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Egypt > Aswan in general (67 files)

Images in this gallery relate to Aswan in southern Egypt covering the city, the River Nile and related sites except for more important places such as Philae, The Nubian Museum and Seheil Island Rock carvings.
Aswan Elephantine EG004832jhp 
 Elephantine Island Aswan Egyptian script Satet Senusret temple hieroglyphs insert visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004831jhp 
 Elephantine Egyptian restoration temple building Satet Satis Sesostris Senusret visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004830jhp 
 Elephantine Island Aswan Egypt temple painted reliefs cartouche Gods outlines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004829jhp 
 Elephantine Island Aswan Egyptian restoration Satis temple pillar Hathor face visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004828jhp 
 Elephantine Aswan Egypt restoration Satet temple God Amun Min ithyphallic visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004827jhp 
 Elephantine Island Aswan Egypt restoration temple Satis Satet coloured reliefs lines visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004826jhp 
 Elephantine Egyptian Satis painted relief carving lotus wine jars duck offering visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004825jhp 
 Elephantine Island Aswan Egypt restoration temple painted relief Anukis Anuket visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004824jhp 
 Elephantine Island Aswan Egypt Satis Tuthmosis embrace restored temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Tuthmosis 111, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004823jhp 
 Elephantine Island Aswan Egypt restoration temple coloured relief Amun pharaoh khepresh visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Amun, Tuthmosis 111, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004822jhp 
 Elephantine Island Aswan Egypt painted relief feet partial restoration Satis temple visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004821jhp 
 Elephantine Island Aswan Egyptian restoration temple buildings coloured blocks visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004820jhp 
 Elephantine Island Aswan Egypt restoration temple Satet Senusret Satis restored visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Senusret, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004819jhp 
 Elephantine Island Aswan Egypt restoration Satis Sesostris Senusret temple column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Senusret, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004818jhp 
 Elephantine Island Aswan Egypt granite carved plinth Gods pharaoh offering scene visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005025jhp 
 Elephantine Island Aswan Egypt River Nile fellucca Old Cataract Hotel sailing past visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, tourists, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005024jhp 
 Elephantine Island Aswan Egypt River Nile Nilometer boulders huge riverbank visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005023jhp 
 Elephantine Island Aswan Egypt Nilometer boulders carvings cartouche Nile water visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005022jhp 
 Elephantine River Nile Nilometer riverside Aswan Egyptian water boulders brick wall visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005021jhp 
 Elephantine Island Aswan Egypt garden museum seated statue nomarch peaceful visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005020jhp 
 Elephantine Island Aswan Egypt museum open air garden seated statue visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005019jhp 
 Elephantine Island Aswan Egypt garden museum trees flowers amphora Roman jar visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005018jhp 
 Elephantine Island Aswan Egypt Nilometer steps measuring water Nile floods visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005016jhp 
 Aswan Egypt Nilometer steps River Nile Old Cataract Hotel stone walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005015jhp 
 Elephantine Aswan Nilometer Cataract Hotel steps stone Nile river water Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836jhp 
 Elephantine Island Aswan Egyptian buildings mudbrick walls streets room houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004836Ejhp 
 Elephantine Island Aswan Egyptian shrines cult Heqa-ib Heka-ib deified governor Abu restoration Egypt visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004835jhp 
 Elephantine Aswan Egypt restored room column bases buildings mudbrick Abu visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004834jhp 
 Elephantine Aswan Egypt late dynasty houses mudbrick tiers walls rooms visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG004833jhp 
 Elephantine Island Aswan Egyptian column palm buildings mudbrick walls village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00509jhp 
 Elephantine Island Aswan Egyptian excavations temple Alexander Gate Cataract Hotel visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00508jhp 
 Elephantine Island Aswan Egypt restoration village buildings mudbrick Nile upstream view visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upstream, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, New, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00507jhp 
 Elephantine Island Aswan Nile River upstream Egypt buildings mudbrick walls visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00506jhp 
 Elephantine Island Aswan Egyptian buildings mudbrick Mausoleum desert Late Period remains visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00505jhp 
 Elephantine Island Aswan Egypt restored partially mudbrick houses Mausoleum Nile river visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, panorama, landscape, Mausoleum, Aga, Khan, Desert, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00504jhp 
 Elephantine Island Aswan Egyptian restoration temple buildings mudbrick modern city outline visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00503jhp 
 Elephantine Island Aswan Egypt overview restored houses buildings mudbrick village visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG00502jhp 
 Elephantine Island Aswan Egypt restoration temple buildings mudbrick visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005014jhp 
 Elephantine Island Aswan Egypt restoration Alexander gate gateway column visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005013jhp 
 Elephantine Island Aswan EgyptAlexander gatway carved papyrus column base visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, papyrus, gateway, gate, Alexander, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005012jhp 
 Elephantine Island Aswan Egypt naos Nectanebo granite temple debris blocks scattered on this site visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, granite, naos, Pepi 11, Nectanebo 11, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005011jhp 
 Elephantine Island Aswan Egypt Nile downstream Oberoi buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Elephantine EG005010jhp 
 Elephantine Island Aswan Egypt Nile New Cataract Hotel buildings mudbrick houses visited during a separate excursion and not usually included in standard Nile package tours. Taking a ferry over and paying for a museum and island visit is straight forward. This photo was taken in 2000 when restoration and excavation was ongoing and is record of progress at that time. It is also interesting to visit the famous Nilometer which was used for recording the start of the annual flooding of the Nile or inundation. The Nilometer is situated directly across from the equally famous Old Nile Cataract Hotel, written about in Agatha Christie’s Death on the Nile and which featured in the film of the same name. The island would have had strategic importance given its size and predominant position in the centre of the river.

There are the remains of several Temples to various Gods associated with the Island, the most notable being Khnum, the ram-headed provincial God of the region, Lord of the Cataract and Hapy, the Nile God. Khnum’s consorts were Satet/Satis and Anuket. Pre-historic remains and carvings have been found and occupation of the Island spanned almost the whole history to Egypt including a gateway showing Alexander 11 and Greco-Roman Necropolis of the Sacred Rams. Considerable occupation of the Island by high officials is evidenced by the spread of houses and shown in some of these photos. There is also evidence of a Jewish settlement from Aramaic papyri finds. A small but interesting Museum exhibits finds from all the periods of occupation and is well worth a visit. No photography was allowed. There is also a garden museum with statues of Middle Kingdom local nomarchs.

As several of the photos show is partially restored Temple of Satet with some painted relief blocks in place and the areas not found left a drawings showing figures in position. There was evidence of considerable reusing of older buildings particularly by the ruler Nectanebo 11, see also his naos, and later Alexander and two temples attributed to Amenhotep 111 and Tuthmosis 111 that existed at the time of the French expedition in 1800 where subsequently destroyed during civil unrest. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Elephantine, Island, Nilometer, Gazirat al-Aswan, upright, landscape, hieroglyphs, temple, Khnum, Napy, Satet, Satis, Sesostris 1, Anuket, Gods, restored, restoration, reliefs, painted, carvings, garden, statues, occupation, houses, buildings, mudbrick, workmanship, techniques, history, antiquity, ancient, Egyptian, package, trip, Egyptology, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual, Cataract, Hotel, ferry, felucca, sailing, water
Aswan Quarry EG949313ajhp 
 Aswan granite quarry levels layers hole marks Ptolemaic Roman period Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1994, slide, film, 35mm, format, Fuji, RDP, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00459jhp 
 Unfinished Obelisk Granite huge side view long to top Quarry Aswan ancient Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00458jhp 
 Unfinished Obelisk Granite channel base pounding Quarry Aswan Egyptian holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00457jhp 
 Abandoned Obelisk Granite side trench Quarry insitu background Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00456jhp 
 Unfinished Obelisk Granite huge side channel gully long view Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00455jhp 
 Granite huge Quarry workings techniques holes metal working Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, metal, copper, iron, chisel, marks, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00454jhp 
 Granite huge Quarry workings techniques chisel marks remains pink Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, heat, charcoal, fracturing, split, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00453jhp 
 Granite pink red Quarry chisel cuts workings techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG00452jhp 
 Granite closeup quarry Ptolemaic Roman techniques slots line fracture technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004515jhp 
 Granite pink grey Quarry workings panorama later techniques Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004514jhp 
 Granite huge Quarry metal teeth late workings remains technique Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004513jhp 
 Granite Quarry general overview old workings levels removed Aswan Egypt seen in this popular place, the quarry of the unfinished obelisk, visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. These remains of regularly cut holes are probably dating from Ptolemaic and Roman times when copper and iron tools were used, hundreds of year after the unfinished obelisk was abandoned. It is most interesting because of its sheer scale which, if completed, would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. Around the area are the remains of other stone quarrying as illustrated in this photo showing how holes were cut in the rock in a series of runs that allowed fractures to occur possibly using a variant on the ‘feather and plug’ method removing the blocks of pink granite to be removed but from a much later period. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004512jhp 
 Unfinished Obelisk Granite huge split side view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG004511jhp 
 Unfinished Obelisk Granite huge top view broken fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Northern, Ptolemaic, Roman, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, Diorite, balls, pounded, pounding, copper, iron, chisel, marks, heat, charcoal, fracturing, split, metal, tools, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 2000, slide, film, 35mm, format, Fuji, Velvia, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617232jhp 
 Unfinished Obelisk Granite huge top view centre fracture Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617231jhp 
 Unfinished Obelisk Granite central over view fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the end as can be seen in this photo. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG9617230jhp 
 Unfinished Obelisk Granite channel pounded trench Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred near the top. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, 35mm, format, Fuji RD, daylight, scanned, scan, Nikon, FM2, manual
Aswan Quarry EG02155ajhp 
 Unfinished Ramses Colossus Granite abandoned hill top Tlaina Quarry Aswan Southern Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02154ajhp 
 Unfinished Colossus Granite abandoned head face Ramses Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.
The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02153ajhp 
 Unfinished Colossus Granite base feet abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02152ajhp 
 Unfinished Colossus Granite rear Egyptians locals abandoned Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Quarry EG02151ajhp 
 Unfinished Colossus Granite abandoned fractured rear Tlaina Quarry Southern Aswan Egypt holiday package a popular place visited after considerable difficulty but thanks to my wonderful guide Suzanne Salama who arranged a taxi driver for me. The journey through the back streets, military zones and industrial sites was fascinating enough but even the taxi driver had to ask twice for directions. It was eventually not that far from a so-called sculpture park that I had ‘discovered’ the previous year on the same search but failed to find the colossus. There are other quarries and two in the Southern Quarry area of which Tlaina has this unfinished colossus, another statue is at Shallal Quarry while another has an unfinished sarcophagus. It is thought that a fracture in the shoulder of this statue of Ramses 11 might be why it was abandoned and further down the hill an unfinished square base has also been found as well as evidence of a ramp or track way that was being prepared for its transportation when completed.

The famous unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies or channels with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, landscape, Southern, Tlaina, quarry, granite, pink, red, colossus, Ramesside, Ramasses, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, hill, top, onlookers, locals, Egyptians, 2002, negative, film, 35mm, format, daylight, scanned, scan
Aswan Sunset EG961637jhp 
 Egypt Aswan Sunset Nile Qubbet el-Hawwa Dome red purple fellucca silhouette on the West Bank of the River Nile viewed from the berth of cruseboat on the northern end of the Corniche on the outskirts of Aswan and it is near here that one can get a local public ferry to cross over to the bluff and after a steep climb explore the Tomb-Chapels of the Nobles, former Governors of Aswan. The building silhouetted is the Dome of the Wind, the Qubbet el-Hawwa, resting place of a Muslim Sidi Ali. This may need extra sharpening as taken on a tripod and was a time exposure but there would have been some movement from the boat on the water or engine vibrations. 
 Keywords: Egypt, Egyptian, Aswan, River, Nile, Nubia, Nubian, Philae, Nasser, village, holiday, landscape, sunset, Qubbet el-Hawwa, Qubbat al-Hawa, Dome, Wind, Tomb, Chapels, Nobles, Governors, bluff, tombs, governors, ferry, islands, cruiseboat, berth, history, antiquity, ancient, archaeology, Egyptology, riverside, night, corniche, colourful colorful, colours, colors, red, orange, water, reflections, birds, reeds, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan
Aswan Quarry EG94423jhp 
 Unfinished Obelisk Granite huge abandoned fractured Quarry Aswan Egypt holiday package a popular place visited usually after the package tour excursion to Philae Island as it is located in the Northern Quarries on the outskirts of Aswan itself. There are other quarries and two in the South Quarry area have an unfinished colossus while another has an unfinished sarcophagus. The unfinished obelisk is the most interesting because of its sheer scale, if completed it would have been one of the largest ever cut out but it gives an idea of the techniques used to extract these monsters. Around the area are the remains of other stone quarrying showing how holes were cut in the rock in a series of runs that allowed fractures to occur and for the blocks of pink granite to be removed. Diorite, a very hard mineral stone was used as hammer balls to pound the granite and on either side of this obelisk can be seen deep gullies with bowled floors showing the depth penetrated. This obelisk is thought to have been abandoned when a fracture occurred at the very far end. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, upright, landscape, Northern, quarry, granite, pink, red, obelisk, unfinished, workmanship, techniques, huge, scale, abandoned, fractured, history, antiquity, ancient, Egyptian, package, trip, Egyptology, entrance, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan

Egypt > Infra Red Photographs (5 files)

This is a collection of Infra Red Black & White film photographs taken of the main sites of mainly Ancient Egypt in the late 1990's and they give a very different feel to the sites with the particular ghostly effect of this specialised Kodak film. Sites covered include Abydos, Colossi of Memnon, Abydos temple, Osireion, Dendera Temple, Edfu Temple, Esna Temple, Esna Lock, Karnak Temple, Kom Ombo Temple, Luxor Temple, Philae Temple, Aswan Felucca; River Nile cruise, Pyramids of Giza and The Sphinx
Abydos InfR EG98116jhp 
 Abydos Egyptian Temple infra red B&W ghostlike entrance Sety pylon carvings royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98115jhp 
 Abydos Egypt Temple infra red film B&W ghostly Osireion cenotaph Seti blocks white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98114jhp 
 Abydos Egyptian infra red film B&W ghost blocks Osireion water open white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
The photograph illustrates the Osireion, a cenotaph to Sety, completed by Merenptah but also a symbolic tomb for the God Osiris. This is now open to the air and is partly submerged but still its awesome size can still be appreciated with its megalithic granite blocks similar in appearance to the Valley Temple at Giza.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, upright, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98113jhp 
 Abydos Egypt interior Temple infra red film B&W ghostly carvings monument white limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, interior, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998
Abydos InfR EG98112jhp 
 Abydos Egypt Temple infra red black white ghostly entrance Seti royal monument limestone, situated at the most important and one of the oldest necropolis sites of ancient Egypt is the home of Osiris and the imposing structure in the photograph is The Temple of Seti/Sety 1 and added to by Ramses 11 particularly the courts and the portico viewed from this spot. There are many important elements to this temple and include an extensive King’s List and the spectacular remains of the Cenotaph to Sety 1, the Osireion.
This particular photograph was taken using Kodak Infra Red film which gives this classic ghostly affect. It was taken using a Nikon FM manual camera, 28mm Nikkor lens with a R72 filter and processed in ID11 for 11 mins.

Visits to Abydos are not usually included in standard Nile cruise packages and are usually arranged a private excursions from Luxor usually by road. In addition the trip can be extended to visit the Ptolemaic Dendera Temple near Qena although this temple is often organised as a separate excursion as par of a day Nile cruise from Luxor. If visiting Abydos make extra time for a visit by foot to the nearby small temple of Ramasses 11 which has some of the most wonderfully colourful wall paintings open to daylight so easily photographed. 
 Keywords: Egypt, Egyptian, Luxor, East, Bank, River, Nile, Qena, Asyut, Abydos, Osireion, granite, sandstone, blocks, huge, Cenotaph, Seti, Sethos, Sety, Ramses, painted, hieroglyphs, hall, ancestors, bulls, door, king-lists, second, approach, entrance, portico, pylon, court, flooded, water, table, island, Abedju, al-Madfunah, al-Ballyana, holiday, travel, landscape, tourism, cruise, history, archaeology, ancient, Egyptology, prehistory, prehistoric, dynastic, temples, palimpsest, layers, plaster, over-writing, UFO, lintel, helicopter, submarine, God, canine, necropolis, cult, Khentiamentiu, Osiris, Isis, King, Aha, 1st, mortuary, shrine, memnonium, ablution, tanks, first, hypostyle, Menes, Horus, Amun, Ptah, Re-Horakhty, Ptah-Sokar, Nefertem, Graeco-Roman, statues, colonnade, sunlight, B&W, Infra, red, film, negative, Kodak, Nikon, FM, manual, R72, filter, ghostly, ghostlike, black, white, 1998

Egypt > Luxor City & Misc West Bank (3 files)

Images in this gallery cover modern Luxor, general agriculture and photos not specific to other groups such as the recent excavations of the Sphinx Avenue, the alabaster factory and workers and the residential houses bordering the various roads to the main sites. It also includes the balloon flights and views from the balloon.
Luxor West Bank EG96720812jhp 
 Egypt Luxor West Bank Qurna River Nile dates Hatshepsut crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile looking across this fertile plain to the Theban Hills and in the direction of Hatshepsut Temple. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills. 
 Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, holiday, travel, tourism, cruise, history, landscape, archaeology, Egyptology, temples, Hatshepsut, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, 35mm, format, Nikon, FM2, manual, daylight, scanned, scan
Valley of Queens EG94275jhp 
 Egypt Luxor West Bank Thebes Valley Queens Tombs entrance hills rocks is the lesser known and visited burial necropolis on the West Bank of the River Nile at Luxor in which some Royal burials of this ancient civilisation of Pharaohs wives are contained as well as wives of important officials. Certainly one of the most beautiful is that of Queen Nefertari [66], restored by the Getty Institute and is not always open. Entry is by limited special permission and substantial entrance fee. I did have the chance to see it for a very limited time and of course no photography was allowed but it was an awesome experience, almost akin to be being in a Disney cartoon rich in colour. The usual tombs visited on a package visit are Queem Tyti [52], Prince Amun-hir-Khopshef [55] and Prince Kha’emweset [44]. 
 Keywords: Egypt, Egyptian, Luxor, West, Bank, Qurnat, Mura’i, Valley, Queens, wives, Princes, ladies, Place, Beauty, pharaoh, tombs, landscape, upright, ancient, Egyptian, archaeology, Egyptology, entrance, road, hills, desert, rocky, sand, heat, exposed, isolated, desolate, visitors, tourists, busy, 1994, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan
Luxor Farmland EG945610jhp 
 Egypt Luxor West Bank Qurna River Nile palm tree crops green taken in 1994 so from near the ferry crossing at Qurna al-Gaddah which was the option in those days from getting across the Nile. Today the preferred method for package tours for crossing the River Nile is by the new southern road bridge and then heading north and westwards towards the main ancient sites of the West Bank. The scene is also a reminder of the wealth that was the engine that created ancient Egypt because of the fertility bordering the River Nile caused by the annual inundations with the flood waters depositing fertile mud giving abundant food sufficient to feed the large transient labour force required to build these huge monuments from Giza, Memphis, Thebes and southwards to Abu Simbel. Today fertilisation of the river farmland is by artificial means and of course has an impact on the Egyptian import bills. 
 Keywords: Egypt, Luxor, West, Bank, River, Nile, Theban, hills, upright, holiday, travel, tourism, cruise, history, archaeology, Egyptology, temples, tombs, agriculture, Egyptians, farmers, farming, fields, mud, fertile, fertilisers, water, irrigation, crops, maize, corn, sugar, cane, donkeys, cattle, palm, trees, dates, vegetables, green, brown, tractors, ploughing, Qurna, landscape, 1994, slide, film, medium, format, transparency, 645, Bronica, ETRSi, daylight, scanned, scan

Egypt > Luxor Nobles Tombs (27 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp 
 Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp 
 Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp 
 Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp 
 Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp 
 Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp 
 Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp 
 Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp 
 Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp 
 Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp 
 Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp 
 Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. 
The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006730jhp 
 Egyptian Thebes Tombs Nobles Menna Marshland scene boat fishing fish water is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG9410023jhp 
 Egypt Luxor Menna Wife Banquet eye damage food details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 as this photo records and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji RDP 100asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 1994, Fuji, RDP, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006733jhp 
 Egypt Luxor Tombs Nobles Menna colourful wine lotus flowers Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006732jhp 
 Egypt Luxor Tomb Noble Menna marshland ducks ibis food hunting Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006731jhp 
 Egyptian Luxor Noble Menna marshland fishing nets fish colours details Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006729jhp 
 Egypt Luxor Tomb Mena herding Isis Horus mother unusual Anubis cattle Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. This depiction of the Goddess which I believe is Isis is very unusual with Horus on her head and I have not been able to find it elsewhere shown in my reference books or on the Internet. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006728jhp 
 Egypt Thebes Noble Menna Scribe cattle Isis Horus ankh Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006727jhp 
 Egypt Luxor Tombs Nobles Menna Banquet Wall covering colourful Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006726jhp 
 Egyptian Luxor Tomb Noble Menna Scribe Royal Tomb Reliefs walls room is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006725jhp 
 Egypt Luxor Tomb Noble Menna Wife Banquet scene Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006724jhp 
 Egypt Luxor Tombs Nobles Menna Scribe harvest farming scenes painted is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006723jhp 
 Egypt Thebes Tomb Noble Mena Osiris seated colourful Relief God offering is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, upright, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006722jhp 
 Egypt Luxor Noble Menna Wife offering Osiris God food Scribe Royal Tomb Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006721jhp 
 Egypt Luxor Menna Tomb Osiris Offering scenes Room ceiling walls is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006720jhp 
 Egypt Luxor Tombs Nobles Menna Scribe Royal banquet eyes missing colors is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Menna Tomb EG006719jhp 
 Egypt Luxor Tombs Nobles Menna Mena Scribe offering table colours details Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Menna Tomb-Chapel is cruciform in design located in the Upper Enclosure [Tomb 69] was a Scribe of the Royal Fields during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs, difficult to photograph as protected by Perspex sheeting and only lit by reflected light done by the custodians. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office.

Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. The hand reflected lighting used in some tombs causes a hot spot and nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern, as his eyes have been gouged out possibly by an enemy in ancient times. 
 Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, landscape, Menna, Mena, wife, God, Osiris, deceased, scribe, fields, recording, taxes, wheat, tomb, banquet, scene, painting, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Egypt > Philae Temple Aswan (1 file)

Photographs in this gallery are of Philae Temple dedicated to the Goddess Isis, a relocated site on an island in the flooded River Nile at Aswan including the Light and Sound Show night photos
Philae Light Show EG961647jhp 
 Philae Light Show Aswan Egypt outer wall carvings lights night Gods offering in which, during the first section, spectators walk through the temple with areas highlighted at each stop but the time to take photographs is limited but this area on the outer wall after leaving the second pylon was slightly easier as the lights stayed on longer. The second part of the evening is seated and photography is very easy, a tripod is permitted and necessary for time exposures to be made as flash on cameras is almost pointless and more of a nuisance for other viewers. This Sound & Light Show is perhaps the most spiritual of those shown at other centres especially with the trip at night by boat to the island and the peacefulness that naturally surrounds this location. 
 Keywords: Egypt, Aswan, River, Nile, Nubia, Agilkia, Philae, Temple, landscape, stele, outer, wall, second, pylon, pylons, Trajan, Kiosk, stele, Ptolemaic, Island, Sound, Light, Son, Lumiere, surreal, experience, spectacular, fantasy, dramatic, colours, colors, colourful, colorful, history, antiquity, ancient, Egyptian, walk, through, sitting, dark, night, stars, holiday, travel, tourists, tourism, boat, water, Egyptology, entrance, courtyard, colonnades, 1996, slide, film, medium, format, transparency, 645, Bronica, ETRSi, tungsten, daylight, balanced, scanned, scan

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