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Aurora over Scotland (11 files)

Aurora Borealis or Northern Lights displays photographed taken over Aberdeeshire in Scotland since 1989 covering some 350 events with arc, rays, coronas with a wide rnage of shapes and colours
Comet Hyakutake au96133jhp Comet Hyakutake March 1996 tail colours long Plough Scottish Deeside Aberdeenshire Scotland taken on the evening of the 25th March 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 23.50hrsUT between Kincardine O’Neil and Torphins on Deeside with part of The Plough Constellation visible a spring marker for the northern sky. I started photographing the Comet on the 24th and finished 17th April when I was able to include an Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 50mm f1.8 lens wide open at around 10 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Plough, Ursa Major, Big Dipper, 1996, March, spring, landscape, photos, photographs, tail, green, ion, ice, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 50mm
Comet Hyakutake au96116jhp Comet Hyakutake March 1996 night sky spring Deeside Aberdeenshire Scotland taken on the evening of the 24th March 1996 at Crooktree, 25 miles west of Aberdeen looking to north. This photo was taken at 22.00hrsUT between Kincardine O’Neil and Torphins on Deeside with part of The Plough Constellation visible a spring marker for the northern sky. I started photographing the Comet on the 24th and finished 17th April when I was able to include an Aurora display. This photo was scanned from a 35mm colour slide film, Fuji RSP processed for a 1600asa rating using a Nikon FM2, 50mm f1.8 lens wide open at around 10 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Torphins, Kincardine O’Neil, north, Comet, Hyakutake, Plough, Ursa Major, Big Dipper, 1996, March, spring, landscape, photos, photographs, tail, green, bluish, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP, RSP-412, exposed, time, long, Nikon, FM2, 50mm
Aurora Deeside au911019jhp Northern Lights Aberdeenshire autumn display strong arc red yellow streaming bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911018jhp Aurora Borealis 1991 Scottish September display folding arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside au911017jhp Aurora Borealis 1991 Scotland autumn display strong arc red yellow bright Deeside Aberdeenshire taken on the early morning just after 00.05 BST on 11th Sept 1991 at Crooktree, 25 miles west of Aberdeen looking to the north. An extremely bright and active display and this photo was one of several using a standard 50mm at f1.8 with much shorter exposures around 10 secs. This photo was scanned from a 35mm colour slide film, Fuji RSP11 processed for a 1600asa rating using a Nikon FM2 and usually 28mm f2.8 lens wide open at around 20 seconds. Keywords: Scotland, Scottish, British, North, Northern, East, Aberdeenshire, Royal Deeside, Deeside, Aurora Borealis, Aurora, Borealis, display, autumn, Torphins, Arc, folded, curtains, red, yellow, Rays, Northern Lights, Merry Dancers, 1991, September, landscape, photos, photographs, sunspots, solar, flares, CME, electrons, photons, storms, energy, sun, stars, oxygen, gas, Van Allen, belt, ionosphere, flares, space, molecules, magnetic, disturbance, magnetometers, belts, radiation, purple, red, yellow, pink, colourful, colorful, coloured, colored, colours, colors, celestial, clouds, nature, dark, nights, night-time, 35mm, slide, scanned, Fuji, RSP11, exposed, time, long
Aurora Deeside bnm1954jhp Aurora Borealis Scotland bright strong green red rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.51.42UT and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, bright, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1951jhp Northern Lights Scotland bright red green rays Aberdeenshire March Deeside taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.50.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1942jhp Aurora Borealis Scotland multiple rays streaming Deeside Aberdeenshire display west taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one at 21.47.59UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, streaming, flaring, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1939jhp Aurora Borealis Scottish many flaming rays Jim Henderson Photo experiment taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.47.37UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, flaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1922jhp Aurora Lights display Scotland bright flaming yellow rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.39.00UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph
Aurora Deeside bnm1918jhp Aurora Borealis Scottish hotspot streaming green arc active rays Deeside Aberdeenshire taken on the evening of 6th March, 2016 at Crooktree, 25 miles west of Aberdeen, starting around 8.00pm, this one taken at 21.36.52UT, and is the first display since the one that spanned the New Year. This photograph was taken with a Nikon D700 full frame DSLR using a 24mm/28mm Nikkor f2.8 lens at f4 aperture and ISO settings of 3200 which allows for shorter exposures circa 12 sec average times giving more accurate recordings of these moving events. The light conditions were sometimes not ideal because of passing snow flurries but the second burst of activity around 9.30 until nearly 10.00pm was in good clear conditions although cold. It had not been telegraphed from the Spaceweather site which was indicating possible displays caused by the solar wind but likely to occur much further North. During the early stage of the arc developing and going active there were several rays above the viewer but not powerful enough to develop into a half Corona. This particular photograph was an experiment using a 50mm f1.8 lens and using very short exposures of 2-5 secs at 3200ISO as there was substantially more movement in this far more compact area of activity however depth of field effect is significant as seen in the out of focus trees whereas in similar views using the 24mm lens it is hardly noticeable. Keywords: Scotland, Scottish, British, Grampian, North, Northern, East, Aberdeenshire, Royal, Deeside, Deeside, Torphins, Aurora, Borealis, Arc, Rays, bright, patches, Lights, Merry, Dancers, landscape, westwards, flaming, patching, streaming, CME, solar, night, sky, stars, oxygen, gas, molecules, magnetic, green, yellow, red, colourful, colorful, colours, colors, celestial, night, March, 2016, Mother’s Day, D700, Nikon, DSLR, 24mm, 28mm, 50mm, Nikkor, prime, lens, digital, tripod, time, exposure, photo, photos, photography, photograph

Egypt > Luxor Nobles Tombs (11 files)

Photographs in this gallery are of the various Tombs of the Nobles on the West Bank if the Nile at Luxor in the area called Qurnet Murai
Luxor Nakht Tomb EG00679jhp Egyptian Luxor Tombs Nobles Nakht grapes fish ducks food preparing Tomb Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00678jhp Egypt ancient food Nakht grapes figs fish ducks baskets food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00677jhp Egypt Luxor Astronomer Nakht honey wine food feast colours wall painting Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00676jhp Egyptian Luxor Tombs Nobles Nakht female harp player Tomb painted Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00675jhp Egyptian Luxor Tomb Noble Nakht food feast Tomb Colour Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00674jhp Egypt Luxor Nakht Tomb women servant lotus flower Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00673jhp Egypt Luxor Tombs Nobles Nakht women musicians naked Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, musicians, women, flute, lute, harp, naked, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG00672jhp Egypt Luxor Tombs Nobles Nakht grapes food feast pile Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006714jhp Egypt Luxor Nakht Tomb tree Goddess Hathor food feast papyrus Colours Relief is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006713jhp Egypt Luxor Tombs Nobles Nakht grapes wine making workmen Tomb Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm
Luxor Nakht Tomb EG006712jhp Egypt Luxor Tomb Noble Nakht grapes treading wine fowls workers Colourful Reliefs is one of many beautiful tomb decorations amongst the Tombs of the Nobles on the West Bank of the River Nile at Luxor. The Nakht Tomb-Chapel is located in the Village area [Tomb 52] was the Astronomer of Amun during the reign of Thutmosis 1V around 1400BC. This was one of the first Tombs of the Nobles I visited in 1994 and I was taken immediately by the colourful painted reliefs but difficult to photograph as the lighting was extremely limited and only properly lit small areas of a scene. The area around the Tombs has now been greatly improved with removal of many of the old modern houses and entry to these fascinating burial sites made more accessible. Visits to these tombs tend to be privately organised rather than being part of a package tour but it is easily organised with a taxi from the East Bank hotels, payment for selected tombs is made at the ticket office beforehand near the Colossi of Memnon with the area being very close to the ticket office. Photography certainly the last time I was in Egypt in 2007 had been banned in all the tombs so these photos although not very good technically are useful as a record of the nature of the tombs and especially their paintings. These images have not been sharpened during post production but will benefit from some USM sharpening prior to use. Hand held as no tripods were allowed and using slide film, Fuji 400asa, did not give great leeway to get decent photos, oh for my Nikon DSLR with 6400ISO. In this case I remember using a 80B Blue filter to try to counteract the very low grade tungsten lighting and because of the speed loss was using my 50mm f1.8 Nikkor lens wide open so had absolutely no Depth of Field to play with and a shutter speed of 30th second or less-really impossible to produce technically good images. The hand reflected lighting used in some tombs causes a hot spot so nothing by way of a balanced light but it is daylight balanced. However being direct sunlight reflected off tin foil would probably being doing more damage to the paintings than a suitable wide angle flash with UV filter. Given that most of the paints used in these tombs is mineral based then actually either method would do no measurable damage. The Perspex sheeting, however inconvenient, and not a problem from memory in Nakht’s Tomb, is to stop the physical touching of the paintings accidentally or otherwise, by inquisitive hands or swinging backpacks, and is absolutely vital protection to preserve these invaluable unique irreplaceable paintings. Some of the obvious damage to the paintings is not all modern. Keywords: Egypt, Egyptian, ancient, Luxor, Tombs, Nobles, Thebes, River Nile, West Bank, Old Qurna, Sheikh Abd’el-Qurna, village, landscape, upright, Nakht, wife, Tawi, Taui, God, Amun, deceased, Observer, Hours, astronomer, tomb, banquet, scene, painting, Tree, Goddess, Hathor, fruit-tree, headdress, sycamore, grapes, offering, fish, ducks, food, flowers, lotus, bread, loaves, wine, fishing, marshland, boats, agriculture, cattle, farming, girls, workers, colourful, colorful, colours, colors, painted, natural, light, 2000, Fuji, RHP, 80a, tungsten, filter, slide, film, scanned, scan, daylight, balanced, Nikon, FM2, 35mm

Scotland > Clouds, Sunsets, Dawns and Weather (23 files)

The gallery has images of weather related subjects from clouds to dawns and sunrises, NLC or noctilucent clouds nights, moon to sun rings, rainbows, double rainbows, meteors, shooting stars, Perseids. The range of clouds includes cirrus, storm clouds, white puffy fair weather clouds, monster cloud formations, haar, sun beams, lenticular, mama, a wide range of different meteorological structures and types.
Winter-Dawn-Aberdeenshire-wsc1513jhp Scotland Aberdeenshire winter dawn rich red colours clouds shapes Deeside hilltop colourful looking from Ord Fundlie to Beltie, Hill Fare, and Glassel near Torphins in Aberdeenshire, North East Scotland about 25 miles west of Aberdeen. Often the shapes and range and vibrancy of the colours defies descriptions and can only be seen to be believed; my experience is that the colourful phase only lasts for at most 20 minutes so it is often being in the right place at the right time and best photographed using a tripod as the very low light levels mean longer exposures especially at best quality ISO settings and overall sharp apertures. This portrait style photo was taken on 22 January, 2022 at 8.30hrs UT looking Eastwards. Keywords: Scotland, Scottish, Aberdeenshire, Royal, Deeside, Ord, Fundlie, Hill, Fare, Craigmyle, Glassel, Beltie, hill, trees, silhouette, Torphins, sunrise, dawn, sun, winter, east, landscape, clouds, shapes, dramatic, countryside, rural, icy, fields, frost, nature, surreal, spectacular, beautiful, artistic, impressionist, airbrushed, colours, colors, colourful, colorful, coloured, colored, sunshine, golden, bronze, pink, yellow, red, mauve, purple, pastel, weather, meteorological, Nikon, 2022, digital, camera, D700, 28-300mm zoom lens, 50mm, normal, perspective, upright, portrait
Deeside-June-Sunset-qax9612jhp Deeside Scottish June sunset strong clouds colours orange golden details shapes normal Aberdeenshire Kincardine O’Neil is some 25 miles west of Aberdeen in North East Scotland. The most colourful period only lasts a few minutes so it is very much being in the right place at the best time but it helps having a forest or nice river scene on the doorstep but with a major mountain range to the west of Deeside, often the sun setting behind them or a large bank of rain cloud kills off the best of any last minute colour. The biggest problem with sunsets are they can take longer from the start of colourful clouds through to the more subtle final reds but every evening the shapes and nature of the clouds and light is different. This one was taken on the 27th June, 2021 around 21.06hrs UT. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal, Deeside, Stranduff, Torphins, Ord, Fundlie, sunset, evening, summer, setting, sun, landscape, shaped, clouds, shapes, patterns, dramatic, surreal, beautiful, artistic, pastel, delicate, waves, bands, impressionist, colours, colors, colourful, colorful, coloured, colored, golden, grey, red, orange, pink, yellow, weather, meteorological, forest, hilline, trees, fields, silhouette, Nikon, 2021, June, digital, camera, D700, DSLR, photograph, photo, lens, 28-300, 50mm focal length, normal
Comet-Neowise-with-Plough-qax7225jhp Comet Neowise Noctilucent clouds NLC summer northwards Ursa Major Plough Scotland July Deeside night sky rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them as was the conditions on this evening. This is taken looking magnetic 330 degrees from Crooktree Northwards with the Comet nearly centre, the Plough was off to the upper left and the NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.44UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Nikkor 24mm at f5.6, ISO 640 for 4sec. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
Comet-Neowise-with-Plough-qax7208jhp Comet Neowise Ursa Major Plough Big Dipper summer northwards Scottish July Deeside night sky rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them as was the conditions on this evening. This is taken looking magnetic 330 degrees from Crooktree Northwards with the Comet nearly centre, the Plough was off to the upper left and the NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.23UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Tokina SD 28mm at f4, ISO 640 for 5sec. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
Comet-Neowise-with-NLC-qax7232jhp Comet Neowise Noctilucent clouds summer night northwards Scotland Deeside Aberdeenshire stars sky rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them as was the conditions on this evening. This is taken looking magnetic 330 degrees from Crooktree Northwards with the Comet nearly centre, the Plough was off to the upper left and the NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.53UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Tokina SD 70mm at f4, ISO 640 for 8 sec. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
Comet-Neowise-with-NLC-qax7220jhp Comet Neowise Noctilucent clouds NLC summer northwards Plough Scottish July Deeside night sky rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them as was the conditions on this evening. This is taken looking magnetic 330 degrees from Crooktree Northwards with the Comet nearly centre, the Plough was off to the upper left and the NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.41UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Tokina SD 28mm at f4, ISO 640 for 10sec. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
Comet-Neowise-over-Deeside-qax7227jhp Comet Neowise Noctilucent clouds summer northwards Scotland July Deeside Aberdeenshire night sky rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them as was the conditions on this evening. This is taken looking magnetic 330 degrees from Crooktree Northwards with the Comet nearly centre, the Plough was off to the upper left and the NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.47UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Nikkor 50mm at f5.6, ISO 640 for 4sec. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th, upright
Comet-Neowise-over-Deeside-qax7215jhp Comet Neowise telephoto fan tails summer northwards Scottish July Deeside night sky rare event. This is taken looking magnetic 330 degrees from Crooktree Northwards of the Comet nearly centre with a telephoto lens, not of the ideal quality; the Plough was off to the upper left and a small NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.33UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Nikkor 28-300mm at maximum focal length at f7.1, ISO 640 for 6sec. Many examples of the Comet from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, telephoto, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
Comet-Neowise-over-Deeside-qax7204jhp Comet Neowise summer northwards Scotland July Deeside night sky rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them as was the conditions on this evening. This is taken looking magnetic 330 degrees from Crooktree Northwards with the Comet nearly centre, the Plough was off to the upper left and the NLC eastwards on the lower right and 25 miles west of Aberdeen in North East Scotland. Taken at 23.21UT [after midnight in BST] on 18th July 2020 using a D700 Nikon DSLR with a Tokina SD 70mm at f4, ISO 200 for 15sec. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, north, Comet, Neowise, The Plough, Ursa Major, Big, Dipper, tails, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, northern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO 200, 640, Nikkor 24mm, f2.8, 50mm, f1.8, Tokina SD, 28-70mm, AS Nikkor, 28-300mm, lens, 2020, July, 17th, 18th
NLC-over-Torphins-qax7012jhp Noctilucent clouds NLC summer night Scotland Aberdeenshire sky silver streak rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, my second show in 2020 in the late evening of the 3rd July into early 4th. Taken at 23.16 UT [after midnight in BST] using a D700 Nikon DSLR with a Nikkor 50mm f1.8 at f5.6, ISO 200 for 2.5secs. It was a perfect night with no wind and very little normal cloud cover. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, east, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, eastern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO200, Nikkor, 50mm lens, 2020, July, 3rd, 4th, .
NLC-Over-Torphins-qax7041jhp Noctilucent clouds NLC summer Torphins Scotland Deeside sky silver streak rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours from latent twilight are visible towards the horizon and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbledore's Pensieve in Harry Potter usually of sapphire blue, gossamer white colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, my second show in 2020 in the late evening of the 5th July into early 6th. Taken at 23.31 UT [after midnight in BST] using a D700 Nikon DSLR with a Nikkor 50mm f1.8 at f5.6, ISO 200 for 6secs. It was a perfect night with no wind and very little normal cloud cover. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, cumulus, landscape, NLC, east, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, stars, latitude, Northern, hemisphere, silvery, blue, cobwebs, filaments, detail, structure, waves, ripple, patterns, eerie, rare, beautiful, night, mesosphere, meteorological, phenomenon, phenomena, atmospheric, upper atmosphere, night, shining, meaning, eastern, sky, ultraviolet, radiation, sky, layers, Nikon, D700 FX, DSLR, digital, ISO200, Nikkor, 50mm lens, 2020, July, 5th, 6th.
NLC Torphins xcv9626jhp Noctilucent clouds NLC summer night Scotland Torphins Deeside sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensive in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland. Taken on 23July2015 at 23.05 UT [nearly midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 2.5 second exposure at ISO400. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins xcv9615jhp Noctilucent clouds NLC summer Scottish July Aberdeenshire sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensive in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland. Taken at 22.26 UT [nearly midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 1.1 second exposure at ISO400. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2599jhp Noctilucent clouds NLC eerie summer Scottish Aberdeenshire night sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 23.26 UT [after midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 1.6 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2607jhp Noctilucent clouds NLC colours silvery filaments shining night photo Scotland Aberdeenshire sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July this was one of the last photos before the cloud cloaked out the upper atmospheric show. Taken at 23.31 UT [after midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 3 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2600jhp Noctilucent clouds filaments Pensieve silver NLC summer night Scotland Aberdeenshire sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 23.27 UT [after midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 1.7 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2590jhp Noctilucent clouds NLC streaks filaments silvery night Scotland Aberdeenshire village lights under network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 23.20 UT [after midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 2 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2583jhp Noctilucent clouds NLC summer morning Scotland Deeside sky blue network filaments streaks rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 23.15 UT [after midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f2.8, 4 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2579jhp Noctilucent clouds NLC summer July Scottish Aberdeenshire sky spidery filaments rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 23.04 UT [ midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f4, 1.3 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2578jhp Noctilucent clouds NLC summer night Scotland Torphins Deeside sky filaments network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 23.02 UT [midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f4, 1.3 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2573jhp Noctilucent clouds NLC summer midnight Scottish Aberdeenshire sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July with some cloud problems at lower level. Taken at 22.59 UT [nearly midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f4, 2.5 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
NLC Torphins zxc2564jhp Noctilucent clouds NLC summer night Scotland Aberdeenshire sky blue network rare event usually occurring between latitudes 55 and 65 degrees resembling thin cirrus but most often a bluish silvery colour although orange or reddish colours and are a beautiful and eerie sight, the spidery network rather like the mind filaments from Dumbeldore's Pensieve in Harry Potter usually of sapphire blue, gossamer white or occasionally red colours from ice crystals catching the last twilight is seen around the time the brightest stars appear and their strength grows around maximum darkness, usually after midnight BST. They happen only a few times a year and need a clear cloudless night best to see them although in this photo the normal clouds are also present. This is taken looking magnetic 45 degrees from Crooktree over Torphins and 25 miles west of Aberdeen in North East Scotland, the first show in 2014 in the early morning of the 3rd July. Taken at 22.48 UT [nearly midnight in BST] using a D700 Nikon DSLR with 50mm f1.8 prime lens at f4, 1 second exposure at ISO500. Many examples of NLC from around the world can be seen in the gallery at www.Spaceweather.com. Keywords: Scotland, Scottish, Grampian, Aberdeenshire, Royal Deeside, Deeside, Torphins, Noctilucent, clouds, landscape, NLC, north, high, atmosphere, ice, crystals, cirrus, reflections, twilight, summer, sun, sapphire, blue, cobwebs, filaments, patterns, eerie, rare, night
Comet Pan-STARRS asd4984jhp Comet Pan-STARRS Pinwheel Galaxy M31 meteor Scotland Cassiopeia stars taken over Royal Deeside, Aberdeenshire about 25 miles West of Aberdeen on the 1st April, 2013 on the first evening with a completely clear sky for nearly two weeks. Taken at 20.42UTC [21.42BST] and looking West of North with Cassiopeia at top right corner and above the Comet is the smudge of the pinwheel galaxy M31. Taken with Nikon D700 at 1600ISO for 8 secs using 50mm Nikkor f1.8 Manual lens at f2. Keywords: Scotland, Aberdeenshire, Royal, Deeside, west, north, upright, Comet, Pan-STARRS, pinwheel, galaxy, M31, meteor, shooting, star, stars, Cassiopeia, constellation, night, sky, twilight, spring, astronomy, astronomical, DSLR, manual, time, exposure

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