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Egypt > Kom Ombo Temple (22 files)

Pictures in this gallery are of Kom Ombo Temple located by The River Nile North Of Aswan
Kom Ombo EG20435jhp Kom Ombo Temple Nile Egypt rare high view Jim Henderson Photo of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20434jhp Kom Ombo Temple River Nile Egypt rare high view upstream vista of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20433jhp Kom Ombo Temple Nile Egyptian rare high view downstream overview of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204331jhp Kom Ombo museum blocks Egyptian hieroglyphs beautiful iconic symbols carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, Horus, falcon, God, snakes, bread, symbols, grammar, folded, cloth, three, sprays, means, last, oryx, animal, horns, staff, language, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204330jhp Kom Ombo museum blocks Egypt hieroglyphics many symbols sharp carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, upright, owl, village, crossraods, cross, symbol, circle, three, sprays, legs, means, last, scared, cow, disk, horns, head, infuriated, bull, rage, water, ripple, flowering, reed, legs, backward, ankh, D'jed, eye, basket, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204329jhp Kom Ombo Ancient Egypt hieroglyphics deep cut owl seated woman of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204328jhp Kom Ombo Ancient Egyptian hieroglyphs deep cut sharp symbols seated God of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, seated, God, star, ankh, legs, walking, backwards, turnback, retreat, reversed, grammar, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204327jhp Kom Ombo Temple Egyptian hieroglyphics carvings clear symbols owl woman seated of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204324jhp Kom Ombo Temple Egyptian hieroglyphs carved block symbols reed sedge D'jed of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, carvings, language, ibis, Thoth, God, pillar, bundle, noble, seated, revered, mouth, wicker, work, basket, wick, twisted, flax, milk, jug, net, lung, windpipe, grammar, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204323jhp Kom Ombo Temple Egypt hieroglyphs carvings blocks Wadjet Nekhet snake vulture of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, Wadjet, snake, Goddess, Nekhbet, vulture, Two, Ladies, Proectors, Lands history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204322jhp Kom Ombo Ptolemy Temple Egypt wall bas relief carvings detail rear hypostyle hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204321jhp Kom Ombo Temple Egypt cleaning restoring umbrella conservation painted reliefs of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204320jhp Kom Ombo Ptolemaic Temple River Nile Egyptian hypostle hall wall columns carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG20437jhp Kom Ombo Ptolemaic Temple River Nile Egypt hieroglyphs column carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204319jhp Kom Ombo sunny Temple Nile Egypt carved column large capitals floral hall of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204318jhp Kom Ombo morning Temple Nile Egypt columns large capitals floral hall carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204317jhp Kom Ombo interior Temple Nile Egypt columned hypostyle hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204316jhp Kom Ombo ruined Temple Nile Egypt columned hall ceiling supports carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204315jhp Kom Ombo Temple Nile Egypt columns broken colours painted carvings pylon of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204313jhp Kom Ombo Temple Nile Egyptian columns broken restored painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204312jhp Kom Ombo Temple Nile Egyptian hieroglyphs Hathor Ptolemy Horus painted carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000
Kom Ombo EG204310jhp Kom Ombo Temple River Nile Egypt hieroglyphs hall Sobek Horus carvings of this beautiful ruined temple just north of Aswan and a regular visit on all Nile Cruises, was principally built by Ptolemy V of Silsilah sandstone. Dedicated to two Gods – Sobek, the crocodile and Horus, the falcon and although it has been damaged over the years, mainly through slipping into the River Nile and some structural damage owing to earthquakes, there are still some wonderful colourful reliefs of the most detailed and delicate style. This trip was special for me in that I got special permission to climb up the back of the temple on the hill behind and match a view I had on a Victorian albumen print; the local Police Chief had to be involved and thanks to a good Kuoni Guide he agreed for me to be accompanied by a policemen as security was still a big thing after the 1997 attacks at Luxor. Unfortunately in the excitement I had forgot to adjust my ASA rating for Velvia and took the photos based on 400ASA-the film maws later pushed to 200asa so there is some increase in grain structure, not a feature of Velvia generally. On this visit some cleaning and restoration was being done to the many painted bas reliefs on the columns-hence the scaffolding and the sun umbrella but the bonus was the reliefs looked particularly vibrant. The time of day also meant some of the museum blocks with deep cut carvings were ideal to photograph as the shadows gave greater emphasis to the excellent cut marks of some iconic hieroglyphic symbols. Keywords: Egypt, East Bank, River Nile, Kom Ombo, Temple, summer, morning, hypostyle hall, pylon, columns, bas, reliefs, restoration, cleaning, conservation, coloured, colored, colours, colors, Silsilah, sandstone, landscape, upright, history, archaeology, ancient, Egyptian, Egyptology, crocodiles, Ptolemaic, Ptolemy, Horus, Haroeris, Harwer, Sobek, Hathor, carvings, detailed, delicate, beautiful, fine, Velvia, slide, film, scans, scan, scanned, 35mm, Nikon, FM, manual, July, 2000

Egypt > Valley of Kings Luxor (36 files)

Photographs of the Valley of the Kings from tomb interiors as well as exterior views of the valley including the tombs of Ramses 1V, KV 43 and 19.
Valley Kings EG0213077jhp Egypt Valley Kings Thutmosis Tomb KV43 star ceiling interior antechamber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases and this was a very difficult one to take becuase of the huge differences in light levels from the floor lighting to the ceiling and regettably was not taken in RAW file which would have offered more control in post production. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213076jhp Egypt Luxor Thutmosis 1V Tomb KV43 steep interior passage steps in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, steps, passage, passageway, steep, bare
Valley Kings EG0213075jhp Egypt Valley Kings Thutmose Tomb KV43 Osiris was septer ankh hedjet; crown; in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche
Valley Kings EG0213074jhp Egypt Valley Kings Luxor Tuthmosis Tomb Hathor Goddess ankh dress pink different in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different
Valley Kings EG0213073jhp Egyptian Valley Kings Thutmosis Tomb KV43 Hathor ankh dress different patterns in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, red, diamonds, patterns, ureaus, different
Valley Kings EG0213072jhp Egypt Valley Kings Luxor Thutmose Tomb painting Hathor eye makeup wedjat in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, cartouche, dress, pink, patterns, different, eye
Valley Kings EG0213071jhp Egypt Valley Kings Thutmosis Tomb KV43 Maya restoration hieratic text in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya; the section shown was the least effected by reflections on the perspex screen. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213069jhp Egypt Valley Kings Thutmose Tomb KV43 sarcophagus screen bare room in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213068jhp Egyptian Valley Luxor Thutmosis Tomb burial chamber sarcophagus Nephthys covered in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213067jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 Nephthys sarcophagus Ka arms in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213066jhp Egyptian Valley Kings Thutmosis head sarcophagus Nephthys hieroglyphics protection in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Nephthys, Ka, arms, outstreched, head, protection, corner, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, out-stretched, red, granite, plastic, glass, screen, reflections, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213065jhp Egyptian Valley Kings Tuthmosis Tomb sarcophagus cartouche granite red in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, birth, name, Thutmosis, Thutmose, 1V, Menkheperure, throne, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, red, grainte, cartouche, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213064jhp Egypt Valley Kings Luxor Thutmosis Tomb KV43 burial chamber interior in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213063jhp Egypt Valley Kings Thutmose 1V Tomb KV43 steep passageway inside in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213062jhp Egyptian Valley Kings Luxor Thutmosis Tomb passageway interior bare sloping floored in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs, hieroglyphics, passageway, steps, steep, bare
Valley Kings EG0213061jhp Egypt Valley Kings Thutmosis 1V Tomb KV43 Anubis painting colourful in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213060jhp Egypt Valley Kings Luxor Thutmose Pharaoh Tomb Osiris Anubis in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, hieroglyphs, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213059jhp Egypt Valley Kings Luxor Thutmosis Tomb Hathor ankh cartouche solar disk in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, upright, Osiris, bearded, hedjet, white, crown, was, septer, ankh, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213058jhp Egypt Valley Kings Luxor Thutmosis 1V Tomb KV43 Osiris painting antechmaber in the Valley of the Kings on the West Bank of the River Nile at Luxor which was robbed in antiquity and later restored by Horemheb through his official Maya. In the Tomb-Chamber is a red granite sarcophagus with still very brilliant colourful decoration as illustrated in the photo of the Goddess Nephthys. Thanks to the capability of the modern digital camera and adjustments in Photoshop reasonably accurate colours can be exhibited of tomb paintings lit by low level artificial light when tripods and flash are not allowed such as the head of Anubis. This was taken before the current ban on tomb photography was introduced when you could purchase a ticket to photograph in two tombs in 2002. Unfortunately most of the photos of the painting had to be taken through Perspex which diminishes their quality as it obvious in several cases. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, pharaoh, Tuthmosis, Thutmose, 1V, tomb, KV43, landscape, Osiris, Anubis, Hathor, jackal, head, painting, colourful, colorful, colours, colors, black, yellow, white, necklace, bright, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, hieratic, writing, Maya, restoration, text, death, burial, Nut, nightsky, mythology, afterlife, sarcophagus, Nephthys, out-stretched, granite, chamber, antechamber, interiors, austere, undecorated, columns, stars, ceiling, history, hieroglyphs
Valley Kings EG0213057jhp Egypt Egyptian Tomb KV19 Prince Mentuherkhepshef hieroglyphics entrance reliefs was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt; Luxor; West Bank; Thebes; Theban; Valley Kings; prince; tomb; KV19; Montu; Mentuherkhepshef; Montu-hir-Khopshef; upright; paintings; colourful; colorful; colours; colors; bright; white; plaster; ancient; Egyptian; archaeology; Egyptology; hieroglyphics; death; burial; mythology; afterlife; history; hieroglyphics; entrance; Gods; offering; fruit; flowers; wine; grapes; bread; DSLR; Fuji; S2; handheld; artificial; light; Photoshop; adjusted; corrections; Perspex; screens;
Valley Kings EG0213055jhp Egypt Luxor Valley Tomb Mentuherkhepshef Osiris Atef Crown painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Osiris, Atef, crown, beard, upright, painting, painted, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213054jhp Egyptian Tomb Prince Mentuherkhepshef painting closeup offering colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213053jhp Egypt Valley kings KV19 offering table closeup details painting colorful in the tomb of Prince Monu-hir- Khopshef, son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, closeup, details, painting, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213052jhp Egypt Luxor Tomb KV19 Mentuherkhepshef painting fruit wine grapes colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, closeup, detail, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213051jhp Egyptian Tomb Valley kings Offering table fruit food lotus flowers painted colourful was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, Lotus, table, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213049jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Khonsu Solar Disk Crescent painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, solar, disk, crescent, sky, diety, form, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213048jhp Egypt Tomb Mentuherkhepshef painting offering food feast details colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, painting, table, feast, Lotus, flower, fowl, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213047jhp Egypt Egyptian Tomb KV19 Montu-hir-Khopshef Sekhmet Sakhmat lioness painting colour was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, lioness, solar, disk, ureaus, red, dress, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213046jhp Egypt Luxor Tomb KV19 Prince Mentuherkhepshef Isis Goddess solar disk painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Isis, Goddess, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213045jhp Egypt Kings Valley Tomb Mentuherkhepshef painting fruit gifts table colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, landscape, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213044jhp Egyptian Tomb KV19 Prince Mentuherkhepshef Amun God painting colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Amun, God, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213043jhp Valley Kings Egyptian Tomb Prince Mentuherkhepshef Sekhmet painting solar ureaus colours was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Sekhmet, Sakhmet, Goddess, lioness, solar, disk, ureaus, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213042jhp Egypt Tomb KV19 Prince Montu-hir-Khopshef offering table fruit painting colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphics, death, burial, mythology, afterlife, history, hieroglyphs, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213041jhp Luxor Valley Kings Egyptian Tomb Mentuherkhepshef Khonsu falcon God painting colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, Khonsu, Falcon, God, Horus, Solar, Disk, Crescent, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213040jhp Egypt Egyptian Tomb Prince Mentuherkhepshef offering scene colors was son of Ramasses 1X, but his tomb was unfinished but has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens
Valley Kings EG0213039jhp Egypt Valley Kings Tomb KV19 Prince Mentuherkhepshef painting offering colours was son of Ramasses 1X, although his tomb was unfinished it has some excellent colourful depictions of the important ancient Egyptian Gods and although protected by Perspex panels, the custodian was very helpful and slid them back for me to take photographs in 2002 when it was still allowed. Thanks to the capability of the modern digital camera, the first and only chance I have had to use one, a Fuji S2 as photography is now banned in the Valley of Kings per se and especially in the tombs. Adjustments in Photoshop give the chance of reasonably accurate colours even when the tomb paintings were lit by low level artificial light when tripods and flash were not allowed; what could I get with a Nikon F700 and a tripod, which were allowed at one time as well. Keywords: Egypt, Luxor, West Bank, Thebes, Theban, Valley Kings, prince, tomb, KV19, Montu, Mentuherkhepshef, Montu-hir-Khopshef, upright, paintings, colourful, colorful, colours, colors, bright, white, plaster, ancient, Egyptian, archaeology, Egyptology, hieroglyphs, death, burial, mythology, afterlife, history, hieroglyphics, Gods, offering, wine, pouring, fruit, flowers, wine, grapes, bread, DSLR, Fuji, S2, handheld, artificial, light, Photoshop, adjusted, corrections, Perspex, screens

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