpoint, Hilton, Ramses, 22nd, 1995, 645, slide, film, transparency, scanned, scan, Bronica, ETRSi

Egypt > Colossi of Memnon (5 files)

Photos of this most visited site on the west bank of the River Nile at Luxor -popular coach stopover for photo shoot.

Colossi Memnon EG206427jhp
Colossi Memnon statues seated summer Luxor Egyptian palm framed blue sky that are the most famous remains of Amenhotep's mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitor’s first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts as well as defining the whole of the remains of the temple complex.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hills, fields, River, Nile, landscape, upright, history, archaeology, ancient, Egyptology, Amenhotep, Amenophis, Pharaoh, Tiye, Queen, Mother, mortuary, temple, Colossi, Memnon, seated, statues, side, panels, Union, Upper, Lower, earthquake, damaged, repairs, Severus, blue, sky, sunny, sunshine, roadside, coachstop, excavations, 2000, July, 35mm, Velvia, slides, film, scanned, scan, camera, Nikon, FM2

Colossi Memnon EG206425jhp
Colossi Memnon statue seated summer Luxor Egypt framed blue sunshine that are the most famous remains of Amenhotep's mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitor’s first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts as well as defining the whole of the remains of the temple complex.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hills, fields, River, Nile, landscape, upright, history, archaeology, ancient, Egyptology, Amenhotep, Amenophis, Pharaoh, Tiye, Queen, Mother, mortuary, temple, Colossi, Memnon, seated, statues, side, panels, Union, Upper, Lower, earthquake, damaged, repairs, Severus, blue, sky, sunny, sunshine, roadside, coachstop, excavations, 2000, July, 35mm, Velvia, slides, film, scanned, scan, camera, Nikon, FM2

Colossi Memnon EG206424jhp
Colossi Memnon statues seated Luxor Theban hills Egypt blue July sunshine that are the most famous remains of Amenhotep's mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitor’s first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts as well as defining the whole of the remains of the temple complex.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hills, fields, River, Nile, landscape, history, archaeology, ancient, Egyptology, Amenhotep, Amenophis, Pharaoh, Tiye, Queen, Mother, mortuary, temple, Colossi, Memnon, seated, statues, side, panels, Union, Upper, Lower, earthquake, damaged, repairs, Severus, blue, sky, sunny, sunshine, roadside, coachstop, excavations, 2000, July, 35mm, Velvia, slides, film, scanned, scan, camera, Nikon, FM2

Colossi Memnon EG206423jhp
Colossi Memnon statues seated Pharoah Egypt Jim Henderson Photograph summer day at this site with the most famous remains of Amenhotep's mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitor’s first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts as well as defining the whole of the remains of the temple complex.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hills, fields, River, Nile, landscape, upright, history, archaeology, ancient, Egyptology, Amenhotep, Amenophis, Pharaoh, Tiye, Queen, Mother, mortuary, temple, Colossi, Memnon, seated, statues, side, panels, Union, Upper, Lower, earthquake, damaged, repairs, Severus, blue, sky, sunny, sunshine, roadside, coachstop, excavations, 2000, July, 35mm, Velvia, slides, film, scanned, scan, camera, Nikon, FM2

Colossi Memnon EG206422jhp
Colossi Memnon Amenhotep statues seated Thebes west bank Egyptian blue sky July sunshine that are the most famous remains of Amenhotep's mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitor’s first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts as well as defining the whole of the remains of the temple complex.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hills, fields, River, Nile, landscape, history, archaeology, ancient, Egyptology, Amenhotep, Amenophis, Pharaoh, Tiye, Queen, Mother, mortuary, temple, Colossi, Memnon, seated, statues, side, panels, Union, Upper, Lower, earthquake, damaged, repairs, Severus, blue, sky, sunny, sunshine, roadside, coachstop, excavations, 2000, July, 35mm, Velvia, slides, film, scanned, scan, camera, Nikon, FM2

Egypt > Edfu Temple (25 files)

Photos in this gallery are of Edfu Temple, one of the best preserved in Egypt, and usually the first first visit after leaving Luxor ona Nile Cruise.

Edfu Temple EG203629jhp
Edfu Temple carvings Egypt exterior pylon rear Ptolemy Horus large of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203635jhp
Edfu Temple pure place new year chapel shrine Egypt vestibule wabt Nut ceiling sky goddess in this Ptolemaic monument located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, statues, inner, vestibule, chapel, shrine, open-air, New Year, festival, procession, Pure, Place, ceiling, Nut, sky, goddess, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203633jhp
Edfu Temple Colonnaded Court Egypt Ptolemaic courtyard Offerings tourists looking to first hypostyle hall with its famous statues of Horus at either side of the entrance is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, statues, pylon, inside, rear, courtyard, Offerings, hypostyle, hall, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203632jhp
Edfu Temple Columns Court Egypt Nile Ptolemaic looking first hypostyle hall with its famous statues of Horus at either side of the entrance is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, statues, pylon, inside, rear, courtyard, Offerings, hypostyle, hall, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203630jhp
Edfu Temple Columns Court Egypt Horus statue first hypostyle hall with its famous statues of Horus at either side of the entrance is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, statues, pylon, inside, rear, courtyard, Offerings, hypostyle, hall, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203627jhp
Edfu Temple town center street calache horse carriage ride tourist transport to Edfu Temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple. Some cruise companies now use coaches as there have been complaints about the care of the horses that has upset visitors and I know on one occasion the driver of the carriage tried to make it race others to get to the temple first-our group warned him no baksheesh and he returned to a walking pace.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, town, transport, horse, drawn, carriage, calache, caleche, street, scene, modern, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203821jhp
Edfu Temple ambulatory carvings offering scene Hathor dieties wine Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, stylized, tray, offerings, female, male, fecundity, deity, food, wine, ducks, cattle, feathers, Hathor, Goddess, horned, sun, disc, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203833jhp
Edfu Temple Egypt exterior North East face wall construction upgrade of this old entrance approach to this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203832jhp
Edfu Temple carvings Egyptian exterior North face wall detailed many Gods of this old entrance approach to this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203831jhp
Edfu Temple Egyptians workmen East side construction modern mudbrick enclosure of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203830jhp
Edfu Temple Egypt exterior East wall construction modern rear pylon of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, construction, modernisation, new, relaying, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203829jhp
Edfu Temple carvings Egyptian exterior East wall detailed many Gods of this temple located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken of the outside of the huge enclosure wall which surrounds the temple giving some idea of the detailed and exquisite carvings that cover all the exterior walls. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. In 200 the normal tourist entrance was from the north and you walked alongside the side of the temple wall and then round to enter the temple proper by the main pylon gate on the south face. However these days the tourist approach is from a new centre situated to the south and walking up to the temple is as was intended after its construction so that the immense pylon dominates as you arrive at the temple.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, carvings, reliefs, Gods, Goddesses, outside, exterior, approach, ambulatory, walkway, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, details, good, condition, Pharaoh, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203828jhp
Edfu Temple ambulatory carvings corner Hathor Hapi Ptolemy Horus Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Hathor, Goddess, Hapi, papyrus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203825jhp
Edfu Temple Hapi wine offering carvings reliefs inside Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Hapi, God, Lower, papyrus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203824jhp
Edfu Temple Egypt ambulatory carvings reliefs Maat three feathers unusual query walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Maat, Goddess, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203823jhp
Edfu Temple ambulatory Pharoah Horus Isis Harpocrates offering scene Egyptian monument is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Isis, Goddess, Horus, falcon, God, child, Harpocrates, sidelock, finger, mouth, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203822jhp
Edfu Temple Horus Hathor Ptolemy Pharaoh reliefs inside Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Hathor, Goddess, Horus, falcon, God, life, lotus, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203812jhp
Edfu Temple ambulatory Maat Hapi offering scene food wine Nature scenes is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. This photo was taken inside the ambulatory a walled walkway surrounding the temple and which is covered in many beautiful and detailed carvings in sunk relief and although some have been damaged by later Christian zealots the overall quality of this workmanship is awesome. Edfu is one of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, offering, offerings, food, wine, ducks, cattle, feathers, Maat, Goddess, life, lotus, Hapi, papyrus, headdress, flowers, good, condition, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203811jhp
Edfu Temple ambulatory enclosed waterspouts reliefs inside Egyptian walkway walls sides is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, ambulatory, walkway, inside, enclosure, enclosed, waterspouts, walls, carvings, reliefs, decorated, detailed, good, condition, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG203810jhp
Edfu Temple Egypt Ptolemy king crowned Wadjet Nekhbet right Goddess is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, Uto, Lower, Upper, union, pylon, inside, rear, courtyard, Offerings, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG20389jhp
Edfu Temple Courtyard Offerings Egypt 2000 Pylon inside Ptolemaic carvings column reliefs is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, rear, courtyard, Offerings, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG20388jhp
Edfu Temple Courtyard Egyptian Pylon inside rear view Ptolemaic column carved Offerings is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, rear, courtyard, Offerings, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG20387jhp
Edfu Temple Courtyard Egyptian Nile Ptolemaic columned walkway carvings Offerings is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, rear, courtyard, Offerings, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG20386jhp
Edfu Temple Courtyard Egypt Nile Ptolemaic columns carvings pylon Offerings looking back to main entrance is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pylon, inside, rear, courtyard, Offerings, pillared hall, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, upright, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Edfu Temple EG20385jhp
Edfu Temple Colonnaded Court Egypt Nile Ptolemaic columns carvings pylon courtyard Offerings looking back to main entrance is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu, Temple, West, Bank, River, Nile, cruise, visit, history, archaeology, ancient, Egyptology, temple, preserved, well, Horus, pillared hall, pylon, rear, inside, courtyard, colonnade, columns, decorated, floral, capital, reliefs, detailed, good, condition, pronaos, Ptolemy, Ptolemaic, landscape, July, 2000, slide, film, Fuji, Velvia, scanned, scan, Nikon, FM2, Tokina, lens

Egypt > Egyptian Museum Cairo (64 files)

Royalty Free photos of exhibits from the Cairo Egyptian Museum taken before current bans with slide film in available light not to studio quality

Model Boat EG012624JHP
Egyptian Museum Exhibit wooden model boats photo interior burial goods illustrating one of many grave goods in the form of model boats in this case to assist the deceased in the Afterlife here in the first floor of the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, wood, burial, grave, good, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Lancers EG012621JHP
Egypt Cairo Museum Exhibit Egyptian Lancers Tomb Assyut Prince Mesehti inside photograph and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed; the shileds should be a background white. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, collection, landscape, Tomb, Prince, Mesehti, Assyut, Lancers, troop, shields, spears, burial, grave, goods, ancient, antiquity, antiquities, exhibit

Boy King Lotus EG1179JHP
Egyptian Cairo Museum young Pharaoh Tutankhamun head lotus flower photo was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Boy King Lotus EG11710JHP
Egyptian Museum young Pharaoh Tutankhamun boys head lotus flower painted was found in his Luxor tomb and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boy, pharaoh, head, lotus, flower, emergence, regeneration, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Water Clock EG11830JHP
Egypt Cairo Museum Exhibit Amenhotep Water Clock astronomical design with main constellations inscribed in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Karnak, water, clock, Amenhotep, constellations, jupiter, orion, saturn, venus, collection, upright, ancient, antiquity, antiquities, exhibit

Tut on Leopard EG11702JHP
Egyptian Museum statue King Tutankhamun Tut gold gilt photo standing leopard in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, leopard, standing, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut War Chariot EG11722JHP
Egyptian Cairo Museum golden ceremonial chariot cabinet photograph Tut Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, chariot, ceremonial, display, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Unguent Lion EG11714JHP
Egyptian Museum Interior alabaster unguent vase lion burial good Tutankhamun Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, unguent, alabaster, vase, lion, ankh, tongue, coloured, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut The Warrior EG01261JHP
Egypt Museum Cairo displays lifelike figures King Tutankhamun warrior pose in his Tomb at Luxor in various poses and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pharaoh, warrior, crowns, red, flat, lower, white, bulbous, upper, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Soldier Guard EG012616JHP
Egyptian Cairo Museum standing statue Ka Tut Tutankhamun interior photo from his Luxor Tomb and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Ka, warrior, guard, kilt, skirt, shendyt, nemes, uraeus, serpent, club, stick, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit

Tut Small Shrine EG11706JHP
Egyptian Museum Exhibit small gilded gold wooden shrine King Tut royal figurine is thought to have been stolen in antiquity from the Tomb of Tutankhamun and is now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, empty, small, golden, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Shrine Isis EG11720JHP
Egypt Museum Isis Goddess protecting golden canopic shrine Tutankhamun tomb now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Isis, goddess, canopic, shrine, golden, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Shawabti Figures EG11806JHP
Egyptian Cairo Museum Exhibit shawabti figures Tomb Luxor Tutankhamun King Tut burial and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, usbati, shawabty, shawabti, figures, faience, displays, Tut, collectionc, landscape, ancient, antiquity, antiquities, exhibit

Tut Nut Plaque EG11736JHP
Egyptian Museum display pectoral Godess Nut Anubis shrine good, should be very gold looking and was shrine in the Tomb of Tutankhamun and is in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectorla, gold, Nut, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Gilded Coffin Face EG11801JHP
Egypt Cairo Museum golden gilded sarcophagus face mummy coffin Tut in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, gilded, coffin, sarcophagus, face, uraeus, eyes, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Ointment Vase EG11713JHP
Egyptian Cairo Museum Exhibit alabaster Tut ointment vase Tomb Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, alabaster, ointment, vase, Tut, collection, catouche, upright, ancient, antiquity, antiquities, exhibit

Tut Model Barge EG11715JHP
Egyptian Museum Cairo Egypt Exhibit miniature boats Tomb Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, boat, model, inlaid, decorated, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Miniature Coffins EG11730JHP
Egyptian Museum Cairo Interior Exhibit Tutankhamun Burial four minature sarcophaguses for storage in the canopic jars and replicated the second sarcophagus of Tutaumkhamun in the burial chmaber. Now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, sarcophagus, small, detailed, beautiful, replicas, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Jewellery EG11735JHP
Egypt Cairo Museum King Tut Exhibit Gold scarab jewellery necklace in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, pectoral, winged, scarab, gold, lapis lazuli, carnelian, glass, paste, uraeus, solar, disc, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Golden Throne EG012615JHP
Egyptian Museum Exhibit Tutankhamun Tut Golden Throne Display Interior Photograph of one of the most beautiful objects ever found in Egypt, the Throne from the Tomb of Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, throne, gold leaf, Pharaoh, Ankhesenamun, wife, inlaid, silver, glass, paste, colours, colors, Aten, Amun, cartoches, Tut, collection, landscape, upright, ancient, antiquity, antiquities, exhibit

Tut Golden Serpent EG11704JHP
Egyptian Museum Exhibit cobra Ureaus Gilded Gold Hood Tutankhamun Exhibition in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, gilded, cobra, serpent, hood, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Golden Lioness EG11703JHP
Egyptian Cairo Museum Tutankhamun Exhibition seated gold Sekhmet lioness goddess from his Luxor Tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, golden, Goddess, lioness, Sekhmet, sakhmet, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Golden Lioness EG01262JHP
Egypt Cairo Museum Exhibition Tut Tutankhamun Sakhmet gilded seated lioness goddess from the Tutankhamun tomb collection in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Sekhmet, Sakhmet, lioness, goddess, seated, gold, gilded, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Gold Shield EG01263JHP
Egyptian Cairo Museum Exhibit votive shields Tomb Tutankhamun Tut annexe in Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, votive, shield, gilded, wood, ceremonial, throne, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Gold Mask EG11726JHP
Egypt Cairo Museum Tutankhamun Exhibition famous golden death funerary mask taken in 1994 in more natural conditions than today in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Gold Mask EG01268JHP
Egyptian Cairo Museum Exhibit Tutankhamun Tut gold funerary mask photographed in 2001 under new enclosed artificial light conditions in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, upright, ancient, antiquity, antiquities, exhibit, artificial, light

Tut Gold Mask Back EG11729JHP
Egypt Cairo Museum Exhibit Tutankhamun back funerary mask hieroglyphs photographed taken under natural lighting in 1994 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, funerary, mask, rear, back, tail, damaged, broken, hieroglyphs, magic, spells, gold, lapis lazuli, carnelian, obsidian, turquoise, glass, paste, uraeus, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Gilded Shrine EG11719JHP
Egyptian Museum Exhibit Tut canopic vase Golden shrine stucco uraeus freize from Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, gilded, canopic, wood, stucco, uraeus, serpents, frieze, goddesses, Isis, throne, Selket, scorpion, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Fan Holder EG11723JHP
Egypt Museum Cairo Tut Exhibit ostrich feather fan holder photo made of wood with gold leaf from the tomb of Tutankhamun. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ostrich, feather, holder, fan, wood, gold, leaf, chariot, horses, Tut, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut Cow Bed EG11716JHP
Egyptian Museum Exhibit beds Tomb Tutankhamun burial goods cow head in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, bed, gilded, cows, head, solar, disc, upright, ancient, antiquity, antiquities, exhibit

Tut Ceremonial Seat EG11708JHP
Egyptian Museum Exhibit folding stool backrest ceremonial chair Tomb Tutankhamun now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Ceremonial Seat EG012613JHP
Egyptian Museum Cairo Tut Exhibit folding stool photograph with additional backrest from the Tomb of Tutakhamun and now in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, ceremonial, inlaid, seat, ebony, ivory, gold, leaf, glass, paste, semi-precious, stones, folding, stool, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Canopic Container EG11718JHP
Egyptian Museum Exhibit alabaster shrine Tutankhamun canopic jars internal organs found in his tomb at luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, canopic, container, alabaster, shrine, Tut, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Burial Chamber EG117EJHP
Egyptian Museum Tut Exhibit Burial Chamber Shrine outer Tutankhamun tomb at Luxor. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, shrine, burial, chamber, outer, djed, tit, symbols, decoration, gilded, gold, leaf, wood, oak, Tut, collection, square, ancient, antiquity, antiquities, exhibit

Tut Anubis Statue EG11701JHP
Anubis God Dog Black Gilt Statue Egyptian Museum Cairo Tutankhamun Exhibit in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, collection, landscape, prone, black, gold, ancient, antiquity, antiquities, exhibit

Tut Anubis Exhibit EG01265JHP
Egyptian Museum Exhibit Anubis statue display prone God Dog black gold in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, Anubis, God, dog, statue, black, gold, collection, upright, ancient, antiquity, antiquities, exhibit

Tut Alabaster Vase EG012612JHP
Egyptian Museum Exhibit alabaster vase floral collar smooth shapely Tutankahum discovery in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, vase, coloured, colored, upright, ancient, antiquity, antiquities, exhibit

Tut Alabaster Container EG11712JHP
Egyptian Museum Cairo Exhibit alabaster perfume container Tutankhamun burial chamber in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, alabaster, perfume, container, sema, union, cartouches, hieroglyphs, union, plants, knots, upright, ancient, antiquity, antiquities, exhibit

Tut Alabaster Boat EG11711JHP
Egypt Cairo Museum Tut Exhibition display inside alabaster basin boat found in Tutankhamun tomb in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, alabaster, basin boat, decorated, gold, jewels, ivory, lotus, flowers, papyrus, ancient, antiquity, antiquities, exhibit

Tut 2nd Shrine Detail EG012610JHP
Egyptian Museum Exhibit second shrine Tutankhamun tomb interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, shrine, gold, second, detail, cobra, uraeus, gold, collection, square, ancient, antiquity, antiquities, exhibit

Tut 2nd Coffin EG11727JHP
Egyptian Museum Exhibit face mask second gilded sarcophagus Tutankhamun photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, second, 2nd, coffin, lid, face, flail, lapis, lazuli, nemes, headress, uraeus, sarcophagus, beard, collection, landscape, ancient, antiquity, antiquities, exhibit

Tut 2nd Coffin Base EG11728JHP
Egyptian Museum Tut Exhibit base inlaid gold detail second gilded sarcophagus Tutankhamun in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Tutankhamun, Tut, collection, landscape, gilded, sarcophagus, base, patterns, hierogylphs, gold, glass, paste, ancient, antiquity, antiquities, exhibit

Stelae Cabinet EG011212JHP
Egyptian Museum Exhibits typical cabinets relics painted stele interior photo tucked away on the first floor full of fascinating relics such as these colourful stelae. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, stele, stelae, caninet, displays, collection, painted, colours, colors, carvings, necklaces, landscape, ancient, antiquity, antiquities, exhibit

Squatting Scribe EG11822JHP
Egyptian Museum Cairo Exhibit iconic nameless Saqqara scribe thoughtful pose with cane pen and papyrus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, scribe, iconic, pose, seated, squatting, pen, papyrus, nameless, collection, landscape, painted, limestone, Saqqara, ancient, antiquity, antiquities, exhibit

Sheshonq 1 Falcon Mummy EG11805JHP
Egyptian Museum Exhibit pasteboard coffin Sheshong 1 Tanis falcon Horus in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Sheshonq, Tanis, cartonnage, coffin, Horus, falcon, first, floor, collection, upright, ancient, antiquity, antiquities, exhibit

Queen Merit-Amun Bust EG11811JHP
Egypt Cairo Museum Exhibit bust Queen Merit-Amun Ramasseum Rameses 11 in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Merit-Amun, Queen, bust, painted, headdress, uraeus, sun disks, wig, necklace, menat, limestone, Rameses, collection, upright, ancient, antiquity, antiquities, exhibit

Pyramidion Amenemhat EG11812JHP
Egyptian Museum Cairo hall basalt polished pyramidion Pharaoh Amenemhat 111 from the top of his mudbrick pyramid at Hawara dating from around 1800 DC. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, hall, collection, pyramidion, carved, hieroglypgs, eye, wings, solar, disk, cartouche, basalt, Amenemhat, pyramid, top, landscape, ancient, antiquity, antiquities, exhibit

Pharaoh Menkaure EG11820JHP
Egyptian Cairo Museum alabaster statue Pharaoh Menkaure ground floor photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, collection, ground, floor, alabaster, statue, Menkaure, pharaoh, upright, ancient, antiquity, antiquities, exhibit

Palermo Stone EG11826JHP
Egyptian Museum Exhibit fragment Palermo Stone Kings List flood dates such as the largest piece of the basalt historical stele is in that musuem in Italy and is tantalising source is earliest Egyptian history. In the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, first, floor, collection, Palermo, stone, fragment, kings, list, upright, earliest, history, ancient, antiquity, antiquities, exhibit

Narmer Tablet EG11832JHP
Egyptian Museum Cairo Narmer Tablet carved earliest Egypt dating Dynasty 0 around 3000BC in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, collection, Narmer, Palette, Tablet, entwined, cats, necks, vanished, unification, upright, ancient, antiquity, antiquities, exhibit

Narmer Tablet EG11831JHP
Egyptian Cairo Museum Narmer Tablet Pharaoh Smiting Enemy interior photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, narmer, Tablet, schist, Palette, king, warrior, conqueror, prisoner, war, club, victory, collection, upright, ancient, antiquity, antiquities, exhibit

King Doser EG11836JHP
Egyptian Museum Exhibit statue King Doser missing eyes serdab Saqqara and now in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, King, Doser, Djoser, Saqqara, serdab, eyes, missing, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit

Faience Bowl EG012620JHP
Egypt Cairo Museum Exhibit pottery faience bowl painted patterns in the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, collection, faience, bowl, landscape, ancient, antiquity, antiquities, exhibit

Faience Bowl EG012619JHP
Egyptian Museum Cairo pottery faience bowl blue fish motif painted in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, faience, bowl, pottery, blue, flow, fish, decotated, painted, colours, colors, collection, landscape, ancient, antiquity, antiquities, exhibit

Diorite Khafre EG11824JHP
Egyptian Museum Cairo Exhibit Pharaoh Khafre ground floor inside photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, diorite, Khafre, seated, statue, pharaoh, ground, floor, collection, upright, ancient, antiquity, antiquities, exhibit

Coffin Interior Detail EG011210aJHP
Egyptian Museum coffin interior treasury scribe illustrate elaborate colourful craftsmanship from the ancient Egyptians. In the prime antiquities collection in Cairo taken during visits between 1994 and 2001 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, scribe, priest, leopard, skin, Amun-Ra, food, offering, fruit, lotus, flowers, wife, sarcophagus, interior, painted, colours, colors, collection, square, ancient, antiquity, antiquities, exhibit

Cairo Museum Entrance EG596aJHP
Egypt Museum Cairo Entrance door gardens pond lilies seats photograph in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, pond, lilies, flags, collection, upright, ancient, antiquity, antiquities, exhibit

Cairo Egyptian Museum EG072608JHP
Egyptian Museum Cairo gardens seats exhibits entrance palm trees maindoor in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collection, landscape, ancient, antiquity, antiquities, exhibits

Cairo Egyptian Museum EG072607JHP
Egyptian Museum Cairo seats exhibits palm trees gardens entrance in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Mariette, entrance, front, collections, upright, ancient, antiquity, antiquities, exhibits

Archaic Ostraca EG11834JHP
Egyptian Museum Exhibit archaic ostraca painted bull baboon prehistory dating back earliest times in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, archaic, ostraca, bull, baboon, painting, collection, landscape, ancient, antiquity, antiquities, exhibit

Amarna Nefertiti Head EG11818JHP
Egyptian Museum Exhibit unfinished sculpture Queen Nefertiti bust sculpture granite in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit

Amarna Nefertiti Head EG11817JHP
Egyptian Cairo Museum unfinished sculptured head Queen Nerfertiti Amarna photo in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Nefertiti, Queen, granite, head, sculpture, unfinished, collection, upright, ancient, antiquity, antiquities, exhibit

Amarna Aten Relief EG11815JHP
Egyptian Museum Exhibit doorjam Amarna Aten God Pharaoh Akhenaten Nerfertiti in the rays of the Sun God, the Aten.Iin the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Amarna, Aten, relief, doorjam, Akhenaten, Nerfertiti, carving, painted, cartouches, colours, colors, hieroglyphs, upright, ancient, antiquity, antiquities, exhibit

Akhenaten Statue EG11816JHP
Egyptian Museum Exhibit limestone iconic shaped statue Pharaoh Akhenaten Amarna in the prime antiquities collection in Cairo taken during visits between 1994 and 1996 when photography was allowed albeit without flash and tripod. None is of studio quality, being handheld with existing, usually extremely poor light and using slide film, pushed Fuji 400asa to get a suitable aperture and shutter speed. Most of the photos are from the Tutankahum exhibits while the rest are items that interested me as I explored this wonderful and extensive collection, requiring many more hours if not days and is only hinted at during the usual one or two hour visit made on a package tour.
Keywords: Egypt, Cairo, Egyptian, Museum, Akhenaten, pharaoh, statue, limestone, shape, collection, landscape, upright, ancient, antiquity, antiquities, exhibit

Egypt > Fayoum & Desert (1 file)

Pictures in this gallery cover the Fayoum area, Lake Qarun, Karanis, Qasr al-Saghah and Soknopaiou Nesos

Lake Qarum al-Fayyum eg947034jhp
Egypt el-Fayoum Lake Qarun Moeris peaceful quiet lakeshore restaurant was a peaceful coffee stop during hectic visit to The Fayyum [Crocodilopolis Nome] province of Egypt south of Cairo which included visits to Meydum and Hawara pyramids, the waterwheels of Madinat al-Fayyum Town, Lake Qarun and then returning to Cairo via Karanis. Many years later I returned to the Lake and stayed at the historic Auberge Helnan Hotel on its shores before a journey across the desert to Soknopaiou Nesos [Dimyah-al-Siba] and Qasr al-Saghah Temple. The Lake has a long history from Neolithic times but major development started under Amenemhat 1 in the 12th Dynasty with water management and drainage schemes. Very productive area for various crops, wildfowl and fish with increase development during the Ptolemaic and Roman times as it is still to modern days.
Keywords: Egypt, Egyptian, Egyptology, el-Fayoum, Madinat, al-Fayyum, al-Faiyum, Medinet, Fayum, Lake, Qarun, Moeris, lakeshore, restaurant, peaceful, quiet, waterfront, chairs, tables, archaeology, ancient, history, landscape, desert, Neolithic, isolated, 12th Dynasty, development, drainage, marshes, fertile, crops, fishing, wildfowl, Ptolemaic, Roman, grain, water, wheels, October, 1994, 35mm, slide, film, Fuji, RDP11, Nikon, FM, scanned

Egypt > Giza Pyramids & Sphinx (2 files)

Photographs of the three Giza pyramids of Khufu, Khafre and Menkaure, the Sphinx, temples, Solar Barque museum and western cemetery mastabas, including the Light and Sound Show night views.

The Sphinx EG951094jhp
Giza Egyptian Sphinx Great Pyramid face carved limestone blue sky clouds this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, 1995, 645, slide, film, transparency, Bronica, ERTSi, 70mm, lens

Giza Pyramids EG951251jhp
Giza Pyramids Southern aspect sand desert three Cairo Egypt blue sky sunny in the distance and tkane from the main coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, 1995, scanned, scan, 645, slide, film, transparency, Bronica, ETRSi

Egypt > Hatshepsut Temple (18 files)

Photos in this gallery are of the West Bank Temple of Hatshepsut at Deir el-Bahri under the cliffs of the Theban hill

Hatshepsut Luxor EG20649jhp
Hatshepsut Temple painted walls colonnade Amun feast offering food Egypt in one of the lower levels and the upper courtyard was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, second, colonnade, terraces, Hathor, Chapel, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, offering, Anubis, Amun, food, drink, wine, ducks, meat, fruit, flowers, colourful, colorful, colours, colors, hieroglyphs, stars, ceiling, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG20648jhp
Hatshepsut Temple painted ceiling stars terrace Horus Pharoah offering food Egypt in one of the lower levels and the upper courtyard was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light. In this photograph from the lower terrace shows the classic star sky ceiling and the God Horus in front of a huge offering feast.
Keywords: Hatshepsut, mortuary, Temple, colonnade, terraces, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, offering, Anubis, Amun, Horus, falcon, God, food, drink, wine, ducks, meat, fruit, flowers, colourful, colorful, colours, colors, hieroglyphs, stars, ceiling, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG20647jhp
Hatshepsut Temple painted walls terrace Anubis offering food Egypt in one of the lower levels and the upper courtyard was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light. In this photograph from the lower terrace shows the classic star sky ceiling and the God Anubis in front of a huge offering feast.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, colonnade, terraces, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, offering, Anubis, Amun, food, drink, wine, ducks, meat, fruit, flowers, colourful, colorful, colours, colors, hieroglyphs, stars, ceiling, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG20646jhp
Hatshepsut Temple terraces cliffs statues Egypt Queen Pharaoh Theban hill mortuary and beyond this the Upper central court was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, landscape, upper, terrace, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG20645jhp
Hatshepsut Temple terrace cliffs statues Egyptian Queen Pharaoh Thebes mortuary and beyond this the Upper central court was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, landscape, upper, terrace, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG20644jhp
Hatshepsut Temple entrance Horus causeway Luxor Egyptian Queen Pharaoh Upper central court was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, landscape, upper, terrace, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206421jhp
Hatshepsut Hathor Chapel Osiride statue cliffs rockface Egyptian second terrace beneath the upper courtyard which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, second, colonnade, terraces, rock, cliffs, rockface, Hathor, Chapel, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, colourful, colorful, colours, colors, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206420jhp
Hatshepsut Temple Hathor Chapel Osiride statue Queen Egypt second colonnade in benath the upper courtyard which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, second, colonnade, terraces, rock, cliffs, rockface, Hathor, Chapel, landscape, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, colourful, colorful, colours, colors, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206419jhp
Hatshepsut Temple second Hathor terrace cow cliffs frontage Egypt Luxor on one of the lower levels and the upper courtyard was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, second, colonnade, terraces, rock, cliffs, rockface, Hathor, Chapel, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, colourful, colorful, colours, colors, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206418jhp
Hatshepsut Temple second Hathor Chapel terrace cow goddess Egypt Luxor on one of the lower levels and the upper courtyard was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, second, colonnade, terraces, rock, cliffs, rockface, Hathor, Chapel, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, colourful, colorful, colours, colors, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206416jhp
Hatshepsut Temple Egyptian boats oarsmen sailors sails rigging expedition Punt colours scenes soldiers which lies beneath the Upper central court which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This colourful wall relief of the Queen is at the end of the upper terrace. In these paintings are recorded the Queen’s famous expedition to the Land of Punt, actual location unknown but it was in search of incense and myrrh which are found on both sides of the Red Sea. This was not the first time Egyptians had been to Punt. It is thought that she bought back trees that might have grown in the first two terrace courtyards. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, landscape, upper, terrace, second, colonnade, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, bas reliefs, paintings, colourful, colorful, colours, colors, Punt, expedition, boats, oarsmen, sails, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206415jhp
Hatshepsut Temple Egypt boat oarsmen sailors sails fish expedition Punt colours scenes soldiers which lies beneath the Upper central court which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This colourful wall relief of the Queen is at the end of the upper terrace. In these paintings are recorded the Queen’s famous expedition to the Land of Punt, actual location unknown but it was in search of incense and myrrh which are found on both sides of the Red Sea. This was not the first time Egyptians had been to Punt. It is thought that she bought back trees that might have grown in the first two terrace courtyards. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, landscape, upper, terrace, second, colonnade, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, bas reliefs, paintings, colourful, colorful, colours, colors, Punt, expedition, boats, oarsmen, sails, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206414jhp
Hatshepsut Temple Egypt second colonnade expedition punt colours scenes soldiers which lies beneath the Upper central court which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This colourful wall relief of the Queen is at the end of the upper terrace. In these paintings are recorded the Queen’s famous expedition to the Land of Punt, actual location unknown but it was in search of incense and myrrh which are found on both sides of the Red Sea. This was not the first time Egyptians had been to Punt. It is thought that she bought back trees that might have grown in the first two terrace courtyards. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, landscape, upper, terrace, second, colonnade, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, bas reliefs, paintings, colourful, colorful, colours, colors, Punt, expedition, boats, oarsmen, sails, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206413jhp
Hatshepsut Temple relief Egypt second colonnade trees palms grove terraces which lies beneath the Upper central court which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This colourful wall relief of the Queen is at the end of the upper terrace. In these paintings are recorded the Queen’s famous expedition to the Land of Punt, actual location unknown but it was in search of incense and myrrh which are found on both sides of the Red Sea. This was not the first time Egyptians had been to Punt. It is thought that she bought back trees that might have grown in the first two terrace courtyards. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, landscape, upper, terrace, second, colonnade, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, bas reliefs, paintings, colourful, colorful, colours, colors, Punt, expedition, boats, oarsmen, sails, trees, ladders, grove, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206412jhp
Hatshepsut Temple Luxor Egyptian Pharaoh second colonnade passageway Punt expedition which lies beneath the Upper central court which was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This colourful wall relief of the Queen is at the end of the upper terrace. In these paintings are recorded the Queen’s famous expedition to the Land of Punt, actual location unknown but it was in search of incense and myrrh which are found on both sides of the Red Sea. This was not the first time Egyptians had been to Punt. It is thought that she bought back trees that might have grown in the first two terrace courtyards. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, landscape, upper, terrace, second, colonnade, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, bas reliefs, paintings, colourful, colorful, colours, colors, Punt, expedition, boats, oarsmen, sails, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206411jhp
Hatshepsut Temple Luxor Egyptian Queen Pharaoh Hathor Chapel cow goddess was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, landscape, upper, terrace, head, face, colours, colors, painted, red, statues, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, columns, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Luxor EG206410jhp
Hatshepsut Temple painted walls Horus Queen colours food Egypt west bank Luxor in one of the lower levels and the upper courtyard was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings. Hatshepsut Temple decorations are still colourful and unlike most are accessible for photographing and lit by natural light.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, colonnade, terraces, landscape, upright, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, wall, painting, offering, Anubis, Amun, food, drink, wine, ducks, meat, fruit, flowers, colourful, colorful, colours, colors, hieroglyphs, stars, ceiling, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Hatshepsut Reliefs EG942712jhp
Hatshepsut Temple Queen Pharaoh Terrace Wall Painting ceiling stars colours Luxor Egypt beneath the Upper or central court was opened again in 2002 and makes the visit to this magnificent temple almost complete except that entrance into the burial chamber itself is restricted. This colourful wall relief of the Queen is at the end of the upper terrace. This magnificent mortuary temple is located on the West Bank of the River Nile at Luxor at an area called Deir el-Bahri and built into the base of the cliffs of the Theban Hill behind which are branches of the Valley of the Kings.
Keywords: Egypt, Luxor, Thebes, Theban, West Bank, Deir el-Bahri, el-Bahari, Dayr, Hatshepsut, mortuary, Temple, upright, upper, terrace, wall, octagonal, columns, ceiling, stars, blue, relief, colour, colours, colors, colourful, painted, archaeology, ancient, Egyptian, history, Egyptology, Consort, Queen, Pharaoh, Royal, ruler, woman, 1994, slide, film, medium, format, 645, transparency, scanned, scan, Bronica, ETRSi

Egypt > Infra Red Photographs (171 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx

Egyptian Giza InfR EG020836jhp
Giza Egypt Sphinx Chephren Pyramid infra red Temple B&W film view on the public approach to this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020835jhp
Egypt Giza Sphinx face front infra red temple view pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, faceon, front, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020833jhp
Egyptian Giza Sphinx Temple face front infra red pyramid Khafre taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020832jhp
Egypt Cairo Giza Sphinx Temple face oblique infra red pyramid cropped view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020830jhp
Egypt Sphinx Temple face oblique infra red Jim Henderson Photograph view taken from the walk towards the Valley Temple of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020826jhp
Giza Egypt Sphinx head face Khafre Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, head, closeup, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020825jhp
Giza Egyptian Sphinx enclosure man scale figure Pyramid infra red causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020824jhp
Egypt Sphinx enclosure worker scale figure Pyramid infra red causeway B&W view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020822jhp
Giza Egypt Sphinx Khafre Khufu causeway Pyramids infra red low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, pyramids, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020821jhp
Egyptian Sphinx Chephren Cheops Pyramids infra red low causeway enclosure view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, enclosure, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020820jhp
Egyptian Sphinx Cheops Pyramid enclosure infra red low causeway low view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020819jhp
Giza Egyptian Sphinx panorama Pyramid Great infra red causeway Cairo view this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, camel, mounted, policeman, lion, paws, stele, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020817jhp
Giza Egyptian Sphinx Great Pyramid infra red view causeway camel police mounted to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020816jhp
Egypt Sphinx Khufu Pyramid infra red camel police mounted causeway view to extreme right of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020815jhp
Egypt Sphinx Khufu Cheops Pyramid infra red B&W film causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020814jhp
Egyptian Sphinx Khufu Cheops Pyramid Cairo infra red causeway Giza view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020829jhp
Valley Temple Interior serdab statue places Khafre infra red B&W film looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020828jhp
Valley Temple Interior Giza Khafre Religion Limestone Blocks infra red looking into the centre of the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020813jhp
Khafre Chephren Egypt Giza Cairo Causeway Pyramid infra red B&W photo at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020811jhp
Khafre Chephren Ancient Egyptian Causeway Pyramid Temple Stone infra red film at the base of the 550m causeway looking to his Pyramid at Giza from the Valley temple and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020810jhp
Valley Temple Egypt Giza causeway gateway alabaster floor infra red pyramid looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020437jhp
Khufu Cheops Great Pyramid Egypt limestone blocks infra red B&W film photo of the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This view from some remaining smooth limestone finishing of a nearby mastaba was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khufu, Cheops, blocks, erosion, finished, smooth, wall, mastaba, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020436jhp
Khafre Pyramid Egypt Seshemnefer tomb statue infra red sunburst film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020435jhp
Khufu Great Pyramid Egyptian Seshem-Nefer statue seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020434jhp
Cheops Great Pyramid Egypt Seshemnufer portico seated infra red film B&W photo just off the main road climbing up between the Sphinx to the Great Pyramid of Khufu or Cheops which is the largest of the Gizah site monuments and the first of the really truly huge constructions dating around 2500BC and still now one of the Wonders of the World. Standing 137m high, was 140m originally, was 230m on each size and probably was built using over 2 million blocks of stone averaging 2.5 tons although today it looks smaller than nearby Khafre Pyramid which higher on the Giza plateau. This porticoed tomb of Seshem-Nefer, Overseer of the House of Life and Keep of the King’s Secrets, one of the largest of the private tombs at Giza, has been restored in recent years and is now open to the public although when this photo was taken in 2002 it was closed. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, Great, pyramid, royalty, burial, tomb, Khafre, Chephren, Khufu, Cheops, blocks, erosion, limestone, ancient, Egyptian, Egyptology, archaeology, gigantic, history, scale, huge, sky, blue, south, east, corner, Seshemnefer, Seshemnufer, overseer, house, life, keeper, king’s, secrets, 5th Dynasty, portico, seated, statues, public, open, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020433jhp
Giza Egyptian Sphinx Khafre Khufu Pyramids infra red people tourists view causeway this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, panorama, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020432jhp
Giza Egypt Sphinx |Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, cropped, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020431jhp
Giza Egyptian Sphinx side face Great Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020430jhp
Giza Egypt Sphinx sideon body Khufu Cheops Pyramid infra red B&W film causeway view of this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, sideon, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020429jhp
Giza Egyptian pyramids modern Muslim infra red Khafre tombstones Great pyramid B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020428jhp
Giza Cairo Egypt modern Muslim Arabic cemetery infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020427jhp
Giza Egyptian modern Muslim Arabic graves infra red Pyramid Khufu film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020426jhp
Giza Egyptian modern Muslim infra red Pyramid Khafre tombstones B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it captured in this photo. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, Khufu, Great, pyramid, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, modern, cemetery, Muslim, Arabic, graves, trees, plants, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020425jhp
Giza Egypt Central Field tombs limestone blocks erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020424jhp
Giza Egyptian Great Pyramid limestone pillars erosion infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020423jhp
Giza Egypt Khufu Pyramid limestone pillars eroded eerie infra red film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020422jhp
Giza Egypt Khafre Pyramid limestone mastaba tomb infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020421jhp
Giza Egypt Khafre Great Pyramids tomb blocks infra red B&W film, an area that lies roughly between the causeway of Menkaure and that of Khafre in which there are many old mastabas and rock cut tombs, some open to the public such as Debhen or Iwn-min and the most prominent of which is the Mastaba of Queen Khentkawes the last major Royal construction in the Giza complex. It is an area left to the individual to explore and has an eerie feel wandering amongst some grotesque eroded faces of limestone showing the natural damage that centuries of wind and blown sand can do to unprotected soft limestone. To the western boundary of this area is a large bluff with the modern Muslim cemetery beneath it. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, royalty, burial, necropolis, Menkaure, Mycerinus, Khafre, Chephren, causeway, causeways, Central, Field, tombs, mastabas, rock-cut, Queen, pyramids, Khentkawes, Debhen, Iwn-min, Yun-min, Lunmin, Qar, Idu, Meres-ankh, Senezemib, Seshemnufer, limestone, erosion, shapes, weird, grotesque, ancient, Egyptian, Egyptology, archaeology, history, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020420jhp
Khafre Pyramids Cheops Egyptian tombs clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020419jhp
Chephren Pyramids Khufu Egypt Giza Great largest infra red B&W film photo of the second largest of the Giza site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the south face with Khufu's Great pyramid to the righy right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramids, pyramid, burial, tomb, Khafre, Chephren, Khufu, great, largest, Cheops, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020418jhp
Khafre Pyramid Egyptian horse rider scale Giza infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020417jhp
Chephren Pyramid Egypt top apex Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, apex, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020416jhp
Chephren Pyramid Egypt Giza side Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, upright, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020415jhp
Khafre Pyramid Egyptian Giza blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, construction, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020414jhp
Khafre Pyramid Egyptian tomb limestone blocks Tura casing clouds infra red film photo of the second largest of the Gizah site monuments and constructed between 2558-2532BC during the reign of the Pharaoh Khafre [Greek name Chephren], one of Khufu’s sons and is responsible during a reign of around 25 years for the magnificent Funerary complex which is held to include The Sphinx. Although his Mortuary Temple is almost nothing but a foundation, his Valley Temple is a fantastic example of the skills of the early Egyptian craftsman with huge accurately cut pillars of granite which was the house after his death for numerous statues including the famous diorite one now in the Cairo Museum. This view is of the west face with Cairo bottom right taken near the main road through the Giza complex showing the mainly uncovered structure although remains of the outer casing of Tura Limestone can still be seen near the top. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, burial, tomb, Khafre, Chephren, blocks, erosion, soft, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, shining, south, face, blue, sky, white, clouds, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020413jhp
Egyptian Cairo Giza Pyramid Khafre Great Khufu infra red film with Cairo in the far distance and by the road to the favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020412jhp
Egypt Cairo Giza Pyramid Khafre Great Southern aspect road infra red film with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right from this viewpoint there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure. These are taken from the roadside of the metalled road that runs through the Giza site from Giza up to the high ground to the south. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG020411jhp
Egypt Cairo Giza Pyramid Menkaure South road infra red film Queens with Cairo in the far distance and a favourite coach stop and photo call from the hundred’s of thousands of tourists who came every year to see these wonders of the ancient world. Left to right there is the Great Pyramid of Khufu, the Turah limestone capped Khafre Pyramid and to the right the smaller of the three, that of Menkaure which is featured in this photograph along with the three Queen’s satellite pyramids. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, pyramid, royalty, nobles, officials, burial, tombs, Khufu, Cheops, Khafre, Chephren, Menkaure, Mycerinus, limestone, ancient, Egyptian, Egyptology, archaeology, history, casing, Tura, Turah, white, capped, desert, sand, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG02089jhp
Egypt Valley Temple Sphinx Giza Limestone causeway entrance B&W infra red film photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG02088jhp
Valley Temple Interior Giza Khafre Limestone Granite Blocks infra red photo looking towards the doorway at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, landscape, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG02087jhp
Valley Temple Interior Giza Chephren Limestone Granite Blocks infra red photo looking towards the rear of the room at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG02086jhp
Cairo Valley Temple Chephren inside Limestone Blocks infra red photo looking towards the rear of the room as you enter the temple at the base of the 550m causeway from Khafre Pyramid at Giza and giving access to the most usual way of viewing the Sphinx through this structure of huge limestone and granite blocks and roof supports. Once there would have been 23 diorite statues of the king standing by each column but only one survives in the Cairo Museum. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Giza, Gizah, upright, Khafre, Chephren, pyramid, mortuary, causeway, Valley, Temple, entrance, granite, red, lined, blocks, limestone, alabaster, floor, ancient, Egyptian, Egyptology, archaeology, history, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG02085jhp
Giza Egypt Cairo Sphinx Khafre Chephren Pyramid infra red B&W first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, upright, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Giza InfR EG02083jhp
Giza Egyptian Sphinx Khafre Chephren Pyramid infra red first view approach this giant carved limestone lion statue with human head is somewhat of an enigma, but most likely carved out of an outcrop as an inspirational homage to the Pharaoh Khafre some 2500BC whose pyramid is directly behind it, although some attribute it to the previous Khufu who built the first and Greatest Pyramid. This huge prone lion figure with a human face faces the east to the rising sun and the modern day Cairo and is a very popular destination for the thousands that visit the Giza plateau and here viewed from the most accessible point on causeway from Khafre Pyramid to his Valley Temple. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Cairo, Egyptian, Giza, Sphinx, pyramid, Khufu, Cheops, Great, Khafre, Chephren, soft, erosion, limestone, Valley, Temple, causeway, landscape, lion, paws, haunch, face, eyes, nose, broken, mouth, damaged, nemes, headdress, enclosure, excavation, Egyptology, archaeology, ancient, paint, colour, painted, red, forehead, ears, cement, concrete, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02049jhp
Egypt holiday hotel Movenpick Giza cactus plants infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02048jhp
Egyptian Cairo hotel Movenpick jolie Ville cactus succulents infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02047jhp
Egyptian Cairo hotel Jolie Ville Giza cactus tree B&W infra red film grounds taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02046jhp
Egypt hotel Jolie Ville Giza cactus leaves infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02045jhp
Egypt hotel Jolie Ville mango tree cow sculpture infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02044jhp
Egypt hotel Movenpick Giza mango tree cow ornament infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02043jhp
Egypt hotel Movenpick Giza mangifera tree cow black infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG02042jhp
Egypt hotel Cairo Giza mangifera tree shrubs topiary infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Egyptian Plants InfR EG020410jhp
Egypt hotel Cairo Giza Jolie Ville tree paths rooms infra red film ghostly photo taken at this very pleasant hotel Jolie Ville near Giza and the Pyramids to the north of Cairo. It used to be a long run through the centre of Cairo after landing usually around midnight and no great fun to eventually get to bed around 2am to rise again for the first day’s excursion usually starting at 8am. Today a circular road around Cairo means much shorter transfer times but if you can manage to go out a day earlier and have a first day with sleep in time and a relaxing start to what can be a very hectic schedule. It is easy to take a taxi from the hotel to the Pyramids and have a leisurely look by oneself prior to doing the more concentrated guided package trips.

The hotel is on one level and set in well established gardens and with a cool feel to the atmosphere surrounding the secluded rooms. These photographs show the type of arrangement there is of paths all leading to the swimming pool, some pool side restaurants and the main reception dining room area. There is some limited shop facilities and a bank. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Cairo, Giza, pyramids, hotel, Movenpick, Jolie, Ville, landscape, upright, garden, gardens, cool, shade, grounds, paths, walkways, rooms, buildings, trees, plants, grass, sculpture, cow, cattle, pottery, pots, mango, tree, mangifera, indicia, baum, cactus, succulents, branches, leaves, shapes, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021231jhp
Egyptian River Nile Cruising deck railings lifebelts water B&W infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021230jhp
Egyptian Cruise River Nile Cruising deckchairs loungers riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat leaving Esna Lock offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, loungers, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021229jhp
Egypt River Nile Cruiseboat Romance berth riverbank infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, Romance, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021228jhp
Egyptian River Nile Cruiseboat Romance Esna berth infra red film ghostly on the journey from Luxor to Aswan anchored at Esna before this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, Romance, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021216jhp
Egypt River Nile Cruise Esna lock passing through infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021215jhp
Egypt River Nile Esna boatmen rowing trader infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021214jhp
Egyptian Nile Esna boatmen rowing water trader infra red film ghosts on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise trader, boatmen, oars, boat, rowing, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG02128jhp
Egypt River Nile Cruise rocky riverbank infra red film ghostly trees on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG02127jhp
Egyptian River Nile Cruising deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, lamps, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG02126jhp
Egypt River Nile Cruising riverbank houses trees infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, houses, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG02125jhp
Egyptian River Nile Cruise hot deck railings lifebelts riverbank infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG02124jhp
Egypt River Nile minaret palm trees riverbank infra red film B&W on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, minaret, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG02123jhp
Egypt River Nile Cruise deck railings deckchairs lamps water infra red film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021211jhp
Egypt River Nile Cruise hills desert trees water infra red shore film ghostly effect on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Nile Cruise InfR EG021210jhp
Egypt River Nile Cruising riverbank infra red film ghostly palm trees water hills on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, upright, palm, trees, hills, rocks, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna by Nile InfR EG021218jhp
Egypt Esna Nile town waterfront cruise berth houses infra red is a well known berthing area on the River Nile waiting for access to the locks and if time allows there is a beautiful Ptolemaic temple deep in a hollow under the modern town building line worth visiting. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998.
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, promenade, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021227jhp
Egyptian Esna Temple smiting enemies infra red Khnum Isis outer carvings north wall on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998.
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, battle, scene, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021226jhp
Egypt Esna Temple north wall infra red Khnum Isis outer carvings on a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998.
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021225jhp
Egypt Esna Temple Nile town modern houses exterior B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021224jhp
Egyptian Esna Temple town modern appartment flats B&W infra red film is a small gem of a building deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, north, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021223jhp
Egypt Esna Temple Nile town hypostyle hall infra red exterior walls west north of this small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998.
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021222jhp
Egyptian Esna Temple hypostyle hall north west walls infra red B&W is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998.
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, outside, walls, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021221jhp
Egypt Esna Temple outer wall infra red film hypostyle hall side is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021220jhp
Egypt Esna Temple Ptolemaic hypostyle hall infra red film floral capitals curtain screens is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Esna Temple InfR EG021219jhp
Egypt Esna Temple hypostyle hall curtain screens infra red Gods offering scene is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm f2.8 Nikkor or Tokina SD 28-70mm f3.5lens with a Red filter, rated at 200ASA and processed in Aculux for 14 mins. The ghostly effect is not as pronounced as using the R72 filter which I used in 1998
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, upright, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, Red, filter, ghostly, ghostlike, black, white, 2002, October

Philae InfR EG982425jhp
Philae Egypt Aswan visit tourist market souk goods infra red B&W near the jetty for boarding motorboats for the visit to the relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982424jhp
Philae tourist shop stall trinkets infra red ghostlike light Aswan island trip at the jetty for a visit to this relocated site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982423jhp
Philae Temple Agilkia Aswan island infra red boat view water rocks was relocated from the site established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, panorama, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982422jhp
Philae Temple island rocks boulders plants infra red ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982419jhp
Philae Agilkia island boulders plants infra red B&W Aswan motorboat trip was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982418jhp
Philae visit island boulders plants infra red B&W boat water Aswan Agilkia island was used for the relocation of the original temple complex established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982413jhp
Philae Temple Ancient Egyptian Nilometer infra red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, nilometer, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Nile Cruise InfR EG982427jhp
Egypt Egyptian River Nile Cruiseboat deck plants people infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins. On checking this photo was badly overexposed so accounts for the very strong grain structure.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, daily, life, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Philae InfR EG98249jhp
Philae Temple Trajan Kiosk Pharaohs bed infra red backlit Egypt columns carvings Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG98247jhp
Philae Temple Ancient Egypt first pylon gate ptolemy infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemy, gate, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG98246jhp
Philae Egypt first pylon gate ptolemy infra red Jim Henderson photo was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982417jhp
Philae Temple Kiosk Nectanebo columns Hathor face carvings B&W infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Kiosk, Nectanebo, Ptolemy, Gate, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982416jhp
Philae Temple Ancient Egypt second pylon infra red film carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982415jhp
Philae Temple Egyptian Isis Horus second pylon infra red film Ptolemy carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, record, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982414jhp
Philae Isis second pylon granite record Ptolemy infra red donation carving Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982412jhp
Philae Temple Trajan Kiosk infra red floral capitals Egyptian columns carvings Pharaohs bed Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982411jhp
Philae Temple wall carving relief offering Egyptian Isis infra red Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG982410jhp
Philae Temple interior infra red film ghosts people ghostly light Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, Ptolemy, Gate, Trajan, Kiosk, bed, backlit, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG98245jhp
Philae Temple Egypt Second Pylon Mammisi birth house infra red Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, mammisi, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG98244jhp
Philae Temple First Pylon Lion Ancient Egypt Isis Gate Aswan B&W Infra Red island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG98243jhp
Philae Temple courtyard Egypt pylon colonnade Infra Red B&W film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Philae InfR EG98241jhp
Philae Temple courtyard Ancient Egyptian Isis pylon columns Infra Red film Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites. This particular photograph was taken during a Stars and Signs trip using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae, Temple, island, pylons, pylon, first, second, colonnade, courtyard, entrance, approach, landscape, upright, history, ancient, Egyptian, antiquity, Ptolemaic, Isis, cult, archaeology, Egyptology, Agilkia Island, motorboat, water, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, Stars, Signs

Nile Cruise InfR EG982428jhp
Egypt River Nile Sonester cruise deck plants tourists infra red film ghostly on the journey from Luxor to Aswan and on this stretch to Edfu by cruiseboat offers a peaceful way albeit a busy one these days to see modern day Egyptian life that occurs along the banks of this historic major African river and which still plays an important part in the wealth of Egypt and in the lives of ordinary Egyptians today just as it has over the past 5000 years or so. This photo was taken in 1998 on a Stars and Signs cruise and will not represent the current situation with a huge drop in tourist numbers because of the Arab Spring and its aftermath. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Modern, West, East, Bank, River, Nile, riverbank, Sonester, Sun, Goddess, daily, life, upright, cruiseboat, water, cruise, cruising, landscape, shrubs, people, design, style, windows, reflections, white, railings, lifebelts, patio, decks, artistic, arty, art, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Luxor Hotel InfR EG981122jhp
Egypt Luxor St George Hotel River Nile modern design infra red looking over the shimmering River Nile on a sunny autumn afternoon on the riverside of this very modern luxurious building. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, St George, Hotel, riverside, riverbank, holiday, cruise, palm, trees, water, shimmering, sunshine, blue, sky, hazy, West, bank, Theban, hills, waterfront, promenade, esplanade, modern, architecture, stylised, Nile, Boat, poolside, style, stylish, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998, November, autumn, upright

Medinet Habu InfR EG983713jhp
Medinet Habu Temple Mortuary Ramasses pylon exterior infra red film B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Medinet Habu InfR EG983712jhp
Medinet Habu Temple Egypt Infra Red B&W Hypostyle statue carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Medinet Habu InfR EG983711jhp
Medinet Habu Temple Mortuary Egyptian second court painted infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Medinet Habu InfR EG983710jhp
Medinet Habu Temple Ramesses Egypt first court statue king infra red B&W located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, engaged, statue, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Luxor Temple InfR EG981121jhp
Luxor Temple Egyptian infra red B&W colonnade processional pylon rear photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues on the far side of the pylon that greet the visitor arriving at the Temple. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Luxor Temple InfR EG981120jhp
Luxor Temple Egypt obelisk side carvings cartouche infra red film in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Luxor Temple InfR EG981119jhp
Luxor Temple Egypt seated statues Ramses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Luxor Temple InfR EG981118jhp
Luxor Temple Egypt pylon obelisk statues carvings infra red B&W ghostly in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Luxor Temple InfR EG981117jhp
Luxor Temple Egyptian seated statues Ramesses carvings infra red B&W in front of the main pylon greeting visitors to this Temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982437jhp
Kom Ombo Temple Egyptian hypostyle hall ghostly Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982436jhp
Kom Ombo Ptolemy offering Temple River Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982435jhp
Kom Ombo Columns carving Temple Egyptian Infra Red B&W ghostly pharoah effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982434jhp
Kom Ombo Ptolemy custodian Temple Nile Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982433jhp
Kom Ombo Ptolemaic Temple Sobek God Egypt Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982431jhp
Kom Ombo Offering scene column carved Temple Egypt Infra Red ghost B&W film effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982430jhp
Kom Ombo Ptolemaic panorama hypostyle columns Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Kom Ombo InfR EG982429jhp
Kom Ombo Ptolemaic Nile Temple Egypt hypostyle hall Infra Red B&W film ghostly effect for this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983735jhp
Egypt Hatshepsut Thutmosis Granite Obelisks Karnak Temple infra red film is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983734jhp
Egyptian Hatshepsut Thutmosis Granite Obelisk Karnak infra red B&W film upwards is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from between the fourth and fifth pylons looking north in the Transverse Hall. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983733jhp
Karnak Temple Egyptian Inner Sanctuary infra red B&W Jim Henderson photo near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983732jhp
Karnak Temple Egypt Obelisk Sanctuary central court B&W infra red ghost near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983731jhp
Karnak Temple Egypt pharoah Amun carving B&W infra red ghostly near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983730jhp
Karnak Temple Egyptian statue headless inra red ghostlike B&W film Sanctuary central court festival hall Thutmose near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983729jhp
Karnak Temple Egyptian Obelisk festival hall Thutmose Infra Red eerie B&W near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983726jhp
Karnak Temple Egypt carved blocks restoration ghostly infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983725jhp
Karnak Temple storage carving restoration hieroglyphics infra red obelisks located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983724jhp
Hypostyle Hall Karnak Egyptian Temple doorway infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983723jhp
Exterior Temple Ramasses Karnak Egyptian infra red B&W ghost dawn sun palm trees, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, exterior, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983722jhp
Temple Ramesses Karnak Egypt infra red film ghostly eerie dawn light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983720jhp
Karnak Temple Egypt Taharqa Kiosk infra red film B&W sphinx dawn greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983719jhp
Hypostyle Hall Karnak Egypt Temple columns roof infra red sunlight dawn taken not long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983718jhp
Ancient Egyptian Obelisks Karnak Temple palm tree infra red ghostly dawn light is in the central area of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This view of Queen Hatshepsut's Obelisk, one of two remaining standing obelisks, is from the north area which was mainly an opne air area of various blocks. The obelisk of red Aswan granite is the third tallest standing in the world, weighs over 320 tons and stands nearly 30 metres. Encased by Thutmosis 111 who disapproved of his Aunt, his bid to remove her existence benefited us in that the lower section remained largely intact but higher sections were defaced by Akhenaten some 130 years later. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Hatshepsut, queen, woman, obelisk, red, granite, blocks, pylon, fourth, fifth, transverse, hall, columns, truncated, well, sandstone, obelisks, court, pharaoh, ruler, huge, monumental, encased, Thutmosis, Thutmose, Akhenaten, defaced, erased, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Karnak InfR EG983717jhp
Karnak Temple Egypt Taharqa Kiosk infra red sphinx dawn sunbeams greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98379jhp
Edfu Temple Pylon High View Egypt B&W Infra Red High unique rare unusual viewpoint which is no longer possible owing to recent alterations to this site by the River Nile and one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, pylon, high, view, hypostyle hall, Ptolemy, naos, sanctuary, Ptolemaic, landscape, upright, cruise, cruiseboat, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98377jhp
Edfu Temple Egypt Horus Statue Infra Red B&W film hawk granite icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98376jhp
Edfu Temple Horus Statue Infra Red film Egyptian Falcon icon seen here in the pillared courtyard is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, Horus, falcon, hawk, statue, granite, entrance, hypostyle, hall, posing, pillared hall, Ptolemy, pronaos, sanctuary, Ptolemaic, courtyard, colonnade, columns, hieroglyphs, carvings, bas, reliefs, upright, landscape, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98375jhp
Edfu Temple Pylon Egypt carved column broken Inra Red film ghostly impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98374jhp
Edfu Temple Pylon Ancient Egyptian Mammisi Horus Ptolemaic B&W film Infra Red impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98373jhp
Edfu Temple Pylon Egypt Mammisi south B&W film Infra Red capital floral impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Edfu Temple InfR EG98372jhp
Edfu Temple Pylon Egypt Mammisi B&W film Infra Red capital floral southern view impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, upright, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Aswan Souk InfR EG982426jhp
Aswan Souk Bazaar Egypt Egyptians people infra red film shopping near the promenade is full of colourful street stalls and shops selling clothing, perfume bottles, spices; toys; leather goods, jewellery as well as all the necessities of common day life for local Egyptians from food, fruit, meat, eggs to all the household wares that any large supermarket would stock. It is probably the most vibrant of all the Egyptian centres street shopping centres as it caters not for the tourist and is always busy as it runs adjacent to the main River Nile waterfront for a mile or so.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, holiday, bazaar, souk, suk, shops, trading, selling, upright, landscape, bargaining, haggle, leather, goods, shapes, patterns, exotic, smells, donkeys, Egyptians, locals, native, colourful colorful, colours, colors, spices, vegetables, tomatoes, clothes, fruit, cotton, baksheesh, blacksmith, sunset, tourism, cruise, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, cataracts, motorboat, excursion, feluccas, sailing, boats, caleche, Elephantine, Triad, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Aswan Feluccas InfR EG981123jhp
Aswan Cataract Hotel Old River Nile Waterfront Egypt feluccas infra red trip sailing on the river to hotels, Elephantine Island and Museum, Kitchener Botanical Gardens and trips in feluccas to the Nubian Villages or Cataracts and the western bank with Aga Khan Mausoleum or camel rides into the desert to visit St Simeon monastery. Along the promenade are restaurants, berths of cruiseboats, ferry landing areas and to the south the Municipal Gardens, the Coptic Cathedral and the old and new Cataract Hotels, the former of course made famous in the film Death on the Nile. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Aswan, City, River, Nile, Cataract, hotel, waterfront, riverside, promenade, esplanade, berths, restaurants, ferry, felucca, feluccas, sailing, boats, cruiseboats, motorboats, street, municipal, gardens, park, upright, landscape, rocks, boulders, granite, Coptic, Cathedral, square, tower, Nilometer, cartouches, Elephantine, island, museum, temples, ancient, predynastic, strategic, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Colossi Memnon EG983716jhp
Colossi Memnon infra red film B&W ghostly night seated statues Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Colossi Memnon EG983715jhp
Colossi Memnon West Bank Nile Luxor infra red eerie night ruined seated statues of Amenhotep 111 that are the most famous remains of his mortuary temple on the northern side of the approach road for the Valley of the Kings, Queens and all the other main West Bank sites. It is the visitors’ first site of major impact, not far from the main ticket office but is usually visited as a photo opportunity on leaving - recent excavations of the site are finding many hidden buildings and artefacts. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, River, Nile, holiday, travel, upright, landscape, tourists, tourism, cruise, history, archaeology, ancient, Egyptology, temples, Colossi, Memnon, Nebmare, Amenhotep, Amenophis, Tiy, mother, Mutemwiya, Ethiopian, prince, Greek, son, Aurora, floodplain, inundations, emergence, primeval, creation, Septimius, Severus, repairs, bell-lie, tone, wind, noise, mythology, Kom el-Hetan, Medinet, Habu, roadside, coachstop, excavations, palm, tree, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendera InfR EG98119jhp
Dendarah Dendera temple Qena Nile Egypt entrance gate infra red propylon in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendera InfR EG981116jhp
Dendarah Dendara temple Egyptian roof pillared hall infra red front B&W film in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendera InfR EG981113jhp
Dendera temple Qena Egyptian sacred lake palm trees infra red film outer wall in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This photo is taken of the outside wall at the south western corner near the Iseum and the Sacred Lake.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendara InfR EG98118jhp
Dendera temple Egypt mammisi birth house screen carving beautiful infra red film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Dendarah, Dendera, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendara InfR EG98117jhp
Dendarah temple Egyptian mammisi birth house screen carving infra red B&W film and considered some of the best and most delicate of workmanship of this period and here adorning the Roman mammisi of birth house attributed to Nectanebo 1. It shows the birth of the young God Harsomtus, child of Hathor and Horus of Edfu. This temple is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, Ihy, Harsomtus, son, Ptolemaic, birth, house, Isis, Osiris, capitals, detailed, columns, screen, elaborate, light, beautiful, holiday, travel, tourism, cruise, child, necropolis, city, Shabaka, Roman, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendara InfR EG981114jhp
Dendera temple Egyptian Iseum trees infra red film outer wall rear Isis in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena. This photo is taken of the outside wall at the south western corner near the Iseum and the Sacred Lake.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendara InfR EG981112jhp
Dendarah Dendera temple Qena Nile Egypt birth house sanatorium approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendara InfR EG981111jhp
Dendarah temple Nile Egypt coptic church sanatorium infra red film approach front in this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Dendara InfR EG981110jhp
Dendera temple Egypt sphinx gate infra red propylon Trajan Domitian B&W entrance to this beautiful mainly Ptolemaic and Roman structure although the site extends back into the earliest periods of Egyptian existence and it is also famous as having one of the only representations the famous Queen Cleopatra V11 with her son by Julius Caesar, Caesarion.. The temple can be reached by road from Luxor and is also the destination for a popular day cruise on the River Nile from Luxor via Qena.

This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.
Keywords: Egypt, Egyptian, Dendara, Dendera, Dendarah, Temple, mammisi, River, Nile, west, Qena, history, landscape, upright, archaeology, ancient, Egyptology, goddess, Hathor, sistraform, face, damage, desecrated, Nut, ceiling, Ptolemaic, capitals, hall, detailed, columns, screen, elaborate, kiosk, court, sacred, lake, Osiris, Feast, mudbrick, enclosure, walls, boundary, roof, light, beautiful, holiday, travel, tourism, cruise, necropolis, city, Shabaka, Roman, Tiberius, Nectanebo 1, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Abydos InfR EG98116jhp
Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Abydos InfR EG98115jhp
Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Abydos InfR EG98114jhp
Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Abydos InfR EG98113jhp
Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Abydos InfR EG98112jhp
Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Karnak Temple (35 files)

Photos in this gallery include the whole of Karnak itself, the open air museum, temples of Khonsu and Ptah and the Sound and Light Show night images.

Karnak Temple SS984636jhp
Thutmosis Pillar Karnak carved Granite papyrus sunrise Lower unified Egypt is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984635jhp
Thutmosis Pillar Karnak Temple Painted Figure Granite Flower lotus dawn light is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984634jhp
Thutmose Pillar Karnak Painted Pharoah Granite carved lilly lotus early light is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, lotus, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984633jhp
Thutmose Pillar Karnak colours Pharoah Granite Hatshepsut Obelisk sunrise Egypt is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984631jhp
Thutmosis Pillar Karnak central court Granite Hatshepsut Obelisks sunrise Egypt is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This colourful pillar is one of two erected by Thutmosis 111 in front of the barque sanctuary in the Great Temple of Amun painted and carved with the heraldic plants representing the lily or lotus flower of Upper Egypt and the papyrus of Lower. He also who made considerable contributions to the construction of the Karnak complex with pylons, obelisks, one of which still stands, and a Festival Hall. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, Thutmosis, Thutmose, 111, pillar, pillars, two, heraldic, barque, sanctuary, Amun, precinct, lily, Upper, flower, papyrus, Lower, plants, colours, painted, colors, history, archaeology, ancient, Egyptology, carvings, blocks, cartouche, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984630jhp
Karnak Temple Egypt Sanctuary central court dawn hypostyle slab altar near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98462jhp
Hypostyle Hall Reliefs Karnak Egyptian Temple Columns Roof dawn light carving hieroglyphics taken no long after dawn with bright sunlight streaming into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984627jhp
Karnak Temple Egyptian Obelisk dawn sunrise central court pillared room towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984626jhp
Karnak Temple Egypt Obelisk dawn sunrise central court towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984625jhp
Karnak Temple Egyptian Obelisk dawn sunrise central court pillared room towards processional way near the most sacred part of this huge sprawling site located near Luxor City centre on the East Bank of the River Nile and Karnak is the largest religious complex on the Nile. This photograph is looking back into the main area of the temple from the central court area, now a large open space in front of unusual Festival Hall of Thutmose 111. The figure is standing looking into the inner sanctum, the Granite Sanctuary of Philip Arrhidaeus who ruled briefly after the death of Alexander the Great. The obelisk is that of Hatshepsut while the smaller one on the left is that of Thutmosis 1. The distant view goes beyond the Processional Way of the Hypostyle hall, through the western Pylon, over the River Nile to the distant west bank Theban hills. In the foreground are the truncated columns of an area which was one of the oldest areas of Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, Thutmosis, Thutmose, festival, hall, barque, sanctuary, Granite, Philip, Arrhidaeus, inner, sanctum, sixth, pylon, colours, painted, colors, history, archaeology, ancient, Egyptology, column, bases, obelisks, Hatshepsut, hypostyle, hall, Theban, hills, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984622jhp
Karnak Temple storage rescued obelisks dawn sunrise winter light palm tree located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, obelisks, obelisk, Thutmose, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984621jhp
Karnak Temple south hypostyle hall obelisks dawn sunrise golden light located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, obelisks, obelisk, Thutmose, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984618jhp
Karnak Temple south salvaged blocks obelisks dawn sunrise pylon seventh located on the transverse axis south from the main central area between the eighth and tenth pylons and the boundaries of Khonsu temple in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The in fill from many Atenist temples has been removed particularly from the inside of the ninth pylon and much of the area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum. In the distance at the obelisks of Thutmose 1 and Queen or King Hatshepsut. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, upright, pylon, obelisks, obelisk, Thutmose, Thutmosis, Hatshepsut, gate, ninth, south, face, front, transverse, axis, usurped, restoration, history, archaeology, ancient, Egyptology, limestone, hieroglyphs, hieroglyphics, nu, niwt, city, town, walled, crossroads, cartouche, carved, Atenist, building, material, infill, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98469jhp
Karnak Temple Pylon Courtyard Mudbrick Ramps Egypt morning light back first is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. In this photo are the remains of construction mudbrick ramps in the first court behind the first pylon, which appear to have been left behind. The temple complex started from the centre and this area of construction, partly unfinished, was a much later phase possibly during the reign of Nectanebo 1 around 370BC. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, pylon, interior, mudbrick, ramps, remains, unfinished, building, construction, methods, history, archaeology, ancient, Egyptology, hieroglyphics, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98468jhp
Karnak Temple Pylon Interior Mudbrick Ramps Remains Egypt dawn light is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. In this photo are the remains of construction mudbrick ramps in the first court behind the first pylon, which appear to have been left behind. The temple complex started from the centre and this area of construction, partly unfinished, was a much later phase possibly during the reign of Nectanebo 1 around 370BC. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, pylon, interior, mudbrick, ramps, remains, unfinished, building, construction, methods, history, archaeology, ancient, Egyptology, hieroglyphics, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98467jhp
Karnak Temple Egypt Hypostyle Hall Taharqa Kiosk sunrise backlit sphinx dawn greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98466jhp
Karnak Temple Egyptian Hypostyle Hall Taharqa Kiosk dawn silhouette colonnade greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98464jhp
Karnak Temple Egypt second pylon Taharqa Kiosk dawn silhouette sphinx sunrise greets the visitor after entering through the first Pylon when visiting this famous site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This is a typical scene in the first court after entering through the main entrance of the first pylon with the remains of the pillared kiosk of Taharqa in a single papyrus column and the large block of alabaster, possible a barque station. Beyond is the second pylon with its decorated front and the beginning of the famous hypostyle hall leading to the distant obelisks and inner sanctuary. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Karnak, Temple, East Bank, Thebes, Waset, Ipetisut, holiday, landscape, upright, tourists, dawn, sunbeams, backlit, visitors, kiosk, papyrus, column, alabaster, altar, barque, station, cruise, history, archaeology, ancient, Egyptology, obelisk, court, hypostyle hall, columns, kiosk, Taharqa, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984617jhp
Hypostyle Hall Outer carvings prisoners Karnak Temple South sunrise dawn light highlighting carving at this site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.

These photos are taken in dying evening light after a sandstorm so rather flat and golden subdued light but still gives sufficient shadow outline on the sunken carvings.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984615jhp
Carved block Khonsu ankhs Temple dawn sunrise Karnak Egyptian golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of a carved block near the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, block, carved, landscape, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984614jhp
Hypostyle Hall Outer Wall Reliefs Karnak Temple South dawn sunrise carving a site located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. The most famous and awesome part of The Great Temple of Amun is the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today greatly lacking in perfection is still overwhelming in its scale. This photo is taken from the outside of the hall on the southern side of the Temple where most of the inscriptions are related to Ramesses 11 and his various military campaigns in Palestine, charging fortresses, cities, binding captives and the hall is viewed from his gate on this side. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, hieroglyphs, sandstone, hypostyle, hall, columns, carvings, reliefs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, South, gate, military, campaigns, Palestine, Kadesh, chariots, horses, charging, cartouches, names, cities, defeated, captured, prisoners, captives, binding, Amun, Ramses, Ramasses, Ramesses, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984613jhp
Exterior wall reliefs Temple Ramses dawn sunrise Karnak Luxor Egypt, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS984611jhp
Outer wall reliefs Temple Ramasses dawn sunrise Karnak Egypt golden light, on south side of the First Forecourt where it has been joined into the complex having once stood isolated near the Pylon. This photo is of the exterior walls at the east corner which is accessed either through the Bubastite Portal or walking back from Khonsu Temple or perhaps the Sacred Lake. It is now an integral part of the largest religious complex on the East Bank of the River Nile at Luxor in Egypt but when first built would have been isolated as the first pylon of Nectanebo was constructed later. Ramesses 111 Temple was a barque shrine dedicated to Amun in his two most recognised forms, Amun-Re and Amun-re-Kamutef, King of the Gods and Karnak and who is before the harim. On the exterior walls on its western face it has a large scale scene of many boats as they might have been seen during the annual river procession along the Nile from Luxor Temple to Karnak. This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Theban, Triad, Waset, Ipetisut, upright, Ramses, Ramesses, Ramasses, Amun, Amun-Re, Amun-Re-Kamutef, king, Gods, Ptah, Khonsu, Harim, Harem, barque, shrine, Bubastite, temple, wall, reliefs, bas reliefs, two, plumes, crown, headdress, disc, ankh, life, was-sceptre, well-being, happiness, carvings, preserved, clear, sharp, palm, trees, fronds, framing, water, procession, boats, barques, oars, oarsmen, sails, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Karnak Temple SS98460jhp
Hypostyle Hall Window sunrise golden light Karnak Egypt Temple Columns Roof carving hieroglyphics taken not long after dawn with golden sunlight creeping into the hall. A visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment. This particular photograph was taken in 1998 as part of a Stars and Signs cruise and we were able to access the temple at sunrise before it opened to the main package tour traffic. This allowed photos to be taken in beautiful golden early morning light which was particularly useful in highlighting some of the rich wall reliefs.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, colour, slide, film, Velvia, 35mm, Nikon, FM2, manual, camera, scanned, scan, November, 1998, dawn, sunrise, early, morning, golden, light

Luxor Karnak Temple EG962004jhp
Karnak Temple Eighth Pylon Seated Statues south face wire equipment front damaged located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, eighth, pylon, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks, 1996, slide, film, 35mm, Fuji, RDP, Nikon, FM2, EG20, manual, scanned, scan

Luxor Karnak Temple EG962003jhp
Karnak Egyptian Temple Eighth Pylon hypostyle hall broken blocks side view located on the transverse axis south from the main central area in this large site near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is of the Eighth Pylon with its southern face dominated by five colossal figures from Amenhotep 1, the most complete and Amenhotep 11 while the two either side of the doorway are of Tuthmosis 11 and all were later restored by Tuthmosis 111 although all are now in very poor condition. The pylon was originally raised by Hatshepsut but subsequently her identity was removed as was the name of Amun which offended the heretic Pharaoh Akhenaten but later restored by Seti 1. The area around the eighth to tenth pylons is largely covered in various blocks of variously decorated stone all eventually waiting new homes in restored chapels such as that of Hatshepsut's Chapelle Rouge in the Open Air Museum.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, eighth, pylon, view, hypostyle, first, limestone, statues, damaged, broken, headless, Amenhotep 1, 11, Tuthmosis, 11, 111, Tuthmose, Hatshepsut, Sety 1, Sethos, Seti, court, history, archaeology, ancient, Egyptology, sandstone, blocks, Horus, carving, hieroglyphs, storage, obelisks, 1996, slide, film, 35mm, Fuji, RDP, Nikon, FM2, EG20, manual, scanned, scan

Luxor Karnak Temple EG949519jhp
Hypostyle Hall Reliefs Karnak Egypt Temple Columns windows carving hieroglyphics taken in late afternoon light unfortunately during a sand storm so the general light was very poor. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and where diminutive figures appear one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, obelisks, evening, late, afternoon, sandstorm, sunshine, golden, poor, light, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, scanned, scan

Karnak Temple EG94487jhp
Hypostyle Hall Karnak Egypt Luxor Temple Columns Light Show Moon sound taken during the first stage of the Light Show which invloves a walk through the main temple here loking through the Hypostyle Hall to the Obelisk of Tuthmosis 111. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East, Bank, River, Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, Thutmosis, obelisk, night, sound, son, Luminere, light, show, 1994, Bronica, ETRSi: slide, film, tungsten, transparency, 645, medium, format

Karnak Lightshow EG94488jhp
Hypostyle Hall Reliefs Karnak Egyptian Temple Columns Light Show Obelisk taken during the first stage of the Light Show which invloves a walk through the main temple here loking through the Hypostyel Hall to the Obelisk of Tuthmosis 111. This early part of a visit to Karnak is on a huge sprawling a site located near Luxor City centre on the East Bank of the River Nile and it is the largest religious complex on the Nile. This is the most famous and awesome part of The Great Temple of Amun, the hypostyle hall with it huge columns, the central ones reaching 23m high. Originally erected by Seti 1 and was completed by his son Ramses 11 and although today despite lacking in overall perfection is still overwhelming in its scale. This photo is taken from inside the great columned hall and one can gauge the huge scale and fantastic workmanship of the skilled builders who worked with basic tools and no modern mechanical equipment.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, processional, way, clerestory, papyrus, bud, capitals, windows, hieroglyphs, deep, cut, windows, painted, roof, sanctuary, gateway, outer, wall, south, entrance, Seti 1, Sethos, Ramses, Ramasses, Ramesses, Amun-Re, Thutmosis, obelisk, night, light, show, 1994, Bronica, ETRSi: slide, film, tungsten, transparency, 645, medium, format

Karnak Hypostyle Hall EG96999JHP
Karnak Egypt Temple Hypostyle Hall Columns Roof Lintel Windows is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using a wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way which supported sandstone gridded clerestory windows one of which is visible.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, clerestory, windows, grid, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Karnak Hypostyle Hall EG969916JHP
Hypostyle Hall Karnak Temple Fisheye Photo Columns Perspective Ramses Sky is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using a wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way which supported sandstone gridded clerestory windows one of which is visible.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, landscape, archaeology, ancient, Egyptology, hieroglyphics, sandstone, clerestory, windows, grid, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Karnak Hypostyle Hall EG969915JHP
Hypostyle Hall Egyptian Karnak Temple Warped Perspective Fisheye Photograph Upwards is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This unusual view using an ultra wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way. reaching 23metres.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Karnak Hypostyle Hall EG969912JHP
Hypostyle Hall Karnak Temple Fisheye Bent Perspective Carvings Hieroglyphs Columns is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This unusual view using an ultra wide lens is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Karnak Hypostyle Hall EG969910JHP
Egyptian Hypostyle Hall Karnak Temple Painted Roof Supports Columns is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way and with coloured reliefs under the roof support structures still visible.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, columns, hieroglyphs, deep cut, windows, painted, colors, colours, lintel, support, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Karnak Hypostyle Hall EG944615JHP
Hypostyle Hall Ancient Egyptian Karnak Temple Processional Walk Pylon remains is located near Luxor City centre on the East Bank of the River Nile and it the largest religious complex on the Nile. This view using is a scan off a slide film showing the scale of the famous hypostyle hall with its now roofless structure but still awesome towering columns with 12 flanking the processional way looking towards the first entrance pylon.
Keywords: Egypt, Egyptian, Luxor, Karnak, Temple, East Bank, River Nile, Thebes, Waset, Ipetisut, upright, archaeology, ancient, Egyptology, hieroglyphics, sandstone, blocks, approach, hypostyle, hall, processional, way, columns, hieroglyphs, deep cut, windows, painted, roof, sanctuary, gateway, Ramses, Ramasses, Ramesses

Egypt > Kom Ombo Temple (22 files)

Pictures in this gallery are of Kom Ombo Temple located by The River Nile North Of Aswan

Kom Ombo EG20435jhp
Kom Ombo Temple Nile Egypt rare high view Jim Henderson Photo of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG20434jhp
Kom Ombo Temple River Nile Egypt rare high view upstream vista of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG20433jhp
Kom Ombo Temple Nile Egyptian rare high view downstream overview of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204331jhp
Kom Ombo museum blocks Egyptian hieroglyphs beautiful iconic symbols carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, Horus, falcon, God, snakes, bread, symbols, grammar, folded, cloth, three, sprays, means, last, oryx, animal, horns, staff, language, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204330jhp
Kom Ombo museum blocks Egypt hieroglyphics many symbols sharp carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, upright, owl, village, crossraods, cross, symbol, circle, three, sprays, legs, means, last, scared, cow, disk, horns, head, infuriated, bull, rage, water, ripple, flowering, reed, legs, backward, ankh, D'jed, eye, basket, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204329jhp
Kom Ombo Ancient Egypt hieroglyphics deep cut owl seated woman of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204328jhp
Kom Ombo Ancient Egyptian hieroglyphs deep cut sharp symbols seated God of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, seated, God, star, ankh, legs, walking, backwards, turnback, retreat, reversed, grammar, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204327jhp
Kom Ombo Temple Egyptian hieroglyphics carvings clear symbols owl woman seated of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204324jhp
Kom Ombo Temple Egyptian hieroglyphs carved block symbols reed sedge D'jed of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, carvings, language, ibis, Thoth, God, pillar, bundle, noble, seated, revered, mouth, wicker, work, basket, wick, twisted, flax, milk, jug, net, lung, windpipe, grammar, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204323jhp
Kom Ombo Temple Egypt hieroglyphs carvings blocks Wadjet Nekhet snake vulture of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, Wadjet, snake, Goddess, Nekhbet, vulture, Two, Ladies, Proectors, Lands history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204322jhp
Kom Ombo Ptolemy Temple Egypt wall bas relief carvings detail rear hypostyle hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204321jhp
Kom Ombo Temple Egypt cleaning restoring umbrella conservation painted reliefs of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204320jhp
Kom Ombo Ptolemaic Temple River Nile Egyptian hypostle hall wall columns carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG20437jhp
Kom Ombo Ptolemaic Temple River Nile Egypt hieroglyphs column carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204319jhp
Kom Ombo sunny Temple Nile Egypt carved column large capitals floral hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204318jhp
Kom Ombo morning Temple Nile Egypt columns large capitals floral hall carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204317jhp
Kom Ombo interior Temple Nile Egypt columned hypostyle hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204316jhp
Kom Ombo ruined Temple Nile Egypt columned hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204315jhp
Kom Ombo Temple Nile Egypt columns broken colours painted carvings pylon of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204313jhp
Kom Ombo Temple Nile Egyptian columns broken restored painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204312jhp
Kom Ombo Temple Nile Egyptian hieroglyphs Hathor Ptolemy Horus painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Kom Ombo EG204310jhp
Kom Ombo Temple River Nile Egypt hieroglyphs hall Sobek Horus carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Egypt > Lake Nasser (23 files)

This gallery will contain photos of the sites visited on cruises of Lake Nasser from Kasr Imbrim in the south, Amada, Derr Tomb, Pennuit, El Seboua, Dakka, Maharraka, Qertassi and Kalabsha near Aswan.

Kalabsha Aswan EG20339jhp
Kalabsha Temple entrance gate winged lintel Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG20337jhp
Kalabsha Temple Aswan Lake Nasser Qertasi Qirtasi tourists Hathor relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG20336jhp
Kalabsha Temple open air museum drawing elephant large prehistoric Egyptian Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG20335jhp
Kalabsha Temple open air museum drawing antelope gazelle prehistoric Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG20334jhp
Kalabsha Temple Aswan Lake Nasser open air museum stele heiroglyphs relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG20332jhp
Kalabsha Temple Beit el-Wali Ramses chariot action bow relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple of Beit el-Wali from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG20331jhp
Kalabsha Temple high view rear Aswan Lake Nasser cruiseboat relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG203317jhp
Kalabsha Kiosk Qertassi Qirtasi Hathor capitals sandy walk Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG203316jhp
Kalabsha Temple Lake high view pylon hypostyle hall columns capitals Egyptian Ptolemaic Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG203315jhp
Kalabsha Temple Lake Nasser high view pylon hypostyle hall Egypt Ptolemaic Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG203314jhp
Kalabsha Temple ambulatory hypostyle hall walls sandstone blocks gate doors Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, ambulatory, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG203313jhp
Kalabsha Temple wall carving plaque Mandulis Greek God king Aswan Lake Nasser relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG203312jhp
Kalabsha Temple wall carvings Augustus Gods Isis Horus Mandulis relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG202836jhp
Kalabsha Temple Aswan Lake Nasser Qirtasi rocks sand shore view relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG202836Ejhp
Kalabsha Temple Lake Nasser rocky shoreline crewmen bow cruiseboat berth sand landing relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG202835jhp
Kalabsha Temple Lake view Nasser Qertasi rocky shoreline crewman landing relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, upright, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG202833jhp
Kalabsha Temple Aswan Lake view Nasser Qertasi rocky shoreline desert relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Kalabsha Aswan EG202831jhp
Kalabsha Temple Aswan Lake Nasser High Dam Crown Monument lakeside relocated Egypt Roman Merwel Mandulis approach water High Dam is visited either privately from Aswan or part of a Lake Nasser cruise. In both cases the approach is by motorboat being located on an island which is impressive with the pylon facing the landing berth and a large flight of steps. On the left is a small Roman kiosk called Qertassi dedicated to the Goddess Hathor and at the rear of the main temple is a small temple from Ramasses 11 period carved out of a rock face although again relocated from near the original site of Kalabsha, some 40 km upstream on the banks of the original River Nile. All these three sites would have been flooded following the creation of Lake Nasser after construction of the Aswan High Dam in the 1960’s. In this first visit in 2000, the arrival was from the Nile cruiseboat and they anchored along the rocky shore rather than the main stepped landing.
Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Dam, 1960’s, Kalabsha, Temple, lake, Nasser, Kalabshah, prehistoric, Talmis, flooding, relocation, travel, landscape, entrance, gate, columns, approach, water, pylon, motorboat, steps, cruiseboat, cruise, history, ancient, antiquity, archaeology, Egyptology, Qertassi, Kiosk, Hathor, Goddess, Qirtasi, Osiris, Isis, Horus, Roman, Merwel, Marul, Mandulis, Greek, Ptolemy’s, solar, fertility, Wadjet, deity, Min, Khum, Augustus, Dedwen, Bayt al-Wali, Beit el-Wali, Ramses 11, Ramasses, Ramesses, holiday, travellers, tourists, tourism, cruises, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Penne Rock Tomb EG961499jhp
Penne Pennuit Tomb deputy Wawat Lake Nasser Egypt Ramses V1 tourists as with most of the sites along the shores of Lake Nasser has been relocated to save it from flooding when the High Dam was constructed in Aswan in the 60’s. Interior paintings are in colour and general preservation is good. It is short walk from Amadah, the Temple to Amun-Re and Re-Harakhte and slightly further along is the the Temple of el-Derr. These three sites are usually visited on one visit from the cruiseboat and do involve some walking on desert sand often in extreme heat.
Keywords: Egypt, Egyptian, ancient, Amadah, Anibah, el-Derr, al-Derr, Temple, rock, cut, paintings, Re-Harakhte, religion, Gods, Amun-Re, Ptah, sanctuary, Abu Simbel, style, relocated, Nubia, Nubian, Lake, Nasser, River, Nile, Aswan, flooding, landscape, Ramses V1, pharaoh, Ramesses, Ramasses, history, antiquity, archaeology, Egyptology, colours, coloured, colourful, colors, colored, colorful, desert, rocks, hieroglyphs, history, time, eternity, Afterlife, Penniut, Penne, deputy, Wawat, holiday, travel, walk, path, UNESCO, Dam, Viceroy, Amenhotep, Tuthmosis, Christians, power, empire, 645, slide, transparency, film, Bronica, ETRSi, 1996

Leaving Abu Simbel EG961464jhp
Lake Nasser Cruise Abu Simbel temple leaving view cruiseboat Egyptian holiday is another way of visiting Abu Simbel after exhausting the Aswan and Nile cruise options. Lake Nasser is a great expanse of water although always within sight of distant rocky outlines it offers hotter temperatures, the chance to spend more time at Abu Simbel and see the Light and Sound Show and a range of additional smaller temples and tombs throughout the 3 day trip.
Keywords: Egypt, Egyptian, River Nile, Lake, Nasser, Nubia, Abu Simbel, temple, departure, arrival, landscape, upright, cruiseboat, sun, colourful, colorful, relaxing, water, flags, deck, buffet, cabin, service, food, cakes, dessert, 1996, 645, slide, film, transparency, scanned, scan, Bronica, ETRSi

Lake Nasser el Derr EG961498jhp
el-Derr al Derr rock cut temple Lake Nasser Egypt sand walk hot as with most of the sites along the shores of Lake Nasser has been relocated to save it from flooding when the High Dam was constructed in Aswan in the 60’s. This Temple based on the design at Abu Simbel was dedicated to Re-Harakhte; Ramesses 11; Amun-Re and Ptah. Interior paintings are of excellent colour and general preservation. It is short walk from Amadah; the Temple to Amun-Re and Re-Harakhte and slightly further along id the rock cut Tome of Penniut; deputy of Wawat under Ramesses V1. These three sites are usually visited on one visit from the cruiseboat and do involve some walking on desert sand often in extreme heat as illustrated in this photo.
Keywords: Egypt, Egyptian, ancient, Amadah, Anibah, el-Derr, al-Derr, Temple, rock, cut, paintings, Re-Harakhte, religion, Gods, Amun-Re, Ptah, sanctuary, Abu Simbel, style, relocated, Nubia, Nubian, Lake, Nasser, River, Nile, Aswan, flooding, landscape, upright, Ramses 11, pharaoh, Ramesses, Ramasses, history, antiquity, archaeology, Egyptology, colours, coloured, colourful, colors, colored, colorful, desert, rocks, sand, hieroglyphs, history, time, eternity, Afterlife, Penniut, deputy, Wawat, holiday, travel, walk, path, UNESCO, Dam, Viceroy, Amenhotep, Tuthmosis, Christians, power, empire, 645, slide, transparency, film, Bronica, ETRSi, 1996

Lake Nasser el Derr EG961493jhp
el-Derr al Derr carved columns temple Re-Harakhte Lake Nasser Egypt Ramesses 11 as with most of the sites along the shores of Lake Nasser has been relocated to save it from flooding when the High Dam was constructed in Aswan in the 60’s. This Temple based on the design at Abu Simbel was dedicated to Re-Harakhte, Ramesses 11, Amun-Re and Ptah. Interior paintings are of excellent colour and general preservation. It is short walk from Amadah, the Temple to Amun-Re and Re-Harakhte and slightly further along id the rock cut Tome of Penniut, deputy of Wawat under Ramesses V1. These three sites
Keywords: Egypt, Egyptian, ancient, Amadah, Anibah, el-Derr, al-Derr, Temple, rock, cut, paintings, Re-Harakhte, religion, Gods, Amun-Re, Ptah, sanctuary, Abu Simbel, style, relocated, Nubia, Nubian, Lake, Nasser, River, Nile, Aswan, flooding, landscape, upright, Ramses 11, pharaoh, Ramesses, Ramasses, history, antiquity, archaeology, Egyptology, colours, coloured, colourful, colors, colored, colorful, desert, rocks, hieroglyphs, history, time, eternity, Afterlife, Penniut, deputy, Wawat, holiday, travel, walk, path, UNESCO, Dam, Viceroy, Amenhotep, Tuthmosis, Christians, power, empire, 645, slide, transparency, film, Bronica, ETRSi, 1996

Lake Nasser Desert EG9614713jhp
Egyptian desert walk sand el-Derr temple Lake Nasser Egypt barren desolate the usual backdrop to most of the sites along the shores of Lake Nasser which have been relocated to save them from flooding when the High Dam was constructed in Aswan in the 60’s. This Temple based on the design at Abu Simbel was dedicated to Re-Harakhte, Ramesses 11, Amun-Re and Ptah. Interior paintings are of excellent colour and general preservation. It is short walk from Amadah, the Temple to Amun-Re and Re-Harakhte and slightly further along id the rock cut Tome of Penniut, deputy of Wawat under Ramesses V1. These three sites are usually visited on one visit from the cruiseboat and do involve some walking on desert sand often in extreme heat as well illustared by this view taken after leaving el-Derr and walking to Pennuit.
Keywords: Egypt, Egyptian, ancient, Amadah, Anibah, el-Derr, al-Derr, Temple, rock, cut, paintings, Re-Harakhte, religion, Gods, Amun-Re, Ptah, sanctuary, Abu Simbel, style, relocated, Nubia, Nubian, Lake, Nasser, River, Nile, Aswan, flooding, landscape, upright, Ramses 11, pharaoh, Ramesses, Ramasses, history, antiquity, archaeology, Egyptology, colours, coloured, colourful, colors, colored, colorful, desert, rocks, hieroglyphs, history, time, eternity, Afterlife, Penniut, deputy, Wawat, holiday, travel, walk, path, UNESCO, Dam, Viceroy, Amenhotep, Tuthmosis, Christians, power, empire, 645, slide, transparency, film, Bronica, ETRSi, 1996

Egypt > Luxor City & Misc West Bank (18 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.

Luxor Nile EG20367jhp
Egyptian Luxor Hotels St George River Winter Palace Nile ferry boat crossing and this was the manner of crossing to the West bank from the cruiseboats and hotels in Luxor proper. The road bridge over the Nile slightly to the south of the town was opened in 1998 and then all journeys to the West Bank sites was done by coach and much less romantic than crossing the Nile by ferry boat. It is still possible to use the public ferry and then get a taxi from the ticket office near Qurna al-Gaddah. In 1994 on my first trip I stayed in the Etap Hotel now the Mercure and it was a great location on the promenade, great views over the River with easy access by foot to the Luxor Museum, to public ferry points for crossing the Nile and to nearby shops or just enjoyed a leisurely walk along the tree lined waterfront by the berthed cruiseboats and feluccas. You could see the Temple of Hatshepsut tucked into the Theban hills, watch the balloons starting their early morning flights or see feluccas and cruiseboats sailing along the Nile. In my first few visits to Egypt but especially my first the Nile cruiseboat the RA 11 anchored adjacent to the main promenade and we were collected in the morning by ferryboats and taken over the river to the East Boat and brought back after our visits to the West Bank sites. Coaches were waiting on the West Bank to take us to the sites.
Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Mercure, Etap, Hotel, hotels, riverside, riverbank, West, bank, ferry, public, crossing, boat, Hatshepsut, temple, balloons, landscape, upright, palm, trees, water, shimmering, morning, sunshine, blue, sky, hazy, Theban, hills, waterfront, promenade, esplanade, modern, architecture, style, stylish, balconies, tree-lined, papyrus, cruiseboats, berthed, 2000, slide, film, 35mm, format, transparency, Fuji, Velvia, Nikon, FM2, scanned, scan

Luxor Nile EG20366jhp
Egypt Luxor Hotels River Nile View East Bank ferry crossing downstream and this was the manner of crossing to the West bank from the cruiseboats and hotels in Luxor proper. The road bridge over the Nile slightly to the south of the town was opened in 1998 and then all journeys to the West Bank sites was done by coach and much less romantic than crossing the Nile by ferry boat. It is still possible to use the public ferry and then get a taxi from the ticket office near Qurna al-Gaddah. In 1994 on my first trip I stayed in the Etap Hotel now the Mercure and it was a great location on the promenade, great views over the River with easy access by foot to the Luxor Museum, to public ferry points for crossing the Nile and to nearby shops or just enjoyed a leisurely walk along the tree lined waterfront by the berthed cruiseboats and feluccas. You could see the Temple of Hatshepsut tucked into the Theban hills, watch the balloons starting their early morning flights or see feluccas and cruiseboats sailing along the Nile. In my first few visits to Egypt but especially my first the Nile cruiseboat the RA 11 anchored adjacent to the main promenade and we were collected in the morning by ferryboats and taken over the river to the East Boat and brought back after our visits to the West Bank sites. Coaches were waiting on the West Bank to take us to the sites.
Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Mercure, Etap, Hotel, hotels, riverside, riverbank, West, bank, ferry, public, crossing, boat, Hatshepsut, temple, balloons, landscape, upright, palm, trees, water, shimmering, morning, sunshine, blue, sky, hazy, Theban, hills, waterfront, promenade, esplanade, modern, architecture, style, stylish, balconies, tree-lined, papyrus, cruiseboats, berthed, 2000, slide, film, 35mm, format, transparency, Fuji, Velvia, Nikon, FM2, scanned, scan

Luxor Nile EG20365jhp
Egypt Luxor Hotels River Nile eastbank boat tourists ferry crossing and this was the manner of crossing to the West bank from the cruiseboats and hotels in Luxor proper. The road bridge over the Nile slightly to the south of the town was opened in 1998 and then all journeys to the West Bank sites was done by coach and much less romantic than crossing the Nile by ferry boat. It is still possible to use the public ferry and then get a taxi from the ticket office near Qurna al-Gaddah. In 1994 on my first trip I stayed in the Etap Hotel now the Mercure and it was a great location on the promenade, great views over the River with easy access by foot to the Luxor Museum, to public ferry points for crossing the Nile and to nearby shops or just enjoyed a leisurely walk along the tree lined waterfront by the berthed cruiseboats and feluccas. You could see the Temple of Hatshepsut tucked into the Theban hills, watch the balloons starting their early morning flights or see feluccas and cruiseboats sailing along the Nile. In my first few visits to Egypt but especially my first the Nile cruiseboat the RA 11 anchored adjacent to the main promenade and we were collected in the morning by ferryboats and taken over the river to the East Boat and brought back after our visits to the West Bank sites. Coaches were waiting on the West Bank to take us to the sites.
Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Mercure, Etap, Hotel, hotels, riverside, riverbank, West, bank, ferry, public, crossing, boat, Hatshepsut, temple, balloons, landscape, palm, trees, water, shimmering, morning, sunshine, blue, sky, hazy, Theban, hills, waterfront, promenade, esplanade, modern, architecture, style, stylish, balconies, tree-lined, papyrus, cruiseboats, berthed, 2000, slide, film, 35mm, format, transparency, Fuji, Velvia, Nikon, FM2, scanned, scan

Luxor West Bank EG96720812jhp
Egypt Luxor West Bank Qurna River Nile dates Hatshepsut crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile looking across this fertile plain to the Theban Hills and in the direction of Hatshepsut Temple. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills.
Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, landscape, archaeology, Egyptology, temples, Hatshepsut, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, 35mm, format, Nikon, FM2, manual, daylight, scanned, scan

Luxor West Bank EG947629jhp
Luxor Nile Balloons flight soaring Western desert landing hills Egypt after passing the several famous temples situated on the West Bank location of the Nile at Luxor. Apart from the main sites visited, in this general area are several Tombs of the Nobles which are usually privately organised visits but very well worth the time if you have a few days to spare in Luxor. The balloon flight illustrated here was in 1994 and there were only two although in later years these increased greatly in numbers. This trip took off from the front of Hatshepsut just after dawn, a cold and interesting crossing of the Nile in the dark and long before the modern road bridge and eventually landed in the desert where the Hilton Hotel put on a beautiful breakfast buffet. I understand in recent times the breakfast has come to a boxed meal probably eaten on the bus journey back to the hotel or cruiseboat.
Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West, Bank, River Nile, Thebes, Qurnat, Murai, Shaykh 'Abd al-Qurnah, landscape, upright, people, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, Shelley, Ozymandias, pylon, court, columns, base, hieroglyphs, Ramses, Ramasses, Ramesses, glowing, golden, sunlight, dawn, agriculture, farming, houses, tombs, Nobles, high, panorama, balloon, balloons, high, flying, soaring, 1994, slide, film, 35mm, format, scanned, scan, Nikon, FM2, manual

Luxor West Bank EG006718jhp
Egypt Luxor West Bank Qurnet Murai Tombs Nobles mudbrick houses donkeys in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan

Luxor West Bank EG006716jhp
Egypt Luxor West Bank Qurnet Murai Tombs debris limestone stones pits in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 1996, 35mm, slide, film, Nikon, FM2, manual, scanned, scan

Luxor West Bank EG006715jhp
Egyptian Luxor West Bank Tombs Nobles mudbrick house donkey traditional scene in an area that has undergone a huge change in recent years and domestic dwellings like this no longer exist. Through the work of the SCA the old houses of this area are being demolished and the modern occupants are be rehoused on new houses. After the removal of most of the houses an extensive exploration and survey of the area amongst the Tombs of the Nobles will be undertaken to identify any unidentified tombs while the various entrances to the existing tombs are being refurbished to make the area more accessible to visitors. Some of the better houses will be retained as part of a UNESCO sponsored museum as part of the history and occupation of the West Bank.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Old, Gurna, Qurna, Qurnah, village, relocation, removal, demolished, destruction, excavation, remapping, Qurnat, Mura’I, Shaykh, Abd al-Qurnah; Sheikh Abd, el-Qurna, Muslim, saint, tomb, chapel, necropolis, Tombs, Nobles, landscape, mudbrick, houses, donkeys, domestic, homes, hills, sand, rubble, stones, limestone, 2000, 35mm, slide, film, Nikon, FM2, manual, scanned, scan

Luxor Queens Valley EG9647928jhp
Egyptian Luxor West Bank Thebes Valley Queens approach querns hills rocks is the lesser known and visited burial necropolis on the West Bank of the River Nile at Luxor in which some Royal burials of this ancient civilisation of Pharaohs wives are contained as well as wives of important officials. Certainly one of the most beautiful is that of Queen Nefertari [66], restored by the Getty Institute and is not always open. Entry is by limited special permission and substantial entrance fee. I did have the chance to see it for a very limited time and of course no photography was allowed but it was an awesome experience, almost akin to be being in a Disney cartoon rich in colour. The usual tombs visited on a package visit are Queem Tyti [52], Prince Amun-hir-Khopshef [55] and Prince Kha’emweset [44].
Keywords: Egypt, Egyptian, Luxor, West, Bank, Qurnat, Mura’i, Valley, Queens, wives, Princes, ladies, Place, Beauty, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, entrance, road, hills, desert, rocky, sand, heat, exposed, isolated, desolate, visitors, tourists, busy, 1994, slide, film, 35mm, Nikon, FM2, scanned, scan

Luxor Alabaster EG006134jhp
Egyptian Luxor alabaster carving working drawing worker traditional skill drawing outlines perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah, Sheikh Abd, el-Qurna, alabaster, working, workers, galabea, clothes, men, techniques, skills, stone, factory, tourism, landscape, carved, plaster, head, tourist, trap, stopover, sell, buy, haggle, workers, Egyptians, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Alabaster EG006133jhp
Egypt Luxor West Bank alabaster factory workers traditional skills scraping bowl perhaps showing the many visitors to this part of ancient Egypt some of the techniques used by ancient Egyptians working alabaster crystal stone. These stops such as papyrus, perfumes, carpet making all give the visitor a chance to purchase souvenirs while no doubt imparting some idea of how the ancients did make the artefacts found in tombs.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, Gurna, Qurna, Qurnah, Qurnat, Mura’I, Shaykh, Abd al-Qurnah, Sheikh Abd, el-Qurna, alabaster, working, workers, galabea, clothes, men, techniques, skills, stone, factory, tourism, landscape, upright, tourist, trap, stopover, sell, buy, haggle, workers, Egyptians, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley of Queens EG94275jhp
Egypt Luxor West Bank Thebes Valley Queens Tombs entrance hills rocks is the lesser known and visited burial necropolis on the West Bank of the River Nile at Luxor in which some Royal burials of this ancient civilisation of Pharaohs wives are contained as well as wives of important officials. Certainly one of the most beautiful is that of Queen Nefertari [66], restored by the Getty Institute and is not always open. Entry is by limited special permission and substantial entrance fee. I did have the chance to see it for a very limited time and of course no photography was allowed but it was an awesome experience, almost akin to be being in a Disney cartoon rich in colour. The usual tombs visited on a package visit are Queem Tyti [52], Prince Amun-hir-Khopshef [55] and Prince Kha’emweset [44].
Keywords: Egypt, Egyptian, Luxor, West, Bank, Qurnat, Mura’i, Valley, Queens, wives, Princes, ladies, Place, Beauty, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, entrance, road, hills, desert, rocky, sand, heat, exposed, isolated, desolate, visitors, tourists, busy, 1994, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan

Luxor Farmland EG945610jhp
Egypt Luxor West Bank Qurna River Nile palm tree crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills.
Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, upright, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan

Luxor Balloon EG94211jhp
Balloon flight Luxor West Bank Metropolitan House Asasif khokha hill Egypt with the famous temple of Ramesses is located just beyond the hill line and is situated on the West Bank location of the Nile at Luxor. In this general area are several Tombs of the Nobles which are usually privately organised visits but very well worth the time if you have a few days to spare in Luxor. The balloon flight illustrated here was in 1994 and there were only two although in later years these increased greatly in numbers. This trip took off from the front of Hatshepsut just after dawn, a cold and interesting crossing of the Nile in the dark and long before the modern road bridge and eventually landed in the desert where the Hilton Hotel put on a beautiful breakfast buffet.
Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West, Bank, River Nile, Thebes, Qurnat, Murai, Shaykh 'Abd al-Qurnah, West, Bank, Khokha, hill, Metropolitan, house, domes, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, Shelley, Ozymandias, pylon, court, columns, base, hieroglyphs, Ramses, Ramasses, Ramesses, glowing, golden, sunlight, dawn, agriculture, farming, houses, tombs, Nobles, high, panorama, balloon, balloons, high, flying, soaring, 1994, slide, film, 645, medium, format, transparency, scanned, scan, Bronica, ETRSi

Luxor Balloon EG922411jhp
Balloons flight excursion landed desert sand tourists hills Egypt western Luxor pick up. The balloon flight illustrated here was in 1994 and there were only two although in later years these increased greatly in numbers. This trip took off from the front of Hatshepsut just after dawn, a cold and interesting crossing of the Nile in the dark and long before the modern road bridge and eventually landed in the desert where the Hilton Hotel put on a beautiful breakfast buffet.
Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West, Bank, River Nile, Thebes, Qurnat, Murai, Shaykh 'Abd al-Qurnah, landscape, upright, Western, desert, sand, stones, sunlight, dawn, agriculture, farming, houses, tombs, Nobles, high, panorama, balloon, balloons, landed, tourists, collected, basket, motif, face, blue, silver, 1994, slide, film, 645, medium, format, transparency, scanned, scan, Bronica, ETRSi

Luxor View EG94538jhp
Egypt Luxor Hotel River Nile View balloons dawn West Bank Hatshepsut looking over the quiet River Nile on a sunny September dawn from one of the riverside balconies of this long standing central Luxor Hotel on the city waterfront. This was my first visit to Luxor and I was lucky to get changed to a room in the north wing which was considerably quieter than one in the centre of the hotel above the swimming pool, various restaurants and a dance floor. It also offered great views to the West Bank and in this case two hot air balloons starting their trips over the West Bank. In 1994 the Hotel was the Etap but is now the Mercure and has a great location on the promenade with easy access by foot to the Luxor Museum, to public ferry points for crossing the Nile and to nearby shops or just enjoyed a leisurely walk along the tree lined waterfront by the berthed cruiseboats and feluccas.
Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Mercure, Etap, Hotel, riverside, riverbank, West, bank, Hatshepsut, temple, balloons, landscape, palm, trees, water, shimmering, September, morning, dawn, sunshine, blue, sky, hazy, Theban, hills, waterfront, promenade, esplanade, modern, architecture, style, stylish, balconies, balcony, tree-lined, papyrus, cruiseboats, berthed, 1994, slide, film, 645, medium, format, transparency, Bronica, ETRSi, scanned, scan

Luxor View EG945113jhp
Egypt Luxor Mercure Etap Hotel River Nile View West Bank Hatshepsut looking over the shimmering River Nile on a sunny September afternoon from one of the riverside balconies of this long standing central Luxor Hotel on the city waterfront. This was my first visit to Luxor and I was lucky to get changed to a room in the north wing which was considerably quieter than one in the centre of the hotel above the swimming pool, various restaurants and a dance floor. It also offered great views to the West Bank. In 1994 the Hotel was the Etap but is now the Mercure and has a great location on the promenade with easy access by foot to the Luxor Museum, to public ferry points for crossing the Nile and to nearby shops or just enjoyed a leisurely walk along the tree lined waterfront by the berthed cruiseboats and feluccas.
Keywords: Egypt, Thebes, Luxor, Waset, Ipetisut, East, Bank, River, Nile, Mercure, Etap, Hotel, riverside, riverbank, West, bank, Hatshepsut, temple, balloons, landscape, palm, trees, water, shimmering, September, morning, dawn, sunshine, blue, sky, hazy, Theban, hills, waterfront, promenade, esplanade, modern, architecture, style, stylish, balconies, balcony, tree-lined, papyrus, cruiseboats, berthed, 1994, slide, film, 645, medium, format, transparency, Bronica, ETRSi, scanned, scan

Luxor Balloon EG94217jhp
Ramasseum Temple Balloon flight view West bank houses fields tombs hills Egypt the famous temple of Ramesses is located just beneath the balloon and is situated on the West Bank location of the Nile at Luxor The Ramses 11 mortuary temple with its huge engaged Osiris statues of the pharaoh glowing in the late afternoon sunlight and on the right is the fallen seated granite statue of Ramses and a head that supposedly inspired Shelley's poem of Ozymandias with the first pylon in the distance. In this general area are several Tombs of the Nobles which are usually privately organised visits but very well worth the time if you have afew days to spare in Luxor. The balloon flight illustrated here was in 1994 and there were only two although in later years these increased greatly in numbers. This trip took off from the front of Hatshepsut just after dawn, a cold and interesting crossing of the Nile in the dark and long before the modern road bridge and eventually landed in the desert where the Hilton Hotel put on a beautiful breakfast buffet.
Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West, Bank, River Nile, Thebes, Qurnat, Murai, Shaykh 'Abd al-Qurnah, landscape, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, Shelley, Ozymandias, pylon, court, columns, base, hieroglyphs, Ramses, Ramasses, Ramesses, glowing, golden, sunlight, dawn, agriculture, farming, houses, tombs, Nobles, high, panorama, balloon, balloons, high, flying, soaring, 1994, slide, film, 645, medium, format, transparency, scanned, scan, Bronica, ETRSi

Egypt > Luxor Deir el Medinah (23 files)

The pictures in this gallery are of the worker's village on the west bank of the River Nile at Luxor and the Ptolemaic Temple, the Great Pit and small chapels of Hathor and Amun

Deir el Medina EG05099jhp
Deir el-Medina Ancient Egypt Ruins workers houses streets Qurnet Murai hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG05098jhp
Deir el-Medina Ancient Egyptian Temple Hathor workers houses streets Qurnet Murai hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG05097jhp
Deir al-Medinah Egypt Temple Hathor workers village houses streets Qurnet Murai hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050918jhp
Deir el-Medina Luxor Ancient Egypt houses interiors stairs rooms streets walls is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050917jhp
Deir al-Medina Ancient Egypt Ruins workers house interior streets tombs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050916jhp
Deir al-Medina Luxor panorama Ancient Egyptian workers village houses streets tombs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050915jhp
Deir al-Madinah West Bank Egypt workers village houses streets tombs is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050914jhp
Deir al-Medina Luxor Egypt vistors centre workers village houses streets vista is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050913jhp
Deir el-Medina Luxor Ancient Egypt Temple mudbrick pan bedding walls is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG050912jhp
Deir al-Medinah Egyptian Temple Hathor mudbrick walls workers village Theban hill is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Deir el Medina EG05089jhp
Deir el-Medina West Bank Ancient Egypt pan bedding mudbrick walls Temple Hathor Ptolemaic is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05088jhp
Deir al-Medina Luxor Ancient Egypt Ruins Temple pan bedding Hathor Ptolemaic is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05087jhp
Deir el-Medina Thebes Ancient Egypt temple exterior carving Hathor Osiris offering is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05086jhp
Deir al-Medina Luxor Ancient Egyptian temple exterior carving Hathor Amenhotpe is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05085jhp
Deir al-Madinah Luxor Egypt Ptolemaic Temple Hathor face capital interior 6x6 format is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05084jhp
Deir al-Medina Luxor Ancient Egypt Ptolemaic Temple Hathor interior square format is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05083jhp
Deir al-Madinah Luxor Ancient Egypt Ruins workers tombs streets hill stone wall is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05082jhp
Deir al-Medina Luxor Ancient Egypt Ruins workers houses streets 6x6 square is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses; streets; temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets; houses; interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, oblong, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG05081jhp
Deir el-Medina Luxor Ancient Egypt Ruins workers houses interior 6x6 square is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses; streets; temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets; houses; interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, oblong, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG050811jhp
Deir al-Madinah Ancient Egyptian Ruins workers houses interiors stairs walls is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG050810jhp
Deir el-Medina Luxor Ancient Egypt panorama workers village houses streets is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, Great, Pit, ostrakon, ostraca, Ramasseid, Graeco-Roman, Roman, house, workers, houses, tombs, pyramid, streets, walls, doorways, stairs, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, pan, bedding, sloping, panning, wall, enclosure, Ptolemaic, Ptolemy, Temple, Amun, Hathor, Osiris, West, Ma’at, Imhotep, Amenhotpe, Ptolemy, Arsinoe, wife, face, capital, carvings, hieroglyphs, columns, ceiling, roof, interior, exterior, offering, scene, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Deir el Medina EG94508jhp
Deir al-Medina Luxor Egypt Ruins workers houses streets mudbrick temple Hathor is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, Temple, Amun, Ptolemaic, colourful, limestone, walls, rooms, roofless, rock, tombs, chapels, pottery, shards, broken, temples, Hathor, Ptolemaic, Amun, chapel, mudbrick, enclosure, mudbrick, enclosure, walls, 1994, slide, 645, film, transparency, medium, format, Bronica, ETRSi, scanned, scan

Deir el Medina EG94507jhp
Deir al-Medina Luxor Ancient Egyptian Ruins workers houses streets querns pots is located on the West Bank of the River Nile at Luxor lies to the west of Qurnet Murai hill and is the location of a workman's village with the remains of houses, streets, temples and chapels. The workers are known for their work in the Valley tombs which they reached walking over the Theban plateau. Most photographs show the streets, houses, interior with domestic bowls and grinding querns and others a general overview of the village with its tombs and rock tombs to the North West corner. There are also some exquisitely decorated underground tombs of which a couple are included in the entrance ticket.
Keywords: Egypt, Egyptian, Luxor, Thebes, Theban, West, Bank, landscape, upright, Great, Pit, ostrakon, ostraka, Ramasseid, Graeco-Roman, Roman, well, hole, huge, deep, dry, house, building, history, antiquity, ancient, archaeology, Egyptology, Deir, al-Madinah, el-Medina, Qurnet, Murai, Hill, Qurnat, Sheikh-Abd’el-Qurna, hills, Ramasseum, Karnak, pylons, view, farming, fertile, green, colourful, pottery, pots, bowls, urns, plain, patterns, earthenware, fired, piles, thousands, shards, broken, mudbrick, 1994, slide, 645, film, transparency, medium, format, Bronica, ETRSi, scanned, scan

Egypt > Luxor Merneptah Temple (5 files)

Photos of the recently opened Temple of Merneptah site on West Bank at Luxor with coloured reliefs, open air museum exhibits and interior carvings and paintings.

Merneptah Stele EG05142jhp
Egypt Merneptah Merenptah Israeli stele replica entrance 6x6 120 medium format slide West Bank Luxor, an Egyptian Pharaoh who reigned around 1212-1202BC, son of Ramasses 11, is on the West Bank of the Nile at Luxor and this photo was taken from the main West bank road looking towards the River Nile and with the Ramasseum towards the extreme left. A new museum and some excavated parts of his temple were opened in 2005. It is a mixture of open air and covered museum exhibits with some remains of the temple area with column bases. Some of the coloured wall reliefs are exquisite and because of the natural light available were easily photographed despite being inside. There is also a replica of the famous Israeli Stele, the original being in the Cairo Museum. This is a visit that would have to made outwith the usual West Bank package tour although easily arranged and is easily found next to the Ramasseum.
Keywords: Egypt, Luxor, Thebes, West, Bank, River, Nile, temple, mortuary, Qurna, Merneptah, Merenptah, pharaoh, 1212BC, mudbrick, pylon, ruins, walls, foundations, history, ancient, Egyptian, antiquity, archaeology, Egyptology, restoration, excavation, museum, wall, reliefs, paintings, colourful, colorful, colours, colors, evening, light, fertile, crops, roadside, view, Ramasseum, Ramses, son, Ramasses, May, 2005, slide, film, Fuji, RDP 111, Provia, 6x6, 120, medium, square, format, Yashica, Mat 124G, scanned, scan

Merneptah Museum EG05144jhp
Egyptian Temple Luxor Merneptah open air museum exhibits square format West Bank, an Egyptian Pharaoh who reigned around 1212-1202BC, son of Ramasses 11, is on the West Bank of the Nile at Luxor and this photo was taken in the open air museum as part of the partially restored temple layout. A new museum and some excavated parts of his temple were opened in 2005. It is a mixture of open air and covered museum exhibits with some remains of the temple area with column bases. Some of the coloured wall reliefs are exquisite and because of the natural light available were easily photographed despite being inside. There is also a replica of the famous Israeli Stele, the original being in the Cairo Museum. This is a visit that would have to made outwith the usual West Bank package tour although easily arranged and is easily found next to the Ramasseum.
Keywords: Egypt, Luxor, Thebes, West, Bank, River, Nile, temple, mortuary, Qurna, Merneptah, Merenptah, pharaoh, 1212BC, landscape, upright, mudbrick, pylon, ruins, walls, foundations, history, ancient, Egyptian, antiquity, archaeology, Egyptology, restoration, excavation, museum, wall, reliefs, paintings, colourful, colorful, colours, colors, evening, light, fertile, crops, roadside, view, Ramasseum, Ramses, son, Ramasses, May, 2005, slide, film, Fuji, RDP 111, Provia, 6x6, 120, medium, square, format, Yashica, Mat 124G, scanned, scan

Merneptah Museum EG05143jhp
Egypt Temple Merneptah ruins open air museum seated legs West Bank Luxor Museum pylon, an Egyptian Pharaoh who reigned around 1212-1202BC, son of Ramasses 11, is on the West Bank of the Nile at Luxor and this photo was taken in the open air museum as part of the partially restored temple layout. A new museum and some excavated parts of his temple were opened in 2005. It is a mixture of open air and covered museum exhibits with some remains of the temple area with column bases. Some of the coloured wall reliefs are exquisite and because of the natural light available were easily photographed despite being inside. There is also a replica of the famous Israeli Stele, the original being in the Cairo Museum. This is a visit that would have to made outwith the usual West Bank package tour although easily arranged and is easily found next to the Ramasseum.
Keywords: Egypt, Luxor, Thebes, West, Bank, River, Nile, temple, mortuary, Qurna, Merneptah, Merenptah, pharaoh, 1212BC, landscape, upright, mudbrick, pylon, ruins, walls, foundations, history, ancient, Egyptian, antiquity, archaeology, Egyptology, restoration, excavation, museum, wall, reliefs, paintings, colourful, colorful, colours, colors, evening, light, fertile, crops, roadside, view, Ramasseum, Ramses, son, Ramasses, May, 2005, slide, film, Fuji, RDP 111, Provia, 6x6, 120, medium, square, format, Yashica, Mat 124G, scanned, scan

Merenptah EG050919jhp
Egyptian Merneptah Merenptah pharaoh statue legs carving West Bank Luxor museum photo of this open air museum site an Egyptian Pharaoh who reigned around 1212-1202BC, son of Ramasses 11, is on the West Bank of the Nile at Luxor and this photo was taken from the main West bank road looking towards the River Nile and with the Ramasseum towards the extreme left. A new museum and some excavated parts of his temple were opened in 2005. It is a mixture of open air and covered museum exhibits with some remains of the temple area with column bases. Some of the coloured wall reliefs are exquisite and because of the natural light available were easily photographed despite being inside. There is also a replica of the famous Israeli Stele, the original being in the Cairo Museum. This is a visit that would have to made outwith the usual West Bank package tour although easily arranged and is easily found next to the Ramasseum.
Keywords: Egypt, Luxor, Thebes, West, Bank, River, Nile, temple, mortuary, Qurna, Merneptah, Merenptah, pharaoh, 1212BC, landscape, upright, mudbrick, pylon, ruins, walls, foundations, history, ancient, Egyptian, antiquity, archaeology, Egyptology, restoration, excavation, museum, wall, reliefs, paintings, colourful, colorful, colours, colors, evening, light, fertile, crops, roadside, view, Ramasseum, Ramses, son, Ramasses, 2005, slide, film, 35mm, Fuji, Velvia, 50asa, Nikon, FM2, manual, scanned, scan

Merenptah EG050812jhp
Egypt Temple Merneptah statue legs carving West Bank Luxor 6x6 square format photo of this open air museum site an Egyptian Pharaoh who reigned around 1212-1202BC, son of Ramasses 11, is on the West Bank of the Nile at Luxor and this photo was taken from the main West bank road looking towards the River Nile and with the Ramasseum towards the extreme left. A new museum and some excavated parts of his temple were opened in 2005. It is a mixture of open air and covered museum exhibits with some remains of the temple area with column bases. Some of the coloured wall reliefs are exquisite and because of the natural light available were easily photographed despite being inside. There is also a replica of the famous Israeli Stele, the original being in the Cairo Museum. This is a visit that would have to made outwith the usual West Bank package tour although easily arranged and is easily found next to the Ramasseum.
Keywords: Egypt, Luxor, Thebes, West, Bank, River, Nile, temple, mortuary, Qurna, Merneptah, Merenptah, pharaoh, 1212BC, landscape, mudbrick, pylon, ruins, walls, foundations, history, ancient, Egyptian, antiquity, archaeology, Egyptology, restoration, excavation, museum, wall, reliefs, paintings, colourful, colorful, colours, colors, evening, light, fertile, crops, roadside, view, Ramasseum, Ramses, son, Ramasses, 2005, slide, film, 6x6, 120, medium, square, format, Yashicamat 125, scanned, scan

Egypt > Luxor Museum (21 files)

Luxor Yamu-Nedjeh EG962096JHP
Egypt Museum Luxor Egyptian Library Photos Yamu Nedjeh Herald Granite was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is of Tuthmosis 111 First Herald an official of great status and trust who was allowed to have this carved block in his own tomb at Qurna and it is now in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, granite, block, statue, Herald, Yamu-Nedjeh, Tuthmosis, Qurna, tomb, 84, history, archaeology, Egyptology, exhibit

Luxor Tuthmosis 111 EG9620917JHP
Museum Luxor Tuthmosis Pharaoh Painted Face Atef Crown Exhibit Photo was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, limestone, landscape, Tuthmosis, Pharaoh, painted, relief, Atef, crown, colours, colouful, history, archaeology, Egyptology, exhibit

Luxor Tut Boats EG9620910JHP
Egypt Museum Luxor Photo Tutankhamen Tut Model Sailing Boats Barks was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is one of a few from the Tomb of King Tutankamun discovered by Howard Carter in the Valley of the Kings and shows model funerary barks intended to transport his soul from his tomb to Abydos and an important exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, display, landscape, King, Tut, Tutankhamen, Tutankhamun, model, two, barks, saling, barque, wooden, soul, Thebes, Abydos, history, archaeology, Egyptology, exhibit

Luxor Tut Arrows EG9620912JHP
Egypt Museum Luxor King Tutankhamun Arrows Six Archery Tomb Display was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit includes hunting and military weapons, these six were taken from 278 found in the Valley of the Kings Tomb dating to around 1336BC and are in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, display, landscape, Tut, Tutankhamun, Tutankhamen, arrows, hunting, blunt, tip, military, bone, bronze, history, archaeology, Egyptology, exhibit

Luxor Sobek Stele EG962098JHP
Egyptian Museum Luxor Stele Stela Sobek Ima Tree Pia Worship Priest was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit was found at Dahamsha at the Sawahel Armant Canal in 1967 and includes the Priest Pia and his son, wife and mother offering to the Crocodile God Sobek and it is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, stele, stela, limestone, Sobek, Crocdile, God, Offering, Priest, Pia, Son, Iy-hebnef, wide, Tinet-nebu, Mother, Iya, history, archaeology, Egyptology, exhibit

Luxor Pharaoh Tuthmosis 111 EG9620916JHP
Egypt Museum Luxor Library Photos Egyptian King Pharaoh Thuthmosis Statue was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit of green graywacke was found in the Cachette at Karnak north of Pylon V11 in 1904, ranking as one of the masterpieces of ancient Egyptian craftsmanship and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, statue, Thutmosis, green, graywacke, beautiful, detail, carving, headcloth, kilt, skirt, history, archaeology, Egyptology, exhibit

Luxor Kamose Stele EG962095JHP
Egypt Museum Luxor Inside Exhibit Stele Stela Kamose Photo was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit extols the victory of King Kamose over the Hyksos at Avaris found in Amun Temple at Karnak dating from 1555BC and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, stele, stela, limestone, King, Kamose, Amun, Temple, Karnak, Hyksos, Apophis, Avaris, Delta, battle, victory, record, history, archaeology, Egyptology, exhibit

Luxor Horus Stele EG9620915JHP
Egypt Museum Luxor Exhibit Stele Stela Painted Hathor Horus Photograph was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, stele, stela, painted, colourful, Hathor, Horus, hieroglyphs, history, archaeology, Egyptology, exhibit

Luxor Hatshepsut Obelisks EG962093JHP
Egypt Museum Luxor Exhibit Carved Block Hatshepsut Obelisks Karnak Amun was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit shows the Queen on the left and Amun on the right with two standing obelisks at Karnak one of which still stands and is similiar to blocks now in the reconstructed Chaple Rouge while this one is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, brown, quartzite, carved, block, slab, Hatshepsut, obelisks, Karnak, hierogylphs, cartouche, landscape, history, archaeology, Egyptology, exhibit

Luxor Gold of Honour Bearer EG962097JHP
Museum Luxor Exhibit Photograph Honor Carving Egyptian Man Statue Beads was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit dates from around 1400 BC recording the yellow beaded necklace symbolising a recognition of valor by a courtier or soldier and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, sandstone, painted, carving, man, gold, honour, necklace, yellow, beads, valor, courtier, soldier, history, archaeology, Egyptology, exhibit

Luxor Carved Fish EG9620914JHP
Egypt Museum Luxor Inside Exhibit Photo Slab Fish Christian Motif was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit of sandstone an example of early Christian Coptic Art maybe 6th Century AD is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, fish, animals, carving, slab, limestone, stela, grave, decoration, Christian, imagery, Genesis, Coptic, sandstone, history, archaeology, Egyptology, exhibit

Luxor Carved Akhenaten EG9620911JHP
Egypt Museum Luxor Library Photos Pharaoh Akhenaten Amenhotep Face Style was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, upright, Akhenaten, Amenhotep 1V, face, carved, double, crown, ureaus, iconic, style, history, archaeology, Egyptology, exhibit

Luxor Amun Statue EG962090JHP
Egypt Museum Luxor Inside Exhibit Amun Statue Tutankhamun Isis Knot was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit was found in the Karnak Cachette and celebrates the Young Kings return to the Theban Gods fold after the destruction of Amarna and his father Akhenaten is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, Amun, Karnak, Tutankhamun, Tutankhamen, Isis, Knot, Blood, amulet, limestone, statue, upright, history, archaeology, Egyptology, exhibit

Luxor Amenhotep 111 EG962091JHP
Egypt Museum Luxor Inside Exhibit Amenhotep Head Granite Qurna Photo was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit the remains of a large red granite statue of the King is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Interior, Qurna, Funerary, temple, statue, colossal, upright, red, granite, carved, head, Amenhotep, King, Pharaoh, history, archaeology, Egyptology, exhibit

Luxor Amenhotep & Sobek EG962094JHP
Egypt Museum Luxor Inside Exhibit Photograph King Amenhotep Sobek Calcite was taken inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. This particular exhibit was found in a water filled shaft at Dahamsha and has been reused by Ramses 11 with his added inscriptions and is in the museum proper and was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Dahamsha, Sawahal, Canal, Museum, Interior, Statues, calcite, upright, Amenhotep 111, Sobek, crocodile, Ramses, reused, God, history, archaeology, Egyptology, exhibit

Luxor Cachette Statues EG9620918JHP
Egypt Egyptian Museum Luxor Cachette Horemheb Atum Seated Statues Photo were photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statues, landscape, history, archaeology, Egyptology, exhibits, Horemheb, Pharaoh, seated, basalt, Atum, carved, figures, God

Luxor Cachette EG9620919JHP
Egypt Egyptian Museum Luxor Cache Cachette Interior Photograph Exhibits was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statues, landscape, history, archaeology, Egyptology, exhibits, Amenhotep, Amenophis, Atum, Mut, quartzite, alabaster, carved, figures, Gods, Goddess

Luxor Amenhotep Standing EG9620920JHP
Egyptian Museum Luxor Library Photos Cache Red Quartzite Statue Amenhotep was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, landscape, history, archaeology, Egyptology, exhibit, Pharaoh, Amenhotep, Amenophis, standing, complete, red, quartzite, carved

Luxor Amenhotep Body EG9620926JHP
Egyptian Amenhotep Pharaoh Statue Red Quartzite Museum Luxor Cache Standing was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, upright, standing, history, archaeology, Egyptology, exhibit, Pharaoh, Amenhotep, Amenophis, red, quartzite, carved

Luxor Amenhotep Base EG9620927JHP
Egypt Museum Luxor Cache Amenhotep Statue Base Hieroglyphs Photo Exhibit was photographed inside this modern building on the waterfront of the River Nile with its fascinating collection covering the extensive history of ancient Egypt including items from the Tomb of Tutankahum. These particular exhibits are in an annex displaying statues discovered in 1989 in a storage pit and called The Luxor Temple Cachette of which the red quartzite life size statue of Amenhotep 111 is one of the finest pieces of carving yet found in Egypt. This photo was taken in 1996 when you could pay to take photographs but not use a tripod, now not allowed at all, and I used Kodak 5042 Tungsten Slide film which still meant hand holding was at the extremes of useful photography in low light conditions.
Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Museum, Cache, Cachette, Temple, Interior, Statue, base, hieroglyphs, cartouche, upright, history, archaeology, Egyptology, exhibits, Amenhotep, Amenophis, quartzite, carved

Egypt > Luxor Nobles Tombs (30 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai

Luxor Ramose Tomb EG9622210jhp
Ancient Egypt Noble Ramose Tomb Relief women beautiful banquet guests flowers, one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Ramose, Vizier, governor, tomb, painting, style, naturalistic, women, guests, banquet, braided, hair, black, eye, makeup, beautiful, flowers, lotus, delicate, quality, classic, workings, outlines, grids, perspective, colourful, colorful, colours, colors, painted, artificial, light, natural, 1996, slide, film, 35mm, Nikon, FM2 manual, scanned, scan

Luxor Nakht Tomb EG00679jhp
Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00678jhp
Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00677jhp
Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00676jhp
Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00675jhp
Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00674jhp
Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00673jhp
Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG00672jhp
Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG006714jhp
Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG006713jhp
Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Nakht Tomb EG006712jhp
Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images.
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006730jhp
Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG9410023jhp
Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006733jhp
Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006732jhp
Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006731jhp
Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006729jhp
Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006728jhp
Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006727jhp
Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006726jhp
Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006725jhp
Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006724jhp
Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006723jhp
Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006722jhp
Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006721jhp
Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006720jhp
Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Luxor Menna Tomb EG006719jhp
Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Tomb of Ramose EG945515jhp
Ancient Egyptian Ramose Tomb grid drawing outlines scale Wall Relief Egypt Luxor one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh, Abd’el-Qurna, landscape, upright, Ramose, Vizier, governor, drawing, grid, scale, lines, charcoal, painted, outline, figures, carving, plaster, limestone, polished, smooth, start, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, entrance, stones, rubble, damaged, 1994, slide, film, medium, format, transparency, scanned, scan, Bronica, ETRSi, hand, held

Tomb of Ramose EG94504jhp
Ancient Egyptian Ramose Tomb entrance gates carving Nobles West Bank Luxor nearby the entrance into a tomb with many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. Ramose Tomb-Chapel in the Lower Enclosure [Tomb 55] was a Vizier and Governor towards the end of the reign of Amenhotep 111 and beginning of the Amarna period of Akhenaten and this is reflected in the change of style of the reliefs in his tomb. This was the first Tomb of the Nobles I visited in 1994 and I have noticed a fading of the coloured funerary procession frieze in the top left-hand corner since then. The area around the Tombs, especially the approach to Ramose, has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible and this sort of scene is no more.
Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh, Abd’el-Qurna, landscape, upright, Ramose, Vizier, governor, drawing, grid, outline, figures, carving, plaster, limestone, polished, smooth, start, wife, lotus, flowers, seated, tomb, bas, reliefs, offerings, colourful, colorful, colours, colors, painted, natural, light, entrance, stones, rubble, damaged, 1994, slide, film, medium, format, transparency, scanned, scan, Bronica, ETRSi, hand, held

Egypt > Luxor Ramasseum (2 files)

Photographs in this gallery relate to the mortuary Temple of Ramasses 11 on the West Bank of the River Nile at Luxor the so called Ramasseum

Ramasseum EG20364jhp
Ramasseum Ramasses Ramses chariot horse action relief Egypt Luxor Thebes, situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple glowing in the late afternoon sunlight and in these photos the remains of the Hypostyle Hall on the south east side feature with the rear of the second pylon and the toppled statue of Ramasses 11 visible in the background when looking southwards to the First Pylon. Looking up into the ceiling of the Hypostyle Hall, its lintels and the papyriform painted open bell shaped capitals still showing original colour.
Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, upright, first, pylon, court, second, hypostyle, hall, astronomical, room, column, base, columns, bases, papyriform, painted, open, bell, shaped, capitals, colours, colors, hieroglyphs, Ramses, Ramasses, Ramesses, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, torso, seated, fallen, Shelley, Ozymandias, afternoon, sunlight, glowing, golden, warm, orange, sunlight, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Ramasseum EG20362jhp
Ramasseum Statue Fallen hands rear second pylon Ramses Egypt Luxor broken situated at this West Bank location of the Nile at Luxor is Ramses 11 mortuary temple with its huge engaged Osiris statues of the pharaoh glowing in the late afternoon sunlight and on the right is the fallen seated granite statue of Ramses and a head that supposedly inspired Shelley's poem of Ozymandias with the first pylon in the distance.
Keywords: Egypt, Egyptian, Luxor, Ramasseum, Temple, West Bank, River Nile, Thebes, landscape, upright, history, archaeology, ancient, Egyptology, hieroglyphics, granite, Osiride, statue, broken, Shelley, Ozymandias, pylon, court, columns, base, hands, hieroglyphs, Ramses, Ramasses, Ramesses, glowing, golden, sunlight, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Egypt > Luxor Seti 1 Temple (22 files)

Images in this gallery are of exteriors and interiors of the Temple of Seti 1, also called Qurna and Goorneh to the north of the West Bank sites.

Seti 1 Luxor EG05147jhp
Temple Sety 1 Luxor Egyptian Horus God Pharaoh offering portico square slide taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2005, May, summer, 6x6, slide, film, Provia, RDP111, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG05146jhp
Temple Seti 1 Luxor Egyptian vestibule two columned portico square slide taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2005, May, summer, 6x6, slide, film, Provia, RDP111, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG05145jhp
Temple Seti 1 Luxor Egypt exterior frontage tree framed portico 6x6 slide taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2005, May, summer, 6x6, slide, film, Provia, RDP111, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG01339jhp
Temple Sety Egypt Pharaoh Amun painted walls columns portico square tranny 6x6 format taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2001, October, autumn, 6x6, slide, film, Velvia, RVP, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG01338jhp
Temple Seti Egyptian Pharaoh seated black granite portico square 6x6 format sun court taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2001, October, autumn, 6x6, slide, film, Velvia, RVP, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG01337jhp
Temple Sethos Goorneh Egyptian frontage portico second court square 6x6 format taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2001, October, autumn, 6x6, slide, film, Velvia, RVP, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG01336jhp
Temple Sethos 1 Goorneh Egypt exterior frontage portico sun court vestibule east square format taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2001, October, autumn, 6x6, slide, film, Velvia, RVP, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG01335jhp
Temple Sety 1 Luxor Egyptian exterior front hypostyle hall portico square format taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2001, October, autumn, 6x6, slide, film, Velvia, RVP, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG01334jhp
Temple Seti 1 Luxor Egypt exterior approach portico vestibule west square format taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had later involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2001, October, autumn, 6x6, slide, film, Velvia, RVP, transparency 120, square, format, scanned, scan, camera, Yashica, Mat 124G

Seti 1 Luxor EG20669jhp
Egypt Temple Seti Wall raised relief sunlight shadow highlighted offering dramatic on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, upright, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG20667jhp
Luxor Egypt Temple Sety Wall raised relief Carving Barque Feast Offering on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, upright, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG20665jhp
Ancient Egypt Temple Sethos Sety Seti Wall Carvings Ram Barque Good Light on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG20664jhp
Temple Seti Pharaoh Gods colours Amun Horus Mut Interior Wall Carving taken on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG20662jhp
Ancient Egyptian Temple Sety Seti Wall Carvings Gods Outside Light on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206615jhp
Mortuary Temple Seti Luxor Egyptian exhibit winged vulture exterior relics on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206436Ejhp
Egypt al-Tarif Temple Sety Portico columns court sun Ramasses north in the distance of this site on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206435jhp
Egypt Luxor Temple Sethos Portico columns court sun Ramasses shade in the distance of this site on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, Ramasses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, upright, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206434jhp
Egypt Temple Sethos Portico Vestibule columned excavations court Entrance in the distance of this site on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, upright, columned, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206433jhp
Egyptian Temple Sety Portico Vestibule columned sanctuaries Ramses Entrance in the distance of this site on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, portico, vestibule, sun, court, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206430jhp
Goorneh Temple Seti Egypt Stele Pylon First Court Entrance Hypostyle Hall in the distance of this site on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206429jhp
Goorneh Temple Seti Luxor Egypt Stele Amun Horus Pharaoh Open Air Museum Entrance on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Seti 1 Luxor EG206428jhp
Mortuary Temple Sethos Luxor Egypt Stele Horus Pharaoh Open Air Museum Entrance on the West Bank of the River Nile at Luxor in an area called al-Tarif turning off eastwards instead of taking the Valley of the Kings road. Attributed to Seti it had involvement by Ramasses 1 and 11 and with recent restoration is a delightful extra addition should you have free time while in Luxor and described in the early days as Goorneh Temple.
Keywords: Egypt, Luxor, Thebes, River Nile, West Bank, Tarif, village, Temple, Sethos, Seti, Sety, Ramses, mortuary, Dra Abu el-Naga, Qurna, Goorneh, landscape, upright, interior, sandstone, wall, reliefs, bas, offering, Amun, Horus, Mut, desecration, damage, painted, hieroglyphs, cartouche, coloured, colours, colors, history, archaeology, ancient, Egyptian, Egyptology, open, air, museum, relics, stones, exterior, entrance, approach, decorated, barque, feast, offering, Amun, stele, Horus, Mut, bas, 2000, July, summer, 35mm, slide, film, Velvia, RVP, scanned, scan, camera, Nikon, FM2

Egypt > Luxor Temple (14 files)

Images in this gallery relate to the east bank of the Nile temple called Luxor Temple including night photos and the Avenue of Sphinxes

Luxor Temple EG947236jhp
Luxor Temple ancient Egypt outer wall carvings battle scene Ramasses in evening light on the outer wall of this beautiful temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, outer, east, facing, wall, carvings, war, battle, scene, hypostyle, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 1994, film, slide, Fuji, RDP, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG00618jhp
Luxor Temple ancient Egypt pylon colonnade Exterior Roman castrum columns located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days as well as the many contributions from various rulers right up to Roman, Christian and Muslim times.

This photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court. To the left are a few small columns from the Roman castrum, a military complex with stone paved avenues and the streets defined by pillars.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG00616jhp
Luxor Temple Court Egypt Amenhotep peristyle columns broken carved papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone.
Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, carvings, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG00615jhp
Luxor Temple Court Egyptian Amenhotep peristyle columns visitors scale shadows papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone.
Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG00614jhp
Luxor Temple ancient Egypt granite statue seated Ramasses evening light columns cartouche wall carvings located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG00613jhp
Luxor Temple ancient Egyptian granite statue seated bearded Ramesses columns cartouche wall carvings located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG00612jhp
Luxor Temple Egypt pylon granite statues Ramasses obelisk entrance stairs located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, entrance, ticket, office, stairs, evening, light, afternoon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG006116jhp
Luxor Temple ancient Egypt granite statues Ramesses columns evening light golden glow guarding the north wall of the large peristyle court of Ramesses 11 and facing the River Nile. It is located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France.

This photo is taken from the outside of the colonnade looking back to the rear of the pylon and peristyle court.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, standing, statues, damaged, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG006115jhp
Luxor Temple ancient Egyptian pylon flags obelisks history recordedl carvings picture located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, interior, carving, relief, historical, record, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG006113jhp
Luxor Temple Egyptian granite statue standing Ramesses rear cartouche carvings which faces the peristyle court inside the pylon in this beautiful temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, cartouche, statue, standing, granite, carved, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG006112jhp
Luxor Temple Egyptian granite statue seated side Ramasses carvings joined upper lower Egypt which sit outside the pylon in this beautiful temple located on the east bank of the River Nile at Luxor, Egypt is credited to Ramses 11 as the main builder and these are his massive granite statues that greet the visitor at the entrance to the first pylon. On the side of the huge black granite seats are carvings in excellent state of repair illustrating early the mythology of ancient Egypt, the Union of the Two Lands; Upper and Lower Egypt. Throughout this elegant structure, so much more understandable than the sprawling complex at Karnak, there are examples of the great skills of workmanship that give ancient Egyptian monuments their huge appeal and impact even in these modern days. This photo is taken on the interior wall showing how the pylon first looked including large flagged poles, the two obelisks and the seated statues of Ramasses including standing figures of the Pharaoh as well. One of the obelisks and some of standing figures have all been given away, mainly to France.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River Nile, Thebes, Waset, landscape, upright, court, sun, peristyle, papyrus-bud, capitals, colonnade, Tutankhamun, pylon, Ramses, Ramesses, Ramasses, Queen, Nefertari, Amenhotep, columned, court, Chapel, Roman, Legions, wall, reliefs, flags, cartouche, deep-cut, painted, offerings, food, feasts, avenue, history, archaeology, ancient, Egyptology, Roman, castrum, military, complex, pharaoh, ruler, promenade, corniche, conservation, water-table, riverbank, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual, monumental, statues, seated, side panels, scenes, bas, reliefs, upper, lower, joined.

Luxor Temple EG006110jhp
Luxor Temple Court Amenhotep peristyle style columns papyrus-bud capitals, a glorious addition to the temple complex and the finest workmanship from the 18th Dynasty. Once it would have been covered and is still in generally good condition although some recent preservation work has been done because of the increasing water table. This photo was taken towards the end of the afternoon so hence it tends to be against the sun which sets over the West Bank. It can be a quiet time to visit the temple because most the main package tours have finished but also there is a lovely quality to the evening light casting a gentle golden glow over the limestone.
Keywords: Egypt, Egyptian, Luxor, Luxor Temple, Temple, East Bank, River Nile, Thebes, landscape, upright, court, sun, evening, afternoon, golden, light, peristyle, papyrus-bud, capitals, colonnade, Amenhotep 111, avenue, history, archaeology, ancient, Egyptology, pharaoh, ruler, huge, monumental, promenade, corniche, conservation, water-table, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Temple EG94525jhp
Luxor Temple Egypt head Ramasses nightime light show night dark pylon part of this important temple located on the east bank of the River Nile at Luxor, Egypt. Luxor Temple is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. Facing the pylon is the long Avenue of Sphinxes attributed to Nectanebo 1 which when completed would have joined up with Karnak Temple and recent reclamation work had established much of this avenue running through the town.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River, Nile, Thebes, landscape, upright, history, archaeology, ancient, Egyptology, approach, entrance, pylon, obelisk, granite, head, Ramses, Ramasses, Ramesses, Nectanebo, pharaoh, statues, seated, sphinxes, sphinx, colonnade, avenue, light, show, night, dark, 1994, slide, film, 645, tungsten, medium, format, transparency, scanned, scan, Bronica, ETRSi

Luxor Temple EG94529jhp
Luxor Temple Egypt avenue sphinxes nightime light show night dark pylon part of this important temple located on the east bank of the River Nile at Luxor, Egypt. Luxor Temple is credited to Ramses 11 as the main builder and these are his massive granite statues at the entrance to the first pylon. Facing the pylon is the long Avenue of Sphinxes attributed to Nectanebo 1 which went completed would have joined up with Karnak Temple and recent reclamation work had established much of this avenue running through the town.
Keywords: Egypt, Egyptian, Luxor, Temple, East Bank, River, Nile, Thebes, landscape, upright, history, archaeology, ancient, Egyptology, approach, entrance, pylon, obelisk, granite, Ramses, Ramasses, Ramesses, Nectanebo, pharaoh, statues, seated, sphinxes, sphinx, colonnade, avenue, light, show, night, dark, 1994, slide, film, 645, tunsten, medium, format, transparency, scanned, scan, Bronica, ETRSi

Egypt > Medinet Habu (63 files)

Pictures from the great Mortuary temple of Ramasses 111 called the Medinet Habu on the West Bank of the River Nile at Luxor

Medinet Habu EG01359jhp
Medinet Habu Temple Mortuary court portico hypostyle columns sunny good light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01358jhp
Medinet Habu Temple Ramasses Pharaoh wall carving painted khepresh blue war crown located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01357jhp
Medinet Habu Temple Luxor West Bank Ramasses coloured wall carvings shadows located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01356jhp
Medinet Habu Temple Min festival wall relief Ramasses detail transparency Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01355jhp
Medinet Habu Temple second court statue Ramses 6x6 transparency Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01354jhp
Medinet Habu Temple Luxor Ramesses front palm tree square format Velvia located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG013512jhp
Medinet Habu resthouse view later pylon gates Jim Henderson square format slide Velvia located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG013511jhp
Medinet Habu Pylon Gateway Gate Ptolemaic later coloured winged disc tranny 6x6 located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG013510jhp
Medinet Habu Egyptian Temple Ramasses King Horus God carving colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98359jhp
Medinet Habu Temple Egyptian Ramasses niche Ptah God hypostyle hall columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98358jhp
Medinet Habu Temple Egypt Ramesses two second hypostyle statues seated located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98357jhp
Medinet Habu Temple wall relief detail Pharaoh square format photograph second court located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98356jhp
Medinet Habu Temple Mortuary Ramasses engaged statues damaged court second located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98355jhp
Medinet Habu Temple Luxor West Bank Ramasses second court north Osiride statues of king located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98354jhp
Medinet Habu Temple Mortuary Ramses portico court south engaged statue western second located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98353jhp
Medinet Habu Temple second pylon gate first court view into visitors scale building located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS98351jhp
Medinet Habu Temple Ramasses engaged Osiride statue second court Egyptian located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EGSS983512jhp
Medinet Habu Temple Mortuary Ramasses Luxor Egypt Pylon front entrance located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, court, courts, first, second, Osiride, statues, engaged, seated, hypostyle, hall, vestibule, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, November, 120, Fuji, RDP 11, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG20708jhp
Medinet Habu Temple Ramses hunting bulls antelopes pylon outside north rear facade located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG20707jhp
Medinet Habu Temple interiors first court view pylon entrance high gate distance located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG20705jhp
Medinet Habu Temple West Bank Ramses Pylon gate second court Egyptian view located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG20704jhp
Medinet Habu Temple Ramasses High Gate entrance ticket office Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2000, July, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG05149jhp
Medinet Habu Temple Mortuary Ramasses painted wall reliefs inner court located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG05148jhp
Medinet Habu Temple Ramasses Pylon Gate Winged disc painted colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG051412jhp
Medinet Habu Temple Luxor Ramasses Osiride second court statue engaged located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG051411jhp
Medinet Habu Temple Mortuary Osiride colourful wall paintings court Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG051410jhp
Medinet Habu Temple Mortuary painted reliefs column ceiling colors colours located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2005, May, 120, Fuji, RDP 111, Provia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01704jhp
Medinet Habu Temple Ramasses South Naval battle Philistines wall carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01701jhp
Medinet Habu Temple Mortuary Ramasses South Outer wall Lion Hunt carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01708jhp
Medinet Habu Temple Mortuary Ramasses Pylon front face carvings gate main located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01707jhp
Medinet Habu Temple Egypt South Wall outer Amorite war reliefs Luxor West Bank located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01706jhp
Medinet Habu Temple Egypt South second pylon outer Amorite war reliefs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01705jhp
Medinet Habu Temple Ramses Egypt South chariot Pharaoh wall reliefs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, naval, sea, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG01702jhp
Medinet Habu Temple Ramasses South Outer wall Lion Hunt carvings located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, south, wall, carvings, reliefs, chariot, horses, lion, hunt, scene, battle, Philistines, prisoners, hands, counting, Amorite, war, Libyans, Hittites, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 2001, October, 120, Fuji, RVP, Velvia, 6x6, square, slide, medium, format, transparency, film, scanned, scan, Yashica, Mat 124G

Medinet Habu EG206630ajhp
Medinet Habu Temple Egyptian Pharaoh prisoners killing south wall afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206629ajhp
Medinet Habu Temple Ramses battle prisoners killing south outer wall afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206628ajhp
Medinet Habu Temple Ramasses Pylon rear carving hunting bulls antelopes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206627ajhp
Medinet Habu Palace gate second pylon outer wall south Egyptian Theban hill located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206626ajhp
Medinet Habu Palace gate second pylon outside south Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, second, court, wall, column, reliefs, figures, pylon, palace, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206625ajhp
Medinet Habu Temple Mortuary Ramses outer wall scenes hunting north Egypt Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206624ajhp
Medinet Habu Temple Second Court ramp statues gate summer afternoon light located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206623ajhp
Medinet Habu Temple Ramasses Ancient Egyptian second court painted columns located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206621ajhp
Medinet Habu Temple Mortuary Second Court Osiride statues Egypt Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206620ajhp
Medinet Habu Temple gate ceiling painted detail colors cartouche wings Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206619ajhp
Medinet Habu Temple pylon gate first court entrance Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206618ajhp
Medinet Habu Temple gate celing painted detail colours Egypt Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gate, ceiling, winged, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu EG206617ajhp
Medinet Habu Temple gate courts Ramasses Egyptian located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Thebes, Theban, River Nile, West Bank, Medinet Habu, temple, Ramses 111, Ramasses, Ramesses, upright, landscape, first, court, wall, column, reliefs, figures, pylon, outer, walls, carvings, reliefs, battle, scenes, prisoners, killing, chariot, horse, history, archaeology, ancient, Egyptian, Egyptology, Amun, decorated, painted, gates, ceilings, colors, colours, hieroglyphs, Osiride, statues, portico, 2000, slide, Fuji, RVP, Velvia, 35mm, format, film, scanned, scan, Nikon, FM2, manual

Medinet Habu SS98415
Medinet Habu Temples Mortuary Small carved wall pylon Egypt Luxor West Bank located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo is taken from the south face of the Small Temple with the northern corner of the main Pylon of the Mortuary temple in the background.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS9841a
Medinet Habu Temple Eastern gate migdol rear view Egyptian Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98419
Medinet Habu gateway inside view cloister colonnade Small Chapel Taharqa Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98418
Medinet Habu Temple Small Amun entrance portico steps Jeser Ast Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. Visitors usual entrance into the Small Temple of Amun which lies outwith the main mortuary temple building and lies to the right of eastern gate entrance.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Amun, Hatshesput, Tuthmosis, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98417
Medinet Habu Temple Small Amun Hatshepsut Tuthmosis Jeser Ast Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. Visitors usual entrance into the Small Temple of Amun which lies outwith the main mortuary temple building and lies to the right of eastern gate entrance.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98414
Medinet Habu Temple Mortuary Small carved wall pylon Ancient Egyptian Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo is taken from the south face of the Small Temple with the northern corner of the main Pylon of the Mortuary temple in the background.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98413
Medinet Habu Temple enclosure walls mudbrick ruins Egyptian Thebes located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98412
Medinet Habu enclosure walls mudbrick ruins Egypt Luxor Theban hills located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS984116
Medinet Habu Temple Mortuary Ramesses Saite Chapels panorama pylon located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo was taken from the enclosure wall near the modern visitor entrance at the eastern gate. The Mortuary Temple of Ramesses 111 is behind the large intact pylon and to the right is the small block of the Saite Chapel of the Divine Adoratrices.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, Saite, Chapels, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS984113
Medinet Habu eastern gate entrance pylon migdol fortified Syrian style visitors gate located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS984112
Medinet Habu Temple east gate entrance pylon Egypt Luxor migdol located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. The upper chambers of this high gate were where the Pharaoh Ramesses 111 is thought to have had private rooms to retreat to, maybe with ladies of his harem, when visiting the Temple and might have been where there was an attempt on his life.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS984111
Medinet Habu gate winged disc Small Chapel Ptolemaic Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS984110
Medinet Habu gateway columns lotus papyrus winged disc Small Chapel Ptolemaic Luxor Egypt located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This area was the final stage of the evolution of the Habu but was never completed and subsequently abandoned as the Ancient Egyptian culture gave way to Christianity.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu SS98411
Medinet Habu enclosure wall street west mudbrick buildings ruins Egypt Luxor Theban hills located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This photo was taken during a visit in November 1998 with a Stars and Signs Tour and is of the eastern gate, the usual point of entry for visitors. This photo is of the Ptolemaic gateway which was a latter addition to the Small Temple which lies outwith the main Temple. The gate with its winged disc emblem and still with remains of original paint would have been an entrance through a mudbrick pylon no longer in existence. This photo shows the huge area of mudbrick buildings, magazines, storage rooms that encircled the main Temple of Ramesses 111 that were within the massive mudbrick enclosure walls of the overall complex. On the north side and looking westwards to the Theban hills. This was taken near the location of the sacred lake.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, mudbrick, enclosure, walls, magazines, storage, scared, lake, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, migdol, Syrian, fortified, harem, scenes, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, disc, emblem, Small, Temple, Ptolemy, Ptolemaic, 1998, slide, Fuji, RAP, 35mm, format, film, scanned, scan, Nikon, FM2, manual, Tokina, SD, lens, zoom

Medinet Habu EG94231jhp
Medinet Habu Temple aerial view balloon West bank Nile Egypt Thebes Luxor located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately. This was taken in 1994 on my first trip to Egypt and was the view from a balloon flight over the West Bank. This is looking towards the River Nile in the upper section of this photograph shrouded in early morning mist and to the left of centre is the main entrance road to the West Bank passing the Colossi of Memnon
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1994, slide, medium, format, transparency, film, scanned, scan, Bronica, ETRSi, balloon, aerial, flight, high, looking, down

Habu Painted Ceiling EG962056jhp
Medinet Habu Temple Mortuary Egypt walls colours painted ceiling cartouche hieroglyphs located on the West Bank of the River Nile at Luxor and a complex of temples is now dominated by the mortuary temple of Ramasses 111. Apart from being in excellent condition generally, it offers much to see including some beautiful and detailed reliefs, the best coloured are in the second court and especially its scale. Not usually included in most standard tour packages, this temple is worth the effort to be visited privately.
Keywords: Egypt, Luxor, Medinet Habu, temple, Ramses 111, mortuary, Thebes, West Bank, landscape, history, archaeology, ancient, Egyptian, Egyptology, Ramasses, Ramesses, pylon, panorama, pharaoh, smiting, enemies, hieroglyphs, flagpole, front, gate, gateway, ceiling, coloured, colours, colourful, colour, painted, ceiling, carved, columns, cartouche, wings, scarab, 1996, slide, medium, format, transparency, film, scanned, scan, Bronica, ETRSi

Egypt > North of Cairo (61 files)

This gallery has photographs of the main sites North of Cairo, usually visited privately as not part of most Egyptian tours, and includes Heliopolis, Tell Basta near Zagazig and Tanis near the north coast of Egypt

Alexandria Roman Amphitheatre eg961418jhp
Egypt Alexandria Kom el-Dikkah Roman ruins amphitheatre mosaic flooring patterns columns seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, bath, piscina, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Alexandria Sea View eg961373jhp
Egypt Egyptians Alexandria City Mediterranean sea waves fishermen fortress Quaitbay coast is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse or Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where an old military fort built by Sultan Qaitbay in 1480 is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, lighthouse, bay, Eastern, boats, fishing, fishermen, fortress, Pharos, military, fort, Sultan, Qaitbay, sunshine, blue, sky, water, painted, colours, colourful, white, yellow, aubergine, purple, anchored, shore, beached, sailing, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Amphitheatre eg9614112jhp
Egypt Alexandria Kom el-Dik Roman theatre steps marble seats high view overview Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, bath, piscina, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Alexandria Roman Amphitheatre eg9614111jhp
Egypt Alexandria Kom el-Dikkah Roman ruins amphitheatre columns seats top level Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, bath, piscina, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Alexandria Railway Station eg9614115jhp
Egypt Egyptian Alexandria city railway station Misr Masr oldest stylish modern Mediterranean coast city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is of the Railway Station “mahatit masr”, originating from the late 1850’s when the first Egyptian railway line was made to Cairo by Robert Stephenson. The original building has been refurbished after this photo was taken, part of a quick stop from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, railways, 1850’s, Railway, Station, Misr, Masr, mahattat, mahatit, Mansha, district, oldest, upgraded, refurbished, architecture, style, street, furniture, lamps, balls, scene, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Alexandria Nilometer eg9613815jhp
Egypt Alexandria Nile ancient Nilometer door well archaeology silted dry Rhakote hill modern Mediterranean coastal city no longer reminiscent of tae ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompeyâ€™s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main â€˜ancientâ€™ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, doorway, Nilometer, well, River, Nile, dried, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Alexandria Nilometer eg9613728jhp
Egypt Alexandria River Nile ancient Nilometer door well archaeology silted dry Rhakote hill modern Mediterranean coastal city no longer reminiscent of tae ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompeyâ€™s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main â€˜ancientâ€™ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, doorway, Nilometer, well, River, Nile, dried, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Mosque eg9613614jhp
Egypt Egyptian Alexandria city Mosque Square Abu al Abbas al Mursi park trees flora modern Mediterranean coast city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is of the Abu al Abbas el Mursi Mosque in the Anfoushi district and the current form is from a refurbishment in 1945 by King Farouq and became the centre of Mosque Square, although built 1775 over the tomb a Spanish scholar and saint of the same name. Its current style is very much in the Arabian style popular when the Saint came to Egypt in the 13th Century. A few isolated ancient sites can be visited with some Pharaonic, Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, Mosque, square, Abu, al Abbas, al Mursi, Spanish, scholar, saint, 13th century, garden, palms, trees, tram, lines, upgraded, refurbished, Arabian, Old Egypt, style, architecture, street, scene, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Alexandria Mosque & Tram eg9613615jhp
Egypt Egyptian Alexandria city Abu al Abbas al Mursi park trees flora modern Mediterranean coast city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is of the Abu al Abbas el Mursi Mosque in the Anfoushi district and the current form is from a refurbishment in 1945 by King Farouq and became the centre of Mosque Square, although built 1775 over the tomb a Spanish scholar and saint of the same name. Its current style is very much in the Arabian style popular when the Saint came to Egypt in the 13th Century. A few isolated ancient sites can be visited with some Pharaonic, Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, Mosque, square, Abu, al Abbas, al Mursi, Spanish, scholar, saint, 13th century, garden, palms, trees, tram, lines, upgraded, refurbished, Arabian, Old Egypt, style, architecture, street, scene, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Alexandria Eastern Harbour eg961363jhp
Egypt Alexandria harbour eastern boats sailing beached fortress Quaitbay colourful modern Mediterranean museum lost is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse or Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where an old military fort built by Sultan Qaitbay in 1480 is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, lighthouse, bay, Eastern, boats, fishing, fishermen, fortress, Pharos, military, fort, Sultan, Qaitbay, sunshine, blue, sky, water, painted, colours, colourful, white, yellow, aubergine, purple, anchored, shore, beached, sailing, landscape, upright, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Alexandria Eastern Harbour eg9613613jhp
Egypt Egyptian Alexandria harbour fortress Quaitbay eastern fishing lone fisherman modern Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse of Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where there is an old military fort built by Sultan Qaitbay in 1480 which is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, lighthouse, bay, Eastern, boats, fishing, fishermen, lone, fisherman, fortress, Pharos, military, fort, Sultan, Qaitbay, sunshine, blue, sky, water, waves, rocks, foam, colours, colourful, shore, seashore, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Alexandria Eastern Harbour eg9613612jhp
Egypt Egyptian Alexandria city harbour eastern fishing Egyptians fishermen modern Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse of Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where there is an old military fort built by Sultan Qaitbay in 1480 which is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, lighthouse, bay, Eastern, boats, fishing, fishermen, lone, fisherman, fortress, Pharos, military, fort, Sultan, Qaitbay, sunshine, blue, sky, water, waves, rocks, foam, colours, colourful, shore, seashore, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Alexandria Catacombs eg961407jhp
Egypt Alexandria Kom es-Shogafa catacombs shelves rockcut urns flooded board walk Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, outer, gallery, shelves, urns, cinerary, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Alexandria Catacombs eg961404jhp
Egypt Alexandria tomb carved man snake pschent bearded walls Kom al-Shawqafah catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, mound, shards, pottery, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, carved, carving, snake, bearded, pschent, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, upright

Alexandria Catacombs eg9614011jhp
Egypt Alexandria Kom al-Shawqaiah catacombs passageway carved Sobek cloak guard Roman Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, al-Shawqafah, mound, shards, pottery, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, carved, carving, anubis, sobek, military, costume, cloak, rock, cut, bearded, pschent, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, upright

Alexandria Tomb Relief eg961399jhp
Egypt Alexandria city tomb carved scallop shell roof Kom al-Shawqaiah catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, most well know is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Tomb Relief eg961398jhp
Egyptian Alexandria tomb relief Apis bull Nephthys Kom el-Shoukafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, one of which is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Tomb Relief eg961397jhp
Egypt Alexandria tomb carving Horus Anubis Thoth Kom es-Shoquafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, one of which is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, lion, headed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Tomb Relief eg961396jhp
Egypt Alexandria city tomb relief Apis bull Kom es-Shoquafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, one of which is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Tomb Relief eg9613735jhp
Egypt Alexandria Tigran painted wall offering adjacent niche Kom es-Shogafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952 and this painting is in the righthand niche next to the more famous mummy on bed scene which faces the entrance. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, Tigran, Tigrane, rescue, tomb, paintings, painting, offering, kneeling, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, ceiling, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Tomb Relief eg9613733jhp
Egypt Alexandria Tigrane Tomb painting Osiris Isis Nephthys Kom es-Shogafa catacombs Mediterranean the City is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, shelves, storage, walls, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Tomb Relief eg9613731jhp
Egypt Alexandria city tomb entrance Tigran painted walls Kom al-Shawqaiah catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Tomb Passage eg9613736jhp
Egypt Alexandria tombs entrance passageway stonework Kom es-Shoquafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, best known is Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright, passageway, interior

Alexandria Tigran Tomb eg9613913jhp
Egypt Alexandria city tomb rescued Tigran reconstruction Kom es-Shogafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, this one is known as Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Street Scene eg9613919jhp
Egypt Alexandria city snapshot street scene clothes underwear market people shopping modern Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Street Scene eg9613918jhp
Egypt Alexandria city random street colourful scenes market people shopping modern Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Street Scene eg9613916jhp
Egypt Alexandria city street scene market colours stalls people talking shopping modern Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, market, stalls, carts, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Street Scene eg9613730jhp
Egypt Alexandria city back street scene people lorry modern houses apartments Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is a snapshot of modern local street life taken from the taxi as I drove around the City on a day trip. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, style, sea, street, scene, houses, balconies, washing, hanging, market, shoppers, Egyptians, women, men, children, shopping, random, snapshot, candid, back, streets, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Sphinx eg9613720jhp
Egypt Alexandria Ptolemaic red granite sphinx plinth modern reconstruction Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Sphinx eg9613719jhp
Egyptian Alexandria Serapeum Ptolemaic red granite sphinx plinth modern Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Sphinx eg9613718jhp
Egypt Alexandria Roman ruins Ptolemaic red granite sphinx Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Sea Bride Sculpture eg9613921jhp
Egypt Alexandria sea bride mermaid sculpture El Selselah seafront modern city on the Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is of modern street art taken from the roadside as my taxi drove around the City on a day trip. Taken in 1996 it preceded the modern Library of Bibliotheca Alexandrina by 8 years, the original ancient library no longer exists. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, El Selselah, square, Aselsela style, sea, street, scene, sculpture, modern, bride, mermaid, street, roadside, seafront, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Sarcophagi eg9613912jhp
Egyptian Alexandria garden museum exhibits sarcophagi white carved Kom es-Shoquafa catacombs Mediterranean the city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, most well known is Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, Tigran, Tigrane, rescue, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Sarcophagi eg9613911jhp
Egypt Alexandria open air exhibits sarcophagi Kom es-Shogafa catacombs Mediterranean the city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, most well known is Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, Tigran, Tigrane, rescue, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Piscina eg9613722jhp
Egypt Alexandria Roman ruins Piscina swimming pool abulations bath excavations Rhakote modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, swimming, pool, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Baths eg9613723jhp
Egypt Alexandria Serapeum Roman ruins bath excavation sphinxes rocky hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Amphitheatre eg9613936jhp
Egypt Alexandria Kom el-Dik Roman ruins architecture stage area piers stone walls Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, backstage, stone, walls, gate, piers, small, seats, back, rooms, construction, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Roman Amphitheatre eg9613935jhp
Egypt Alexandria Kom el-Dik Roman ruins amphitheatre columns seats marble style Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Amphitheatre eg9613934jhp
Egypt Alexandria el-Dekka Roman ruins amphitheatre marble seats rows carved style Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carved, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Amphitheatre eg9613933jhp
Egypt Alexandria Kom el-Dikkah Roman ruins amphitheatre columns marble seats rows top Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carved, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Roman Amphitheatre eg9613932jhp
Egypt Alexandria Kom el-Dik Roman theatre walls stone doorway arch vault Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, stone, walls, rooms, vaulted, arch, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Roman Amphitheatre eg9613931jhp
Egypt Alexandria Kom el-Dik Roman mosaic floor pattern stage column seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carvings, freize, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Roman Amphitheatre eg9613929jhp
Egypt Alexandria Kom el-Dekkah municipal park Roman ruined amphitheatre granite columns seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, 2nd AD, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, carvings, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Roman Amphitheatre eg9613927jhp
Egypt Alexandria Kom el-Dikkah Roman excavation amphitheatre columns seats Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology probably dating from 2nd C AD. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, architecture, figure, scale, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Roman Amphitheatre eg9613926jhp
Egyptian Alexandria Kom el-Dekka Roman theatre amphitheatre columns seats cityscape Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Roman Amphitheatre eg9613924jhp
Egypt Alexandria Kom el-Dik Roman ruins amphitheatre columns seats overview high Mediterranean coastal city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is one of the smaller municipal parks called Kom El-Dik or Dekka with some interesting and reasonably preserved Roman ruins and ongoing archaeology. The amphitheatre could accommodate 800 seated on 13 rows of grey and white marble seats and once had a domed roof, now long gone except for a few columns that once supported it. Nearby are the remains of a Roman bathhouse and nearby piscina which when I was there were still being excavated. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom el-Dik, el-Dekka, Kom el-Dikkah, hill, rubble, Paneion, site, municipal, park, 2nd Century AD, archaeology, ruins, Roman, amphitheatre, theatre, stage, piers, small, seats, columns, steps, mosaics, floor, thirteen, rows, white, marble, grey, granite, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Pompey s Pillar eg9613717jhp
Egypt Alexandria Roman Ptolemaic granite sphinx column Pompey Serapeum Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Pompey s Pillar eg9613716jhp
Egypt Alexandria Ptolemaic sphinx column Pompey Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Pompey s Pillar eg9613715jhp
Egypt Alexandria Roman sphinx column Pompey Rhakote hill garden view plants modern Mediterranean city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Granite Scarab eg9613724jhp
Egypt Alexandria Roman garden exhibit granite scarab large museum Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Granite Carving eg9613727jhp
Egypt Alexandria broken fragment carved granite freize high status fine quality Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Granite Carving eg9613726jhp
Egypt Alexandria carved mottled granite freize high status beautiful quality Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Granite Carving eg9613725jhp
Egypt Alexandria carved mottled granite freize symbols beautiful Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Eastern Harbour eg9613923jhp
Egypt Alexandria floral park Eastern Harbour entrance El Selselah seafront modern city on the Mediterranean coast is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. This photo is of modern seafront municpal agrdens near the Sea Bride Sculpture taken from the roadside as my taxi drove around the City on a day trip. Taken in 1996 it preceded the modern Library of Bibliotheca Alexandrina by 8 years, the original ancient library no longer exists. A few isolated ancient sites can be visited with some Greco-Roman ruins and archaeology. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, Africa, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, European, El Selselah, square, Aselsela, style, sea, eastern, harbour, entrance, promenade, park, gardens, street, scene, sculpture, modern, bride, mermaid, street, roadside, seafront, passing, view, sunshine, blue, sky, bright, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Eastern Harbour eg9613529jhp
Egypt Alexandria city harbour eastern boats colourful packed shore modern Mediterranean museum lost is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse or Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where an old military fort built by Sultan Qaitbay in 1480 is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, lighthouse, bay, Eastern, boats, fishing, fishermen, fortress, Pharos, military, fort, Sultan, Qaitbay, sunshine, blue, sky, water, painted, colours, colourful, white, yellow, aubergine, purple, anchored, shore, beached, sailing, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Eastern Harbour eg9613528jhp
Egypt Egyptian Alexandria city harbour eastern boats beached shoreline modern Mediterranean museum lost is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse or Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where an old military fort built by Sultan Qaitbay in 1480 is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, lighthouse, bay, Eastern, boats, fishing, fishermen, fortress, Pharos, military, fort, Sultan, Qaitbay, sunshine, blue, sky, water, painted, colours, colourful, white, yellow, aubergine, purple, anchored, shore, beached, sailing, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Carved Relief eg9613914jhp
Egypt Alexandria exhibits carved black granite freize Kom el-Shoukafa garden free standing Mediterranean the city is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, most well known is Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, Tigran, Tigrane, rescue, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, carved, black, inons, offering, boat, snake, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Carved Cross eg9613729jhp
Egypt Alexandria garden exhibit carved stone Coptic cross early Christian capital Rhakote hill modern Mediterranean coastal city no longer reminiscent of the ancient city from Pharaohic times and little of that ancient time remains. A few isolated sites can be visited and this is one is located on Rhakote Hill one of the earliest sites in the City with some Roman ruins and archaeology. On the hill is the dominant granite column called Pompey’s Pillar dating back to the reign of Emperor Diocletian around 297BC but associated with the later rival of Caesar when it was held, mistakenly, his head was placed on top of the column. Also of interest are some granite Sphinxes and underground burial vaults. It is also thought to have held some of the contents of the ancient Library after its sacking after the fall of the House of Ptolemy but nothing now remains of this smaller library probably sacked during the Fifth Century AD by Christian zealots. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt: Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Rhakote, hill, ancient, Rhakotis, Pharaonic, Serapis, Temple, Serapeum, Library, destroyed, Roman, Ptolemaic, Greek, Pompey, Pillar, Corinthian, carved, capital, top, Ptolemaic, red, granite, Sphinx, Sphinxes, granite, carving, carved, scarab, freize, open, air, exhibits, museum, garden, Coptic, cross, early, Christian, archaeology, ruins, Piscina, Roman, bath, house, excavations, gateway, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Burial Vault eg961395jhp
Egypt Alexandria city catacombs tomb carving Kom el-Shoukafa catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, best known is Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, buttress, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8, upright

Alexandria Burial Vault eg961393jhp
Egypt Alexandria city main catacombs tomb entrance carved walls Kom al-Shawqaiah catacombs Mediterranean is no longer reminiscent of the ancient city from Pharaonic times and little of that ancient time remains. A few isolated sites can be visited and this is called Kom es-Shogafa, also spelt es-Shoquafa, al-Shawqaiah a necropolis of catacombs and ongoing archaeology. The garden area of this site has many exhibits including sarcophagi, carved capitals as well as a reconstructed Tombs, best known is Tigrane [Tigran] rescued from construction work in Tigrane Pasha Street in 1952. The style of decoration in this tomb is particularly important as it shows the blending of the major influences in the City’s history-Egyptian, Greek and Roman. The City has a distinctly European rather than Egyptian feel to it; it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages. I hired my own taxi and the driver was sufficiently knowledgeable to take me to the main ‘ancient’ sites I could manage in a few hours.
Keywords: Egypt, Egyptian, northern, Delta, ancient, Alexandria, city, coast, Mediterranean, sea, Egyptology, Kom, es-Shogafa, es-Shoquafa, al-Shawqaiah, el-Shoukafa, catacombs, rotunda, main, entrance, underground, submerged, flooded, columns, Tigran, Tigrane, rescue, tomb, paintings, reliefs, Osiris, mummified, mummy, niche, carved, Horus, funerary, Anubis, Thoth, bed, palm, fronds, Goddess, Isis, Nephthys, white, stucco, Apis, bull, winged, offering, King, shelves, storage, walls, scallop, shell, reconstruction, building, garden, open, air, museum, exhibits, artefacts, carvings, granite, Coptic, Cross, early, Christian, sarcophagus, sarcophagi, sunshine, blue, sky, colours, colourful, landscape, September, 1996, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM2, Nikkor, 28mm f2.8

Alexandria Harbour EG961364jhp
Egypt Egyptian Alexandria city harbour eastern boats modern Mediterranean museum lost is no longer reminiscent of the ancient city from Pharaoh’s times and little of that ancient time remains. A few isolated sites can be visited and one of the most famous, the Lighthouse or Pharos is no longer and would have been in the far distant horizon of this photo of the Eastern Harbour where an old military fort built by Sultan Qaitbay in 1480 is thought to have been built on its foundations. With a distinctly European feel to it, it is sometimes offered as a day trip on a Cairo package but is seldom part of the main Nile packages.
Keywords: Egypt: Egyptian, ancient, Alexandria, city, coast, Mediterranean, sea, harbour, Eastern, boats, fishing, sunshine, blue, sky, water, painted, colours, colourful, landscape, 1996, 645, slide, film, transparency, scanned, scan, Bronica, ETRSi

Egypt > Outlying Pyramids (158 files)

Pictures of pyramids and scenery related to them outwith the main sites of Giza and Saqqara such as Abusir, Dashur, El Lisht, Meydum and Hawara

Hawara Pyramid eg01319jhp
Hawara Faiyum Amenemhet pyramid mudbricks exposed layers closeup thousands Egyptian, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg01318jhp
Hawarah Fayyum Amenemhat pyramid mudbricks entrance door south side flooded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg01316jhp
Hawara Faiyum Amenemhet pyramid mudbrick entrance south side door flooded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright

Hawara Pyramid eg01315jhp
Hawara Faiyum Amenemhet pyramid discarded limestone carving crocodiles lying around, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg01313jhp
Hawara Faiyum Amenemhet pyramid mortuary temple Labyrinth Herodotus destroyed rubble field, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg01312jhp
Hawara Fayyum Amenemhat pyramid mudbrick core large substantial exposed mound, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright

Hawara Pyramid eg013123jhp
Hawara Faiyum limestone carved torso necklace beads beaded collar wesekh menat broken discarded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg013122jhp
Hawara Faiyum pyramid yellow flaky chalk-like weathered exposed stone eroded, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape, yellow, chalky, brittle, weathered, flaking

Hawara Pyramid eg013121jhp
Hawara Faiyum mudbrick brick exposed floor straw eroded weathered made constructed, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape, straw

Hawara Pyramid eg013120jhp
Hawara Faiyum ancient Egyptian mudbricks bricks mortar construction techniques erosion wall exposed, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg01311jhp
Hawara Faiyum Amenemhet pyramid mudbrick exposed impressive hill mound remains, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg013119jhp
Hawarah Faiyum Amenemhat pyramid mudbrick north east corner wall ruin bricks, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright

Hawara Pyramid eg013118jhp
Hawara Fayyum Amenemhet pyramid mudbricks exposed ruined building wall necropolis, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg013116jhp
Hawara Faiyum Amenemhet pyramid mudbrick exposed wall shell north east corner , to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg013114jhp
Hawarah Fayyum Amenemhet pyramid north face granite grinding wheel broken foreground, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape, north, face, grinding, wheel, granite, broken, scale

Hawara Pyramid eg013113jhp
Hawara Fayyum Amenemhet pyramid mudbrick north face granite grinding wheel, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright

Hawara Pyramid eg013112jhp
Hawara Faiyum Amenemhet pyramid hidden entrance hole buried ground diagram sand, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Hawara Pyramid eg013111jhp
Hawara Faiyum Amenemhat Egyptian pyramid mudbricks layers multiple exposed many, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, upright

Hawara Pyramid eg013110jhp
Hawara Faiyum Egypt Amenemhet pyramid mudbricks many closeup layers construction exposed, to the south of Cairo was the last pyramid built in the 12th Dynasty, Middle Kingdom, by the Pharaoh Amenemhet 111 of the later design using mudbrick core which still stands dominant and substantial but the limestone covering of Tura Limestone is now all missing. The entrance on the south side is visible but the high ground water table means it is flooded as are all the lower chamber areas. It is most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains except for a large area of sandy mounds and hollows divided by a canal; new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems it appears unfinished at the time of his death c1797BC.
Keywords: Egypt, Egyptian, River, Nile, Hawara, Hawarah, al-Maqta, pyramid, el-Fayoum, Faiyum, Fayyum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet 111, Amenemhat 111, Ammenemes 111, last 12th Dynasty, south, face, entrance, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, mudbricks, exposed, core, limestone, casing, robbed, plundered, removed, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 2001, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, 35mm, camera, Nikon, FM2: Tokina SD, 28-70mm lens, landscape

Abu Rawash Pyramid eg961339jhp
Egyptian Rawash pyramids site view Cairo Giza Great Khafre Menkaure plateau this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, view, pyramids, Great, Khufu, Khafre, Menkaure, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Rawash Pyramid eg961338jhp
Egypt Abu Roash pyramids site view Cairo Giza Great Khafre plateau this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Great, Khufu, Khafre, Menkaure, view, distance, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Rawash Pyramid eg961335jhp
Egypt Abu Ruwash pyramid remains masonry Djedefre construction techniques limestone blocks this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Rawash Pyramid eg961334jhp
Egypt Abu Roash pyramid ruins pharaoh Djedefre construction erosion limestone this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Rawash Pyramid eg961332jhp
Egyptian 4th Dynasty Abu Ruwash Roash pyramid limestone blocks pharaoh Djedefre mortuary temple this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Rawash Pyramid eg961331jhp
Egypt Abu Rawash Roash pyramid ruins pharaoh Djedefre mortuary temple boat pit this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 645, transparency, film, Fuji, RDP, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Rawash Pyramid eg9613232jhp
Egypt Abu Roash pyramid ruins pharaoh Djedefre destroyed quarry blocks this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern 1800's Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens

Abu Rawash Pyramid eg9613231jhp
Egyptian Abu Ruwash pyramid Djedefre boat pit adjacent alongside excavated this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Redjedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens

Abu Rawash Pyramid eg9613230jhp
Egypt Abu Rawash ruins pharaoh Djedefre boat pit excavated hole empty this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens, upright

Abu Rawash Pyramid eg9613229jhp
Egypt Abu Roash pyramid pharaoh Djedefre mortuary temple boat pit hole this site is situated north west of Giza this site on high ground near the village of Abu Rawash and has the remains of a pyramid ascribed to the Pharaoh Djedefre, the successor to Khufu both of the 4th Dynasty around 2500BC. The pyramid was faced with granite and the burial chambers were set deep in the rock, in mastaba style, with evidence of a secondary pyramid, a nearby cult complex and a causeway over 1500m long leading to a valley temple in the Wadi Qarun. Heavily damaged by quarrying activities since Roman times to maybe modern Cairo buildings recent excavations are ongoing and some restoration of the site is underway. When I visited in 1996 it was difficult to get to and I was not allowed time to really explore the site. However I did get back in 2007 and was able to explore much more of the site, noticing considerable restoration especially around the Mortuary Temple and the Boat Pit.
Keywords: Egypt, Egyptian, Cairo, Giza, River, Nile, Abu, Roash, village, Ruwash, Rawash, pharaoh, royal, Djedefre, Ra’djedef, Pyramid, 4th Dynasty, mastaba, massif, hillock, landscape, isolated, desert, electricity, pylons, rocky, ancient, limestone, blocks, inclining, granite, casing, old, style, deep, access, corridor, chamber, boat, pit, quartzite, head, sphinx, statue, remains, Step, Pyramid, Djoser, tomb, Cheops, Khufu, Khafre, Egyptology, history, archaeology, construction, architecture, mortuary, valley, temple, causeway, Wadi, Qarun, cult, worship, basalt, French, excavation, September, 1996, 35mm, slide, film, Fuji, RD-128, 100asa, colour, scanned, scan, Nikon, FM2, Tokina SD, 28-70mm lens, upright

Senwosret Pyramid Lisht eg01299jhp
Egypt el-Lisht Pyramid Senusret collapsed mound mastaba desert sand casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg01298jhp
Egyptian Lisht Pyramid Sesostris collapsed limestone blocks casing intact construction Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Senwosret Pyramid Lisht eg01297jhp
Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg01296jhp
Egypt el-Lisht Pyramid Senwosret museum painted farm scenes wheat flails Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, flash, Metz, working, fields, farm, workers, flailing, wheat, threshing

Senwosret Pyramid Lisht eg01295jhp
Egypt el-Lisht Pyramid Senusret painted releif workers farmers animals limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape farm, workers, animals, deer, cattle

Senwosret Pyramid Lisht eg01294jhp
Egypt el-Lisht Pyramid Senusret museum coloured farm scenes limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg01293jhp
Egypt el-Lisht Pyramid Senusret museum exhibit cartouche carving Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area of whihc this was one-I think it is a cartouche but cannot read it. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, cartocuhe, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Senwosret Pyramid Lisht eg012912jhp
Egyptian Lisht Pyramid Senwosret collapsed grantie remnants limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright, frgamnets, scarce, remains

Senwosret Pyramid Lisht eg012911jhp
Egypt el-Lisht Pyramid Senusret granite fragments limestone blocks casing remains Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg012910jhp
Egypt Pyramid Senusret worked limestone block masonry techniques cutting Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, masonry, stonework, holes, splitting, techniques, skills

Senwosret Pyramid Lisht eg012736jhp
Egypt Lisht Pyramid Senwosret enclosure wall double limestone blocks Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Senwosret Pyramid Lisht eg012736Ejhp
Egypt el-Lisht Pyramid Senusret building limestone blocks eroded surviving casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg012735jhp
Egypt el-Lisht Pyramid Senusret tomb shaft royal burial enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, shft, hole, deep

Senwosret Pyramid Lisht eg012734jhp
Egypt Lisht Pyramids Senusret mastabas limestone blocks eroded Amenemhet desert sand Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg012733jhp
Egypt el-Lisht Pyramid Senusret collapsed mound limestone blocks wall enclosure Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Senwosret Pyramid Lisht eg012732jhp
Egyptian el-Lisht Pyramid Sewosret construction collapsed mound limestone blocks casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Senwosret Pyramid Lisht eg012731jhp
Egypt Lisht Pyramid Senusret causeway granite slab mortuary temple walls Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, slab

Senwosret Pyramid Lisht eg012730jhp
Egypt el-Lisht Pyramid Senusret stonework masonry dovetails joints limestone Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape, stonework, dovetails, joints, carving, masonry, building, architecture

Senwosret Pyramid Lisht eg012729jhp
Egyptian el-Lisht Pyramid Senusret limestone blocks enclosure wall tombs mastaba Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Senwosret Pyramid Lisht eg012728jhp
Egypt Lisht Pyramid Senusret collapsed mound limestone enclosure wall casing Middle Kingdom site which also has the slightly better preserved tomb of Amenemhet 1 nearby. Access to Senusret’s pyramid is through a local village and agricultural land at the edge of the desert escarpment as is common with most of the pyramid sites south of Giza. I remember passing a very well kept football pitch. A local custodian took me around and also allowed me to take flash photographs of some coloured reliefs on limestone blocks under a roofed area. The pyramid has almost totally collapsed into a huge sandy mound but there were still one section of limestone casing intact and not plundered and around the site were hints at its previous enclosure wall structure with large sections of eroded limestone sticking out of the sand like a whales skeleton. The burial chamber thought to have been robbed shortly after his death is under the ground water table and is inaccessible. The site dates back to the Middle Kingdom-Senusret’a reign was 1971-1926BC and he was the son of Amenemhet 1 building his pyramid near his fathers. There is evidence of nine subsidiary pyramids for royal ladies and mastaba tombs around the site including those of Vizier Mentuhotep, Senwosret-ankh.
Keywords: Egypt, Egyptian, el-Lisht, Lisht, el-Fayoum, Fayyum, Pyramid, Pyramids, Middle, Kingdom, Senusert 1, Senwosret 1, Sesostris 1, son, Amenemhet 1, collapsed, archaeology, construction, museum, covered, ancient, history, pharaoh, Middle, Kingdom, c1950BC, royal, tomb, death, burial, afterlife, wall, necropolis, women, tombs, subsidiary, Amenemhat, Ammenemes, granite, mortuary, temple, enclosure, walls, mastaba, mastabas, Mentuhopet, Vizier, Senwosret-ankh, ceiling, stars, texts, coloured, reliefs, painted, hieroglyphs, farming, scenes, limestone, blocks, casing, desert, escarpment, barren, sandy, mound, eroded, robbed, entrance, ground, level, ground, water, blocked, October, 2001, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Red Pyramid Dashur eg0079jhp
Egypt Red North Pyramid Snefru Dahshur corbelled roof chamber interior limestone Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format

Red Pyramid Dashur eg0074jhp
Egypt Red North Pyramid Sneferu interior passageway cramped claustrophic crawling Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, landscape, format

Red Pyramid Dashur eg00713jhp
Egypt Red North Pyramid Sneferu exterior corner height robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format

Red Pyramid Dashur eg00712jhp
Egypt Red North Pyramid Sneferu exterior limestone blocks eroded Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, interior, passageway, cramped, crawl, boards, climbing, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, flash, Metz, upright, format

Meidum Pyramid eg94692jhp
Meydum Fayyum pyramid desert causeway sand Egyptians scale collapsed rubble ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg946923jhp
Meidum mastaba pyramid road view fallen abandoned sand Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg946920jhp
Maydum Fayoum Snefru pyramid roadside approach dominanting Egypt collapsed ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg94691jhp
Meidum pyramid desert causeway sand Egyptians scale collapsed ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg012936jhp
Meydum pyramid collapsed core construction fault Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg012936Ejhp
Meydum pyramid collapsed core construction fault Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom, upright, looking up, construction, architecture, design, flaws, experimental

Meidum Pyramid eg012935jhp
Meydum pyramid collapsed core construction flawed design closeup Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg012934jhp
Maidum pyramid desert causeway sand escarpment plantations Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg012933jhp
Meydum pyramid collapsed core construction fault Sneferu mastaba mudbricks ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom, upright

Meidum Pyramid eg012932jhp
Meidum Huni pyramid collapsed core construction design flaw mudbricks mastaba ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Pyramid eg012915jhp
Maydum pyramid collapsed farmland horizon standing dominant Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, roadside, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom, upright

Meidum Pyramid eg012914jhp
Maidum pyramid farmland fields Fayyum horizon standing dominant Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Mastaba eg012931jhp
Meidum pyramid mastaba mudbricks bricks construction layers Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Mastaba eg012930jhp
Meidum pyramid mastaba mudbricks base limestone bricks Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom, upright, flagstones, base, platform

Meidum Mastaba eg012929jhp
Meidum pyramid mastaba No 17 interior passage crawling board Sneferu ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Mastaba eg012922jhp
Meidum pyramid mastaba No 17 interior granite blocks sharp sarcophagus lid ancient early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom, upright

Meidum Mastaba eg012921jhp
Meydum pyramid mastaba No 17 interior limestone block chiselled quarried ancient Egyptian inside and adjacent to early example at Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Mastaba eg012920jhp
Meidum Egypt mastaba No 17 inside limestone block chiselled mason stonework ancient Egyptian inside and adjacent to early example at Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Mastaba eg012919jhp
Meidum pyramid mastaba No 17 interior granite sarcophagus lid open Egyptian ancient adjacent to this pyramid which is an early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Mastaba eg012918jhp
Meidum pyramid mastaba No 17 interior granite sarcophagus lid open Egyptian unknown Prince found in this tomb adjacent to this pyramid which is an early example Faiyum of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, looking up, construction, architecture, design, flaws, experimental, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, June, 2001, 35mm, slide, film, Fuji, RVP, Velvia, 50asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom

Meidum Chamber eg94696jhp
Meydum Maidum pyramid burial chamber corbelled roof limestone blocks inside Egypt ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70mm zoom, upright

Hawara Shaft Tomb eg941415jhp
Ancient Egyptian Hawara Pyramid Fayyum Amenemhet royal tomb shafts oblong deep, at a site well to the south of Cairo was the last pyramid built in the 12th Dynasty by the Pharaoh Amenemhet 111 of the later design using mudbrick core with limestone covering, now all missing. Most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems. The tomb shafts adjacent to the entrance road our well constructed with smooth well finished walls and could have been for royal women rather as in Lisht and I understood from my guide that many items found were displayed in the small musuem at Karanis which has been closed since I visited it 1994.
Keywords: Egypt, Egyptian, River, Nile, Hawara, pyramid, el-Fayoum, Faiyum, Fayum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet, Amenemhat 111, last 12th Dynasty, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, core, limestone, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Hawara Shaft Tomb eg941413jhp
Egypt Hawara Pyramid mudbrick Faiyum Amenemhet tomb shafts roadside necropolis on a site well south of Cairo in the al Fayyum province was the last pyramid built in the 12th Dynasty by the Pharaoh Amenemhet 111 of the later design using mudbrick core with limestone covering, now all missing. Most famous for the references to the Labyrinth; a comparison of its mortuary and temple complex to that at Knossos by Herodotus although little now remains new excavations are underway to determine what might still exist. This pyramid was built after the king’s first attempt at Dashur was abandoned owing to subsidence problems.
Keywords: Egypt, Egyptian, River, Nile, Hawara, pyramid, el-Fayoum, Faiyum, Fayum, al-Fayyum, Egyptology, archaeology, construction, ancient, history, antiquity, pharaoh, Amenemhet, Amenemhat 111, last 12th Dynasty, royal, tomb, shafts, death, burial, afterlife, Graeco-Roman, mortuary, temple, chapels, nomes, replication, complex, Labyrinth, Herodotus, Greek, Strabo, Minos, Knossos, mudbrick, core, limestone, mantel, missing, Lepsius, excavation, 1843, Petrie, burial, chamber, innovative, sandstone, quartzite, single, monolithic, block, sarcophagus, triangular, lintels, gables, sand, lowering, device, flooded, ceiling, passageway, hidden, robbers, Royal, women, tombs, Neferu-ptah, necropolis, Sobek, Hathor, palm, goddess, Saqqara, Meidum, Dashur, Lake, Qarun, Moeris, canal, water, table, landscape, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

El Lisht Camel Train eg00727jhp
Lisht village Egyptian life camels transporting palm fronds street scene was spotted driving through the village enroute to the two Lisht pyramids of Amenemhet and Senwsoret on the desert escarpment south of a trip from visiting the Dashur necropolis. Definitely need a great taxi driver who can navigate his way to these outlying sites, finding the local custodian and also managing not to get bogged down in the sand once away from the plantations.
Keywords: Egypt, Egyptian, River, Nile, al-Lisht, el-Lisht, village, street, scene, camel, camels, train, historic, animals, beasts, carrying, transporting, palm, fronds, el-Fayoum, Faiyum, Fayyum, daily, life, natural, native, fuel, tanker, houses, flats, balcony, Libayni, canal, al-Mataniyyah, desert, escarpment, ancient, history, antiquity, holiday, travel, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Black Pyramid Dashur eg0095jhp
Egypt Pyramids Amenemhet 111 Dahshur Black mudbrick desert rubble Red view ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red or North pyramid visible in distance as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, sand, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Black Pyramid Dashur eg0094jhp
Egyptian Pyramid Amenemhat 111 Dashur Black mudbrick exposed core ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, Ammenemes, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format, core, details, looking up

Black Pyramid Dashur eg0093jhp
Egypt Pyramid Bent Amenemhet 111 Dashur Black mudbrick discarded blocks limestone ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, visble in the distance, and the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format

Black Pyramid Dashur eg0092jhp
Egypt Pyramid Amenemhet 111 Dashur Black mudbrick detail closeup ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format, looking up, close

Bent Pyramid Dashur eg961329ajhp
Egypt Dahshur Bent Red North Pyramids entrance high view vehicle sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, Tokina SD, 28-70 zoom lens

Amenemhet Pyramid Lisht eg00914jhp
Egyptian el-Lisht ancient pyramid Amenemhet 1 Fayoum Middle Kingdom mound enclosure wall is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, women, tomb, shaft, Middle, Kingdom, Amenemhet 1, Amenemhat, Ammenemes, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Amenemhet Pyramid Lisht eg00913jhp
Egypt Lisht pyramid Amenemhet 1 Fayoum enclosure wall royal tomb shaft is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, women, tomb, shaft, Middle, Kingdom, Amenemhet 1, Amenemhat, Ammenemes, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Amenemhet Pyramid Lisht eg00912jhp
Egypt el-Lisht pyramid Amenemhet 1 Fayoum royal women tomb shaft deep Middle Kingdom collapsed enclosure wall is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side. This photo is of one of these shafts-apologies for the exposure on the foreground but one of the problems of slide film in the field, however the important part the construction of the shaft is shown clearly.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, Middle, Kingdom, Amenemhet 1, Amenemhat, Ammenemes, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, tomb, shaft, rock, hewn, deep, women, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Amenemhet Pyramid Lisht eg00911jhp
Egypt Lisht pyramid Amenemhat 1 Fayoum entrance construction Middle Kingdom collapsed is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, Middle, Kingdom, Amenemhet 1, Amenemhat, Ammenemes, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, landscape

Amenemhet Pyramid Lisht eg00910jhp
Egypt el-Lisht pyramid Amenemhet 1 Fayyum Middle Kingdom collapsed enclosure wall is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, Middle, Kingdom, Amenemhet 1, Amenemhat, Ammenemes, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format, upright

Abu Sir Drainage eg9511922jhp
Egypt Abu Sir necropolis pyramid Sahure water drains drainage channel rockcut near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 35mm, Nikon, FM, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, upright

Red Pyramid Dashur eg961319jhp
Egyptian desert Dahshur Red North Pyramid Sneferu barren true robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Red Pyramid Dashur eg961316jhp
Egypt Red North Pyramid Sneferu desert view sand panorama true robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, September, 1996, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Red Pyramid Dashur eg00718jhp
Egypt Red North Pyramid Sneferu mortuary temple pyramidion Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format

Red Pyramid Dashur eg00717jhp
Egypt Dahshur Red North Pyramids Bent Black mortuary Temple capstone from side of the true robbed tallest Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side here looking towards the Bent Pyramid also built by Sneferu and in the far distance the carbuncle of the Black Pyramid of Amememhet 111 built some 600-700 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Red Pyramid Dashur eg00716jhp
Egypt Red North Pyramid Sneferu capstone mortuary temple true robbed tallest Dashur Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format

Red Pyramid Dashur eg00715jhp
Egypt Red North Pyramid Sneferu Dashur east side wild dog Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format, wild, dog, animal

Red Pyramid Dashur eg00714jhp
Egypt Red North Pyramid Sneferu true robbed tallest Dashur entrance steps Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Red Pyramid Dashur eg00711jhp
Egypt Red North Pyramid Sneferu Dashur entrance view desert steps Old Kingdom construction following the problems with his Meidum and Bent pyramids this appears to have been a well executed building programme with a successful outcome, the tallest of the Dashur pyramids and although robbed of all its limestone casing is considered the first of the ‘true’ pyramids to have been completed. Pieces of the pyramid’s capstone have been reconstructed and form a feature in what remains of the foundations of the Mortuary Temple on the east side.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, sand, escarpment, Red, granite, North, Northern, Pyramid, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, tallest, completed, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Bent, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Stadelmann, Amenemhat 111, Black, mudbrick, Senusert, sarcophagus, Turah, Tura, limestone, casing, stripped, plundered, robbed, removed, mortuary, east, side, temple, entry, north, face, chamber, antechamber, corbelled, pyramidion, capstone, reconstructed, mortuary, temple, foundations, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format, steps, highview, entrance

Meidum Pyramid eg946914jhp
Maidum pyramid side damage construction collapse Egypt ancient limestone casing early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, 35mm, slide

Meidum Pyramid eg946912jhp
Meydum pyramid entrance high view approach desert Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 35mm, slide, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, camera

Meidum Pyramid eg94138jhp
Meidum pyramid desert causeway sand buried covered Egyptian ancient chapel early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Meidum Pyramid eg94137jhp
Meydum Maidum pyramid desert causeway sand Egypt Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, chapel, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, covered, windblown

Meidum Pyramid eg94135jhp
Meydum pyramid desert causeway chapel sand buried Egypt ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt; Cairo; Memphis; Saqqara; River; Nile; Lower; Egyptian; Fayoum; Meydum; Pyramid; Mastaba; landscape; agricultural; fields; desert; Egyptology; archaeology; ancient; pharaoh; Snofru; Snefru; Sneferu; Huni; Maidum; Meidum; Maydum; necropolis; royal; tombs; death; burial; chamber; corbelled; roof; limestone; blocks; afterlife; el-Fayum; al-Fayyum; el-Faiyum; 3rd; Dynasty; collapse; masonry; robbed; step; layers; stone; mudbrick; mastaba; No 17; sarcophagus; passageway; crawl; anonymous; false; history; holiday; cruise; escarpment; floods; inundation; annual; high; ground; causeway; sand; buried; collapsed; October; 1994; 645; transparency; film; Fuji; RDP2; 100asa; colour; scanned; scan; Bronica; ETRSi; medium; wide angle; 40mm f4; upright

Meidum Pyramid eg94131jhp
Meydum pyramid desert causeway chapel sand buried Egypt ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Meidum Passage eg94697jhp
Maidum pyramid descending corridor passgeway 35mm slide steps cramped Egypt ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Nikon, FM, 35mm, slide, film, wide, angle, low light

Meidum Passage eg94144jhp
Meidum pyramid descending corridor passgeway tunnel transparency steps cramped Egypt ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, cramped, claustrophobic, tunnel

Meidum Mastaba eg946911jhp
Maidum pyramid panorama entrance high view mastaba no 17 Egypt Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt; Cairo; Memphis; Saqqara; River; Nile; Lower; Egyptian; Fayoum; Meydum; Pyramid; Mastaba; landscape; agricultural; fields; desert; Egyptology; archaeology; ancient; pharaoh; Snofru; Snefru; Sneferu; Huni; Maidum; Meidum; Maydum; necropolis; royal; tombs; death; burial; chamber; corbelled; roof; limestone; blocks; afterlife; el-Fayum; al-Fayyum; el-Faiyum; 3rd; Dynasty; collapse; masonry; robbed; step; layers; stone; mudbrick; mastaba; No 17; sarcophagus; passageway; crawl; anonymous; false; history; holiday; cruise; escarpment; floods; inundation; annual; high; ground; causeway; sand; buried; collapsed; October; 1994; 645; transparency; film; Fuji; RDP2; 100asa; colour; scanned; scan; Bronica; ETRSi; medium; wide angle; 40mm f4

Meidum Mastaba eg94148jhp
Meydum Maidum Mastaba No17 sand Egypt ancient burial tomb Snefru neat to the collapsed pyramid is an early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Meidum Mastaba eg94145jhp
Meydum Maidum pyramid desert entrance view mastaba no 17 Egypt Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Meidum Chamber eg94142jhp
Meydum Sneferu pyramid burial interior chamber corbelled roof Egypt ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Meidum Chamber eg94141jhp
Meidum Sneferu pyramid burial chamber corbelled roof Egypt Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand. You can also enter the interior of the pyramid down a long descending corridor of 57m into the natural rock under the pyramid where a short shaft allows access into the burial chamber with its impressive limestone lined corbelled roof. Near by is Mastaba No 17 into which you also access, torch advised, in which is a sarcophagus larger than the one in the King’s Chamber in the Great Pyramid at Giza.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaoh, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, burial, chamber, corbelled, roof, limestone, blocks, afterlife, el-Fayum, al-Fayyum, el-Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, mastaba, No 17, sarcophagus, passageway, crawl, anonymous, false, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, October, 1994, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, metz, flash

Black Pyramid Dashur eg00736jhp
Egypt Pyramid Amenemhet 111 Dashur Black blocks fallen chisel marks mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Black Pyramid Dashur eg00735jhp
Egypt Pyramid Amenemhet 111 Dashur Black mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format

Black Pyramid Dashur eg00734jhp
Egyptian Pyramid Amenemhat 111 Dahshur Black mudbrick ruin causeway structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Black Pyramid Dashur eg00733jhp
Egypt Pyramids Amenemhet 111 Dashur Black Bent Sneferu desert mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, pyramids, Bent, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Black Pyramid Dashur eg00730jhp
Egypt Pyramids Amenemhet 111 Dashur Bent Black mudbrick ruined structural problems was started early in the 46 year reign of the King but is thought to have had structural defects because of its location close to Lake Dashur as well as too many internal rooms and passageways which could not support its weight. The Pharaoh, Middle Kingdom c1800BC was not buried in the pyramid [in Hawara] but two of his wives were and their remains were found by Dieter Arnold in 1976-83. The beautiful pyramidion in black gray granite, possibly never set in place, is in the Cairo Museum. The pyramid is one of several still standing at the Dashur necropolis although over shadowed by the more famous and probably oldest Bent, the slightly later Red pyramid as well as others more ruined which were built towards the end of the pyramid era.
Keywords: Egypt, Egyptian, Fayoum, Saqqara, Dashur, Egyptology, Black, pyramid, pyramids, Bent, beautiful, archaeology, ancient, history, pharaoh, queens, royal, tombs, death, burial, together, causeway, valley, temple, afterlife, necropolis, Amenemhat 111, Amenemhet 111, sarcophagus, escarpment, granite, pyramidion, Museum, Cairo, mudbrick, core, limestone, casing, robbed, mortuary, temple, ruins, stones, blocks, tomb, desert, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Bent Pyramid Dashur eg00725jhp
Egyptian Dahshur Bent Pyramid construction limestone casing exposed stonework limestone blocks Snefru King burial cladding desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format

Bent Pyramid Dashur eg00724jhp
Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, tallest and most intact and is visible in the distance on the left. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, landscape, format

Bent Pyramid Dashur eg00723jhp
Egypt Dahshur Bent Pyramid limestone cladding attachment construction plundered exposed corner of this famous and very distinct shape with its reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, upright, format

Bent & Red Pyramid Dashur eg00722jhp
Egypt Egyptian Dahshur Bent Red Pyramids Snefru King desert necropolis is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, landscape, format

Amenemhet Pyramid Lisht eg0099jhp
Egypt Lisht pyramid Amenemhet 1 Fayoum Middle Kingdom collapsed enclosure wall is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, Middle, Kingdom, Amenemhet 1, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format

Amenemhet Pyramid Lisht eg00915jhp
Egyptian Lisht pyramid Amenemhet 1 Fayoum Middle Kingdom desert Senwoset distance is one of the later built lower grade constructions from c1970BC situated 2km from his sons’, Senwosret 1, a uninspiring mound. Amenemhet’s construction was found to contain fragments and blocks from Saqqara and Giza pyramids and complexes thought to have been incorporated for spiritual reasons rather than stealing them. Situated near a canal, an offshoot of the Nile it is possible that construction material was transported by water. Little is left of his mortuary temple and the valley temple accessed by a causeway is under ground water level. Mastaba’s and 22 tomb shafts for the royal harem were found on the west side.
Keywords: Egyptian, Egyptology, Saqqara, Fayoum, el-Lisht, Lisht, pyramids, pyramid, collapsed, archaeology, ancient, history, pharaoh, Middle, Kingdom, c1970BC, royal, tombs, death, burial, afterlife, Beir el-Libeini, Libayni, canal, harbour, al-Mataniyyah, temenos, wall, necropolis, Middle, Kingdom, Amenemhet 1, Senwosret 1, Saqqarah, granite, mortuary, temple, ceiling, stars, desert, escarpment, barren, entrance, ground, level, ground, water, blocked, enclosure, wall, mastabas, June, 2000, 35mm, Nikon, FM2, Fuji, RVP, Velvia, slide, film, scanned, format

Bent Pyramid Dashur eg961314jhp
Egypt Dahshur Bent Pyramid Snefru burial limestone casing west side entrance hole is visible center top above plundered area of casing. The bent Pyramid is famous for its very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg961312jhp
Egyptian Dashur Bent Black Pyramid entrance west view limestone desert distance is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, west, entrance, scale outside, highup

Bent Pyramid Dashur eg961311jhp
Egypt Dahshur Bent Pyramid Snefru side Black limestone cladding desert high view near entrance on west side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 111, mudbrick, black, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg961306jhp
Egyptian Dashur Bent Pyramid Snefru limestone cladding plundered construction blocks desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg9613011jhp
Egypt Dashur Bent Pyramid damage plundered robbed limestone blocks exposed construction casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, south, corner, exposed, robbed

Bent Pyramid Dashur eg9613010jhp
Egypt Dahshur Bent Pyramid damge plundered robbed limestone casing desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg961297jhp
Egypt Dahshur Bent Pyramid Snefru King burial causeway limestone cladding plundered north east corner desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, northeast corner

Bent Pyramid Dashur eg961296jhp
Egypt Egyptian Dahshur Bent Pyramid Snefru King causeway limestone cladding desert north east corner is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, plundered, mortuary, east, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright, northeast corner

Bent Pyramid Dashur eg9612915jhp
Ancient Egyptian Dashur Bent Pyramid subsidiary south side rubble casing plundered is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, corner, plundered, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg9612914jhp
Egypt Egyptian Dahshur Bent Pyramid subsidiary small south side rubble desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, south, side, subsidiary, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg9612913jhp
Egypt Dahshur Bent Pyramid Sneferu chapel stelae mudbrick wall east side is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, stelae, mudbrick, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Bent Pyramid Dashur eg9612912jhp
Egypt Egyptian Dashur Bent Pyramid Snefru King burial chapel stelae mudbrick wall is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, mudbrick, enclosure, stelae, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Bent Pyramid Dashur eg9612911jhp
Egypt Egyptian Dahshur Bent Pyramid Snefru east side chapel sand desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Bent Pyramid Dashur eg9612910jhp
Egypt Dashur Bent Pyramid Snefru King burial east side chapel desert is a famous and very distinct shape with a reduced slope created mid way up, possibly because of the need to complete the construction earlier than expected or its was structurally unsound. It is the most complete pyramid with most of its Tura limestone cladding intact, although some corners and near the top have been plundered but offer a good indicator of how the Giza pyramids would have looked when completed. Near the pyramid on its south side is a subsidiary one, badly degraded, which was found to have not been used and is felt to be too small for the King’s Queen Hetepheres. When I visited the site in 1995, the same year the military allowed tourist visits, the north entrance, there are two, was reached by climbing up the outside of the structure assisted by the helpful guide but I was unable to reach the burial chamber as I did not trust the rope ladder available. Nearby are several other pyramids of which the North or Red Pyramid also of Sneferu [Old Kingdom, 4th Dynasty c2613-2494BC] is the older, largest and most intact. The others of much poorer quality are from the Middle Kingdom 12th Dynasty some 600 years later.
Keywords: Egypt, Egyptian, Dashur, Dahshur, desert, escarpment, Bent, Rhomboidal, Pyramid, South, shining, complex, necropolis, Egyptology, archaeology, ancient, architecture, construction, sloping, change, angle, unstable, premature, completion, unexplained, history, king, pharaoh, royal, tombs, death, burial, afterlife, Saqqara, Snefru, Sneferu, Snofru, corbelled, necropolis, Middle, Kingdom, Amenemhet 11, Senwosret 111, Saqqara, Saqqarah, 4th Dynasty, Perring, Vyse, Fakhry, de Morgan, Amenemhat, Senusert, red, granite, sarcophagus, Turah, Tura, limestone, casing, mortuary, east, side, chapel, Hussein, empty, temple, entry, north, face, chamber, corbelled, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951229jhp
Egypt Abu Sir mastaba tomb Ptahshepses carved reliefs figure roof supports near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg951228jhp
Egypt Egyptian Abu Sir mastaba tomb Ptahshepses carved reliefs bas hieroglyphs near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951227jhp
Egyptian fine granite stonework drainage sliice Abu Sir pyramid Sahure near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951226jhp
Egypt Abu Sir pyramid Sahure view tomb Ptahshepses mastaba chapel excavated Czech Charles University near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951225jhp
Egypt Abu Sir ruined pyramid Nieserre tomb Ptahshepses mastaba columns chapel excavated Czech Charles University near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg951224jhp
Egypt Abu Sir necropolis pyramid Nieserre tomb Ptahshepses mastaba columns near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951223jhp
Egypt Egyptian Abu Sir pyramid Sahure red granite carving hierogylphics cartouche King near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951222jhp
Egypt Egyptian Abu Sir necropolis pyramid Sahure red granite carving hierogylphs cartouche near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, cartouche, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512215jhp
Egyptian Abu Sir ancient pyramids Neferefre Niuserre temple basalt floor slabs near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512213jhp
Egypt Abu Sir necropolis pyramids Neferirkare Nyuserre basalt floor slabs near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg9512211jhp
Egypt Abu Sir stone bowl blood bulls desert plateau Step pyramid horizon near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, Step, ancient, desert, plateau, sand, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg9512210jhp
Egypt Abu Sir mastaba tomb Ptahshepses King neuserre relative carved reliefs figure roof supports near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg951218jhp
Egyptian Abu Sir mortuary temple basalt floor columns pyramid Sahure near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg951215jhp
Egypt Egyptian Abu Sir necropolis pyramid Sahure palm columns granite basalt near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg9512115jhp
Egypt Abu Sir Sahure carved block per nu shrine hieroglyphs snake ankh art near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, art, artwork, hieroglyphs, hieroglyphics, per nu, shrine, snake, serpent, ankh, sign, Life, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512114jhp
Egypt Egyptian Abu Sir drainage channels granite stone covers lids Sahure near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512112jhp
Egypt ancient Abu Sir pyramid Sahure temple floor drainage channels stone near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512111jhp
Egypt Egyptian Abu Sir mortuary temple celing slab stars carvings Sahure ancient near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, stars, artwork, art, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg9512110jhp
Egypt Egyptian Abu Sir mortuary temple carved block cartouche King Sahure near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, art, artwork, hieroglyphs, hieroglyphics, cartouche, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg9512015jhp
Egypt Egyptian Abu Sir pyramid Sahure temple floor basalt cartouche carved blocks near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, cartouche, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Abu Sir Pyramids eg9512014jhp
Egypt Egyptian Abu Sir pyramid Sahure mortuary temple carved blocks granite near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512012jhp
Egypt Egyptian Abu Sir necropolis pyramid Sahure temple palm columns granite near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, upright

Abu Sir Pyramids eg9512010jhp
Egypt Egyptian Abu Sir necropolis pyramid Sahure columns mortuary temple near Saqqara lying on the desert plateau south from Giza is a complex of what were originally 14 pyramids of which only four are now discernible. The most complete is Old Kingdom Dynasty V King Sahure c 2480BC conforming to Fourth Dynasty plans and I was able to access the site in 1995 and took this amongst other photos. However after that the site was closed during visits up to 2005 while undergoing considerable excavation I understood so much more might now be visible assuming access of allowed. Near Memphis and the Saqqara entrances it was approached through the village of Abu Sir. Generally poorly constructed as in the twilight of the ‘Pyramid Age’ and when the centralised power of the crown declined, the remains although in a poor state of repair there were some fascinating remains such as a beautiful carved red granite column with sharp carved bas reliefs, channels for a drainage system, examples of highly skilled carving of granite blocks and shaped bowls thought to be for collecting blood from sacrificed bulls.
Keywords: Egypt, Egyptian, Cairo, Saqqarah, Saqqara, Memphis, necropolis, landscape, history, antiquity, pyramid, pyramids, subsidiary, Kings, Pharaohs, Sahure, Neferirkare, Kakai, Nyuserre, Neuserre, Niuserre, Neferefre, Khentkawes, Ptahshepses, official, chapel, mastaba, Egyptology, archaeology, architecture, construction, workmanship, skilled, carvings, reliefs, hieroglyphs, hieroglyphics, ancient, history, royal, tomb, sun, temple, goddess, low, bas, relief, 5th Dynasty, Borchardt, tombs, valley, temple, causeway, ramps, mortuary, basalt, red, granite, palm, columns, drainage, channels, temples, Heliopolitan, sun, god, Re, King, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4

Maidum Pyramid EG94135jhp
Meydum Maidum pyramid desert causeway sand Egypt Egyptian ancient early example of the final structure of the Egyptian pyramids that finally dominated the Giza skyline. It is thought at Maidum pyramid was the first smooth sided success evolving the Step Pyramid design from Saqqara. Now held to be started by Huni, last King of the 3rd Dynasty and completed by his son Sneferu so dating from around 2600BC. Latest theories suggest it collapsed possibly before it was completed evidenced by human remains found under the rubble. This view is looking up the causeway now covered in sand.
Keywords: Egypt, Cairo, Memphis, Saqqara, River, Nile, Lower, Egyptian, Fayoum, Meydum, Pyramid, Mastaba, No17, sarcophagus, passageway, crawl, anonymous, false, landscape, agricultural, fields, desert, Egyptology, archaeology, ancient, pharaohs, Snofru, Snefru, Sneferu, Huni, Maidum, Meidum, Maydum, necropolis, royal, tombs, death, afterlife, el-Fayum, el- Faiyum, 3rd, Dynasty, collapse, masonry, robbed, step, layers, stone, mudbrick, history, holiday, cruise, escarpment, floods, inundation, annual, high, ground, causeway, sand, buried, collapsed, 1994, 645, slide, film, transparency, Bronica, ETRSi, scanned, scan

Egypt > Philae Temple Aswan (33 files)

Photographs in this gallery are of Philae Temple dedicated to the Goddess Isis, a relocated site on an island in the flooded River Nile at Aswan including the Light and Sound Show night photos

Philae Temple EG204810jhp
Philae Temple court colonnade first Pylon lion statue granite Ancient Egyptian Isis cult Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20481jhp
Philae Temple Egypt Kiosk Trajan large boulder granite Hathor island Agilkia was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204814jhp
Philae Temple courtyard empty colonnades Egypt Isis pylon columns vista Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204536jhp
Philae Temple Hathor Trajan Kiosk ruins restoration Egypt Agilkia Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204536Ejhp
Philae Temple Ancient Egyptian Kiosk Trajan large boulder granite Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204535jhp
Philae Temple Egypt Aswan Gate Diocletian quay east end Agilkia island Augsutus was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204534jhp
Philae Temple Egypt Gate Diocletian Trajan kiosk plants lush shore Agilkia island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204533jhp
Philae Temple Egyptian Gate steps Diocletian quay east end Agilkia island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204531jhp
Philae Temple courtyard vistors tourists groups busy Ancient Egyptian Isis pylon columns carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204530jhp
Philae Temple Kiosk Trajan Ancient Egypt floral capitals blue sky sunny Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204529jhp
Philae Temple Egypt granite stones construction modern drill holes Aswan island probably modern during the reinstating of the temple which was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204528jhp
Philae Temple first pylon oleander flowering plant Egypt gate chapel carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204527jhp
Philae Temple first pylon oleander flowering plant Egyptian Isis cult carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204526jhp
Philae Temple Pylons Egypt Gate Ptolemy Philadelphus Chapel Agilkia island side view was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204525jhp
Philae Temple Ancient Egyptian Isis oleander Gate Ptolemy Philadelphus Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204524jhp
Philae Temple Pylon Osiris Mammisi Colonnade Egyptian Agilkia boat view island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG204523jhp
Philae Temple Pylons Osiris Chapel Mammisi Egypt Agilkia boat view island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, water, view, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, motorboat, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20489jhp
Philae Temple Egypt Ptolemy second pylon columns granite stele east colonnade Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20488jhp
Philae Temple forecourt Egypt Ptolemy mammisi Euergetes second pylon columns Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20487jhp
Philae Temple forecourt Egypt Ptolemy Philometer granite stele second pylon Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20486jhp
Philae Temple Ancient Egyptian Ptolemy Philometer granite stele pylon Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20485jhp
Philae Temple Ancient Egyptian Ptolemaic colonnade second east columns pylon Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Temple EG20483jhp
Philae Temple Egypt Ptolemaic colonnade second east columns forecourt Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched, partly as it was submerged when the Nile flooded after the construction of the first dam. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded permanently after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites mainly because of being isolated on an island from modern day noise and often being less crowded as less accessible. It also has a very delightful Light and Sound show, partly a walk through to the Sanctuary followed by a sit down session just past the Kiosk of Trajan.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, entrance, pylon, first, Ptolemy, second, granite, stele, year, 24, Philometer V11, mammisi, birth, house, chapel, kiosk, Trajan, lion, colonnade, columns, Roman, archaeology, Egyptology, Agilkia, Island, gate, Diocletian, Augustus, temple, Hathor, steps, water, motorboat, water, beautiful, serene, peaceful, oleander, flowering, flowers, July, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Aswan Philae EG96171Ejhp
Philae Temple Ancient Egypt First pylon Aswan island oleander bushes was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1996, slide, film, Fuji, RDP, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Aswan Philae EG961718jhp
Philae Temple colonnade west courtyard Ancient Egyptian kiosk Nectanebo carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, kiosk, Nectanebo 1, western, colonnade, coutyard, arrival, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1996, slide, film, Fuji, RDP, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Aswan Philae EG9617114jhp
Philae Temple Ptolemy First Pylon lions Ancient Egyptian pylon classic carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1996, slide, film, Fuji, RDP, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Aswan Philae EG949226jhp
Philae Temple Egyptian Isis pylons Aswan island motorboat approach west side was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, 35mm, scanned, scan

Aswan Philae EG949223jhp
Philae Temple courtyard second pylon east colonnade view Ptolemaic Egyptian Isis pylon columns carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, 35mm, scanned, scan

Aswan Philae EG949135jhp
Philae Temple courtyard first pylon Aswan Egypt Egyptian colonnade east carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 1994, slide, film, Fuji, RDP, Nikon, FM2, manual, 35mm, scanned, scan

Aswan Philae EG004813jhp
Philae Temple memorial British soldiers names fallen killed Sudan carvings Aswan island on the side of this temple established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River Nile, Nubia, Philae Temple, island, pylons, carvings, Ptolemy, Ptolemaic, Isis, cult, relocated, rescued, High Dam, landscape, upright, history, Soudan, Sudan, 1884, killed, died, disease, Heavy, Camel, Regiment, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, beautiful, serene, peaceful, 2000, slide, film, Fuji, Velvia, Nikon, FM2, FG20, manual, 35mm, scanned, scan

Philae Light Show EG961647jhp
Philae Light Show Aswan Egypt outer wall carvings lights night Gods offering in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited but this area on the outer wall after leaving the second pylon was slightly easier as the lights stayed on longer. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location.
Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, outer, wall, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan

Trajan Kiosk Philae EG961669jhp
Philae Temple Trajan Kiosk Ancient Egyptian columns carvings papyrus Roman Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River, Nile, Nubia, Philae Temple, island, pylons, landscape, Trajan, Trajan's, Kiosk, floral, columns, papyrus, unfinsihed, palm, trees, fronds, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia Island, motorboat, water, 1996, slide, film, transparency, 645, Bronica, ETRSi, scanned, scan

Courtyard Philae Temple EG9410411jhp
Philae Temple courtyard Ancient Egyptian Isis pylon columns carvings Gods Aswan island was established late in the history of Egypt being mainly Ptolemaic, eventually closing as a religious site around 550AD and being located on an island had remained remarkably untouched. Being relocated onto the Island of Agilkia on the River Nile near Aswan, to save it being flooded after the completion of the High Dam, it is perhaps one of the loveliest and most complete classic Egyptian temples to visit with a peaceful spirituality lacking in many of the land based sites.
Keywords: Egypt, Aswan, River, Aswan, Nile, Nubia, Philae Temple, island, pylon, carvings, face, courtyard, landscape, history, ancient, Egyptian, antiquity, archaeology, Egyptology, Agilkia, Island, motorboat, water, scanned, scan, 645, slide, film, transparency, Bronica, ETRSi, 1994

Egypt > River Nile Cruise & Sites (12 files)

Photographs in this gallery show daily life along the River Nile mainly from the cruises I have undertaken over the past 10 years or so. Sites that border the Nile are included although the major temples visted have their own dedicated sites such as Edfu and Kom Ombo. One of the enjoyments of the Nile cruise is the tranquility of watching 'life go by' usually characterised by the friendliness of those you pass whether boatmen or farm workers as well as seeing wild birds close at hand. The other aspect is the service on the cruiseboats from friendly crews and the chance to relax after hectic and often crowded temple visits.

Atlas at Edfu EG203834jhp
Egypt River Nile Edfu berth Atlas cruiseboat older boat cruise which offer the restful times on the Nile after intense guided tours the various temples such as Edfu in this case. One enjoyable tradition is the afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary. I was only on the Atlas once and although small and compact with a real sense of age it was an enjoyable cruise and felt more intimate than I imagine those huge glass and marble multi storey cruiseboats are, Sadly these days I hear that many are rusting away at anchor because of the dire downturn in the tourist numbers as happened after the 1997 terrorist attacks in Luxor.
Keywords: Egypt, Egyptian, Luxor, River, Nile, Edfu, berth, Atlas, anchored, water, reflections, morning, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Esna Temple EG949421jhp
Egyptian Esna Temple Nile Ptolemaic Roman hypostyle hall ceiling capitals composite lotus papyrus is a small gem deep in a hollow under the modern town building line. The hypostyle hall is all that remains of one of the latest temples to be built in Egypt by Ptolemy V1 and V111 and Roman additions with recordings of most Roman Emperors mentioned to the last recorded being Decius c AD240. For me it has some of the loveliest intact columns, with great attention of the detail and still a hint of colour from the bottom to the top of these huge floral capitals where the craftsmanship leaps off every surface. Standing in its centre it is easy to imagine being in the symbolic creation of the original papyrus marsh. It is a temple not usually visited on the standard River Nile cruise tour package but used to be accessible if berthed alongside the town with a long delay to get through old single lock system expected as it is only a short walk from the waterfront; probably not so realistic these days.
Keywords: Egypt, Esna, Isna, Temple, West, Bank, River, Nile, history, archaeology, ancient, Egyptian, ceiling, landscape, Roman, Ptolemaic, Egyptology, Latopolis, City, Shu, rams, Neith, Heka, Geta, Ptolemy, Euergetes, 11, Septimius, Severus, Pronaos, exterior, curtain, wall, east, Pharaoh, praising, Gods, deities, Isis, Horus, Khnum, hypostyle, astronomical, ceiling, columns, hieroglyphs, hieroglyphics, carvings, reliefs, bas, colours, painted, papyrus, lotus, flowers, floral, elaborate, detailed, intact, composite, capitals, inner, sanctuary, town, centre, buried, flooding, water, table, 1994, slide, film, 35mm, Fuji, RDP, Nikon, FM2, manual, scanned, scan

Nile Cruise Evening EG948216jhp
Egypt River Nile sunset clouds sun rays beams minaret village cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, minaret, clouds, yellow, beams, rays, mauve, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 1994, slide, film, 35mm, Fuji, RDP, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG00718jhp
Egypt River Nile sunset evening orange feluccas silhouette sailing cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG00715jhp
Egyptian River Nile cruise sunset sun palm trees silhouetted evening cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG00714jhp
Egypt River Nile sunset setting sun red orange colours black trees silhouette sailing cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, upright, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG00713jhp
Egypt River Nile sunset sun red orange water reflections trees silhouette cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG007111jhp
Egyptian Nile sunset orange glow feluccas silhouettes sailing cruise colourful and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG007110jhp
Egypt River Nile sunset setting sun red orange felucca silhouette sailing cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, upright, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Luxor Nile Sunset EG006736Ejhp
Egyptian River Nile sunset sun red orange palm trees silhouette cruising and one of the most restful times on the Nile, often coinciding with the traditional afternoon tea and cakes provided free of charge as part of the Nile Cruise experience with its origins from Victorian days. After a busy day maybe visiting temples or a hot day relaxing on deck watching the busy daily rural life along the River Nile, the evening sunset can be a quiet peaceful time in an otherwise hectic itinerary.
Keywords: Egypt, Egyptian, Luxor, River, Nile, sunset, sun, red, orange, hill, palm, trees, water, reflections, silhouette, felucca, sailing, boat, holiday, travel, landscape, upright, restful, package, holiday, tourism, cruiseboat, relaxing, tea, cakes, pastries, tradition, sailing, history, archaeology, Egyptology, temples, modern, hotels, colours, colors, colourful, colorful, 2000, slide, film, 35mm, Fuji, Velvia, Nikon, FM2, manual, camera, scanned, scan

Kom Ombo Temple EG9617815jhp
Kom Ombo Ptolemaic Temple River Nile Aswan carved columns hypostyle hall and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style.
Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, hypostyle hall, pylon, columns, bas reliefs, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, 1996, 645, slide, film, transparency, scanned, scan, Bronica, ETRSi

Edfu Temple EG961829jh
Edfu Temple Pylon Ancient Egyptian Mammisi Horus Ptolemaic impressive scale complete building viewed from the south and the remains of the mammisi or birth house is located by the River Nile and is one of the main visits for most Luxor to Aswan cruise packages. One of the best preserved temples in Egypt this one is dedicated to the falcon God Horus and his granite likeness is probably one of the most photographed relicts in Egypt. Originally erected by Senwosret 1 it is mainly supplanted by the current Ptolemaic creation dating from 237BC, this particular part being started 116-71BC along with the present pylon.
Keywords: Egypt, Egyptian, Edfu Temple, West Bank, River Nile, history, archaeology, ancient, Egyptology, landscape, temple, preserved, Horus, pylon, south, mammisi, ambulatory, carvings, hieroglyphs, colonnade, column, Ptolemy, Ptolemaic, 1996, 645, slide, film, transparency, Bronica, ETRSi, scanned, scan

Egypt > Saqqara & Memphis (15 files)

This gallery contains pictures of the two main sites usually visited together on a day trip south of Cairo - Saqqara with the famous Step Pyramid, a huge necropolis with many tombs and other pyramids and Memphis, the ancient capital of Egypt now will an open air museum with the alabaster sphinx and the huge partial statue of Ramasses 11.

Saqqara Persian Shaft eg951159jhp
Egypt Saqqara Persian shaft tomb Padiaset colourful painted hieroglyphics texts stars pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright

Saqqara Persian Shaft eg951158jhp
Egypt Saqqara Persian shaft burial tomb Psamtek wall curved hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Amhose 11, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951157jhp
Egypt Saqqarah Persian Psamtik shaft tomb sarcophagus anthropoid carved stone base one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, Ahmose, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, anthropoid, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951156jhp
Egypt Saqqara Persian period shaft tomb Paydees arched ceiling hieroglyphics stars coloured texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951155jhp
Egypt Saqqara Pediese painted ceiling stars hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951154jhp
Egypt Saqqarah Persian shaft tomb Psamtik hieroglyphics texts carvings Book Dead funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951153jhp
Egyptian Saqqara Psamtek tomb wall carvings hieroglyphs texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951152jhp
Egypt Saqqara Persian period shaft en wall tomb Psametik hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg951151jhp
Egypt Saqqara Persian shaft tomb Psamtik hieroglyphics buriel texts Book Dead one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psametik, chief, physician, Zannehib, Djenhebu, admiral, Pediese, Paydees, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter

Saqqara Persian Shaft eg9511510jhp
Egyptian Saqqara Persian period shaft tomb Pediese end wall passageway hieroglyphics texts pyramid funerary spells one of many tombs around the Pyramid of Unas near the Step Pyramid. The so-called Persian Shaft was for officials of the Pharaoh, possibly Ahmose 11 c530BC, 26th Dynasty, from the First Persian period, some 2000 years after the Step Pyramid was built. Entered by a wrought iron spiral staircase down a vertical shaft of some 20-25mm depth, three tombs are entered by small horizontal shafts. One tomb that of Psamtik, a royal chief physician still has an enormous carved anthropoid sarcophagus which is empty-the lower half shaped to receive a coffin, the lid, a monolith weighing many tons is perched above it on stone built columns-the custodian suggested I climb on it to photograph the ceilings of beautifully carved hieroglyphic text from the Book of the Dead. For the purist the flash had a UV filter to minimise any unlikely damaging effect on any coloured paintings [Sanders: technical bulletin 16 1995-NPG]. Debate about stone sarcophagus made of, as larger than any of existing shafts-from memory did not feel like granite. The carving skills though were brilliant and the arched tombs covered with text awesome. In the tomb of Pediese, son of Psamtik has coloured ceilings with stars and some painted hieroglyphic text. Access I understand is now limited and is mostly closed.
Keywords: Egypt, Egyptian, Saqqara, Saqqarah, Pyramid, Unas, Unis, south, necropolis, Persian, period, Shaft, tombs, Psamtik, Psamtek, Psametik, chief, physician, Zannehib, Djenhebu, Tjanhebu, admiral, Pediese, Paydees, Padiaset, son, below, ground, deep, spiral, staircase, subterranean, underground, hieroglyphs, hieroglyphics, texts, Book, Dead, funerary, spells, mortuary, formulas, walls, carvings, painted, coloured, reliefs, stars, ceiling, curved, arched, sarcophagus, shaped, base, stone, monolith, lid, granite, carved, coffin, form, November, 1995, 645, transparency, film, Fuji, RDP2, 100asa, colour, scanned, scan, Bronica, ETRSi, medium, wide angle, 40mm f4, flash, Metz, 45CL-4, ultra-violet, filter, upright

Saqqara EG9511413jhp
Ancient Egypt limestone Enclosure Step Pyramid ureaus cobra Zoser Saqqara dating from around 2500BC to the south of Cairo is the earliest stone built monument in Egypt and probably in the world and near the ancient Egyptian capital of Memphis and was designed by Imhotep, one of the greatest minds in ancient Egypt and later deified as a God. Construction is with small bricks of fine white limestone giving this huge building a very delicate structure and aesthetic appearance. Still one of the highlights of any visit to Egypt, despite the wealth of fantastic places to see, and for me best enjoyed towards the evening when the site is often quiet and the face of the pyramid from the colonnade entrance is bathed in soft golden light.
Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, upright, landscape, royal, tombs, Step, pyramid, Zoser, Djoser, pharaoh, king, Imhotep, chief, works, architect, first, funerary, Hed-Seb, Jubilee, canonical, shrines, desert, sand, colonnade, limestone, stones, bricks, levels, steps, mastaba, style, north, entrance, face, south, tomb, Uraeus, frieze, court, altars, mortuary, temple, 1995, scan, scanned, 645, slide, film, transparency, Bronica, ETRSi

Step Pyramid Saqqara EG951143jhp
Step Pyramid Saqqara Egypt Oldest Stone Monument Hed-Sed Festival Court in the world, built for King Djoser around 2500BC, is viewed from outside the main entrance to the enclosure and the Hed-Seb Festival Court with its stylish fluted columns based on the stems of papyrus reeds
Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, landscape, royal, tombs, Step, pyramid, Zoser, Djoser, pharaoh, king, Imhotep, chief, works, architect, first, funerary, Hed-Seb, Jubilee, canonical, shrines, desert, sand, colonnade, limestone, stones, bricks, levels, steps, mastaba, style, north, entrance, face, south, tomb, Uraeus, frieze, court, altars, mortuary, temple, 1995, 645, slide, film, transparency, Bronica, ETRSi, scanned, scan

Step Pyramid Saqqara EG9511412jhp
Ancient Egypt ureaus frieze Enclosure Step Pyramid Saqqara morning sunny dating from around 2500BC to the south of Cairo is the earliest stone built monument in Egypt and probably in the world and near the ancient Egyptian capital of Memphis and was designed by Imhotep, one of the greatest minds in ancient Egypt and later deified as a God. Construction is with small bricks of fine white limestone giving this huge building a very delicate structure and aesthetic appearance. Still one of the highlights of any visit to Egypt, despite the wealth of fantastic places to see, and for me best enjoyed towards the evening when the site is often quiet and the face of the pyramid from the colonnade entrance is bathed in soft golden light.
Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, landscape, royal, tombs, Step, pyramid, Zoser, Djoser, pharaoh, king, Imhotep, chief, works, architect, first, funerary, Hed-Seb, Jubilee, canonical, shrines, desert, sand, colonnade, limestone, stones, bricks, levels, steps, mastaba, style, north, entrance, face, south, tomb, Uraeus, frieze, court, altars, mortuary, temple, 1995, 645, slide, film, transparency, Bronica, ETRSi, scanned, scan

Step Pyramid Saqqara EG9499jhp
Saqqara Entrance Fluted Engaged Limestone Columns Enclosure Step Pyramid courtyard complex of King Djoser at Saqqara dating from around 2500BC to the south of Cairo and near the ancient Egyptian capital of Memphis is through these fluted engaged columns creating a delicate colonnade from the entrance gate to the huge courtyard facing the south face of the oldest stone monument in the world.
Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, upright, landscape, royal, tombs, pyramid, Zoser, Djoser, pharaoh, king, Step Pyramid, monument, stone, first, funerary, Hed-Seb, Jubilee, canonical, shrines, desert, sand, colonnade, ribbed, engaged, rushes, reeds, stems, pented, limestone, 1994, 645, slide, film, transparency, Bronica, ETRSi, afternoon, late

Step Pyramid Saqqara EG9497jhp
Saqqara Step Pyramid afternoon light Entrance Fluted Engaged Limestone Columns Enclosure complex of King Djoser at Saqqara dating from around 2500BC to the south of Cairo and near the ancient Egyptian capital of Memphis is through these fluted engaged columns creating a delicate colonnade from the entrance gate to the huge courtyard facing the south face of the oldest stone monument in the world.
Keywords: Egypt, Egyptian, Saqqarah, Saqqara, Bedrashein, necropolis, history, antiquity, Egyptology, archaeology, ancient, history, landscape, royal, tombs, pyramid, Zoser, Djoser, pharaoh, king, Step Pyramid, monument, stone, first, funerary, Hed-Seb, Jubilee, canonical, shrines, desert, sand, colonnade, ribbed, engaged, rushes, reeds, stems, pented, limestone, 1994, 645, slide, film, transparency, Bronica, ETRSi, afternoon, late

Egypt > Valley of Kings Luxor (26 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.

Luxor Kings Valley EG984122jhp
Egypt Valley Luxor Tomb entrance Thutmosis steep gorge tourists stairs cliffs after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, steep, gorge, trailers, tracks, shelters, transport, trains, entrances, Thutmosis 111, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 1998, film, slides, Fuji, RDP, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Kings Valley EG961948jhp
Egypt Valley Kings Luxor Tomb entrance Tutankahum entrance waiting queues tourists by resthouse area which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 1996, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Kings Valley EG948035jhp
Egyptian Valley Kings Luxor Tomb entrance stairs Tutankahum looking down into by resthouse area which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, stairs, steps, handrail, door, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 1994, film, slides, Fuji, RDP, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Kings Valley EG006127jhp
Egyptian Valley Kings Luxor Tomb entrance gate barrier Ramasses V1 after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Luxor Kings Valley EG006122jhp
Egyptian Valley Luxor Kings Tomb entrance Ramasses V11 first tomb accessible before arriving at the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, Ramasses, Ramses, Ramsses, Ramesses, tomb, first, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006132jhp
Luxor West Bank Theban Valley Kings Egyptian shuttle train conservation entry that takes you from the visitors centre coach park to the main Tomb area thereby reducing pollution by denying all the large touring coaches entry to this fragile ecology and historically most important area. It also looks for a degree of visitor control for these days many more tourists enter this very small area coming in coach convoys from the Red Sea Resorts and not just the River Nile cruiseboats which used to be the major source of vistor numbers. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006129jhp
Egypt Valley Kings Luxor Tombs entrances Theban mountain Tutankahum entrance by tractor resthouses area which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006128jhp
Egypt Valley Luxor Tomb entrance gate exiting visitors Ramsses V1 after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006126jhp
Egypt Valley Kings Luxor Tomb entrance access Theban cliffs Seti 11 rocky paths which leave the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006125jhp
Egypt Valley Kings Luxor Tomb entrance Theban cliffs Seti tourists which leave the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, Seti, 11, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006124jhp
Egyptian Valley King mountain rocky cliffs steep eroded Seti 11 entrance which are approached after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, Seti 11, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006123jhp
Egypt Valley Kings Luxor Theban mountain rocky cliffs steep eroded which are approached after leaving the main collection area resthouses which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006121jhp
Egypt Valley Kings Luxor Tomb Theban mountain first entrance Ramsses V11 reached before arriaving at the main collection area resthouse which comes after obtaining tickets at the outer barrier after being transferred by shuttle from the coach park and visitors centre. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, Ramsses, Ramasses, Ramesses, Ramses, V11, first, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, tomb, shelters, rest, house, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Valley Kings EG006118jhp
Egypt Luxor West Bank Thebes Theban Valley Kings shuttle transport system that take you from the visitors centre to the main Tomb area thereby reducing pollution by denying all the large touring coaches entry to this fragile ecology and historically most important area. It also looks for a degree of visitor control for these days many more tourists enter this very small area coming in coach convoys from the Red Sea Resorts and not just the River Nile cruiseboats which used to be the major source of vistor numbers. This is one of the most visited places in the world probably and certainly in Egypt is this desolate desert valley beneath the Theban mountain on the West Bank of the River Nile at Luxor famous for some of the most important Royal burials of this ancient civilisation. It is possible to climb over the hills above the Valley, pass above the huge amphitheatre of Deir el-Bahri above Hatshepsut’s spectacular Mortuary Temple and come down into Deir el-Medina, the workers village using the same paths as they must have done over 3000 years ago.
Keywords: Egypt, Egyptian, Luxor, West, Bank, Thebes, Theban, hill, mountain, Valley, Kings, pharaoh, tombs, landscape, ancient, Egyptian, archaeology, Egyptology, views, road, shuttle, service, conservation, pollution, prohibition, entrance, tractors, trailers, tracks, shelters, transport, trains, entrances, Tutankhamun, desert, rocky, sand, heat, exposed, isolated, desolate, crowds, visitors, tourists, busy, 2000, film, slides, Fuji, Velvia, 35mm, scanned, scan, Nikon, FM2, manual

Tomb Ramasses IV EG0171EJHP
Ancient Egyptian Tomb Ramses 1V [KV2] Valley Kings Luxor Thebes West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, entrance, passagway, tunnel, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG01716JHP
Ancient Egypt Tomb Ramses 1V [KV2] Ceiling Painted Nut Sky Goddess Interior in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, Shu, heavens, holding, supporting, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG01714JHP
Burial Chamber Ancient Egyptian Tomb Ramses 1V [KV2] Barque Hieroglyphs Photo in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, solar, barque, chamber, wall, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG01713JHP
Tomb Ramses 1V [KV2] Valley Kings Egypt Painted Ceiling Walls Tungsten Photo on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, passages, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG017133JHP
Tomb Ramses 1V [KV2] Painted Corridor Passage Egyptian Builders Skills in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, passageway, tunnel, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG01712JHP
Egyptian Tomb Ramses 1V [KV2] Burial Chamber Sarcophagus Ceiling Nut Colours in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG017127JHP
Burial Chamber Egyptian Tomb Ramses 1V [KV2] Granite Sarcophagus Photo Inside in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG017124JHP
Tomb Ramses 1V [KV2] Valley Kings Egypt Luxor Burial Chamber Colourful Reliefs Nut on the West Bank of the River Nile, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG017122JHP
Tomb Ramasses Valley Kings Thebes Chamber Egyptian Custodian Painting Colours on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, custodian, turban, galabea, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, Nut, nightsky, sarcophagus, granite, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG017120JHP
Egyptian Tomb Ramesses KV2 Ceiling Painted Stars Colours Cartcouches in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, ceiling, roof, cartouches, nightsky, chamber, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, stars, spells

Tomb Ramasses IV EG017119JHP
Entrance Corridor Painted People Tomb Egyptian Pharaoh Ramses Valley Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, upright, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, entrance, exit, passageway, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Tomb Ramasses IV EG017111JHP
Ancient Egyptian Tomb Ramses Corridor Wall Book Dead Hieroglyphs Afterlife Spell in the Valley of the Kings on the West Bank of the River Nile at Luxor, the ancient Egyptian capital city of Thebes and is a spectacular example of true majesty with scale, colour and elaborate craftsmanship carved out of solid rock. This was the only opportunity I had of using a tripod, special ticket available in 2001 and I had a roll of tungsten artificial light balanced slide film which allowed long exposures and a decent depth of field. The custodians could not have been more helpful and even cleared areas for me to photograph free of visitors but oh for my D700 DSLR.
Keywords: Egypt, Luxor, West Bank, Thebes, Valley, Kings, Ramses, Ramasses, Ramesses, 1V, tomb, interior, inside, landscape, ancient, Egyptian, archaeology, Egyptology, tungsten, slide, scanned, burial, formula, Book, Dead, hieroglyphs, coloured, colored, colourful, colorful, colours, colors, painted, ceiling, stars, spells

Scotland (1 file)

Photographs mainly of North East Scotland covering in depth Aberdeenshire and Morayshire with topics such as historic properties, castles, towns, villages, rivers and glens, landscapes, mountains, flora and fauna, forestry, farming and coastal scenery and the City of Aberdeen.

Dunnottar Castle Scotland VS2934JHP
Dunnottar Castle ruined Scottish fortress on a strategic rocky outcrop south of Stonehaven, viewed from the top of the cliffs at the beginning of the steps down the cliff-face passing the area where the cemetery scene from Mel Gibson Hamlet film was staged.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor; Dunecht Estates Office; Dunecht; Skene; AB32 7AX. Telephone: 01330 860223.
Keywords: Scotland, Scottish, Aberdeenshire, North, east, sea, Stonehaven, Kincardineshire, north, Dunnottar Castle, haven bay, castle, Dunnottar, Castle, landscape, spectacular, coast, coastal, cliffs, rocks, headland, bay, Haven, Benholm, Lodging, keep, tower, curtain, portcullis, vaulted, pends, arched, window, stonework, weathered, erosion, conglomerate, pudding, stone, Dun, Fother, 14th, century, Marischal, storehouse, smithy, bakery, brewery, stables, guardhouse, quadrangle, well, mansion, chambers, chapel, Whig's Vault, prison, dungeon, siege, Honours, jewels, Covenanters, exhibition, fortressâ€™ â€˜benholm lodgingâ€™, dun, fother, marischal, whig's vault

Scotland > Aberdeen City (44 files)

This gallery includes all photographs connected with Aberdeen city from buildings, churches, streets, public parks, gardens, the University, Harbour and the beach. Places covered included Union Terrace Gardens, Cowdray Hall, Rosemount, HM Theatre, William Wallace Statue, Union Street, Castlegate, Citadel, Town House, Provost Skene House, Marsicahl College, Woolmanhill, Denburn Carpark, Johnston Gardens, Victoria Park, Duthie Park, Hazlehead Park, Piper Alpha Memorial, Seaton Park, Kings College, Elphinstone, Old Aberdeen, Fittie, Bridge of Don, AECC, Garthdee, Torry, Nigg, Pocra Quay

Cottown Balgownie 191126jhp
Aberdeen Cottown street Scottish River Don Crossing Brig O'Balgownie is an attractive terrace of houses from Balgownie Road in the Bridge of Don on the North side of the River which leads onto the famous single span bridge over the River Don. At this point for many centuries was the only crossing of the river and the main route north from Aberdeen originally built in the early 1300's but altered and rebuilt several times since - now only used as a footbridge with access to Seaton Park and the University grounds.. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, Cottown, houses, street, River, Don, river, estuary, bridge, Balgownie, Road, Brig O'Balgownie, northerly, old, preserved, footbridge, landscape, Donmouth, water, trees, flowers, gardens, daffodils, yellow, aubrieta, purple, granite, silver, mouth, colourful, colorful, colourful, colours, colors, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Bridge of Don 191127jhp
Aberdeen City Bridge Don River Spring Daffodils Bridge riverbank estuary to the north of the city and the road bridge over the River Don viewed over spring colour at Donmouth on the main road north of the City into North East Scotland. The Bridge of Don is a rapidly expanding area north of the River Don with the Aberdeen Exhibition and Conference Centre bringing many attractions to the City and it is adjacent to the Balgownie Golf Course which is a famous links course by the North Sea. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, landscape, Scotland, Scottish, Aberdeenshire, North East, River Don, estuary, North, sea, beaches, Donmouth, Bridge of Don, bridge, spans, river, daffodils, spring, yellow, Seaton, high-rise, flats, links, golf, Kings, Balgownie, courses, colourful, colorful, colourful, colours, colors, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Victoria Pk 19377jhp
Victoria Park Scottish summer fountain water jets yellow Aberdeen City flowers public park during one of the lovely early summer days in one several large municipal parks in the City of Aberdeen, some of the best displays are in Victoria park, a central residential park near the main ARI hospital and Westburn bowling lawns. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, parks, park, municipal, public, Victoria Park, fountain, water, jets, Britain in Bloom, flowers, azaleas, rhododendrons, pink, red, flowers, yellow, green, spring, summer, vibrant, colorful, colourful, colours, colors, May, 2002, Fuji, Velvia, 645, 50asa, transparency, film, Bronica, ETRSi, 40mm, f4

Aberdeen Victoria Pk 19374jhp
Victoria Park Aberdeen spring azaleas yellow pink City public park Scotland during one of the lovely summer days in one several large municipal parks in the City of Aberdeen, some of the best displays are in Victoria park, a central residential park near the main ARI hospital and Westburn bowling lawns. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, parks, park, municipal, public, Victoria Park, fountain, water, jets, Britain in Bloom, flowers, azaleas, rhododendrons, pink, red, flowers, yellow, green, spring, summer, vibrant, colorful, colourful, colours, colors, May, 2002, Fuji, Velvia, 645, 50asa, transparency, film, Bronica, ETRSi, 40mm, f4

Aberdeen New Kings 197226jhp
New Kings College Aberdeen University High Street creeper summer Scottish City part of an ambitious plan which was never completed can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, 1912, ashlar, stones, construction, architecture, design, tracery, windows, corbie, stepped, gables, gable, ends, crocket, topped, buttresses, lecture, rooms, incomplete, quadrangle, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, pavement, park, trees, colourful, green, creeper, Virginia, summer, seasonal, colorful, colourful, colours, colors, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen New Kings 19110jhp
New Kings College Aberdeen University High Street Scottish City park spring part of an ambitious plan which was never completed can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, 1912, ashlar, stones, construction, architecture, design, tracery, windows, corbie, stepped, gables, gable, ends, crocket, topped, buttresses, lecture, rooms, incomplete, quadrangle, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, setts, road, park, trees, colourful, green, grass, spring, seasonal, colorful, colourful, colours, colors, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen New Kings 191036jhp
New Kings Aberdeen University park new tree trees High Street Scottish City part of an ambitious plan which was never completed can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, 1912, ashlar, stones, construction, architecture, design, tracery, windows, corbie, stepped, gables, gable, ends, crocket, topped, buttresses, lecture, rooms, incomplete, quadrangle, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, setts, road, park, trees, colourful, green, grass, spring, seasonal, colorful, colourful, colours, colors, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen New Kings 191034jhp
New Kings College building spring park Aberdeen University Scotland City part of an ambitious plan which was never completed can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, 1912, ashlar, stones, construction, architecture, design, tracery, windows, corbie, stepped, gables, gable, ends, crocket, topped, buttresses, lecture, rooms, incomplete, quadrangle, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, setts, road, park, trees, colourful, green, grass, spring, seasonal, colorful, colourful, colours, colors, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Kings College 197224jhp
King's College Old side trees summer Aberdeen Scotland University Crown spire tower is the centrepiece of the University and is situated to the northern part of the modern city. Part of the City of Aberdeen, this northern area around the University was also a separate burgh and the focus for the oldest part of the city and especially its links with the University and the religious centre with St Machar's Cathedral Kirk nearby. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day although it has been more recently cleaned.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, summer, vibrant, colorful, colourful, colours, colors, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Kings College 197222jhp
King's College Chapel tombstone Old Aberdeen Scottish University Crown spire tower is the centrepiece of the University and is situated to the northern part of the modern city. Part of the City of Aberdeen, this northern area around the University was also a separate burgh and the focus for the oldest part of the city and especially its links with the University and the religious centre with St Machar's Cathedral Kirk nearby. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day although it has been more recently cleaned.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, summer, vibrant, colorful, colourful, colours, colors, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Kings College 197219jhp
King's College Old Aberdeen Scottish University Crown spire tower creeper summer is the centrepiece of the University and is situated to the northern part of the modern city. Part of the City of Aberdeen, this northern area around the University was also a separate burgh and the focus for the oldest part of the city and especially its links with the University and the religious centre with St Machar's Cathedral Kirk nearby. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day although it has been more recently cleaned.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, summer, vibrant, colorful, colourful, colours, colors, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Harbour Sunset 194336Ejhp
Aberdeen Harbour entrance Footdee Pocra Pilot House sunset coast pink colourful lights reflections Greyhope jetty Scotland view looking at Aberdeen skyline across from old Pilot House at Pocra Quay taken from Greyhope Road south of the River Dee estuary. Greyhope Road, which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passes the Battery and Balnagask Golf Course. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, Torry, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, jetty, berths, harbour, landscape, Pilot, House, coast, oil, industry, granite, silver, harbour, entrance, skyline, mud, tanks colourful, colorful, colourful, colours, colors, supply, boat, vessel, ship, spring, clouds, sunset, clouds, orange, yellow, lights, reflections, water, sea, estuary, May, 2002, Fuji, RAP, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Harbour Sunset 194330jhp
Aberdeen Harbour entrance south pier lighthouse silhouette sunset coast colours clouds Greyhope Girdleness Scotland view looking at Aberdeen skyline across from old Pilot House at Pocra Quay taken from Greyhope Road south of the River Dee estuary. Greyhope Road, which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passes the Battery and Balnagask Golf Course. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, Torry, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, jetty, berths, harbour, landscape, Pilot, House, coast, oil, industry, granite, silver, harbour, entrance, skyline, mud, tanks colourful, colorful, colourful, colours, colors, supply, boat, vessel, ship, spring, clouds, sunset, clouds, orange, yellow, lights, reflections, water, sea, estuary, May, 2002, Fuji, RAP, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Harbour Sunset 194328jhp
Aberdeen Harbour entrance south pier silhouette sunset coast colourful Greyhope Scotland view looking at Aberdeen skyline up the coast taken from Greyhope Road south of the River Dee estuary. Greyhope Road, which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passes the Battery and Balnagask Golf Course. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, Torry, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, jetty, berths, harbour, landscape, Pilot, House, coast, oil, industry, granite, silver, harbour, entrance, skyline, mud, tanks colourful, colorful, colourful, colours, colors, supply, boat, vessel, ship, spring, clouds, sunset, clouds, orange, yellow, lights, reflections, water, sea, estuary, May, 2002, Fuji, RAP, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Cruickshank Gdns 19749jhp
University Aberdeen Scotland Cruickshank Botanical Gardens pond lily Colour Trees Flowers and are part of the Aberdeen University teaching facilities which lies on the Chanonry between St Machar's Drive and the Cathedral Kirk in Old Aberdeen, an area to the north of the modern city and adjacent to the River Don. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, River Don, university, old, town, house, bounds, St. Machar’s, Cathedral, Kirk, Cruickshank, botanical, gardens, founded, 1898, colourful, summer, vibrant, colorful, colourful, colours, colors, blue, white, flowers, plants, borders, water, lily, open, flowering, pond, trees, walled, sunken, garden, educational, beauty, diversity, Nature, sundial, roses, trellis, lawn, walks, landscape, July, 2002, Fuji, Velvia, 645, 50asa, transparency, film, Bronica, ETRSi, 40mm, f4

Aberdeen Cruickshank Gdns 197415jhp
Aberdeen Scottish summer Cruickshank Botanical Gardens sunken roses trellis borders Colour Trees Flowers and are part of the Aberdeen University teaching facilities which lies on the Chanonry between St Machar's Drive and the Cathedral Kirk in Old Aberdeen, an area to the north of the modern city and adjacent to the River Don. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, River Don, university, old, town, house, bounds, St. Machar’s, Cathedral, Kirk, Cruickshank, botanical, gardens, founded, 1898, colourful, summer, vibrant, colorful, colourful, colours, colors, blue, white, flowers, plants, borders, water, lily, open, flowering, pond, trees, walled, sunken, garden, educational, beauty, diversity, Nature, sundial, roses, trellis, lawn, walks, landscape, July, 2002, Fuji, Velvia, 645, 50asa, transparency, film, Bronica, ETRSi, 40mm, f4

Aberdeen Cruickshank Gdns 197236jhp
Aberdeen Scotland Cruickshank Botanical Garden sunken sundial walk flower borders Colour Trees Flowers and are part of the Aberdeen University teaching facilities which lies on the Chanonry between St Machar's Drive and the Cathedral Kirk in Old Aberdeen, an area to the north of the modern city and adjacent to the River Don. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, River Don, university, old, town, house, bounds, St. Machar’s, Cathedral, Kirk, Cruickshank, botanical, gardens, founded, 1898, colourful, summer, vibrant, colorful, colourful, colours, colors, blue, white, flowers, plants, borders, water, lily, open, flowering, pond, trees, walled, sunken, garden, educational, beauty, diversity, Nature, sundial, roses, trellis, lawn, walks, landscape, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Cruickshank Gdns 197235jhp
University Aberdeen Scottish Cruickshank Botanical Gardens water garden summer Colour Trees Flowers and are part of the Aberdeen University teaching facilities which lies on the Chanonry between St Machar's Drive and the Cathedral Kirk in Old Aberdeen, an area to the north of the modern city and adjacent to the River Don. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, River Don, university, old, town, house, bounds, St. Machar’s, Cathedral, Kirk, Cruickshank, botanical, gardens, founded, 1898, colourful, summer, vibrant, colorful, colourful, colours, colors, blue, white, flowers, plants, borders, water, lily, open, flowering, pond, trees, walled, sunken, garden, educational, beauty, diversity, Nature, sundial, roses, trellis, lawn, walks, landscape, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Cruickshank Gdns 197230jhp
University Aberdeen Scottish Cruickshank Botanical Gardens walk flower borders Colour Trees Flowers and are part of the Aberdeen University teaching facilities which lies on the Chanonry between St Machar's Drive and the Cathedral Kirk in Old Aberdeen, an area to the north of the modern city and adjacent to the River Don. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, River Don, university, old, town, house, bounds, St. Machar’s, Cathedral, Kirk, Cruickshank, botanical, gardens, founded, 1898, colourful, summer, vibrant, colorful, colourful, colours, colors, blue, white, flowers, plants, borders, water, lily, open, flowering, pond, trees, walled, sunken, garden, educational, beauty, diversity, Nature, sundial, roses, trellis, lawn, walks, landscape, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Coopers Place 197227jhp
Wrights Cooper Place lane houses summer Aberdeen University High Street Scottish City that can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, summer, vibrant, colorful, colourful, colours, colors, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Coopers Place 19111jhp
Wrights Cooper Place lane Aberdeen University High Street Scottish City that can be seen along the High Street of Old Aberdeen now very much the centre of the University area as you walk between Kings College to St Machar's Drive and cross to the Chanonry. The University complex is located to the northern area of the modern City lying south of the River Don. These 18th century houses were sympathetically restored in 1965 and add great character to this iconic part of Old Aberdeen. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, university, Kings College, crown, tower, Elphinstone, New Kings, tombstone, Chapel, memorial, old, town, house, bounds, lane, Wrights, Cooper, Place, St. Machar’s, Cathedral Kirk, spires, cemetery, gates, entrance, lamp, setts, road, Seaton, park, Cruickshank, botanical, gardens, Mitchell, hospital, tourism, tourists, visitors, parks, streets, trees, colourful, green, grass, winter, colorful, colourful, colours, colors, February, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Coast 19816jhp
South Pier Aberdeen Harbour waves boat departing lighthouse Scottish coast Aberdeenshire North Sea taken from the Greyhope Road to Girdleness Lighthouse at Nigg south of Aberdeen Harbour where the River Dee exits into the ocean. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeen, City, harbour, River Dee, Aberdeenshire, Greyhope, road, South Pier, lighthouse, panorama, wall, winter, storms, sea, waves, crashing, oil, supply, boat, leaving, departing, landscape, coast, cove, beach, rocks, March, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Coast 1969jhp
South Pier Aberdeen City Harbour waves boat departing lighthouse Scotland Aberdeenshire North Sea taken from the Greyhope Road to Girdleness Lighthouse at Nigg south of Aberdeen Harbour where the River Dee exits into the ocean. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. They are still representative of the City despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, North, sea, East, Aberdeen, City, harbour, River Dee, Aberdeenshire, Greyhope, road, South Pier, lighthouse, panorama, wall, winter, storms, sea, waves, crashing, oil, supply, boat, leaving, departing, landscape, coast, cove, beach, rocks, February, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Seaton Autumn 1919512jhp
Aberdeen City Seaton Park autumn colours Wallace Tower path bench is a wide expanse of parkland lying between the University and River Don to the north of the City in the North East of Scotland. The offers walks and many areas to exercise and enjoy flower displays as well with easy access across the famous Brig O’Balgownie to Donside and the banks of the River Don as it flows eventually into the North Sea. Also in the park is the Wallace Tower, a partial replica of Benholm’s House or Lodging once situated in the Netherkirkgate but demolished in 1964. The present structure incorporates some of the original stonework from this unique z-plan towerhouse and one of the four remaining 16th Century buildings in the City.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, Estuary, Bridge, Brig, Balgownie, old, university, bounds, St. Machar, Cathedral, Kirk, spires, cemetery, gates, entrance, Seaton, Park, Wallace, Tower, Benholm, Lodgings, replaced, relocated, Cruickshank, botanical, gardens, tourism, tourists, visitors, public, parks, trees, green, grass, walks, seats, yellow, golden, brown, colorful, colourful, colours, colors, landscape, colorful, colourful, colours, colors, winter, November, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Seaton Autumn 1919511jhp
Aberdeen City Seaton Public Park autumn colours Wallace Tower Walks is a wide expanse of parkland lying between the University and River Don to the north of the City in the North East of Scotland. The offers walks and many areas to exercise and enjoy flower displays as well with easy access across the famous Brig O’Balgownie to Donside and the banks of the River Don as it flows eventually into the North Sea. Also in the park is the Wallace Tower, a partial replica of Benholm’s House or Lodging once situated in the Netherkirkgate but demolished in 1964. The present structure incorporates some of the original stonework from this unique z-plan towerhouse and one of the four remaining 16th Century buildings in the City.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, River, Don, Estuary, Bridge, Brig, Balgownie, old, university, bounds, St. Machar, Cathedral, Kirk, spires, cemetery, gates, entrance, Seaton, Park, Wallace, Tower, Benholm, Lodgings, replaced, relocated, Cruickshank, botanical, gardens, tourism, tourists, visitors, public, parks, trees, green, grass, walks, seats, yellow, golden, brown, colorful, colourful, colours, colors, landscape, colorful, colourful, colours, colors, winter, November, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Johnston Colours 1919416jhp
Johnston Gardens Aberdeen City Scotland winter November colours red leaves Japanese Maple small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, stone, pond, bridge, footbridge, path, walks, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, autumn, Japanese, Maple, shrub, tree, leaves, mature, trees, vibrant, colorful, colourful, colours, colors, winter, November, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Johnston Colours 1919413jhp
Johnston Gardens Aberdeen City Scottish winter colours red Japanese Maple small public park garden to the west of Aberdeen City with an exotic selection of trees, shrubs and flowers with a Japanese style bridge over a duckpond and a very convenient carpark and public toilets near the Gordon Highland Museum off Queen's Road.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, landscape, visitors, bequeathed, public, municipal, park, garden, parks, Johnston, Gardens, Memorial, Helicopter, crash, polished, granite, stone, pond, bridge, footbridge, path, walks, Britain in Bloom, flowers, rhododendrons, azaleas, seat, rest, roses, pink, red, yellow, green, autumn, Japanese, Maple, shrub, tree, leaves, mature, trees, vibrant, colorful, colourful, colours, colors, winter, November, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Castlegate 1918221jhp
Aberdeen Citadel Castlegate Mercat Cross Scottish florwers September City granite with its turrets & tower in traditional silver grey granite catching late afternoon autumn sunshine viewed from the market square at the eastern end of Aberdeen's Union Street, the main road that runs westwards to its junctions with Holburn and Albyn Streets. The beautifully carved stone Mercat Cross in the foreground with the classical granite Salvation Army Citadel tower as a backdrop. The flower displays are from an older time as in this 2002 slide film photograph.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, landscape, coast, granite, silver, Citadel, Castlegate, Mercat, Cross, architecture, style, classic, street, furniture, flowers, hanging, baskets, lampposts, Union Street, centre, Trinity, autumn, September, 2002, Fuji, RDP111, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Castlegate 1918211jhp
Aberdeen Citadel Castlegate Mercat Cross Scottish floral September City granite with its turrets & tower in traditional silver grey granite catching late afternoon autumn sunshine viewed from the market square at the eastern end of Aberdeen's Union Street, the main road that runs westwards to its junctions with Holburn and Albyn Streets. The beautifully carved stone Mercat Cross in the foreground with the classical granite Salvation Army Citadel tower as a backdrop. The flower displays are from an older time as in this 2002 slide film photograph.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North, East, Grampian, landscape, coast, granite, silver, Citadel, Castlegate, Mercat, Cross, architecture, style, classic, street, furniture, flowers, hanging, baskets, lampposts, Union Street, centre, Trinity, autumn, September, 2002, Fuji, RDP111, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Arrival 1918935jhp
Aberdeen Harbour entrance Footdee Pocra Quay Northlink ferry Greyhope jetty Scotland view looking towards the City skyline and the Northlink Ferry from Shetland and Orkney across from Pocra Quay. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. This photograph was taken in 2002, one of the last slide film images that I took, before going fully digital.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, jetty, berths, harbour, capstans bollards, rusty, landscape, Pilot, House, coast, oil, industry, granite, silver, harbour, entrance, skyline, mud, tanks colourful, colorful, colourful, colours, colors, Northlink, ferry, Islands, white, blue, vessel, ship, autumn, clouds, sunny, blue, sky, water, sea, estuary, October, 2002, Fuji, RAP, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Arrival 1918916jhp
Aberdeen Harbour entrance Footdee Pocra Pilot House supply boat Greyhope jetty Scotland view looking at a typical oil supply vessel just as it passes the old Pilot House at Pocra Quay. Viewed here from Greyhope Road which begins at the seaward boundary of Torry and goes round the Nigg Bay headland to Girdleness Lighthouse, passing the Battery and Balnagask Golf Course. This photograph was taken in 2002, one of the last slide film images that I took, before going fully digital.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, Pocra, Footdee, Torry, North, Pier, North East, Nigg, sea, Balnagask, Greyhope Road, jetty, berths, harbour, capstans bollards, rusty, landscape, Pilot, House, coast, oil, industry, granite, silver, harbour, entrance, skyline, mud, tanks colourful, colorful, colourful, colours, colors, supply, boat, vessel, ship, autumn, clouds, sunny, blue, sky, water, sea, estuary, October, 2002, Fuji, RAP, 35mm, slide, film, Nikon, FM2, 28mm f2.8

Aberdeen Duthie Sunset 14313jhp
Aberdeen City Duthie Scotland sunset pond street lights trees reflections towards River Dee and main road bordering the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100, upright

Aberdeen Duthie Sunset 14312jhp
Aberdeen City Duthie Scotland winter sunset pond streetlights reflections towards River Dee and main road bordering the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 1428jhp
Aberdeen City Duthie Park Scottish winter sunset bandstand ornate red sky rich colours situated in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 1424jhp
Aberdeen Duthie Park Scotland winter sunset colours pink fountain obelisk is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 1423jhp
Aberdeen Duthie Scottish winter colourful sunset fountain obelisk trees dark silhouettes is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100, upright

Aberdeen Duthie Sunset 14215jhp
Aberdeen Duthie Park Scottish February winter coloursful sunset bandstand ornate silhouette red western sky canopy situated in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 14211jhp
Aberdeen Duthie Park Scotland winter sunset Victorian bandstand ornate red western sky canopy situated in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 14210jhp
Aberdeen Duthie Park Scotland winter sunset bandstand ornate red sky canopy situated in the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100, upright

Aberdeen Duthie Sunset 1419jhp
Aberdeen Duthie Park Scotland winter sunset pond water colours reflections is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 1418jhp
Aberdeen City Duthie Park Scotland winter sunset pond water colurful reflections obelisk is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100, upright

Aberdeen Duthie Sunset 1417jhp
Aberdeen Duthie Park Scottish winter sunset boating pond reflections trees silhouette is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 14112jhp
Aberdeen Duthie Scottish winter sunset pond water red orange colours reflections is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100

Aberdeen Duthie Sunset 1410jhp
Aberdeen City Duthie Park Scottish February sunset boating pond reflections westwards is the largest of the central municipal parks in Aberdeen bordering the River Dee towards the southern aspect of the city. The park has completed a major facelift bringing it back to the original Victorian layout but there will be little discernible difference in these photos with the way it is now.
Keywords: Aberdeen, City, Scotland, Scottish, Aberdeenshire, North East, winter, landscape, River, Dee, park, public, municipal, Duthie, park, boating, pond, sunset, evening, reflections, water, silhouettes, trees, restoration, fountain, Winter Gardens, sculptures, obelisk, bandstand, Britain in Bloom, trees, white, green, colorful, colourful, colours, colors, orange, red, yellow, blue, mauve, sky, setting, sun, sunshine, February, 1997, photograph, Bronica, ETRSi, 645, medium, format, transparency, slide, film, Fuji, Velvia, RDP 100, upright

Scotland > Aberdeenshire (1 file)

This gallery includes rural, scenic and landscape subjects of the Shire, including Kincardineshire, Mearns, Garioch, Buchan Strathbogie and Mar.

Coull Slack Fork 1916311jhp
Tillylodge Slack Coull fork junction panorama Lochnagar mountain Deeside Scotland Aberdeenshire just above the viewpoint at the Deeside Field Club marker pointing out the alignment of all the hills visible from the viewpoint is on the road out of Tarland heading north and ultimately takes you east to Aberdeen in North east Scotland. The central outline is of the mountain called Lochnagar, fourth highest in Britain and the distinct hill on the right is that of Morven. Claimed as a favourite viewpoint of Royal Deeside for Queen Victoria and hence it being called the Queens View. In the centre of this photograph is the hill with the Bronze Age Tomnaverie Recumbent Stone Circle built on it. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Tarland, Slack, Tillylodge, fork, junction, panorama, Queen's, View, viewpoint, Royal Deeside, Field, Club, marker, lay-by, Lochnagar, mountain, Monro, Morven, Tomnaverie, Stone, Circle, landscape, hills, panorama, scenic, farming, agriculture, forest, dyke, stone, wall, countryside, rural, nature, colourful, colorful, sun, sunshine, snow, autumn, summer, clouds, cumulus, spectacular, photograph, photo, 2002, September, Fuji, RVP, 645, Bronica, medium, format, slide, transparency, film, scanned

Scotland > Aberdeenshire Coast (12 files)

Pictures in this library relate to the sea and the coasts around Aberdeenshire from St Cyrus to the Moray Firth along to Cullen and include fishing villages of Gourdon, Johnshaven, the town of Stonehaven, beach at Balmedie, Cruden Bay, Forvie, Bodham Point near Peterhead, Fraserburgh, Rosehearty, Pennan, Macduff, Banff, Whitehills, Portsoy, Sandend, Portknockie, Bow Fiddle Rock.

Fraserburgh Fountain 1918718jhp
Fraserburgh Aberdeenshire Park Flower borders floral displays Victorian Fountain colourful at the entrance to this town in North East Scotland and adjacent to the town’s football ground. The town is one of Aberdeenshire two largest operational fishing ports north of Aberdeen on the North Sea coast.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Fraserburgh, Buchan, floral, display, Victorian, fountain, flower, flowers, peonies, red, green, grass, houses, borders, colours, colors, colorful, colorful, landscape, football, grounds, lights, autumn, town, coast, October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5

Fraserburgh Fountain 1918717jhp
Fraserburgh approach Park Autumn red Flowers floral displays Victorian Fountain borders at the entrance to this town in North East Scotland and adjacent to the town’s football ground. The town is one of Aberdeenshire two largest operational fishing ports north of Aberdeen on the North Sea coast.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Aberdeenshire, Fraserburgh, Buchan, floral, display, Victorian, fountain, flower, flowers, peonies, red, green, grass, houses, borders, colours, colors, colorful, colorful, landscape, football, grounds, lights, autumn, town, coast, October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5

Cruden Bay Coast 191868jhp
Cruden Bay estuary golf green village houses coast dunes October Aberdeenshire Scotland also has small harbour for local fishing boats on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula.
Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, coast, coastal, autumn, beach, golf, links, green, flag, dunes, sand, rocks, water, grass, maritime, walks, October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5

Cruden Bay Coast 191865jhp
Cruden Bay estuary bales fields coastal view October Aberdeenshire Scotland also has a links golf course on Aberdeenshire North Sea coast south of Peterhead with historical links back to a battle that stopped the Danish invaders in 1012 and is near to the famous ruined mansion house called Slains Castle with links to Bram Stoker and Dracula.
Keywords: Scotland, Scottish, Aberdeenshire, Buchan, Cruden, Water, Cruden Bay, Erroll, estuary, north, east, sea, landscape, coast, coastal, autumn, October, bales, fields, clifftop, dunes, sand, rocks, water, grass, maritime, walks, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Tokina, zoom, FM2, 28mm-70mm, f3.5

Pennan fm Rockpool TO190023JHP
Pennan Village Rockpools Moray Firth Spring Scottish Coastline Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Buchan, Pennan, green, grass, rockpools, waterfront, houses, spring, landscape, coast, coastal, cliffs

Pennan Waterfront TO190027JHP
Pennan Village Front Boat Fishing Net Moray Firth Coastline Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Buchan, Pennan, green, front, street, boat, nets, landscape, coast, coastal, cliffs, headland

Pennan Tide Out TO190020JHP
Pennan Seafront Houses Spring Rockpools Scotland Photo Moray Firth Aberdeenshire North Coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, rockpools, spring, landscape, coast, coastal, cliffs, headland

Pennan Slipway TO190031JHP
Pennan Village Waterfront Beached Boat Cliffs Scottish Moray Firth Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, slipway, fishing, boat, repairs, spring, landscape, coast, coastal, cliffs

Pennan Rooftops TO190032JHP
Pennan Village Rooftops Red Slates View Moray Firth Scottish Coastline Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Aberdeen, Buchan, Pennan, waterfront, rooftops, spring, landscape, coast, coastal, cliffs, headland, bay, houses

Pennan Rock Pool TO190022JHP
Pennan Village Rockpool Water Spring Reflections Houses Beach Low Angle Photo View Moray Firth coastline on Aberdeenshire North coast on the costal road to Banff, before reaching the picturesque villages of Crovie and Gardenstown which are tucked into the bases of large cliffs and reached by steep single track roads. Pennan is famous for its part in the classic Scottish based film Local Hero in which the hotel and waterfront played strong roles.
Keywords: Scotland, Grampian, Scottish, North, sea, East, Moray, Firth, Aberdeenshire, Buchan, Pennan, rockpool, waterfront, houses, green, grass, gorse, spring, yellow, upright, coast, coastal, cliffs, headland

Pennan Moray Coast TO19022JH
Pennan Village Rockpools Water Reflections Low Angle Photograph Spring Seafront beautiful and famous coastal on the Banff-Buchan coast of Aberdeenshire in North East Scotland made famous as part of the location for the film Local Hero in which a red telephone box featured and the local hotel.
Keywords: North, East, Scotland, Morayshire, Grampian, Scottish, Aberdeenshire, Buchan, Banffshire, Pennan, landscape, cove, cliffs, village, coast, sea, harbour, houses, beach, rocks, westwards, headland, white, blue, sky, clouds, solitude, peaceful, bracing, walking, fishing, heritage trail, film, location, Local Hero

Crovie Moray Coast TO19038JH
Crovie Fishing Hamlet Aberdeenshire Spring Gorse Cliffs Seafront Houses Photo of village tucked under the cliffs and overlooking the Moray Firth along the Banff-Buchan coast of North east Scotland in Aberdeenshire where it lies between Banff and Macduff and nearby Pennan famous as a location for the film Local Hero
Keywords: North, East, Scotland, Morayshire, Grampian, Scottish, Aberdeenshire, Crovie, Buchan, Banffshire, Pennan, Gardenstown, landscape, cove, cliffs, village, coast, sea, harbour, houses, beach, rocks, yellow, gorse, westwards, headland, white, blue, sky, clouds, solitude, peaceful, bracing, walking, fishing, heritage trail

Scotland > Aerial over UK, Europe and Egypt (20 files)

Photos of views taken from the aircraft window on trips to and from Egypt either over the UK or enroute to Egypt

1919734jhp Aerial London Thames
Aerial River bends Thames Canary Wharf O2 round tent BA London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919715jhp Aerial Clouds
Aerial aircraft view high above white clouds plane domestic BA flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

EG9612811jhp Aerial Alpine Evening
Alps mountains rays peaks setting sun aircraft view hazy clouds outward flight for a Kuoni Egyptian package including Nile and Lake Nasser cruise returning to the UK in an Egyptair Airbus on the trip home from Luxor to Heathrow via Cairo. After crossing the Alps it was then usually about sunset time before the long haul down the Italian Adriatic coast across the Mediterranean to Egypt.
Keywords: Cairo, London, Heathrow, France, Italy, flying, aircraft, aerial, clouds, desert, Sahara, Egypt, shapes, fascinating, air, high, height, looking, down, cumulus, scattered, random, heat, pattern, surreal, abstract, white, panorama, holiday, 1996, September, outward, bound, Fuji, Velvia, 35mm slide, film, scanned, scan, landscape, upright, Egyptair, Airbus, jet, engine, turbine, window, mountains, Alps, Dolomites, cruiseboat, cruise, tourism, tourist, package, Kuoni, travel, history, antiquity, Egyptology, domestic, international, visitors, holiday, sky, blue, snow, evening, shadows, misty, pastel, dreamy, soaring, Nature, smog, pollution, hazy, polarised

EG9612810jhp Aerial Alpine Evening
Alphine mountains sun rays peaks aircraft flying high hazy clouds holiday flight for a Kuoni Egyptian package including Nile and Lake Nasser cruise returning to the UK in an Egyptair Airbus on the trip home from Luxor to Heathrow via Cairo. After crossing the Alps it was then usually about sunset time before the long haul down the Italian Adriatic coast across the Mediterranean to Egypt.
Keywords: Cairo, London, Heathrow, France, Italy, flying, aircraft, aerial, clouds, desert, Sahara, Egypt, shapes, fascinating, air, high, height, looking, down, cumulus, scattered, random, heat, pattern, surreal, abstract, white, panorama, holiday, 1996, September, Fuji, RD, 35mm slide, film, scanned, scan, landscape, upright, Egyptair, Airbus, jet, engine, turbine, window, mountains, Alps, Dolomites, cruiseboat, cruise, tourism, tourist, package, Kuoni, travel, history, antiquity, Egyptology, domestic, international, visitors, holiday, sky, blue, snow, evening, shadows, misty, pastel, dreamy, soaring, Nature, smog, pollution, hazy, polarised

EG023524jhp Aerial Sahara Clouds
Jumbo aircraft flying Egypt Sahara clouds cumulus desert holiday flight after a Kuoni Egyptian package including Nile and Lake Nasser cruise returning to the UK in an Egyptair Airbus on the trip home from Luxor to Heathrow via Cairo. After crossing the Mediterranean the usual route was along the Adriatic Italian coast crossing the Dolomites and Alps, across France and into Heathrow. This is very similiar to a previous photograph with similiar clouds formations taken the previous year.
Keywords: Cairo, London, Heathrow, France, Italy, flying, aircraft, aerial, clouds, desert, Sahara, Egypt, shapes, fascinating, air, high, height, looking, down, cumulus, scattered, random, heat, pattern, surreal, abstract, white, panorama, holiday, 2002, Fuji, Velvia, 35mm slide, film, scanned, scan, landscape, upright, Boeing, Jumbo, Egyptair, jet, engine, turbine, window, mountains, Alps, Dolomites, cruiseboat, cruise, tourism, tourist, package, Kuoni, travel, history, antiquity, Egyptology, domestic, international, visitors, holiday, sky, blue, snow, evening, shadows, misty, pastel, dreamy, soaring, Nature, smog, pollution, hazy, polarised

EG017214jhp Aerial Dolomites
Dolomites mountains Italian aircraft wing flying snow topped peaks autumn clouds cumulus holiday flight after a Kuoni Egyptian package including Nile and Lake Nasser cruise returning to the UK in an Egyptair Airbus on the trip home from Luxor to Heathrow via Cairo. After crossing the Mediterranean the usual route was along the Adriatic Italian coast crossing the Dolomites and Alps, across France and into Heathrow.
Keywords: Cairo, London, Heathrow, France, Italy, flying, aircraft, aerial, clouds, desert, Sahara, Egypt, shapes, fascinating, air, high, height, looking, down, cumulus, scattered, random, heat, pattern, surreal, abstract, white, panorama, holiday, 2001, October, Fuji, Velvia, 35mm slide, film, scanned, scan, landscape, Boeing, 777, Pratt, Whitney, Egyptair, Airbus, jet, engine, turbine, window, mountains, Alps, Dolomites, cruiseboat, cruise, tourism, tourist, package, Kuoni, travel, history, antiquity, Egyptology, domestic, international, visitors, holiday, sky, blue, snow, evening, shadows, misty, pastel, dreamy, soaring, Nature, smog, pollution, hazy, polarised

EG017213jhp Aerial Dolomites
Dolomites mountains Italy aircraft flying high snow topped clouds cumulus holiday flight after a Kuoni Egyptian package including Nile and Lake Nasser cruise returning to the UK in an Egyptair Airbus on the trip home from Luxor to Heathrow via Cairo. After crossing the Mediterranean the usual route was along the Adriatic Italian coast crossing the Dolomites and Alps, across France and into Heathrow.
Keywords: Cairo, London, Heathrow, France, Italy, flying, aircraft, aerial, clouds, desert, Sahara, Egypt, shapes, fascinating, air, high, height, looking, down, cumulus, scattered, random, heat, pattern, surreal, abstract, white, panorama, holiday, 2001, Fuji, Velvia, 35mm slide, film, scanned, scan, landscape, Egyptair, Airbus, jet, engine, turbine, window, mountains, Alps, Dolomites, cruiseboat, cruise, tourism, tourist, package, Kuoni, travel, history, antiquity, Egyptology, domestic, international, visitors, holiday, sky, blue, snow, evening, shadows, misty, pastel, dreamy, soaring, Nature, smog, pollution, hazy, polarised

EG017209jhp Aerial Sahara Clouds
Luxor aircraft flying high Egypt Sahara clouds cumulus desert holiday flight after a Kuoni Egyptian package including Nile and Lake Nasser cruise returning to the UK in an Egyptair Airbus on the trip home from Luxor to Heathrow via Cairo. After crossing the Mediterranean the usual route was along the Adriatic Italian coast crossing the Dolomites and Alps, across France and into Heathrow. This is very similiar to the next photograph with similiar clouds formations taken a year later.
Keywords: Cairo, London, Heathrow, France, Italy, flying, aircraft, aerial, clouds, desert, Sahara, Egypt, shapes, fascinating, air, high, height, looking, down, cumulus, scattered, random, heat, pattern, surreal, abstract, white, panorama, holiday, 2001, Fuji, Velvia, 35mm slide, film, scanned, scan, landscape, Egyptair, Airbus, jet, engine, turbine, window, mountains, Alps, Dolomites, cruiseboat, cruise, tourism, tourist, package, Kuoni, travel, history, antiquity, Egyptology, domestic, international, visitors, holiday, sky, blue, snow, evening, shadows, misty, pastel, dreamy, soaring, Nature, smog, pollution, hazy, polarised

19197Ejhp Aerial London Thames Eye
Aerial aircraft window Parliament London Thames Eye Westminster December afternoon BA 737 on domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919736jhp Aerial London Thames
Aerial view River Thames City scape sunshine buildings distance London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919735jhp Aerial London Thames
Aerial view River Thames Canary Wharf O2 engine buildings distance London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919733jhp Aerial London Thames
Aerial River snaking Thames Canary Wharf O2 BA engine London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919732jhp Aerial London Thames
Aerial River bending Thames City O2 round BA engine London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919731jhp Aerial London Thames
Aerial sun clouds Thames snaking golden glinting engine London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919730jhp Aerial London
Aerial sunburst rays sun clouds Thames snaking shining bright engine London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, sunburst, rays, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919728jhp Aerial London
Aerial aircraft window clouds Thames snaking sunshine bright London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919726jhp Aerial Airliner
Aerial aircraft window view clouds plane passing flying dwarfed winter domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919717jhp Aerial Clouds
Aerial aircraft mass clouds bubbling sunshine engine cowling BA 737 domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919714jhp Aerial Clouds
Aerial aircraft window clouds billowing large sunshine engine cowling BA domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

1919713jnp Aerial Clouds
Aerial aircraft window clouds billowing large sunshine Heathrow London domestic flight from Aberdeen to London and on this occasion we circled for several minutes in a holding pattern before landing in a December late afternoon arrival at Heathrow. This was an overnight stay in the City to attend the BAPLA AGM and being able to pick daytime flights meant a rare chance to photograph from the plane.
Keywords: Britain, London, UK, city, Thames, Heathrow, river, bridges, Eye, 02, round, tented, building, venue, events, Canary, Wharf, sky, flying, winter, afternoon, plane, window, polarised, upright, landscape, BMI, British Airways, Boeing, 737, domestic, circling, approach, holding, pattern, sky, blue, clouds, white, sun, orange, red, pink, brown, salmon, yellow, panoramic, dramatic, spectacular, 2002, Velvia, 35mm, slide, film, scanned, scan

Scotland > Ancient Stones (8 files)

The gallery has photos of ancient Scottish sites such as recumbent stone circles, stone circles, long cairns, Pictish carvings and early fortifications including Tap ONoth, Bennachie, Kinord, and most of the following:
Aikey Brae RSC; Balquhain Stone Circle; Brandsbutt Stone; Broomend of Crichie Henge and Pictish Symbol Stone; Castle Fraser Stone Circle; Consumption Dykes, Kingswells; Corsedarder Memorial; Cothiemuir Wood RSC; Craigearn Standing Stone; Craw Stane, Rhynie; Cullerlie Stone Circle; Culsh earthhouse or souterrain; Easter Aquthorthies RSC; Eslie the Greater RSC; Eslie the Lessler RSC; Garrol Wood RSC; Glassel Stone Circle; Kinord Cross; Kirkton of Bourtie RSC; Loanhead of Daviot RSC; Long Cairn, Corsedarder; Maidenstone Symbol Stone; Mid Mar Stone Circle; Nine Staines RSC; Picardy Pictish Symbol Stone; Strichen RSC; Sueno Stone, Forres; Sunhoney RSC; Tomnaverie RSC;

Corsedardar Finzean 198331jhp
Feughside Corsedardar hill Aberdeernshire Dardanus Scots King broken marker burial is on a popular drive between Finzean and Aboyne following the B976 westwards into Aberdeenshire. It follows the course of the River Feugh which flows into the River Dee at Banchory but the upper end starting at Finzean is famous for its connection to the snow and sheep painter Joseph Farquharson whose estate and home was located there. The broken stone partly repaired with iron bands and cement after workmen broke it is supposed to stand in its original position and across from the modern War Memorial; nearby is a Millennium standing stone. The broken stone is claimed to have marked the place nearby where an early Scottish Pictish King Dardanus was killed circa AD75, according to Hector Boece’s History of the Scots 1527, because of his cruelty and universal dislike. This whole legend is beyond determining as fact. Slightly south west downhill of this and in the forest is a Long Cairn possibly dating to c.4000BC. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Feugh, River, landscape, Finzean, Clachnaben, Corsedardar, Corsedarder, hill, Dardanus, Pictish, King, AD71, Metallanus, son, brother, death, broken, stone, standing, menhir, repaired, Feughside, Birse, round, burial, Long, Cairn, ancient, mound, stones, pile, pine, forest, Forest, Birse, countryside, rural, nature, summer, colourful, colorful, coloured, colored, sun, sunshine, blue, sky, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Corsedardar Finzean 198323jhp
Feughside Corsedardar War Memorial Dardanus King broken marker burial is on a popular drive between Finzean and Aboyne following the B976 westwards into Aberdeenshire. It follows the course of the River Feugh which flows into the River Dee at Banchory but the upper end starting at Finzean is famous for its connection to the snow and sheep painter Joseph Farquharson whose estate and home was located there. The broken stone partly repaired with iron bands and cement after workmen broke it is supposed to stand in its original position and across from the modern War Memorial; nearby is a Millennium standing stone. The broken stone is claimed to have marked the place nearby where an early Scottish Pictish King Dardanus was killed circa AD75, according to Hector Boece’s History of the Scots 1527, because of his cruelty and universal dislike. This whole legend is beyond determining as fact. Slightly south west downhill of this and in the forest is a Long Cairn possibly dating to c.4000BC. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Feugh, River, landscape, Finzean, Clachnaben, Corsedardar, Corsedarder, hill, Dardanus, Pictish, King, AD71, Metallanus, son, brother, death, broken, stone, standing, menhir, repaired, Feughside, Birse, round, burial, Long, Cairn, ancient, mound, stones, pile, pine, forest, Forest, Birse, countryside, rural, nature, summer, colourful, colorful, coloured, colored, sun, sunshine, blue, sky, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Kirkton Bourtie Stones 1916828jhp
Bronze Age RSC Stone monolith Circle Kirkton Bourtie Bennachie ancient Scottish Aberdeenshire horizon north of Inverurie off the Oldmeldrum road and easily accessed from the road in a field. Obviously avoid damaging crops although access should be left. Wonderful panoramic views over Aberdeenshire and Donside to the south and west with the hill of Bennachie in centre distance. The general view many years after this photo to Bennachie has been ruined by an inappropriately situated huge metal barn and a good illustration at the thoughtless planning permission rules operated in Aberdeenshire.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Inverurie, Old, Meldrum, Bennachie, mountain, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, barley, harvest, countryside, wild, clouds, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Kirkton Bourtie Stones 1916811jhp
Bronze Age Recumbent Stone Circle Kirkton Bourtie Aberdeenshire Bennachie barley field Scotland ruins horizon north of Inverurie off the Oldmeldrum road and easily accessed from the road in a field. Obviously avoid damaging crops although access should be left. Wonderful panoramic views over Aberdeenshire and Donside to the south and west with the hill of Bennachie in centre distance. The general view many years after this photo to Bennachie has been ruined by an inappropriately situated huge metal barn and a good illustration at the thoughtless planning permission rules operated in Aberdeenshire.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Donside, Inverurie, Old, Meldrum, Bennachie, mountain, Recumbent, Stone, Circle, Ring, Cairn, ellipse, elliptical, landscape, history, Bronze, Age, ancient, archaeology, ancestors, neolithic, excavation, bone, radiocarbon, dating, monument, stones, altar, flankers, monoliths, sockets, uprights, kerb, radials, monolith, hilltop, cemetery, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, lunar, stellar, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, grass, green, blue, white, farming, agriculture, barley, harvest, countryside, wild, clouds, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glassel Stones 1917336jhp
Glassel Stones stone circle Scotland forest setting sunlight mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glassel Stones 1917336Ejhp
Glassel Stones stone circle Aberdeenshire Scotland forest sunlit setting mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glassel Stones 1917335jhp
Glassel Stones stone circle Deeside Scottis ancient forest setting mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, upright, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glassel Stones 1917332jhp
Glassel Stones stone circle Deeside Scotland forest setting mysterious lies near the Canny Burn or stream opposite to the entrance to Glassel House on the Banchory to Torphins backroad. Accessed through commercial forest it requires some walking through rough ground and after clear felling some 15 years after this photo the ambience of this ancient site has been removed. An early transitional phase after recumbent stone circles with possible evidence of a cist burial lid lying in the centre foreground; it was excavated in 1904.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Banchory, Campfield, Canny, Burn, ridge, Torphins, Glassel, Stone, Setting, Circle, oval, granite, pillars, landscape, history, Bronze, Age, ancient, archaeology, excavation, flint, charcoal, cist, sandstone, lid, ancestors, neolithic, monument, stones, monoliths, sockets, uprights, sacrifice, cremation, burial, cult, quartz, granite, tribe, antiquity, leader, generation, death, ceremony, construction, primitive, community, field, territorial, marker, clearances, ritual, rural, nature, astronomical, seasons, moon, sunset, sunrise, cyclical, cycles, colourful, colorful, coloured, colored, peaceful, autumn, . September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Scotland > Deeside Towns and Villages (5 files)

Photos of the main towns and villages along the River Dee from Banchory westwards to Braemar with villages bordering the north and south sides of the river such as Torphins and Tarland to Strachan on the south.

Banchory Scott Skinners 1913310jhp
Banchory Scott Skinners Square town centre shops flowers Deeside Scotland in this large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, landscape, upright, main, street, north, road, town, Scott, Skinners, square, centre, library, architecture, shops, trees, flowers, plants, red, yellow, summer, sunshine, August, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Banchory Memorial 1918431jhp
Banchory Gordon Highlanders Memorial Scolty hill tower trees flowers borders Kincardineshire Royal Deeside Scotland is the busy and well used park below the main thoroughfare through this large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, landscape, upright, main, street, north, road, town, Gordon, Highlanders, War, granite, sliver, Memorial, Scolty, hill, tower, trees, flowers, borders, plants, red, autumn, sunshine, grass, green, leaves, foliage, September, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Banchory Dee Autumn 1919316jhp
Banchory River Dee downstream autumn colours beech trees Deeside Scotland viewed from the road bridge entering the town from the south to this large Deeside town on the River Dee some 18 miles west of Aberdeen in North East Scotland. It has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. Scolty Hill with its memorial tower is a distinctive landscape pointer to the town with easily accessible forest walks and a not too strenuous walk to its summits with pleasing views of much of Royal Deeside as well as interesting views to the north and south.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, River, Dee, Royal, Deeside, landscape, south, road, bridge, autumn, colours, colourful, rich, strong, blue, sky, sunshine, trees, north, bank, downstream, main, street, north, road, town, October, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Ballater from Tullich 1912020jhp
Tullich junction summer Ballater Lochnagar Deeside Scottish Aberdeenshire ragwort blue sky sunny some 40 miles west of Aberdeen in North East Scotland viewed just before the junction of the Pass of Ballater shortcut to continue on the main Braemar road bypassing Ballater itself. Lying to the north of the River Dee Ballater is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Ballater, town, River Dee, Lochnagar, mountain, Craigendarroch, hill, landscape, Tullich, Monaltrie, ragwort, yellow, weed, fields, trees, farming, camera, photo, photographs, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Ballater River Dee 1912025jhp
Ballater River Dee summer bridge town view upstream low angle water Royal Deeside Aberdeenshire Scotland taken from the north bank on the eastern approach to the town. The Town of Ballater itself is on the north side of the river on the North Deeside Road some 40 miles west of Aberdeen in Aberdeenshire in North East Scotland and is a popular tourist centre for visitors travelling the length of this beautiful valley going southwards to Perth, visiting Balmoral Castle or Crathie Kirk or as a stopover before venturing northwards over the Lecht to Inverness.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ballater, NDR, town, River, Dee, Monaltrie, apartments, flats, Muick, Glen, bridge, west, upstream, riverside, north, bank, low, angle, water, level, riverbank, summer, sunny, green, grass, roadside, landscape, trees, hills, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Scotland > Forestry & Farming (2 files)

This gallery will have photography relating to the working areas of Aberdeenshire covering farming and forestry. Includes areas of forestry where there is public access for walks such as The Deeside Way and also photographs of forest harvesting, tree cutting, and stacked logs ready for transport to the local sawmills.

Raemoir Bales 1918416jhp
Raemoir Scolty Hill barley bales Scotland autumn evening Banchory field Aberdeenshire located west of Aberdeen in the North East of Scotland. Typical late autumn winter scene with bales after the barley is harvested looking across towards Scolty Hill with its distinctive tower south of Banchory. To the west of the Raemoir House Hotel on Dunecht Estate and a very popular hotel in the area as well as the starting place for hillwalking on the Hill of Fare with wonderful views across Deeside and Banchory to the south. This is adjacent to the Garlogie to Torphins road on the long straight road the B977 just after Hattonburn and before The Green.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Raemoir, hill, Fare, Hattonburn, The Green, farm, B977, road, barley, field, bales, October, winter, harvest, Scolty, Hill, tower, evening, golden, light, landscape, farming, agriculture, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, 2002, Fuji, RDP111, 35mm, 100asa, slide, film, Nikon, FM2, 28mm f2.8

Raemoir Bales 1918414jhp
Raemoir Scolty Hill barley bales Scottish winter Banchory field Aberdeenshire located west of Aberdeen in the North East of Scotland. Typical late autumn winter scene with bales after the barley is harvested looking across towards Scolty Hill with its distinctive tower south of Banchory. To the west of the Raemoir House Hotel on Dunecht Estate and a very popular hotel in the area as well as the starting place for hillwalking on the Hill of Fare with wonderful views across Deeside and Banchory to the south. This is adjacent to the Garlogie to Torphins road on the long straight road the B977 just after Hattonburn and before The Green.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Banchory, Raemoir, hill, Fare, Hattonburn, The Green, farm, B977, road, barley, field, bales, October, winter, harvest, Scolty, Hill, tower, evening, golden, light, landscape, farming, agriculture, countryside, rural, nature, colourful, colorful, coloured, colored, peaceful, quiet, sun, sunshine, 2002, Fuji, RDP111, 35mm, 100asa, slide, film, Nikon, FM2, 28mm f2.8

Scotland > Historic Properties (61 files)

This gallery has photographs of Scottish Castles and Fortresses, Stately Homes and Gardens, old churches or kirks and includes most of the following:
Auchindoir Church; Auchindoun Castle; Balmoral Castle; Balvenie Castle; Bass of Inverurie; Bellabeg Motte; Braemar Castle; Brodie Castle; Castle Fraser; Corgarff Castle; Corrichie Monument; Corse O’Neil Castle; Craigellachie Bridge; Crathes Castle; Crathie Kirk; Dalgetie Castle; Deer Abbey; Drum Castle; Duff House; Duffus Castle; Dunnideer; Dunnottar Castle; Elgin Cathedral; Esslemont Castle; Fasque House; Fetternear House; Findlater; Fordyce; Fyvie Castle; Gairnshiel Bridge; Glenbuchat Castle; Haddo House; Hallforest Castle; Huntly Castle; Inchdrewer Castle; Invercauld Bridge O’Dee; Kildrummy Castle; Kincardine O’Neil Kirk; Kindrochit Castle; Kinloss Abbey; Kinneff Church; Knock Castle; Leith Hall; Mar Lodge; Marnoch Kirkyard; Mid Mar Kirk; Monymusk Kirk; Peel of Lumphanan; Pitmedden Gardens; Pluscarden Priory or Abbey; Ruthven Barracks; Slains Castle; Tolquhon Castle; Tullich Kirk; Fort George;

Balnacraig-Viaduct-Torphins-6159jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-6158jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, rubble, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, topside, top, hardcore

Balnacraig-Viaduct-Torphins-6156jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, rough, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-6155jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside, Beltie, Burn

Balnacraig-Viaduct-Torphins-6154jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, road, roadside

Balnacraig-Viaduct-Torphins-6153jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-6152jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, topside, hardcore, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-6151jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, road, Beltie, Burn, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-61515jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-61514jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, Beltie, Burn, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-61512jhp-8April89
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 8th April 1989.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, westwards, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-5159jhp-22June88
Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-5158jhp-22June88
Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-51514jhp-22June88
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, roadside, view, dogrose

Balnacraig-Viaduct-Torphins-51513jhp-22June88
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph, overgrown, ivy, creepers, eastwards

Balnacraig-Viaduct-Torphins-51512jhp-22June88
Balnacraig Viaduct 1087 Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, number, 1087, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, block, granite, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-51511jhp-22June88
Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, brick, arch, rings, spandrels, piers, hills, trees, overgrown, ivy, top, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Balnacraig-Viaduct-Torphins-51510jhp-22June88
Balnacraig Viaduct Deeside Railway Line Torphins Lumphanan Aberdeenshire Scotland demolished in 1989 by British Rail on safety grounds and was the last of old relics of the Deeside Line that ran between Aberdeen and Ballater. It was built in 1857-9 by engineer John Willet on the Aboyne Extension from Banchory and was later part of the Ballater branch line, the Royal Deeside Line of the Great North Scotland Railway.

Known also as the Sundayswells, Torphins and Lumphanan Viaducts it crossed the Beltie Burn at the Tornaveen junction off the A980 and remnants of the railway line embankments can still be seen. National Grid reference is 60690332. This photo was taken 22 June 1988.

Structural details are noted in the keywords. An attempt was made to save the viaduct but sufficient funds could not be raised to maintain it and it was eventually demolished in June of 1989. Many of these photos were taken while I covered the story for the local newspaper the Deeside Piper and are taken from 35mm and 645 transparency film of varying quality so the quality is not always of the best.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Deeside, Royal, Torphins, village, Lumphanan, Pitmurchie, Tornaveen, Sundayswells, junction, Balnacraig, Viaduct, Old Deeside, railway, line, embankment, cutting, demolished, construction, five, spans, segmental, arches, granite, blocks, brick, arch, rings, spandrels, piers, hills, trees, clouds, cattle, landscape, upright, farming, agriculture, countryside, rural, autumn, spring, summer, sun, sunshine, flora, yellow, broom, grass, green, colour, transparency, film, slide, 35mm, Nikon, 645, medium format, Bronica, ETRSi, camera, photograph

Crathes Castle June Border 15765jhp
Crathes Castle Gardens June Border summer red poppies blue sky white clouds Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still

Crathes Castle June Border 15761jhp
Crathes Castle Gardens June Border summer large red poppy closeup Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright

Crathes Castle June Border 15751jhp
Crathes Castle Gardens June Border summer sunny colours riot Banchory Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still

Crathes Castle June Border 157512jhp
Crathes Castle June Border Scottish summer sunny poppies pink red Deeside Aberdeenshire summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still

Crathes Castle June Border 15749jhp
Crathes Castle Gardens June Border summer morning lupins path shadows sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still

Crathes Castle June Border 15747jhp
Crathes Castle Gardens June Border summer pink red poppies sunshine Deeside Aberdeenshire Scotland summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still

Crathes Castle June Border 157412jhp
Crathes Castle Gardens June Border summer lupins border path sunshine Aberdeenshire Scotland Deeside summer view taken before the borders were relayed borders from 2003-2004, probably the best display of flowers I have seen in the June border over the years. The June Border is the summer jewel of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant. The tower house is one of the finest examples of the period and some of the original wall paintings still survive. At the bottom of the walled garden overlooking the path between the June Borders is a Doocot an attractive feature and useful high point for looking up the June Border with the Castle as its impressive backdrop.
Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property situated about 15 miles west of Aberdeen and is open to the public all the year round.
On a technical note this photo was taken in the years prior to digital photography, when all high end publishing quality photographs were taken using transparency film, in this case Fuji Astia 100asa 120 stock and were scanned in by the publishing house. Submissions of work were made with mounted transparencies being sent to the customer; damage loss could be high.
Photographing the June Border with all its flowers required stillness as a polarising filter was used dropping the ASA to 50 or lower which required the camera mounted on a tripod for a cable release exposure often as low as ¼ second. Early morning was best before the heat caused the breeze to start but too early, prior to 9am meant the sun was not on the full face of the Castle. By mid morning visitors had started to arrive, especially the coach tours and the June Border was no longer free of people.
Keywords: Scotland, Scottish, Grampian, North, East, Aberdeenshire, Kincardineshire, Royal, Deeside, Crathes, Castle, Banchory, fort, NTS, National, Trust, landscape, Burnett, June, Border, Doocot, garden, gardens, herbaceous, border, borders, summer, flowers, flora, display, lupins, irises, poppies, pyrethrum, lilium, aster, poppy, phlox, red, yellow, pink, mauve, purple, white, orange, croquet, lawn, Camel, historic, history, heritage, colours, colors, masses, colourful, colorful, coloured, colored, peaceful, yew, hedges, topiary, 1998, Fuji, Astia, RAP, transparency, slide, film, chrome, colour, Bronica, 645, medium, format, 40mm, wide, polarised, filter, tripod, cable, release, slow, exposure, still, upright

Crathes Castle Snowscene 171619jhp
Crathes Castle lawn topiary Scottish winter snow sundial carved face Deeside Aberdeenshire which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000

Crathes Castle Snowscene 171614jhp
Crathes Castle croquet lawn topiary Scottish winter sunny snow Deeside Aberdeenshire which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000

Crathes Castle Snowscene 171603jhp
Crathes Castle Gardens Camel birdbath December snow Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, camel, birdbath, shrubs, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000

Crathes Castle Snowscene 1716014jhp
Crathes Castle Scotland lawn topiary shapes winter snow sunshine Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000

Crathes Castle Snowscene 1716012jhp
Crathes Castle croquet lawn topiary winter white snow December Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Velvia, RVP, 645, medium, format, Bronica, ETRSi, manual, December, 2000

Crathes Castle Snowscene 151411jhp
Crathes Castle Gardens Camel birdbath December snow Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, camel, birdbath, shrubs, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998

Crathes Castle Snowscene 151399jhp
Crathes Castle Gardens croquet lawn topiary white winter snow Banchory Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998

Crathes Castle Snowscene 151392jhp
Crathes Castle Gardens croquet lawn topiary winter snow Deeside Aberdeenshire Scotland which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998

Crathes Castle Snowscene 1513914jhp
Crathes Castle Upper Pool Garden topiary winter snow Deeside Aberdeenshire Scotland which offers a side view of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998

Crathes Castle Snowscene 1513912jhp
Crathes Castle Gardens croquet lawn topiary Scottish winter snow sundial Deeside Aberdeenshire which offers a wonderful vista of this historic property which dates from the 16th century although the land belonged to the Burnett’s of Leys as a gift from Robert the Bruce in 1323. In the great hall is the Horn of Leys, supposedly a symbol of this grant.

The tower house is one of the finest examples of the period and some of the original wall paintings still survive. Entry into the walled garden is at the west side and the main path into the gardens is through the white borders and onto the path down the June Borders to the bottom of the walled garden where there is a Doocot an attractive feature and useful high point for looking up the June Border, the summer jewel resplendent with many colourful plants, with the Castle as its impressive backdrop. Turning left at the main entrance leads to the Topiary Borders and Terrace, past the Camel Garden and climbing the steps enters the upper level with the Croquet Lawn and Lady Burnett or Upper Pool Garden.

This photo was taken in the days of transparency film before digital was even a serious contender for recording these properties for the publishing market. Little has changed since this photo was taken except the distant rhododendrons which used to border the path coming down to the castle. Also it seems with climate change the days of deep snow are far less at the castle and Aberdeenshire generally.

Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Hermiston Quay, 5Cutlins Road, Edinburgh, EH11 4DF. This is a National Trust for Scotland property.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, Royal, Deeside, River, Dee, Crathes, Castle, Banchory, historic, castles, landscape, croquet, lawn, yew, hedges, topiary, sundial, Burnett, upper, pool, blue, fountain, winter, scenic, Christmas, card, Dickensian, white, history, heritage, preserved, countryside, rural, nature, snow, white, sunny, sunshine, crisp, hanging, branches, ice, frozen, water, cold, rhododendrons, colourful, colorful, coloured, colored, peaceful, gardens, herbaceous, trees, woods, entrance, lake, loch, woodlands, walks, public, visitors, tourist, attraction, exhibition, restaurant, Fuji, film, slide, transparency, 120, Astia, RAP, 645, medium, format, Bronica, ETRSi, manual, December, 1998

Haddo House Spring 191429jhp
Haddo House spring lime trees park daffodils Scotland Aberdeenshire National Trust for Scotland property located near Tarves in the Buchan area of North East Scotland designed in 1732 and later refurbished in the 1880’s, is a fine mix of Georgian and Victorian styles and set in a public country park with many walks, restaurant, shop toilets and also a hall used for musical and theatrical performances. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Haddo, House, Tarves, Methlick, Ellon, Buchan, spring, NTS, National, Trust, Fuji, S5, DSLR, landscape, back, flowers, daffodils, yellow, chapel, historic, theatre, history, sunny, blue, sky, country, park, countryside, Gordon, family, Georgian, Victorian, design, Adam, estate, farming, rural, grandeur, homely, colourful, colorful, coloured, colored, peaceful, trees, garden, herbaceous, avenue, limes, woods, waymarked, walks, visitors’, tourist, attraction, shop, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Haddo House Spring 191426jhp
Haddo House spring daffodils Scottish flowers Buchan Aberdeenshire is a National Trust for Scotland property located near Tarves in the Buchan area of North East Scotland designed in 1732 and later refurbished in the 1880’s, is a fine mix of Georgian and Victorian styles and set in a public country park with many walks, restaurant, shop toilets and also a hall used for musical and theatrical performances. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Haddo, House, Tarves, Methlick, Ellon, Buchan, spring, NTS, National, Trust, Fuji, S5, DSLR, landscape, back, flowers, daffodils, yellow, chapel, historic, history, sunny, blue, sky, country, park, countryside, Gordon, family, Georgian, Victorian, design, Adam, estate, farming, rural, grandeur, homely, colourful, colorful, coloured, colored, peaceful, trees, garden, herbaceous, avenue, limes, woods, waymarked, walks, visitors’, tourist, attraction, shop, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Pitmedden Gardens 191348jhp
Pitmedden Ellon walled garden weathered sun-dial stone carved parterre flowers hedges Aberdeenshire National Trust Scotland property is centred inside a walled garden dating from 1675 and in the 1950's floral displays with four parterres. There is also a Museum of Farming Life, Nature Hut, woodland walks and a restaurant.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Pitmedden, Gardens, Ellon, landscape, summer, NTS, National, Trust, formal, walled, garden, Seton, 1675, box, hedging, parterre, flowers, herbaceous, borders, fountain, topiary, sun-dial, sculpture, sunny, blue, sky, preserved, countryside, farming, rural, agricultural, museum, Doric, traditions, nature, colourful, colorful, coloured, colored, peaceful, apple, trees, tourist, attraction, August, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Pitmedden Gardens 191342jhp
Pitmedden walled gardens parterre flowers sun dial weathered hedges Ellon Aberdeenshire National Trust Scotland property is centred inside a walled garden dating from 1675 and in the 1950's floral displays with four parterres. There is also a Museum of Farming Life, Nature Hut, woodland walks and a restaurant.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Pitmedden, Gardens, Ellon, landscape, summer, NTS, National, Trust, formal, walled, garden, Seton, 1675, box, hedging, parterre, flowers, herbaceous, borders, fountain, topiary, sun-dial, sculpture, sunny, blue, sky, preserved, countryside, farming, rural, agricultural, museum, Doric, traditions, nature, colourful, colorful, coloured, colored, peaceful, apple, trees, tourist, attraction, August, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Pitmedden Gardens 1913419jhp
Pitmedden walled gardens parterre flowers sun dial colours shapes hedges Ellon Aberdeenshire National Trust Scotland property is centred inside a walled garden dating from 1675 and in the 1950's floral displays with four parterres. There is also a Museum of Farming Life, Nature Hut, woodland walks and a restaurant. This was not long before the Gardens celebrated its 50th Anniversary as a NTS property.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Pitmedden, Gardens, Ellon, landscape, summer, NTS, National, Trust, formal, walled, garden, Seton, 1675, box, hedging, parterre, flowers, herbaceous, borders, fountain, topiary, sun-dial, sculpture, sunny, blue, sky, preserved, countryside, farming, rural, agricultural, museum, Doric, traditions, nature, colourful, colorful, coloured, colored, peaceful, apple, trees, tourist, attraction, August, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Pitmedden Gardens 1913415jhp
Pitmedden walled gardens parterre flowers shapes tower hedges Ellon Aberdeenshire National Trust Scotland property is centred inside a walled garden dating from 1675 and in the 1950's floral displays with four parterres. There is also a Museum of Farming Life, Nature Hut, woodland walks and a restaurant.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Pitmedden, Gardens, Ellon, landscape, summer, NTS, National, Trust, formal, walled, garden, Seton, 1675, box, hedging, parterre, flowers, herbaceous, borders, fountain, topiary, sun-dial, sculpture, sunny, blue, sky, preserved, countryside, farming, rural, agricultural, museum, Doric, traditions, nature, colourful, colorful, coloured, colored, peaceful, apple, trees, tourist, attraction, August, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Slains Castle 1918617jhp
Slains Castle Ruin Turret Tower facade Aberdeenshire Coast Cliffs Stoker inspiration rocks lichen ruined mansion rather than true castle erected in 1597 by the Earl of Erroll now lies as a ruin on the cliffs just north of Cruden Bay although recent planning permission has been passed for it to be developed as apartments. It is famous as a possible inspirational location for the Dracula story written by Bram Stoker during one of his holidays to Cruden Bay.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Cruden, Bay, Peterhead, Slains Castle, ruined, mansion, house, 1597, Erroll, Stoker, Dracula, north, east, sea, landscape, cirrus, clouds, mansion, ruined, spectacular, dramatic, eerie, spooky, coast, coastal, cliffs, rocks, lichen, grass, headland, arch, window, stonework, tower, turret, weathered, erosion, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky, autumn, . October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Nikon, FM2, 28mm f2.8

Slains Castle 1918613jhp
Slains Castle Ruin Turret Tower Dracula legend Aberdeenshire Coast Cliffs rocks lichen ruined mansion rather than true castle erected in 1597 by the Earl of Erroll now lies as a ruin on the cliffs just north of Cruden Bay although recent planning permission has been passed for it to be developed as apartments. It is famous as a possible inspirational location for the Dracula story written by Bram Stoker during one of his holidays to Cruden Bay.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Cruden, Bay, Peterhead, Slains Castle, ruined, mansion, house, 1597, Erroll, Stoker, Dracula, north, east, sea, landscape, cirrus, clouds, mansion, ruined, spectacular, dramatic, eerie, spooky, coast, coastal, cliffs, rocks, lichen, grass, headland, arch, window, stonework, tower, turret, weathered, erosion, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky, autumn, . October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Nikon, FM2, 28mm f2.8

Slains Castle 1918610jhp
Slains Castle Ruin Turret Tower Aberdeenshire Coast Cliffs rocks lichen ruined mansion rather than true castle erected in 1597 by the Earl of Erroll now lies as a ruin on the cliffs just north of Cruden Bay although recent planning permission has been passed for it to be developed as apartments. It is famous as a possible inspirational location for the Dracula story written by Bram Stoker during one of his holidays to Cruden Bay.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Buchan, Cruden, Bay, Peterhead, Slains Castle, ruined, mansion, house, 1597, Erroll, Stoker, Dracula, north, east, sea, landscape, cirrus, clouds, mansion, ruined, spectacular, dramatic, eerie, spooky, coast, coastal, cliffs, rocks, lichen, grass, headland, arch, window, stonework, tower, turret, weathered, erosion, sun, sunny, sunshine, colours, colors, colourful, colorful, blue, sky, autumn, . October, 2002, Fuji, RAP, 35mm, 100asa, slide, film, Nikon, FM2, 28mm f2.8

Mar Lodge Braemar 1912928jhp
Mar Lodge Norwegian styled Victorian hunting lodge Upper Deeside summer Scotland is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Mar Lodge Braemar 1912925jhp
Mar Lodge Norwegian styled Victorian hunting lodge strong sun colours Upper Deeside summer Scotland is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Mar Lodge Braemar 1912726jhp
Mar Lodge telephoto Braemar road layby setting heather hills Upper Deeside summer Scotland is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, telephoto, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Mar Lodge Braemar 1912724jhp
Mar Lodge heather view River Dee Upper Deeside summer Scottish Braemar Linn road is a National Trust for Scotland property situated about 3 miles west of Braemar and is open to the public by prior arrangement. The Lodge and famous antler and stag head lined Ballroom are Open on Easter Sunday and the 1st Sunday of July and September. Contact the Ranger service on 0844 493 2173/ Wednesday evening summer walks contact 01339 741669. Any of my photographs are for scenic/tourist use only and cannot be used for product endorsement without the explicit permission of the NTS. Please contact their Edinburgh Head Office at Wemyss House, 28 Charlotte Square, Edinburgh, EH2 4ET.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, River Dee, Linn, Mar Lodge, Braemar, road, layby, heather, purple, upper, landscape, historic, history, heritage, NTS, National, Trust, preserved, countryside, rural nature, estate, hunting, lodge, Norwegian, style, ballroom, sporting, shooting, deer, stags, trees, framed, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral High Views 1912034jhp
Balmoral Castle Deeside high views Lochnagar fields forest silver birch Scotland with the famous building below built by Prince Albert for Queen Victoria at the location of a smaller castle which was demolished to make way for the current larger property. It is located on the Banks of the River Dee in the community of Crathie mid-way between the towns of Ballater and Braemar on the A93. Lochnagar, the fourth highest mountain in Britain lies to the south of the estate and its distinct shape can be seen on the horizon line.
The estate and building are private belonging to Her Majesty the Queen and although open to the public for certain times of the year are not public property. My photographs can be used for scenic/tourism purposes only but must not be used for commercial endorsement of any product or services. Should such a use require to be made please contact The Factor at the Estates Office, Balmoral, Ballater, AB35 5TB Tel: 013397 42534. For details of opening times and the many activities available on the estate view the extensive Website.
This photograph is taken from farm track which goes from the main NDR to the west of the Castle entrance and links up with the B976 Corgarff to Tomintoul Road.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Deeside, Balmoral, Castle, Royal, landscape, morning, residence, estate, historic, history, Lochnagar, farm, track, Tomintoul, B976, high, above, woods, trees, summer, westwards, upper, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral High Views 1912032jhp
Balmoral Castle Deeside high views Lochnagar fields trees stone wall dyke Scottish with the famous building below built by Prince Albert for Queen Victoria at the location of a smaller castle which was demolished to make way for the current larger property. It is located on the Banks of the River Dee in the community of Crathie mid-way between the towns of Ballater and Braemar on the A93. Lochnagar, the fourth highest mountain in Britain lies to the south of the estate and its distinct shape can be seen on the horizon line.
The estate and building are private belonging to Her Majesty the Queen and although open to the public for certain times of the year are not public property. My photographs can be used for scenic/tourism purposes only but must not be used for commercial endorsement of any product or services. Should such a use require to be made please contact The Factor at the Estates Office, Balmoral, Ballater, AB35 5TB Tel: 013397 42534. For details of opening times and the many activities available on the estate view the extensive Website.
This photograph is taken from farm track which goes from the main NDR to the west of the Castle entrance and links up with the B976 Corgarff to Tomintoul Road.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Deeside, Balmoral, Castle, Royal, landscape, morning, residence, estate, historic, history, Lochnagar, farm, track, Tomintoul, B976, high, above, woods, trees, summer, westwards, upper, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral High Views 1912029jhp
Balmoral Castle Deeside high views Lochnagar field trees silver birch dyke Scottish with the famous building below built by Prince Albert for Queen Victoria at the location of a smaller castle which was demolished to make way for the current larger property. It is located on the Banks of the River Dee in the community of Crathie mid-way between the towns of Ballater and Braemar on the A93. Lochnagar, the fourth highest mountain in Britain lies to the south of the estate and its distinct shape can be seen on the horizon line.
The estate and building are private belonging to Her Majesty the Queen and although open to the public for certain times of the year are not public property. My photographs can be used for scenic/tourism purposes only but must not be used for commercial endorsement of any product or services. Should such a use require to be made please contact The Factor at the Estates Office, Balmoral, Ballater, AB35 5TB Tel: 013397 42534. For details of opening times and the many activities available on the estate view the extensive Website.
This photograph is taken from farm track which goes from the main NDR to the west of the Castle entrance and links up with the B976 Corgarff to Tomintoul Road.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Deeside, Balmoral, Castle, Royal, landscape, morning, residence, estate, historic, history, Lochnagar, farm, track, Tomintoul, B976, high, above, woods, trees, summer, westwards, upper, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral High Views 1912027jhp
Balmoral Castle Deeside Royal high views fields trees silver birch dyke Scottish with the famous building below built by Prince Albert for Queen Victoria at the location of a smaller castle which was demolished to make way for the current larger property. It is located on the Banks of the River Dee in the community of Crathie mid-way between the towns of Ballater and Braemar on the A93. Lochnagar, the fourth highest mountain in Britain lies to the south of the estate and its distinct shape can be seen on the horizon line.
The estate and building are private belonging to Her Majesty the Queen and although open to the public for certain times of the year are not public property. My photographs can be used for scenic/tourism purposes only but must not be used for commercial endorsement of any product or services. Should such a use require to be made please contact The Factor at the Estates Office, Balmoral, Ballater, AB35 5TB Tel: 013397 42534. For details of opening times and the many activities available on the estate view the extensive Website.
This photograph is taken from farm track which goes from the main NDR to the west of the Castle entrance and links up with the B976 Corgarff to Tomintoul Road.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Deeside, Balmoral, Castle, Royal, landscape, morning, residence, estate, historic, history, Lochnagar, farm, track, Tomintoul, B976, high, above, woods, trees, summer, westwards, upper, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glen O Dee 9Sept97 141038jhp
Banchory hospital Glen O’Dee Nordrach sanatorium granite tower closed silver birch trees in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, upright, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 141036jhp
Banchory Scotland hospital Glen O’Dee Nordrach-on-Dee closed tower granite sanatorium TB in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, upright, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 141035jhp
Banchory Scottish hospital Glen O’Dee Nordrach sanatorium granite tower wooden TB in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 141033jhp
Banchory Scotland Deeside hospital Glen O’Dee Nordrach sanatorium TB treatment in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, upright, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 141031jhp
Banchory Scottish Deeside town hospital Glen O’Dee Nordrach sanatorium TB closed in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 1410314jhp
Banchory Scottish hospital rear back admin closed Glen O’Dee Nordrach sanatorium TB in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, empty, back, rear, administration, offices, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 1410313jhp
Banchory Scotland hospital Glen O’Dee Nordrach sanatorium rear back view closed in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, upright, back, into sun, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Glen O Dee 9Sept97 1410311jhp
Historic hospital Glen O’Dee Nordrach-on-Dee sanatorium frontage closure colour tuberculosis Banchory Deeside in this Aberdeenshire town some 18 miles west of Aberdeen in North East Scotland on the River Dee with this photo taken in September, 1997 just before it officially closed down. The town has always been a main visitor centre either for day trippers from Aberdeen or the usual flow of coaches and other visitors heading from Aberdeen westwards along Royal Deeside to Braemar and from there south to Perth or north to Inverness. It is also offers a very scenic route southwards over the Cairn O’Mount to Mearns. The river is a famous salmon fishing water which flows from the Cairngorms eastwards into the North Sea at Aberdeen. A colourful summer display and memorial Park is passed on the left hand side after leaving the town centre, it is adjacent to the start of the Golf Course and to the south is the distinct hilline of Scolty Hill with its Memorial Tower.

The Glen O’Dee was sadly burnt to the ground in 2016 owing to an act of arson by teenagers. It is promised by the current owners/developers that this beautiful building would be restored. It was to have been converted into flats having fallen into disuse as a hospital given the costs of maintenance, H&S, Fire Regulations and of course the eradication of TB generally by modern medical advances. At the time of the fire it was in a very sorry state of disrepair. Originally opened in 1900 by Dr Lawson of Banchory as one of the earliest commercial sanatorium’s and with a design based on a German model, with a central granite tower, but mainly wooden construction with all rooms facing south for the sun while at the rear were the corridors and service rooms. It treated TB patients, including w. Somerset Maugham, based upon the pine forest air and plenty of sunshine idea. It closed in 1928, was later a luxury hotel, commandeered by the Army during WW2, in 1948 the Red Cross used it for treatment of ex-servicemen and women with TB, had a short-lived revival during the 60’s Typhoid outbreak in Aberdeen and in 1955 became a convalescent home under the new NHS until it closed in 1998 when a hospital facility in modern purpose buildings was constructed.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Town, River, Dee, Royal, Deeside, Glen O’Dee, Nordrach, Nordrach-on-Dee, sanatorium, convalescent, hotel, landscape, empty, W. Somerset Maugham, writer, sufferer, hospital, TB, tuberculosis, typhoid, treatment, fresh air, sunshine, pine trees, landscape, 9th, September, autumn, closure, derelict, arson, burnt, wilful fire raising, destroyed, silver birch, trees, wooden, granite, tower, verandas, grass, colours, colors, colourful, colorful, red, yellow, blue, white, Bronica ETRSi, 40mm, polarised, Fuji, Velvia, transparency, 120, 645 format, digital, photograph, photo, slide film, scanned, scan, 1997

Dunnottar Castle Hamlet Film 7832JHP
Dunnottar Castle Hamlet Film Set Battlements Outline Flags Scottish Aberdeenshire ruin stands proud on a spectacular headland jutting out into the North Sea south of Stonehaven in Aberdeenshire. This fortress occupies a site going back into Pictish or earlier times and has had an association with most aspects of Scottish history through its most turbulent times, most notable was the siege during Cromwellâ€™s attempts to conquer Scotland and again in 1685 during the imprisonment of the Covenanters in the infamous Whigs Vault; viewed here during the filming of Mel Gibson Hamlet with additional battlements and flags.
As a private property these photographs should only be used for tourist/scenic/editorial purposes. If required for commercial promotion then permission should be obtained from the owners by contacting The Factor, Dunecht Estates Office, Dunecht, Skene, AB32 7AX. Telephone: 01330 860223.
Keywords: Scotland, Scottish, Aberdeenshire, Kincardineshire, north, east, sea, Stonehaven, Dunnottar Castle, Hamlet, film, set, flags, battlements, upright, spectacular, coast, coastal, cliffs, fortress, transparency, scanned

Scotland > Other Scotland (1 file)

Photographs taken in the mid 90's mainly for the AA Publishing & Ordnance Survey Highland and Islands Guide book using transparency film covering the Highlands of Scotland from Inverness, northwards through Easter Ross to Wick and Thurso, along the Northern Coast, down the West Coast, including the Islands of Skye and Mull. Other material included was gathered for other AA Publishing Guides including Shetland, Pitlochry and Tayside. New photographs are now included from 2012 book commission travels in Angus, Perth, Kinross, Trossachs and Tayside.

Lochailort Church 121195JHP
Lochailort Church Fort William Mallaig railway line West coast Highland Scotland is famous for being used in the film Local hero supposedly next to the village of Pennan which is on the Moray Coast in Aberdeenshire.
Keywords: Scotland, Scottish, Highland, highlands, west, coast, Mallaig, Lochailort, church, railway, landscape, white, film, location, Local Hero

Scotland > Rivers, Glens & Lochs (30 files)

The gallery has photographs of Scottish lochs, glens and pictures associated directly with particular rivers in Scotland such as the River Dee, Don, Feugh, Urie, Deveron, Tanar, Dye, and Glen of Dee, Glen Muick and Glenbuchat.

River Dee Balmoral 199631jhp
River Dee Royal Deeside Balmoral estate summer roadside Lochnagar mountain located in Aberdeenshire Scotland and viewed by the North Deeside Road from the roadside near to Balmoral Castle where this famous salmon fishing river passes amongst the trees. Looking westwards in the direction of Lochnagar, Scotland’s fourth highest mountain, its distinctive outline above the forest to left of centre horizon line. The road continues westwards towards Inver, Invercauld and eventually Braemar. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Aberdeenshire, Balmoral, estate, Castle, River, Dee, Royal, Deeside, NDR, Lochnagar, roadside, westwards, water, forest, landscape, trees, Victorian, colours, pines, silver, birches, birch, larch, hills, summer, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Old Dee Brig Invercauld 199621jhp
Old Brig O’Dee stone bridge downstream river Dee Invercauld Scottish White Mounth hills and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch.
Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, bridge, Caulfield, rebellion, River, Dee, Royal, Deeside, landscape, rocks, boulders, water, forest, trees, bridge, military, access, soldiers, single, stonework, Historic, colours, colors, larch, silver birch, cirrus, clouds, dramatic, blue, sky, summer, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Loch Kinord Lilies 198024jhp
Loch Kinord summer Deeside Scottish Aberdeenshire south shore water reflections lilies lying beneath Hill of Morven and located to the north of North Deeside Road mid way the River Dee valley between Aboyne and Ballater. Nearby the loch is the Burn O'Vat an impressive gorge with visitors centre and public toilets while on the loch is a Crannog, prehistoric man made island and Osprey can sometimes be seen fishing in the tranquil waters of this SSSI. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Loch, Kinord, lilies, water, reflections, trees, silver, birches, glistening, sunshine, landscape, clouds, shapes, white, south, shore, dramatic, blue, sky, summer, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Loch Kinord Lilies 198020jhp
Loch Kinord summer Deeside Scotland water reflections lilies reeds clouds lying beneath Hill of Morven and located to the north of North Deeside Road mid way the River Dee valley between Aboyne and Ballater. Nearby the loch is the Burn O'Vat an impressive gorge with visitors centre and public toilets while on the loch is a Crannog, prehistoric man made island and Osprey can sometimes be seen fishing in the tranquil waters of this SSSI. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Loch, Kinord, lilies, water, reflections, reeds, trees, silver, birches, glistening, sunshine, landscape, clouds, shapes, white, south, shore, dramatic, blue, sky, summer, July, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Donside Inverurie 19209jhp
Inverurie River Don Spring Daffodils Coldwells Burnhervie Donside Aberdeenshire Scotland taken from the Burnhervie Road at Coldwells looking westwards on the road past Fetternear either for Kemnay or continuing on to Monymusk crossing the River Don. Although the town is now bypassed for the main route north to Huntly and Inverness it is still the hub for one of the main routes north to Banff and is an expanding commuter location for Aberdeen itself with road and railway connections. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Don, Donside, Garioch, Inverurie, town, spring, landscape, Burnhervie, roadside, west, Coldwells, daffodils, yellow, flowers, blue, sky, April, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Bennachie Mid Mar 192710jhp
Bennachie Mar Aberdeenshire Corsindae beech trees gean blossom spring Scottish rural taken from the roadside on the Corsindae road heading north from Mid-Mar near Echt, past the Kirk with its Standing Stones and very typical of an Aberdeenshire rural scene as the winter goes and spring colours start to appear but with field borders of mature beech trees still bare of leaves. Bennachie Hill to the west of Inverurie by the River Don is a distinctive landmark in central Aberdeenshire with its unusual peak man made with its partially vitrified Pictish fort remains and easily accessed from a visitors centre on the Chapel of Garioch road between Monymusk and Pitcaple. This photograph was taken in 2002 the last year I used slide film, either 35mm or 645 as my main medium for landscape photography. It is still representative of the general countryside despite their age and is chosen because of the lovely light and colours as it can still be on the right day.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Corsindae, Donside, Echt, Mid, Mar, Bennachie, view, vitrified, fort, landscape, upright, gorse, beech, trees, gean, blossom, white, flowers, roadside, sunny, countryside, rural, nature, spring sunshine, morning, grass, green, farming, fields, agriculture, dyke, white, clouds, blue, sky, May, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Water of Dye 1914813jhp
Glen Dye Water rocks Clachnaben Aberdeenshire heather purple moorland summer forest scene which is a typical grouse shooting moorland in Aberdeenshire here near The Water of Dye in Glen Dye off the Cairn O'Mount road between Banchory on Royal Deeside and Fettercairn in the Mearns.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen, Dye, Clachnaben, hill, landscape, heather, purple, Charr, bracken, rocks, Spital, ruin, Cairn, O'Mount, road, bridge, water, estate, moorland, forest, pines, larch, summer, wildlife, countryside, rural, nature, colourful, colorful, coloured, colored, sun, sunshine, grass, walking, conservation, green, blue, sky, wild, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Loch Saugh Swan 1915221jhp
Loch Saugh swan rosebay willowherb purple Glensaugh Drumtochty Glen Mearns Aberdeenshire Scotland summer on the charming road that links Auchenblae in the Mearns with the main B974 Cairn O’Mount road opposite the Clatterin Brig restaurant. The road passes St Palladius Church and Drumtochty Castle in Glen Drumtochty which has interesting Forest Enterprise walks through mixed mature woodland and after leaving the forest the road enters Strath Finella passing this delightful loch near Glensaugh, used for fishing and often visited by ducks and swans.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Loch, Saugh, Strath, Finella, Hills, Drumtochty, Glen, summer, landscape, swan, Auchenblae, Cairn, O’Mount, road, Glensaugh, Clatterin, Brig, forest, water, willowherb, rosebay, roadside, pylons, electric, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glen Dye Spital Ruin 191525jhp
Glen Dye Spital ruin Cairn road heather purple summer forest Scottish scene which is a typical grouse shooting moorland in Aberdeenshire here near The Water of Dye in Glen Dye off the Cairn O'Mount road between Banchory on Royal Deeside and Fettercairn in the Mearns.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen, Dye, Clachnaben, hill, landscape, heather, purple, Charr, bracken, rocks, Spital, ruin, Cairn, O'Mount, road, bridge, water, estate, moorland, forest, pines, larch, summer, wildlife, countryside, rural, nature, colourful, colorful, coloured, colored, sun, sunshine, grass, walking, conservation, green, blue, sky, wild, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glen Dye Spital Brig 191526jhp
Glen Dye Spital Brig Aberdeenshire Cairn road heather purple summer forest scene which is a typical grouse shooting moorland in Aberdeenshire here near The Water of Dye in Glen Dye off the Cairn O'Mount road between Banchory on Royal Deeside and Fettercairn in the Mearns.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen, Dye, Clachnaben, hill, landscape, heather, purple, Charr, bracken, rocks, Spital, ruin, Cairn, O'Mount, road, bridge, water, estate, moorland, forest, pines, larch, summer, wildlife, countryside, rural, nature, colourful, colorful, coloured, colored, sun, sunshine, grass, walking, conservation, green, blue, sky, wild, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Glen Dye Charr Burn 191529jhp
Glen Dye Scotland Aberdeenshire Charr Clachnaben Cairn road heather purple moors summer scene which is a typical grouse shooting moorland in Aberdeenshire here near The Water of Dye in Glen Dye off the Cairn O'Mount road between Banchory on Royal Deeside and Fettercairn in the Mearns. In the distance is the Charr burn and the shooting moorland of the Glen Dye Estate towards the west from the Cairn road.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Kincardineshire, Banchory, Fettercairn, Mearns, Royal, Deeside, Glen, Dye, Clachnaben, hill, landscape, heather, purple, Charr, bracken, rocks, Spital, ruin, Cairn, O'Mount, road, bridge, water, estate, moorland, forest, pines, larch, summer, wildlife, countryside, rural, nature, colourful, colorful, coloured, colored, sun, sunshine, grass, walking, conservation, green, blue, sky, wild, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Drumtochty Ponies 1915218jhp
Drumtochty Glen Mearns ponies forest fence curious Aberdeenshire Scotland summer on road to Auchenblae passing St Palladius Church and Drumtochty Castle in Glen Drumtochty from the junction near the Clatterin Brig Café on the Cairn O’Mount Road which has interesting Forest Enterprise walks through mixed mature woodland and after leaving the forest the road enters Strath Finella passing this delightful loch near Glensaugh, used for fishing and often visited by ducks and swans.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Mearns, Loch, Saugh, Strath, Finella, Hills, Drumtochty, Glen, hotel, Auchenblae, road, landscape, Fettercairn, iron, fence, ponies, grazing, curious, forest, Cairn, O’Mount, road, Glensaugh, Clatterin, Brig, café, restaurant, roadside, field, roadside, road, summer, August, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Potarch Dee Autumn 1919312jhp
Potarch Bridge River Dee Scotland riverbank colours rich autumn winter Deeside at this well known crossing point over the river from the North Deeside Road between Banchory and Kincardine O’Neil for heading eastwards to Feughside or south to join the southern route from Aboyne to Finzean. In the summer the riverbank can be mobbed with picnickers and swimmers while it is also a popular salmon fishing stretch and the narrow turbulent water good for canoeing.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Potarch, Kincardine, O’Neil, Ballogie, bridge, water, rocks, forest, fields, riverside, riverbanks, Way, River, Dee, landscape, dyke, road, path, beech, oak, birch, larch, trees, clouds, countryside, walking, cycling, russet, colours, colour, orange, golden, brown, leaves, November, winter, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Dinnet Heather 1912017jhp
Muir Dinnet moorland purple Scottish heather summer colourful Royal Deeside Aberdeenshire Scotland birches is passed after Loch Kinord on the North Deeside Road from Aberdeen westwards to Braemar after the town of Aboyne and before reaching Ballater. This area offers a colourful carpet in late summer and early autumn and one of the attractive features for visitors travelling westwards along the North Deeside Road to Braemar. Off to the right of this viewpoint is Morven Hill and below it a popular visitor attraction at the Burn O’Vat accessed by the Huntly road a few hundred yards on the right.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Dinnet, Muir, Aboyne, Ballater, Cambus O’May, road, North, Deeside, Royal, westwards, Morven, Pannanich, hill, moor, moorland, heather, calluna, vulgaris, red, purple, heath, family, ling, white, grouse, food, flowering, hills, summer, silver, birch, trees, forest, landscape, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Dinnet Heather 1912013jhp
Muir Dinnet moor purple heather summer rich colours Royal Deeside Aberdeenshire Scotland birches is passed after Loch Kinord on the North Deeside Road from Aberdeen westwards to Braemar after the town of Aboyne and before reaching Ballater. This area offers a colourful carpet in late summer and early autumn and one of the attractive features for visitors travelling westwards along the North Deeside Road to Braemar. Off to the right of this viewpoint is Morven Hill and below it a popular visitor attraction at the Burn O’Vat accessed by the Huntly road a few hundred yards on the right.
Keywords: Scotland, Scottish, Aberdeenshire, Grampian, Dinnet, Muir, Aboyne, Ballater, Cambus O’May, road, North, Deeside, Royal, westwards, Morven, Pannanich, hill, moor, moorland, heather, calluna, vulgaris, red, purple, heath, family, ling, white, grouse, food, flowering, hills, summer, silver, birch, trees, forest, landscape, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Upper Deeside Heather 1912735jhp
Linn River Dee above Gorge upstream trees forest Deeside Aberdeenshire Scotland dramatic dangerous bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upstream, above, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, granite, trees, pines, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Upper Deeside Heather 1912729jhp
Linn River Dee above Gorge upstream Deeside Glen Aberdeenshire Scotland dramatic dangerous bridge is as far west as the metal road goes in Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl or doubling back taking the metalled road to its end at the Quoich past the back of Mar Lodge and as far as the new National Trust for Scotland carpark.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, upstream, above, landscape, bridge, hills, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, granite, trees, pines, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Upper Deeside Heather 1912722jhp
Upper Deeside lay-by north Beinn A’Bhuird River Dee Braemar Aberdeenshire Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, Beinn, A’Bhuird, lay-by, hills, walks, heather, granite, trees, clouds, pines, forest, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Upper Deeside Heather 1912720jhp
Upper Deeside lay-by Glen Dee Braemar heather foreground purple Scotland summer hills clouds sunny before the Corriemulzie Gorge and located at a layby below Morrone Hill looking westwards up Glen Dee. In the centre right distance, just near the forest outlined on the river floodplain is Mar Lodge while off to the left are the Glens of Ey and beyond that the Tilt walk through to Blair Atholl, passing the Chest of Dee. This view greets the traveller leaving Braemar enroute to the Linn of Dee.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Braemar, Upper, Deeside, glen, Dee, Mar Lodge, river, landscape, lay-by, hills, walks, heather, granite, trees, clouds, pines, forest, countryside, rural, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Quoich Braemar 191296jhp
Quoich Punch Bowl Water river rocks gorge Deeside Glen Aberdeenshire Scottish is located east of the Linn of Dee on the North side of the River Dee west of Braemar. Passing another even more spectacular gorge at the Linn of Dee west of Braemar as the road goes deeper into Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl. From the Linn it is a slightly longer drive taking the metalled road to its end at the Quoich past the back of Mar Lodge to a new National Trust carpark and the main starting point for walks to Beinn A’Bhuird and beyond.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Water, waterfall, Quoich, punch, bowl, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, waterfall, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, forest, rowan, countryside, rural, heather, sunshine, blue, sky, white, clouds, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Quoich Braemar 191292jhp
Quoich Punch Bowl Water hole swirling rocks gorge Deeside Glen Scotland is located east of the Linn of Dee on the North side of the River Dee west of Braemar. Passing another even more spectacular gorge at the Linn of Dee west of Braemar as the road goes deeper into Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl. From the Linn it is a slightly longer drive taking the metalled road to its end at the Quoich past the back of Mar Lodge to a new National Trust carpark and the main starting point for walks to Beinn A’Bhuird and beyond.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Water, waterfall, Quoich, punch, bowl, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, waterfall, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, forest, rowan, countryside, rural, heather, sunshine, blue, sky, white, clouds, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Quoich Braemar 1912923jhp
Quoich forest purple heather pine trees Scots Deeside Glen Aberdeenshire Scottish is located east of the Linn of Dee on the North side of the River Dee west of Braemar. Passing another even more spectacular gorge at the Linn of Dee west of Braemar as the road goes deeper into Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl. From the Linn it is a slightly longer drive taking the metalled road to its end at the Quoich past the back of Mar Lodge to a new National Trust carpark and the main starting point for walks to Beinn A’Bhuird and beyond.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Water, waterfall, Quoich, punch, bowl, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, waterfall, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, forest, Caledonian, rowan, countryside, rural, heather, sunshine, blue, sky, white, clouds, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Quoich Braemar 1912917jhp
Quoich waterfall heather pruple upstream Water river rocks gorge Deeside Glen Aberdeenshire Scottish is located east of the Linn of Dee on the North side of the River Dee west of Braemar. Passing another even more spectacular gorge at the Linn of Dee west of Braemar as the road goes deeper into Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl. From the Linn it is a slightly longer drive taking the metalled road to its end at the Quoich past the back of Mar Lodge to a new National Trust carpark and the main starting point for walks to Beinn A’Bhuird and beyond.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Water, waterfall, Quoich, punch, bowl, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, waterfall, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, forest, rowan, countryside, rural, heather, sunshine, blue, sky, white, clouds, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Quoich Braemar 1912916jhp
Quoich waterfall heather Caledonian Forest Water river rocks gorge Deeside Glen Aberdeenshire Scottish is located east of the Linn of Dee on the North side of the River Dee west of Braemar. Passing another even more spectacular gorge at the Linn of Dee west of Braemar as the road goes deeper into Glen Dee and the Linn is a popular visiting place because of the dangerous and spectacular nature of the river crashing though this narrow cleft in the granite rocks. A public carpark nearby is ideal parking for walkers heading north into the Cairngorms or westwards past the Chest of Dee into Glen Tilt and on to Blair Atholl. From the Linn it is a slightly longer drive taking the metalled road to its end at the Quoich past the back of Mar Lodge to a new National Trust carpark and the main starting point for walks to Beinn A’Bhuird and beyond.
Keywords: Scotland, Scottish, Aberdeenshire, Royal Deeside, Braemar, Water, waterfall, Quoich, punch, bowl, Linn of Dee, Linn, upper, Deeside, glen, Dee, gorge, river, landscape, bridge, hills, waterfall, walks, rocks, deep, dangerous, water, rushing, turmoil, swirling, crashing, summer, granite, trees, pines, forest, rowan, countryside, rural, heather, sunshine, blue, sky, white, clouds, summer, August, heather, purple, white, clouds, blue, sky, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Brig O Dee Invercauld 1912533jhp
Old Brig O’Dee stone bridge heather river Dee Invercauld Scottish cirrus clouds dramatic light and is one of the many military bridges built after the Forty Five Rebellion and that carried troops across the Highlands. This was built by Major Caulfield 1752 although often called a General Wade bridge, the person who started the process many years earlier. The bridge is located just east of Braemar and this view is from eastern side of the bridge, looking upstream with the golden colours of autumn larch and silver birch.
Keywords: Scotland, Scottish, Aberdeenshire, Braemar, Invercauld, Balmoral, estate, Old Brig O'Dee, bridge, Caulfield, rebellion, River, Dee, Royal, Deeside, landscape, rocks, boulders, weathered, erosion, water, forest, trees, bridge, military, access, soldiers, single, stonework, Historic, repaired, autumn, golden, colours, colors, larch, silver birch, cirrus, clouds, dramatic, blue, sky, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral High Views 191254jhp
Balmoral Upper Deeside high views westwards fields trees silver birch farm track dyke Scottish with the famous building below built by Prince Albert for Queen Victoria at the location of a smaller castle which was demolished to make way for the current larger property. It is located on the Banks of the River Dee in the community of Crathie mid-way between the towns of Ballater and Braemar on the A93. Lochnagar, the fourth highest mountain in Britain lies to the south of the estate and its distinct shape can be seen on the horizon line.
The estate and building are private belonging to Her Majesty the Queen and although open to the public for certain times of the year are not public property. My photographs can be used for scenic/tourism purposes only but must not be used for commercial endorsement of any product or services. Should such a use require to be made please contact The Factor at the Estates Office, Balmoral, Ballater, AB35 5TB Tel: 013397 42534. For details of opening times and the many activities available on the estate view the extensive Website.
This photograph is taken from farm track which goes from the main NDR to the west of the Castle entrance and links up with the B976 Corgarff to Tomintoul Road.
Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Deeside, Balmoral, Castle, Royal, landscape, morning, residence, estate, historic, history, Lochnagar, farm, track, Tomintoul, B976, high, above, woods, trees, summer, westwards, upper, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral Estate 1912524jhp
River Dee Deeside Ballochbuie Balmoral estate white bridge lattice summer August heather colours larch trees mountains located in Aberdeenshire Scotland and viewed from the North Deeside Road from between Ballater to Balmoral where this famous salmon fishing river passes through the ancient Ballochbuie Forest with some of Scotland’s earliest native Caledonian Scots Pines cared for on the Royal Balmoral Estate.
Keywords: Scotland, Scottish, Aberdeenshire, Inver, Balmoral, estate, River, Dee, Royal, Deeside, Ballochbuie, Caledonian, forest, landscape, trees, river, bridge, foot, Victorian, white, water, colours, larches, brown, golden, pines, silver, birches, birch, larch, hills, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Balmoral Estate 1912522jhp
River Dee Royal Deeside Ballochbuie Balmoral estate summer August heather colours larch trees mountains located in Aberdeenshire Scotland and viewed from the North Deeside Road from between Ballater to Balmoral where this famous salmon fishing river passes through the ancient Ballochbuie Forest with some of Scotland’s earliest native Caledonian Scots Pines cared for on the Royal Balmoral Estate.
Keywords: Scotland, Scottish, Aberdeenshire, Inver, Balmoral, estate, River, Dee, Royal, Deeside, Ballochbuie, Caledonian, forest, landscape, trees, river, bridge, foot, Victorian, white, water, colours, larches, brown, golden, pines, silver, birches, birch, larch, hills, summer, August, heather, 2002, Fuji, Velvia, 35mm, 50asa, slide, film, Nikon, FM2, 28mm f2.8

Falls Feugh Autumn SO20036jhp
Scotland Autumn Falls River Feugh Banchory colours beech golden waterfall water rocks at famous Royal Deeside falls taken from footbridge near Banchory. This photo was taken in 2003 and was one of my early digital photographs using the Fuji S2Pro, a camera I had tested and decided to switch to fulltime giving up slide film. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the creation of a wooden sculpture created for the ‘selfies’ as an alternative to allowing padlocks to be attached to the wire screens which was becoming a safety hazard given the accumulated weight. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, rocks, salmon, runs, leaping, public, bridge, footbridge, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, golden, brown, leaves, backlit, colours, colors, sunny, sunshine, sun, water, glinting, shining, colourful, October, Digital, DSLR, Finepix, Fuji, S2Pro, camera, photograph, early

Falls Feugh Autumn SO20034jhp
Scottish Autumn Falls River Feugh Banchory Kincardineshire waterfall trees water rocks at famous Royal Deeside falls taken from footbridge near Banchory. This photo was taken in 2003 and was one of my early digital photographs using the Fuji S2Pro, a camera I had tested and decided to switch to fulltime giving up slide film. A recent upgrade of the public viewing footbridge by the old road bridge has had additional interest by the creation of a wooden sculpture created for the ‘selfies’ as an alternative to allowing padlocks to be attached to the wire screens which was becoming a safety hazard given the accumulated weight. The viewing area is very popular for watching the salmon leaping up the falls on their annual migration to the spawning beds in the burns that feed the Water of Feugh especially in the Forest of Birse.
Keywords: Scotland, Scottish, Grampian, Aberdeenshire, River, Feugh, Banchory, falls, waterfall, rocks, salmon, runs, leaping, public, bridge, footbridge, landscape, countryside, rural, Nature, Fagus sylvatica, Fagaceae, tree, common, beech, trees, autumn, golden, brown, leaves, backlit, colours, colors, sunny, sunshine, sun, water, glinting, shining, colourful, October, Digital, DSLR, Finepix, Fuji, S2Pro, camera, photograph, early, upright

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